{"title":"Dekoloniale Perspektiven \u0026 Antirassismus","description":"","products":[{"product_id":"return-to-the-postcolony-specters-of-colonialism-in-contemporar","title":"Return to the Postcolony. Specters of Colonialism in Contemporary Art","description":" \u003cspan class=\"b_text\"\u003eIn the wake of failed states, growing economic and political inequality, and the ongoing US- and NATO-led wars for resources, security, and economic dominance worldwide, contemporary artists are revisiting former European colonies, considering past injustices as they haunt the living yet remain repressed in European consciousness. With great timeliness, projects by Sven Augustijnen, Vincent Meessen, Zarina Bhimji, Renzo Martens, and Pieter Hugo have emerged during the fiftieth anniversary of independence for many African countries, inspiring a kind of “reverse migration”—a return to the postcolony, which drives an ethico-political as well as aesthetic set of imperatives: to learn to live with ghosts, and to do so more justly.\u003c\/span\u003e\r\r\u003cem\u003eT. J. Demos places contemporary art within the context of neoliberal globalization and what scholars have referred to as the “colonial present.” The analysis is complex and provocative, both for an understanding of the historical material as well as for the contemporary theoretical discourse. Return to the Postcolony is one of the most ambitious, intelligent, and readable texts on contemporary art related to the African context that I have read.\u003c\/em\u003e\r\u003cem\u003e —Alexander Alberro, author of Conceptual Art and the Politics of Publicity  \u003c\/em\u003e\r\r\u003cem\u003eThe specters of colonialism continue to haunt the current global order. Far removed from universalist and ultimately empty demands for a “global art history,” T. J. Demos uses particular cases to explore the false universality of “globalization” as we know it. This is art writing at its best: determinate and determined. \u003c\/em\u003e\r\u003cem\u003e—Sven Lütticken, author of Idols of the Market: Modern Iconoclasm and the Fundamentalist Spectacle\u003c\/em\u003e","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":46376227668315,"sku":"","price":19.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/Zabriskie_demos_return_to_postcolony-1.jpg?v=1679346205"},{"product_id":"cannibal-metaphysics","title":"Cannibal Metaphysics","description":" \u003cdiv id=\"slide_holder\"\u003e\r\u003cdiv id=\"details\" class=\"slide\"\u003e\r\u003cdiv id=\"details-description\"\u003e\r\rThe iconoclastic Brazilian anthropologist and theoretician Eduardo Viveiros de Castro, well known in his discipline for helping initiate its “ontological turn,” offers a vision of anthropology as “the practice of the permanent decolonization of thought.” After showing that Amazonian and other Amerindian groups inhabit a radically different conceptual universe than ours—in which nature and culture, human and nonhuman, subject and object are conceived in terms that reverse our own—he presents the case for anthropology as the study of such “other” metaphysical schemes and as the corresponding critique of the concepts imposed on them by the human sciences. Along the way, he spells out the consequences of this anthropology for thinking in general via a major reassessment of the work of Claude Lévi-Strauss, arguments for the continued relevance of Deleuze and Guattari, dialogues with the work of Philippe Descola, Bruno Latour, and Marilyn Strathern, and inventive treatments of problems of ontology, translation, and transformation. Bold, unexpected, and profound, \u003cem\u003eCannibal Metaphysics\u003c\/em\u003e is one of the chief works marking anthropology’s current return to the theoretical center stage.\r\u003cdiv class=\"author-bio\"\u003e\r\rEduardo Viveiros de Castro is a Brazilian anthropologist and professor at the National Museum of the Federal University of Rio de Janeiro.\r\r\u003c\/div\u003e\r\u003cdiv class=\"author-bio\"\u003e\r\rPeter Skafish is Andrew W. Mellon postdoctoral fellow in the anthropology department at McGill University.\r\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003cdiv id=\"purchase\"\u003e\r\u003cdiv id=\"details-product-list\"\u003e\r\u003cdiv class=\"add-to-cart-link\"\u003e\r\u003ch3\u003e\u003c\/h3\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r \r\r\u003c\/div\u003e\r ","brand":"Gardners","offers":[{"title":"Default Title","offer_id":46376242315611,"sku":null,"price":29.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_viveiros_de_castro_cannibal_metaphysics-1.jpg?v=1679346991"},{"product_id":"schwarzer-feminismus","title":"Schwarzer Feminismus","description":" \u003cdiv class=\"product-description\"\u003e\r\r»Bin ich etwa keine Frau*? Sehen Sie mich an! Sehen Sie sich meinen Arm an! Ich habe gepflügt, gepflanzt und die Ernte eingebracht, und kein Mann hat mir gesagt, was zu tun war! Bin ich etwa keine Frau*?« – Sojourner Truth, 1851\r\rAls Sojourner Truth während ihrer Rede auf einem Frauenkongress in Akron, Ohio, die Frage stellte, ob sie denn keine Frau* sei, brachte sie eine Debatte ins Rollen, deren Ausmaß nicht abzusehen war. Sie hatte nämlich gleichermaßen \u003cem\u003eweiße\u003c\/em\u003e Frauen* für den Rassismus und Schwarze Männer für den Sexismus kritisiert, den sie Schwarzen Frauen* jeweils entgegenbrachten. Erst Ende des 20. Jahrhunderts, also fast 150 Jahre später, erhielt diese spezifische Form der Mehrfachdiskriminierung einen Namen. Es war Kimberlé Crenshaw, die 1989 den Begriff der ›Intersektionalität‹ prägte, der seitdem aus feministischen Diskursen nicht mehr wegzudenken ist.\r\rDoch wie verliefen die Schwarzen feministischen Debatten bis dahin? Vor welchen Herausforderungen standen Schwarze Frauen*im Globalen Norden? Und was können wir heute von ihnen lernen? Der vorliegende Band dokumentiert die Kontinuität dieser feministischen intellektuellen Tradition anhand ausgewählter Texte von Sojourner Truth, Angela Davis, The Combahee River Collective, bell hooks, Audre Lorde, Barbara Smith, Kimberlé Crenshaw und Patricia Hill Collins. Sie erscheinen erstmals in deutscher Sprache und werden so einem breiteren Publikum zugänglich gemacht.\r\r\u003c\/div\u003e","brand":"KNV","offers":[{"title":"Default Title","offer_id":46376257749339,"sku":null,"price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_kelly_schwarzer_feminismus-1-Kopie.jpg?v=1679347808"},{"product_id":"those-who-are-dead-are-not-ever-gone-pamphlet-1","title":"Those who are dead are not ever gone \/ Pamphlet 1","description":" \u003cem\u003eOn the Maintenance of Supremacy, the Ethnological Museum and the Intricacies of the Humboldt Forum.\u003c\/em\u003e\r\rThe institution of the ethnological museum or world museum seems to be in the midst of a serious crisis of choking. The delicacies that most of these museums have acquired, which is to say co-opted, which is to say ingested, seem to have collectively missed the track to the oesophagus and got stuck in the respiratory tract. They have been stuck there for as long as the history of mass collections, acquisitions and looting, for as long as the ruthless and ongoing extraction of cultural property has occurred in the former colonies outside of Europe.\r\rA twelve-act essay on the maintenance of supremacy, the ethnological Museum and the intricacies of the Humboldt Forum.\r\rBonaventure Soh Bejeng Ndikung was born in 1977 in Yaoundé, Cameroon. He is an independent art curator, art critic, author and biotechnologist. He is founder and artistic director of SAVVY Contemporary Berlin and editor-in-chief of SAVVY Journal for critical texts on contemporary African art. He was associate professor at Muthesius University Kiel, and is currently guest professor in curatorial studies at the Städelschule in Frankfurt. He was curator-at-large for documenta 14, and was a guest curator of the 2018 Dak’Art Biennale in Senegal.\r\rAlso available in German.","brand":"Archive Books","offers":[{"title":"Default Title","offer_id":46376259387739,"sku":null,"price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_Those-who-are-dead-are-not-ever-gone-1.jpg?v=1679347975"},{"product_id":"sowing-somankidi-coura","title":"Sowing Somankidi Coura. A Generative Archive","description":" \u003cem\u003eSowing Somankidi Coura. A Generative Archive\u003c\/em\u003e is a long-term research endeavor by Raphaël Grisey in collaboration with Bouba Touré around the permacultures and archives of Somankidi Coura, a self-organized cooperative along the Senegal river founded by a group of former African migrant workers and activists in France in 1977 after the Sahel drought of 1973.\r\rThe book assembles texts, voices, images, takes, retakes and research around the Pan-African history of the cooperative of Somankidi Coura, the liberation struggles of migrant workers and farmers in France and West Africa. It enables thinking a politics of decolonisation for agriculture, migration, care, soil and the archive. Sowing Somankidi Coura. A Generative Archive offers new perspectives on the analyses and modes of action of ACTAF (Cultural Association of African Workers in France), and the permacultures of the Cooperative of Somankidi Coura, for speculative permacultures to germinate.\r\rSowing Somankidi Coura presents a series of interviews with Bakhoré Bathily, Goundo Kamissokho Niakhaté, Mady Koïta Niakhaté, Ladji Niangané, Ousmane Sinaré, Siré Soumaré and Bouba Touré, the cooperative’s founders, a large selection of Bouba Touré’s photo archive, and various contributions from Raphaël Grisey, Tobias Hering, Olivier Marboeuf, Aïssatou Mbodj- Pouye et Jean-Philippe Dedieu, Karinne Parrot, Romain Tiquet, Kaddù Yaraax and Sidney Sokhona.","brand":"Archive Books","offers":[{"title":"Default Title","offer_id":46376259518811,"sku":null,"price":32.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_Sowing-Somankidi-Coura-1.jpg?v=1679347997"},{"product_id":"shy-radicals-the-antisystemic-politics-of-the-militant-introver","title":"Shy Radicals: The Antisystemic Politics of the Militant Introvert","description":"\u003cp\u003eThis new paperback edition is now available. \u003cem\u003eThe quieter you become, the more you are able to hear\u003c\/em\u003e – Lao Tzu\u003c\/p\u003e\n\u003cp\u003eDrawing together communiqués, covert interviews, oral and underground history of introvert struggles (Introfada), here for the first time is a detailed documentation of the political demands of shy people. Radicalised against the imperial domination of globalised PR projectionism, extrovert poise and loudness, the Shy Radicals and their guerrilla wing the Shy Underground are a vanguard movement intent on trans-rupting consensus extrovert-supremacist politics and assertiveness culture of the twenty first century. The movement aims to establish an independent homeland – Aspergistan, a utopian state for introverted people, run according to Shyria Law and underpinned by Pan-Shyist ideology, protecting the rights of the oppressed quiet and shy people. Shy Radicals are the Black Panther Party of the introvert class, and this anti-systemic manifesto is a quiet and thoughtful polemic, a satire that uses anti-colonial theory to build a critique of dominant culture and the rising tide of Islamophobia. Shy Radicals author Hamja Ahsan is an artist, curator and activist based in London. He is the Free Talha Ahsan campaign organiser. He has presented art projects at Tate Modern, Gwangju Biennale, Shaanakht festival Pakistan and Shlipa Academy, Bangladesh. He co-founded DIY Cultures Festival in 2013.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCommon Objectives\u003c\/em\u003e is a series of projects from artist\/writer collectives or individual art practices engaged with emerging political struggles, rejecting the idea of culture as a playground for the elite, engaging in the potent mix of free discourse, solidarity and the production of new desires and prepared to break open old worlds, either in the virtual space of communication and networks, or in the concrete world of action, discourse and distribution. Common Objectives is commissioned by Book Works from open submission and edited by Nina Power.  \u003c\/p\u003e","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":46376261386587,"sku":"","price":16.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_hamja_ahsan_Shy-Radicals.jpg?v=1679348059"},{"product_id":"eloj-kreyol-field-essays-55-3","title":"Eloj Kreyol - Field Essays 55.3","description":" \u003cstrong\u003eMeanderings in the field of decolonial design\u003c\/strong\u003e\r\rIn this fourth edition of Field Essays we explore the specific decolonial and tactile research approach in the work of Paris-based design-duo dach\u0026amp;zephir. Convinced of the symbolic act of transmission and the gestures objects convey they zoom into the historic making of identity.\r\rField Essays’ centrifugal node Sophie Krier follows upon their ongoing research Éloge Créole, Chapitre 2, Escale 1 in which they interweave creole histories and archival footage from the island of Martinique. Krier invited writer and curator Lucy Cotter to reflect on the ethics of cultural exchange and how the unknown in collaborative making might generate new ways of thinking. The art historian Thomas Golsenne was also invited to analyse their work through the lens of ‘Bricologie', the (non)science of mending and re-composing. From the island’s perspective, the Martiniquansociologist and poet André Lucrèce speaks about the lasting (mental) hierarchies that persist to this day.\r\rField Essays takes an editorial approach to practice-based research. It functions as a living conversation platform that explores peripheral practices probing unknown territories, methods and works. This way, Field Essays articulates living practices today. Field Essaysis a research platform lead and initiated by artist\/researcher Sophie Krier and is hosted by Onomatopee Projects.\r\u003cdl\u003e\r \t\u003cdd\u003e\u003c\/dd\u003e\r \t\u003cdt\u003eAuthors: Lucy Cotter, Thomas Golsenne, André Lucrèce\u003c\/dt\u003e\r \t\u003cdt\u003eGraphic: In Edition \/ Eva van der Schans\u003c\/dt\u003e\r \t\u003cdt\u003e\u003ca href=\"http:\/\/www.dachzephir.com\/\"\u003eArtist: dach\u0026amp;zefir\u003c\/a\u003e\u003c\/dt\u003e\r\u003c\/dl\u003e\r\u003cimg class=\"alignnone size-full wp-image-1069535\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/11\/zabriskie_Eloj_Kreyol_Field_Essays_55.3_-2.jpg\" alt=\"\" width=\"1200\" height=\"1200\"\u003e \u003cimg class=\"alignnone size-full wp-image-1069537\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/11\/zabriskie_Eloj_Kreyol_Field_Essays_55.3_-4.jpg\" alt=\"\" width=\"1200\" height=\"1200\"\u003e \u003cimg class=\"alignnone size-full wp-image-1069541\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/11\/zabriskie_Eloj_Kreyol_Field_Essays_55.3_-6.jpg\" alt=\"\" width=\"1200\" height=\"1200\"\u003e \u003cimg class=\"alignnone size-full wp-image-1069543\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/11\/zabriskie_Eloj_Kreyol_Field_Essays_55.3_-7.jpg\" alt=\"\" width=\"1200\" height=\"1200\"\u003e \u003cimg class=\"alignnone size-full wp-image-1069545\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/11\/zabriskie_Eloj_Kreyol_Field_Essays_55.3_-8.jpg\" alt=\"\" width=\"1200\" height=\"1200\"\u003e\r\r\u003cimg class=\"alignnone size-full wp-image-1069548\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/11\/Onomatopee-55.3-_-Eloge-Kreole-_-dach-zefir-_-Sophie-Krier-_-In-Edition-_-Eva-van-der-Schans-_-Oliver-Barstow-_-Thomas-Golsenne-_4.jpg\" alt=\"\" width=\"2500\" height=\"1667\"\u003e \u003cimg class=\"alignnone size-full wp-image-1069550\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/11\/Onomatopee-55.3-_-Eloge-Kreole-_-dach-zefir-_-Sophie-Krier-_-In-Edition-_-Eva-van-der-Schans-_-Oliver-Barstow-_-Thomas-Golsenne-_5.jpg\" alt=\"\" width=\"2500\" height=\"1667\"\u003e \u003cimg class=\"alignnone size-full wp-image-1069552\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/11\/Onomatopee-55.3-_-Eloge-Kreole-_-dach-zefir-_-Sophie-Krier-_-In-Edition-_-Eva-van-der-Schans-_-Oliver-Barstow-_-Thomas-Golsenne-_6.jpg\" alt=\"\" width=\"2500\" height=\"1667\"\u003e \u003cimg class=\"alignnone size-full wp-image-1069554\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/11\/Onomatopee-55.3-_-Eloge-Kreole-_-dach-zefir-_-Sophie-Krier-_-In-Edition-_-Eva-van-der-Schans-_-Oliver-Barstow-_-Thomas-Golsenne-_7.jpg\" alt=\"\" width=\"2500\" height=\"1667\"\u003e \u003cimg class=\"alignnone size-full wp-image-1069556\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/11\/Onomatopee-55.3-_-Eloge-Kreole-_-dach-zefir-_-Sophie-Krier-_-In-Edition-_-Eva-van-der-Schans-_-Oliver-Barstow-_-Thomas-Golsenne-_8.jpg\" alt=\"\" width=\"2500\" height=\"1667\"\u003e \u003cimg class=\"alignnone size-full wp-image-1069558\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/11\/Onomatopee-55.3-_-Eloge-Kreole-_-dach-zefir-_-Sophie-Krier-_-In-Edition-_-Eva-van-der-Schans-_-Oliver-Barstow-_-Thomas-Golsenne-_9.jpg\" alt=\"\" width=\"2500\" height=\"1667\"\u003e \u003cimg class=\"alignnone size-full wp-image-1069560\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/11\/Onomatopee-55.3-_-Eloge-Kreole-_-dach-zefir-_-Sophie-Krier-_-In-Edition-_-Eva-van-der-Schans-_-Oliver-Barstow-_-Thomas-Golsenne-_10.jpg\" alt=\"\" width=\"2500\" height=\"1667\"\u003e \u003cimg class=\"alignnone size-full wp-image-1069562\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/11\/Onomatopee-55.3-_-Eloge-Kreole-_-dach-zefir-_-Sophie-Krier-_-In-Edition-_-Eva-van-der-Schans-_-Oliver-Barstow-_-Thomas-Golsenne-_11.jpg\" alt=\"\" width=\"2500\" height=\"1667\"\u003e \u003cimg class=\"alignnone size-full wp-image-1069564\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/11\/Onomatopee-55.3-_-Eloge-Kreole-_-dach-zefir-_-Sophie-Krier-_-In-Edition-_-Eva-van-der-Schans-_-Oliver-Barstow-_-Thomas-Golsenne-_13.jpg\" alt=\"\" width=\"2500\" height=\"1667\"\u003e \u003cimg class=\"alignnone size-full wp-image-1069566\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/11\/Onomatopee-55.3-_-Eloge-Kreole-_-dach-zefir-_-Sophie-Krier-_-In-Edition-_-Eva-van-der-Schans-_-Oliver-Barstow-_-Thomas-Golsenne-_20.jpg\" alt=\"\" width=\"2500\" height=\"1667\"\u003e \u003cimg class=\"alignnone size-full wp-image-1069568\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/11\/Onomatopee-55.3-_-Eloge-Kreole-_-dach-zefir-_-Sophie-Krier-_-In-Edition-_-Eva-van-der-Schans-_-Oliver-Barstow-_-Thomas-Golsenne-_22.jpg\" alt=\"\" width=\"1667\" height=\"2500\"\u003e \u003cimg class=\"alignnone size-full wp-image-1069570\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/11\/Onomatopee-55.3-_-Eloge-Kreole-_-dach-zefir-_-Sophie-Krier-_-In-Edition-_-Eva-van-der-Schans-_-Oliver-Barstow-_-Thomas-Golsenne-_24.jpg\" alt=\"\" width=\"2500\" height=\"1667\"\u003e \u003cimg class=\"alignnone size-full wp-image-1069572\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/11\/Onomatopee-55.3-_-Eloge-Kreole-_-dach-zefir-_-Sophie-Krier-_-In-Edition-_-Eva-van-der-Schans-_-Oliver-Barstow-_-Thomas-Golsenne-_122.jpg\" alt=\"\" width=\"2500\" height=\"1667\"\u003e \u003cimg class=\"alignnone size-full wp-image-1069574\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/11\/Onomatopee-55.3-_-Eloge-Kreole-_-dach-zefir-_-Sophie-Krier-_-In-Edition-_-Eva-van-der-Schans-_-Oliver-Barstow-_-Thomas-Golsenne-_125.jpg\" alt=\"\" width=\"2500\" height=\"1667\"\u003e","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":46376274526555,"sku":null,"price":23.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_Eloj_Kreyol_Field_Essays_55.3_-1.jpg?v=1679348918"},{"product_id":"jumana-manna-a-small-big-thing","title":"Jumana Manna - A Small Big Thing","description":" Jumana Manna has emerged on the international art scene as a unique voice among her generation. Her work in film and sculpture explores how power is articulated through relationships, often focusing on the body and materiality in relation to narratives of nationalism and histories of place. This book accompanies the first solo museum presentation of the artist in the Nordic region, at Henie Onstad Kunstsenter, and traces her distinctive work.\r\rManna was born in the United States and grew up in Jerusalem. Her relationship to Norway began in 2006 when she was a student at the Oslo National Academy of the Arts, and started an artistic inquiry into the relations between her home territory—Palestine—and this new Arctic country. Manna has developed a body of work that has received acclaim from the region’s local artistic community; in 2017, she was among the artists chosen to exhibit at the Nordic Pavilion at the 57th Venice Biennale.\r\rThe title of the current publication reveals the various connotations of scale present in Manna’s practice. From the flat film screen to the three-dimensional space of her sculptures, scale is an instrument for Manna’s archaeological explorations of classification methods and biological processes. Included in this book are stills from the film \u003ci\u003eWild Relatives\u003c\/i\u003e (2018),\u003ci\u003e \u003c\/i\u003ea meditative documentary capturing the transit of seeds between the Svalbard Global Seed Vault in Norway and the fields of the Bekaa Valley in Lebanon. Alongside the film are two installations that question archival practices and plant taxonomy (\u003ci\u003eCache [Insurance Policy]\u003c\/i\u003e, 2018; and \u003ci\u003ePost Herbarium\u003c\/i\u003e, 2016). The remaining two installations present the fragmented body in relation to its location (\u003ci\u003eAdrenarchy\u003c\/i\u003e, 2018; and \u003ci\u003eThe Contractor’s Heel\u003c\/i\u003e, 2016).\r\r ","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":46376278884699,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_jumana_manna_A-Small-Big-Thing.jpg?v=1679349462"},{"product_id":"if-they-come-in-the-morning-voices-of-resistance","title":"If They Come in the Morning ... - Voices of Resistance","description":" With race and the police once more burning issues, this classic work from one of America’s giants of black radicalism has lost none of its prescience or power\r\rOne of America’s most historic political trials is undoubtedly that of Angela Davis. Opening with a letter from James Baldwin to Davis, and including contributions from numerous radicals such as Black Panthers George Jackson, Huey P. Newton, Bobby Seale and Erica Huggins, this book is not only an account of Davis’s incarceration and the struggles surrounding it, but also perhaps the most comprehensive and thorough analysis of the prison system of the United State.\r\rSince the book was written, the carceral system in the US has seen unprecedented growth, with more of America’s black population behind bars than ever before. The scathing analysis of the role of prison and the policing of black populations offered by Davis and her comrades in this astonishing volume remains as pertinent today as the day it was first published.\r\rFeaturing contributions from George Jackson, Bettina Aptheker, Bobby Seale, James Baldwin, Ruchell Magee, Julian Bond, Huey P. Newton, Erika Huggins, Fleeta Drumgo, John Clutchette, and others.","brand":"Zabriskie Buchladen für Kultur und Natur","offers":[{"title":"Default Title","offer_id":46376292352347,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_davis_If-They-Come-in-the-Morning.jpg?v=1679351289"},{"product_id":"neither-spices-nor-species-chronicle-of-patagonia","title":"Neither spices nor species - Chronicle of Patagonia","description":" \u003cem\u003eNi especias, ni especies: Crónica de la Patagonia\u003c\/em\u003e \u003cem\u003e(Neither spices nor species: Chronicle of Patagonia\u003c\/em\u003e_ is a hardcover book by artist Marcela Moraga, published by Ediciones Popolet in 2019. \u003cem\u003eNeither spices nor species\u003c\/em\u003e includes text in both English and Spanish and chronicles artist Marcela Moraga’s journey to Patagonia, Chile. Moraga grew up in Chile, but was never able to visit Patagonia because it was cost prohibitive. Now, an artist in Berlin, Moraga embarks on an expedition back to Chile from Berlin in order to experience this place, mythologized by lush landscapes and frigid temperatures. Moraga uses the form of an expedition, from Europe to South America, a trip with devastating colonialist roots, in order to subvert and reclaim that passage for herself. Moraga documents her journey as well as observations of flora and fauna, including illustrations and photographs. This book is a decolonial exploration of the expedition, a meditation on reclamation and homecoming.\r\rMarcela Moraga was born in Chile and lives and works in Berlin. She holds a BFA and MFA from the Universidad de Chile. In 2013 she completed the Postgraduate M.A. Course “Art in Context” at the Berlin University of the Arts (UDK). Her work has been shown internationally in galleries, museums and institutions, including: Museo de Arte Contemporáneo MAC Santiago (Chile); Kunsthalle M3 Berlin (Germany); National Center for Contemporary Art Saint Petersburg (Russia); Museu de Arte Contemporânea da Universidade de São Paulo (Brazil); among others. Her work focuses primarily on art interventions and performance about the relationship of people and nature, specifically the hierarchy and objects which inhabit public space. She documents her work in film and photography.\r\rEdiciones Popolet is an independent publisher and curatorial project based in Santiago, Chile.\r\r\u003cem\u003e\u003cimg class=\"alignnone size-full wp-image-1080090\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2020\/10\/zabriskie_marcela_moraga_Neither-spices-nor-species-Chronicle-of-Patagonia-4.jpg\" alt=\"\" width=\"1936\" height=\"1936\"\u003e \u003cimg class=\"alignnone size-full wp-image-1080092\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2020\/10\/zabriskie_marcela_moraga_Neither-spices-nor-species-Chronicle-of-Patagonia-5.jpg\" alt=\"\" width=\"1840\" height=\"1840\"\u003e \u003cimg class=\"alignnone size-full wp-image-1080094\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2020\/10\/zabriskie_marcela_moraga_Neither-spices-nor-species-Chronicle-of-Patagonia-6.jpg\" alt=\"\" width=\"1886\" height=\"1886\"\u003e \u003cimg class=\"alignnone size-full wp-image-1080096\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2020\/10\/zabriskie_marcela_moraga_Neither-spices-nor-species-Chronicle-of-Patagonia-7.jpg\" alt=\"\" width=\"1936\" height=\"1936\"\u003e\u003c\/em\u003e\r\r\u003cimg class=\"alignnone size-full wp-image-1080087\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2020\/09\/zabriskie_marcela_moraga_Neither-spices-nor-species-Chronicle-of-Patagonia-3.jpg\" alt=\"\" width=\"1936\" height=\"1936\"\u003e","brand":"Marcela Moraga","offers":[{"title":"Default Title","offer_id":46376293171547,"sku":null,"price":45.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_marcela_moraga_Neither-spices-nor-species-Chronicle-of-Patagonia-1.jpg?v=1679351428"},{"product_id":"vertrauen-kraft-amp-widerstand-kurze-texte-und-reden-von-aud","title":"Vertrauen, Kraft \u0026amp; Widerstand. Kurze Texte und Reden von Aud","description":" „Es sind nicht die Unterschiede, die uns hemmen, es ist das Schweigen“ (Audre Lorde)\r\rMit ihren Gedichten, Texten und Reden wollte Audre Lorde das Schweigen über Rassismus_Sexismus_Klassismus in politischen Aktivismus transformieren. Sie wurde und ist noch immer eine der wichtigsten Inspirationen für antirassistische Frauenlesbenbewegungen.\r\rIm deutschen Kontext hat ihr aktivistisches und akademisches Engagement in den 80er Jahren zentral zu Debatten um Rassismus_Antisemitismus innerhalb feministischer Zusammenhänge beigetragen und Schwarze feministische Stimmen sowie das Bilden einer Community bestärkt. Noch bis heute wirkt ihr Denken fort und verhelfen ihre Worte zu: Vertrauen, Kraft \u0026amp; Widerstand.\r\rDer Band bietet mit elf kurzen, erstmals ins deutsche übersetzten Texten und Reden von Audre Lorde eine pointierte Einführung in die Ideen ihres politischen Handelns. Eindringlich formuliert Audre Lorde darin ihre noch immer aktuelle Dominanzkritik sowie Ansätze zu antidiskriminierendem Aktivismus: von sprachlichen Interventionen bis zur Schaffung politischer Bündnisse über Differenzen hinweg.\r\rAnouchK Ibacka Valiente, Aktivistx, Künstlx und Filmemachx, hat internationales öffentliches Recht in Paris studiert und arbeitet zu afrikanischer Diaspora, Spiritualität und Identitäten. AnouchK engagiert sich für das Empowerment von queer-trans*-Black-PoC-Bündnissen und lebt in Berlin.","brand":"KNV, w_orten \u0026 meer","offers":[{"title":"Default Title","offer_id":46376295530843,"sku":null,"price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/Zabriskie_audre_lorde_vetrauen-1.jpg?v=1679351575"},{"product_id":"phanomenale-frauen-gedichte","title":"Phänomenale Frauen. Gedichte","description":" Für Millionen Frauen in den USA begann das eigene Selbstvertrauen mit einem Gedicht von Maya Angelou. Ihre Worte schenkten den Glauben an ein unabhängiges Leben. So wurde sie zur Ikone der afroamerikanischen Literatur. Phänomenale Frauen ist Maya Angelous Liebeserklärung an eine Schicksalsgemeinschaft und eine Auswahl ihrer besten Gedichte, nun erstmals in deutscher Übersetzung.\r\rGewalt, Repression, Schmerz, all das kannte Maya Angelou. Als Opfer eines Missbrauchs, als schwarzes heranwachsendes Mädchen im rassengetrennten Süden, als alleinerziehende Mutter im San Francisco der Nachkriegsjahre. Trotz allem verlor sie nie die Hoffnung, nie die Zuversicht, denn sie hatte eine Stimme, eine Sprache, die magischen Worte. Und der Kampf um Selbstbehauptung verwandelte sich im Laufe ihres Lebens in Poesie, ihr Werk wurde zur Hymne auf die Widerstandskraft und Größe der Frauen und sie selbst zu einer Jahrhundertdichterin.","brand":"KNV, Suhrkamp","offers":[{"title":"Default Title","offer_id":46376295989595,"sku":null,"price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/Zabriskie_maya_angelou_Phaenomenale-Frauen_Gedichte-1.jpg?v=1679351647"},{"product_id":"sister-outsider","title":"Sister Outsider - english paperback","description":" \u003cdiv class=\"ng-star-inserted\"\u003e\r\u003cdiv\u003e\r\r\u003cspan class=\"TextSchwarz\"\u003ePresenting the essential writings of black lesbian poet and feminist writer Audre Lorde, Sister Outsider celebrates an influential voice in twentieth-century literature.\u003c\/span\u003e\r\r[Lorde's] works will be important to those truly interested in growing up sensitive, intelligent, and aware. The New York Times\r\rIn this charged collection of fifteen essays and speeches, Lorde takes on sexism, racism, ageism, homophobia, and class, and propounds social difference as a vehicle for action and change. Her prose is incisive, unflinching, and lyrical, reflecting struggle but ultimately offering messages of hope. This commemorative edition includes a new foreword by Lorde-scholar and poet Cheryl Clarke, who celebrates the ways in which Lorde's philosophies resonate more than twenty years after they were first published.\r\rThese landmark writings are, in Lorde's own words, a call to never close our eyes to the terror, to the chaos which is Black which is creative which is female which is dark which is rejected which is messy which is . . .\r\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003cdiv class=\"ng-star-inserted\"\u003e\u003c\/div\u003e","brand":"KNV","offers":[{"title":"Default Title","offer_id":46376297693531,"sku":null,"price":19.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/Zabriskie_audre_lorde_sister_outsider-1.jpg?v=1679351885"},{"product_id":"when-i-dare-to-be-powerful","title":"When I Dare to Be Powerful","description":" 'Women so empowered are dangerous'Written with a 'black woman's anger' and the precision of a poet, these searing pieces by the groundbreaking writer Audre Lorde are a celebration of female strength and solidarity, and a cry to speak out against those who seek to silence anyone they see as 'other'.One of twenty new books in the bestselling Penguin Great Ideas series. This new selection showcases a diverse list of thinkers who have helped shape our world today, from anarchists to stoics, feminists to prophets, satirists to Zen Buddhists.","brand":"KNV","offers":[{"title":"Default Title","offer_id":46376297726299,"sku":null,"price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_audre-lorde_when-I-dare-to-be-powerfull-1.jpg?v=1679351891"},{"product_id":"die-quelle-unserer-macht-gedichte-zweisprachige-ausgabe-engli","title":"Die Quelle unserer Macht.   Gedichte - zweisprachige Ausgabe englisch-deutsch","description":"\u003cp\u003e\u003cspan _ngcontent-ng-c850248188=\"\"\u003e\u003cspan class=\"TextSchwarz\"\u003eDie vorliegende Auswahl ihres lyrischen Werkes stellte Audre Lorde kurz vor ihrem Tod, während ihres letzten Aufenthaltes in Berlin, selbst zusammen. Die Gedichte umspannen Themen von Liebe und Leidenschaft zwischen Frauen, den vielfältigen Kampf um Selbstbehauptung und gegen den Missbrauch von Macht, das Ausloten von Unterschieden als kreative Kraft und die Vision einer neuen, lebbaren Welt. Ihre persönliche, schmerzvolle und mutige Gratwanderung zwischen Leben und Tod schärften Audre Lordes Blick fürs Wesentliche. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e'Women so empowered are dangerous'Written with a 'black woman's anger' and the precision of a poet, these searing pieces by the groundbreaking writer Audre Lorde are a celebration of female strength and solidarity, and a cry to speak out against those who seek to silence anyone they see as 'other'. One of twenty new books in the bestselling Penguin Great Ideas series. This new selection showcases a diverse list of thinkers who have helped shape our world today, from anarchists to stoics, feminists to prophets, satirists to Zen Buddhists. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAudrey Geraldine Lorde\u003c\/strong\u003e (* 18. Februar 1934; † 17. November 1992) wuchs in New York als Tochter karibischer Immigranten auf, studierte an der Columbia University, arbeitete als Bibliothekarin und wurde schließlich Professorin für Englische Literatur am Hunter College in New York. 1991 erhielt sie die Walt Whitman Citation of Merit, mit der sie für 1991 bis 1993 zum New York State Poet, zur Dichterin des Staates New York, ernannt wurde. In den USA sind ihre Werke wesentlich populärer als in Deutschland - unter Feministinnen dort ist sie eine Kultfigur. 1992 starb Audre Lorde im Alter von 58 Jahren in ihrem Haus in St. Croix nach einem 14-jährigen Leben mit der Krebserkrankung.\u003c\/p\u003e","brand":"KNV","offers":[{"title":"Default Title","offer_id":46376307917147,"sku":null,"price":14.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_audre_lorde_die_quelle_unserer_macht.jpg?v=1679352670"},{"product_id":"eure-heimat-ist-unser-albtraum","title":"Eure Heimat ist unser Albtraum","description":" \u003cspan class=\"ng-star-inserted\"\u003e\u003cspan class=\"TextSchwarz\"\u003e\rMit Beiträgen von Sasha Marianna Salzmann, Sharon Dodua Otoo, Max Czollek, Mithu Sanyal, Margarete Stokowski, Olga Grjasnowa, Reyhan Sahin, Deniz Utlu, Simone Dede Ayivi, Enrico Ippolito, Nadia Shehadeh, Vina Yun, Hengameh Yaghoobifarah und Fatma Aydemir. \u003c\/span\u003e\u003c\/span\u003e\r\r\u003cspan class=\"TextSchwarz\"\u003eWie fühlt es sich an, tagtäglich als \"Bedrohung\" wahrgenommen zu werden? Wie viel Vertrauen besteht nach dem NSU-Skandal noch in die Sicherheitsbehörden? Was bedeutet es, sich bei jeder Krise im Namen des gesamten Heimatlandes oder der Religionszugehörigkeit der Eltern rechtfertigen zu müssen? Und wie wirkt sich Rassismus auf die Sexualität aus?\r\rDieses Buch ist ein Manifest gegen Heimat - einem völkisch verklärten Konzept, gegen dessen Normalisierung sich 14 deutschsprachige Autor_innen wehren. Zum einjährigen Bestehen des sogenannten \"Heimatministeriums\" sammeln Fatma Aydemir und Hengameh Yaghoobifarah schonungslose Perspektiven auf eine rassistische und antisemitische Gesellschaft. In persönlichen Essays geben sie Einblick in ihren Alltag und halten Deutschland den Spiegel vor: einem Land, das sich als vorbildliche Demokratie begreift und gleichzeitig einen Teil seiner Mitglieder als »anders« markiert, kaum schützt oder wertschätzt. \u003c\/span\u003e\r\r\u003cspan class=\"TextSchwarz\"\u003e\rMit Beiträgen von Sasha Marianna Salzmann, Sharon Dodua Otoo, Max Czollek, Mithu Sanyal, Margarete Stokowski, Olga Grjasnowa, Reyhan Sahin, Deniz Utlu, Simone Dede Ayivi, Enrico Ippolito, Nadia Shehadeh, Vina Yun, Hengameh Yaghoobifarah und Fatma Aydemir. \u003c\/span\u003e\r\r \r\r\u003cspan class=\"ng-star-inserted\"\u003e \u003c\/span\u003e","brand":"KNV","offers":[{"title":"Default Title","offer_id":46376307982683,"sku":null,"price":11.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_heimat_albtraum.jpg?v=1679352682"},{"product_id":"let-the-river-flow-an-eco-indigenous-uprising-and-its-legacies","title":"Let The River Flow - An Eco-Indigenous Uprising And Its Legacies - not available","description":" \u003cdiv class=\"col-md-4\"\u003e\r\r- a valuable source book about the influences of indigenous activism on contemporary politics and the central place of artists in social change processes\r- takes eco-indigenous rebellion as a starting point and looks at current indigenous discourses\r- reflects on the events of the Álta action and their correlations with the current eco-actions of international artists\r\rEditors: Katya García-Antón, Harald Gaski and Gunvor Guttorm\rContributors: Sebastián Calfuqueo Aliste, Matti Aikio, Ivar Bjørklund, Mari Boine, Daniela Catrileo, Carolina Caycedo, Raven Chacon, Eva Maria Fjellheim, Katya García-Antón, Harald Gaski, Gunvor Guttorm, Aslak Holmberg, Chief Arvol Looking Horse, Sofia Jannok, Rauna Kuokkanen, Wanda Nanibush, Beaska Niillas, Synnøve Persen, Katarina Pirak Sikku, Buffy Sainte-Marie, Niillas A. Somby, Paulus Utsi, Nils-Aslak Valkeapää, Magne Ove Varsi\rDesign: \u003ca href=\"http:\/\/www.hansgremmen.nl\/index\/inventory\"\u003eHans Gremmen\u003c\/a\u003e\r\rValiz with \u003ca href=\"https:\/\/www.oca.no\/\"\u003eOffice for Contemporary Art Norway (OCA)\u003c\/a\u003e\r\r\u003c\/div\u003e\r\u003cdiv class=\"col-md-4\"\u003e\r\rThe Áltá Action (c. 1978–82) radically shook the course of history in the Nordic region. Its call to ‘let the river live’ rallied against the construction of a large dam across the Álttáeatnu river on the Norwegian side of Sápmi, the Sámi homeland. The Action catapulted the demands for Indigenous sovereignty to the forefront of the politics of the time, and grew into an unexpectedly broad movement of solidarity in which Sámi artists played a central role. Many key questions raised by the Áltá Action pertinent in the region and beyond remain unresolved today.\u003cem\u003eLet the River Flow\u003c\/em\u003e makes essential reading for any discussion regarding how governments, artists and citizens will act upon these questions within the frame of today’s worldwide call for decolonization and Indigenization.\r\rNew essays by 24 leading Indigenous artists, writers and scholars as well as allies, together with key existing texts, focus on the significant political and artistic reverberations of the Action past and present. These include current Indigenous discourses and protests across Sápmi, and internationally.\r\r\u003cem\u003eLet the River Flow\u003c\/em\u003e addresses readers with an interest in decolonial, Indigenous, solidarity and environmental questions within artistic practice and beyond.\r\r\u003c\/div\u003e","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":46376308506971,"sku":null,"price":23.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/Zabriskie_let_the_river_flow-1-2.jpg?v=1679352779"},{"product_id":"a-billion-black-anthropocenes-or-none","title":"A Billion Black Anthropocenes or None","description":"\u003cp\u003eA favourite book of Sofia Lemos, selected for our \u003ca href=\"https:\/\/zabriskie.de\/blogs\/zabriskie-rewind\/zabriskie-rewind-2019\" rel=\"noopener\" target=\"_blank\"\u003e2019 Rewind\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003eNo geology is neutral, writes Kathryn Yusoff. Tracing the color line of the Anthropocene, \u003cem\u003eA Billion Black Anthropocenes or None\u003c\/em\u003e examines how the grammar of geology is foundational to establishing the extractive economies of subjective life and the earth under colonialism and slavery. Yusoff initiates a transdisciplinary conversation between black feminist theory, geography, and the earth sciences, addressing the politics of the Anthropocene within the context of race, materiality, deep time, and the afterlives of geology.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eKathryn Yusoff\u003c\/strong\u003e is Professor of Inhuman Geography at Queen Mary University of London. Her work is centred on dynamic earth events such as abrupt climate change, biodiversity loss and extinction. She is interested in how these “earth revolutions” impact social thought. Broadly, her work has focused on political aesthetics, social theory and abrupt environmental change. Her current research addresses questions of ‘Geologic Life’ within the proposed geologic epoch of the Anthropocene. This research examines how inhuman and nonorganic dimensions of life have consequences for how we understand issues of fossil fuels, human-earth relations and materiality in the politics of life. Kathryn’s work draws on insights from contemporary feminist philosophy, critical human geography and the earth sciences. She is particularly interested in the opportunities the Anthropocene presents for rethinking the interactions between the earth sciences and human geography in the “geo-social formations” of Anthropogenic change. Kathryn joined QMUL as a Senior Lecturer in Human Geography on the 1st September 2013, after previous Lectureships at Lancaster University and University of Exeter.  \u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":46376308605275,"sku":"","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_Kathryn-Yusoff_A-Billion-Black-Anthropocenes-or-None.jpg?v=1679352795"},{"product_id":"your-silence-will-not-protect-you","title":"Your Silence Will Not Protect You","description":"\u003cp\u003e\u003cem\u003eWith a Preface by Reni Eddo-Lodge and an Introduction by Sara Ahmed\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003cb\u003eYour Silence Will Not Protect You\u003c\/b\u003e\u003c\/i\u003e is a 2017 posthumous collection of essays, speeches, and poems by \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/African_Americans\" title=\"African Americans\"\u003eAfrican American\u003c\/a\u003e author and poet \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Audre_Lorde\" title=\"Audre Lorde\"\u003eAudre Lorde\u003c\/a\u003e. It is the first time a British publisher collected Lorde's work into one volume. The collection focuses on key themes such as: shifting language into action, silence as a form of violence, and the importance of history.\u003cbr\u003e\u003cbr\u003eAudre Lorde (1934-92) described herself as ‘Black, lesbian, mother, warrior, poet’. Her extraordinary belief in the power of language – of speaking – to articulate selfhood, confront injustice and bring about change in the world remains as transformative today as it was then, and no less urgent.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eYour Silence Will Not Protect You\u003c\/em\u003e brings Lorde's poetry and prose together for the first time. The collection is made up of five sections. A preface by \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Reni_Eddo-Lodge\" title=\"Reni Eddo-Lodge\"\u003eReni Eddo-Lodge\u003c\/a\u003e, an introduction by \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Sara_Ahmed\" title=\"Sara Ahmed\"\u003eSara Ahmed\u003c\/a\u003e, 13 essays, and 17 poems, and a Note on the Text. As the Note on the Text states, many of the essays in the collection were given as papers at conferences across the U.S. Further, Lorde often revised early poems and re-published them, so many of the poems in this collection are the latest versions of Lorde's work.\u003c\/p\u003e","brand":"Silver Press, Gardners","offers":[{"title":"Default Title","offer_id":46376308769115,"sku":"","price":23.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/Zabriskie_silver_press-3.jpg?v=1679352825"},{"product_id":"deux-soeurs","title":"Deux Soeurs","description":" \u003cdiv id=\"single-book-head\" class=\"page-header\"\u003e\r\u003cdiv class=\"contributions\"\u003e\r\u003cdiv class=\"edited-by js-shorten\"\u003eEdited by \u003cspan class=\"attribute-value\"\u003eAxel Wieder\u003c\/span\u003e\n\u003c\/div\u003e\r\u003cdiv class=\"edited-by js-shorten\"\u003eTexts by \u003cspan class=\"attribute-value\"\u003eRobert Glück, Ursula K. Le Guin, Audre Lorde, Eileen Myles, Alice Notley, Pauline Oliveros, Adrienne Rich\u003c\/span\u003e\n\u003c\/div\u003e\r\u003cdiv class=\"edited-by js-shorten\"\u003eContributions by \u003cspan class=\"attribute-value\"\u003eBasma Alsharif, Erika Balsom, CAConrad, Adam Christensen, Beatrice Gibson, Mason Leaver-Yap, Eileen Myles, Irene Revell\u003c\/span\u003e\n\u003c\/div\u003e\r\u003cdiv class=\"edited-by js-shorten\"\u003eWith an introduction by \u003cspan class=\"attribute-value\"\u003eAxel Wieder\u003c\/span\u003e\n\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003cdiv id=\"single-book-body-text\"\u003e\r\rFrom Audre Lorde and Adrienne Rich to Basma Alsharif and Pauline Oliveros, \u003cem\u003eDeux Soeurs\u003c\/em\u003e brings together a chorus of voices that explore representations of parenthood, friendship, and disobedience. The book acts as a reader to artist Beatrice Gibson’s films, \u003cem\u003eI Hope I’m Loud When I’m Dead\u003c\/em\u003e (2018) and \u003cem\u003eTwo Sisters Who Are Not Sisters\u003c\/em\u003e (2019), and includes material that informed Gibson’s working process, together with the artist’s texts and notes used in both films. Turning to the figure of the poet as a guide in times of chaos, \u003cem\u003eDeux Soeurs\u003c\/em\u003e presents a framework for an ethics of artistic and social collaboration.\r\r\u003c\/div\u003e\r\u003cdiv class=\"single-book-meta-item\"\u003e\u003c\/div\u003e\r\u003cdiv class=\"single-book-meta-item\"\u003e\r\u003cdiv class=\"single-book-meta-item-content\"\u003e \u003cimg class=\"alignnone size-full wp-image-1083580\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2021\/02\/BG_DeuxSoeurs_200303_ANSICHT.jpg\" alt=\"\" width=\"1275\" height=\"1062\"\u003e\u003cimg class=\"alignnone size-full wp-image-1083582\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2021\/02\/BG_DeuxSoeurs_200303_ANSICHT2.jpg\" alt=\"\" width=\"1275\" height=\"1062\"\u003e\u003cimg class=\"alignnone size-full wp-image-1083585\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2021\/02\/BG_DeuxSoeurs_200303_ANSICHT3.jpg\" alt=\"\" width=\"1275\" height=\"1062\"\u003e\u003cimg class=\"alignnone size-full wp-image-1083587\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2021\/02\/BG_DeuxSoeurs_200303_ANSICHT4.jpg\" alt=\"\" width=\"1275\" height=\"1062\"\u003e\u003cimg class=\"alignnone size-full wp-image-1083589\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2021\/02\/BG_DeuxSoeurs_200303_ANSICHT5.jpg\" alt=\"\" width=\"1275\" height=\"1062\"\u003e\u003cimg class=\"alignnone size-full wp-image-1083591\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2021\/02\/BG_DeuxSoeurs_200303_ANSICHT6.jpg\" alt=\"\" width=\"1275\" height=\"1062\"\u003e\u003cimg class=\"alignnone size-full wp-image-1083593\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2021\/02\/BG_DeuxSoeurs_200303_ANSICHT7.jpg\" alt=\"\" width=\"1275\" height=\"1062\"\u003e\u003cimg class=\"alignnone size-full wp-image-1083595\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2021\/02\/BG_DeuxSoeurs_200303_ANSICHT8.jpg\" alt=\"\" width=\"1275\" height=\"1062\"\u003e\u003cimg class=\"alignnone size-full wp-image-1083597\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2021\/02\/BG_DeuxSoeurs_200303_ANSICHT9.jpg\" alt=\"\" width=\"1275\" height=\"1062\"\u003e\u003cimg class=\"alignnone size-full wp-image-1083599\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2021\/02\/BG_DeuxSoeurs_200303_ANSICHT11.jpg\" alt=\"\" width=\"1275\" height=\"1062\"\u003e\n\u003c\/div\u003e\r\u003cdiv\u003e\u003cimg class=\"alignnone size-full wp-image-1083578\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2021\/02\/BG_DeuxSoeurs_200303_ANSICHT_12.jpg\" alt=\"\" width=\"1275\" height=\"1062\"\u003e\u003c\/div\u003e\r\u003c\/div\u003e","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":46376312111451,"sku":null,"price":16.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/Zabriskie_deux-souers-1.jpg?v=1679353173"},{"product_id":"aint-i-a-woman","title":"Ain't I A Woman?","description":" 'I am a woman's rights. I have plowed and reaped and husked and chopped and mowed, and can any man do more than that? I am as strong as any man that is now'\r\rA former slave and one of the most powerful orators of her time, Sojourner Truth fought for the equal rights of Black women throughout her life. This selection of her impassioned speeches is accompanied by the words of other inspiring African-American female campaigners from the nineteenth century.","brand":"KNV, Penguin","offers":[{"title":"Default Title","offer_id":46376312439131,"sku":null,"price":9.1,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_sojourner-truth-1.jpg?v=1679353208"},{"product_id":"the-cancer-journals","title":"The Cancer Journals","description":" The Cancer Journals is an intimate, poetic and invigorating account of the experience of breast cancer, from biopsy to mastectomy, told by the great feminist and activist Audre Lorde.\r\rMoving between journal entry, memoir, and essay, Lorde fuses the personal and political to reflect on the many questions breast cancer raises: questions of survival, sexuality, prosthesis and self-care. It is a journey of survival, friendship, and self-acceptance.\r\r'Grief, terror, courage, the passion for survival and for more than survival, are here in the searchings of a great poet' Adrienne Rich\r\r'This book teaches me that with one breast or none, I am still me' Alice Walker.\r\rAudre Lorde was a writer, feminist and civil rights activist - or, as she famously put it, 'Black, lesbian, mother, warrior, poet'. Born in New York in 1934, she had her first poem published while she was still in high school. After stints as a factory worker, ghost writer, social worker, X-ray technician, medical clerk, and arts and crafts supervisor, she became a librarian in Manhattan and gradually rose to prominence as a poet, essayist and speaker, anthologised by Langston Hughes, lauded by Adrienne Rich, and befriended by James Baldwin. She was made Poet Laureate of New York State in 1991, when she was awarded the Walt Whitman prize; she was also awarded honorary doctorates from Hunter, Oberlin and Haverford colleges. She died of cancer in 1992, aged 58.\r\r \r\r ","brand":"Zabriskie Buchladen für Kultur und Natur","offers":[{"title":"Default Title","offer_id":46376312602971,"sku":null,"price":12.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_audre-lorde-the-cancer-journals-1.jpg?v=1679353236"},{"product_id":"black-case-volume-i-and-ii-return-from-exile","title":"Black Case Volume I and II: Return From Exile","description":" \u003cstrong\u003eJoseph Jarman\u003c\/strong\u003e (1937 – 2019) was a saxophonist and multi-instrumentalist best known as a founding member of trailblazing avant-garde jazz group \u003cstrong\u003eArt Ensemble of Chicago\u003c\/strong\u003e. Jarman was responsible for the Art Ensemble’s signature face paint and elaborate costumes as well as the pioneering theatrical and multimedia elements of their shamanistic performances, which could include dance, comedy, performance art, surreal pranks, and—notably—the recitation of Jarman’s poetry.\r\rIn 1977, Art Ensemble of Chicago Publishing Co. published Jarman’s \u003cem\u003eBlack Case Volume I and II: Return From Exile\u003c\/em\u003e, a collection of writing conceived across America and Europe between 1960 and 1975. Comprised largely of Jarman’s flowing, fiery free verse—influenced by Amus Mor, Henry Dumas, Thulani Davis, and Amiri Baraka—the book also features a manifesto for “GREAT BLACK MUSIC,” notated songs, concert program notes, Jarman’s photos, and impressions of a play by Muhal Richard Abrams, the founder of the Association for the Advancement of Creative Musicians of which Jarman was also an original member. Jarman writes poetry of personal revolutionary intent, aimed at routing his audience’s consciousness towards growth and communication. He speaks with compassionate urgency of the struggles of growing up on Chicago’s South Side, of racist police brutality and profound urban alienation, and of the responsibility he feels as a creative artist to nurture beauty and community through the heliocentric music that he considers the healing force of the universe. A practicing Buddhist and proponent of Aikido since a 1958 awakening saved him from the traumatic mental isolation of his time dropped by the US army into southeast Asia, Jarman sings praise for the self-awareness realization possible through the martial arts. With cosmic breath as its leitmotif, his poetry both encourages and embodies a complete relinquishing of ego. While some of the poems contained within \u003cem\u003eBlack Case \u003c\/em\u003ehave already been immortalized via performances on classic records by Jarman and Art Ensemble of Chicago, its republication in print form breathes new life into a forgotten document of the Black Arts Movement.\r\rWith a new preface by Thulani Davis and an introduction by Brent Hayes Edwards.\r\r“Joseph Jarman, a musician of rare poetic gifts, was also a remarkable poet. \u003cem\u003eBlack Case\u003c\/em\u003e, a lost treasure of the Black Arts Movement, combines protest against injustice with heart-breaking introspection and fierce commitment to the Great Black Music tradition to which Jarman contributed with gentle yet mighty force.”\r\r—Adam Shatz\r\r“Joseph’s recitation of ‘Non-Cognitive Aspects of the City’ (from \u003cem\u003eBlack Case\u003c\/em\u003e) moved me to set the words of this poem for Baritone Voice and Orchestra and became part of the Art Ensemble of Chicago’s standard repertoire. Joseph had a bold and passionate creative spirit. I feel privileged to have shared the stage with him.”\r\r—Roscoe Mitchell\r\r“‘Though in reality all the words are music themselves’ is the reality to which all poetry aspires, whether in verse or prose, theory or story, criticism or craft. Joseph Jarman always knew that for black musicians, which is to say black speakers, exile is our public holiday. We live through that. We live through that. Black Case is all and everything in this regard. ‘Whats to say,’ he says, is that ‘we sing because\/we love you\/because we\/love you\/because\/we love\/you.’ We are loved beyond judgment by the music, he says, and we say thanks.”\r\r—Fred Moten\r\r\u003cimg class=\"alignnone size-full wp-image-1084558\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2021\/02\/zabriskie_Black-Case-Volume-I-and-II-Return-From-Exile-2.jpg\" alt=\"\" width=\"1936\" height=\"1936\"\u003e \u003cimg class=\"alignnone size-full wp-image-1084560\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2021\/02\/zabriskie_Black-Case-Volume-I-and-II-Return-From-Exile-3.jpg\" alt=\"\" width=\"1936\" height=\"1936\"\u003e \u003cimg class=\"alignnone size-full wp-image-1084562\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2021\/02\/zabriskie_Black-Case-Volume-I-and-II-Return-From-Exile-4.jpg\" alt=\"\" width=\"1936\" height=\"1936\"\u003e \u003cimg class=\"alignnone size-full wp-image-1084564\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2021\/02\/zabriskie_Black-Case-Volume-I-and-II-Return-From-Exile-5.jpg\" alt=\"\" width=\"1936\" height=\"1936\"\u003e","brand":"Les Presses du Réel","offers":[{"title":"Default Title","offer_id":46376313520475,"sku":null,"price":22.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_Black-Case-Volume-I-and-II-Return-From-Exile-1.jpg?v=1679353377"},{"product_id":"the-school-of-public-life","title":"The School of Public Life","description":" \u003cdiv class=\"col-7 col-md-8 col-resume\"\u003e\r\u003cdiv class=\"accroche\"\u003e\r\u003cdiv class=\"row\"\u003e\r\u003cdiv class=\"col-12\"\u003e\u003c\/div\u003e\r\u003c\/div\u003e\r\u003cdiv class=\"row\"\u003e\r\u003cdiv class=\"col-7 col-md-8 col-resume\"\u003e\r\u003cdiv class=\"accroche\"\u003e\u003cstrong\u003eRethinking public space\u003c\/strong\u003e\u003c\/div\u003e\r\u003cdiv\u003e\u003c\/div\u003e\r\u003cdiv class=\"citation\"\u003eBuilt out of two decades of interventions in politics and culture, \u003cem\u003eThe School of Public Life\u003c\/em\u003e records the author's efforts to revive and rethink public space from Los Angeles, Lowndes County, Alabama and Cork, Ireland to current day Berlin and beyond. Drawing on manifestoes, lectures, letters, soap box incantations, and experimental texts, delivered in different situations and moments, the book chronicles one person's efforts to focus on and secure what is attacked and simulated from every direction: the power of the people. From work in the neighborhood councils movement and directing a space for culture in Los Angeles, to examining the people's need for poetic description and the relationship of time to existential politics, the book seeks to re-examine community life, art, history, and principles of selfgovernment against the abyss of economics, parties, and constructed powerlessness. The book explores the works of thinker Hannah Arendt, the poet Charles Olson, dancer and poet \u003ca href=\"https:\/\/www.lespressesdureel.com\/EN\/auteur.php?id=2998\"\u003eSimone Forti\u003c\/a\u003e and lessons to be drawn from the New England town meeting, artist Joseph Beuys' Office for Direct Democracy, the Lowndes County Freedom Organization in Alabama, experiments at Black Mountain College and Beyond Baroque, and Rosa Parks and the Montgomery bus boycott. Through these, \u003cem\u003eThe School of Public Life\u003c\/em\u003e pursues a live reframing of responsibility and engagement in this world and no other. How does public life encourage thinking, action, and imagination? What is wrong with mere concepts? How might culture actualize the people and public life? How do we respond to, and understand, powerlessness? Why is protest utterly inadequate? How might theory and culture help us discover our existing power? \u003cem\u003eThe School of Public Life\u003c\/em\u003e addresses old and new principles of a democracy and a republic, not as clichés and propaganda but as vital for a new era of politics, art, and courage.\u003c\/div\u003e\r\u003cdiv\u003e\u003c\/div\u003e\r\u003c\/div\u003e\r\u003cdiv\u003e\n\u003cstrong\u003eFred Dewey\u003c\/strong\u003e is a writer, teacher, editor\/publisher, curator, and co-founder of the Neighborhood Councils Movement in Los Angeles. He directed Beyond Baroque Literary \/ Arts Center in Los Angeles from 1995-2010 and has edited, published, and designed twenty books and anthologies, featuring work by Ammiel Alcalay, Simone Forti, Jean-Luc Godard, Daniel Berrigan, Abdellatif Laabi, Jack Hirschman, Christoph Draeger, Ed Ruscha, Diane di Prima, and more. His writing has appeared in the anthologies \u003cem\u003eArchitecture of Fear\u003c\/em\u003e (Princeton Architecture), \u003cem\u003eMost Art Sucks\u003c\/em\u003e (Smart Art), \u003cem\u003eCork Caucus\u003c\/em\u003e, and in magazines and newspapers such as the \u003cem\u003eNeighborhood Councils Movement Newsletter\u003c\/em\u003e, the \u003cem\u003eJournal of Aesthetics \u0026amp; Protest\u003c\/em\u003e, \u003cem\u003eNew Statesman\u003c\/em\u003e, \u003cem\u003eLA Weekly\u003c\/em\u003e, \u003cem\u003eLA Times\u003c\/em\u003e, \u003cem\u003eMetropolis\u003c\/em\u003e, \u003cem\u003eVenice Beachhead\u003c\/em\u003e, \u003cem\u003eLA Forum for Architecture \u0026amp; Urban Design\u003c\/em\u003e, and \u003cem\u003eCoagula\u003c\/em\u003e. Dewey has performed with the dancers and artists Simone Forti and Jeremiah Day at London's ICA, New York's Ludlow 38, and Berlin's Errant Bodies. He teaches in Berlin and in the graduate fine art program at ArtCenter College of Design in Pasadena, California.\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e","brand":"Errant Bodies","offers":[{"title":"Default Title","offer_id":46376317550939,"sku":null,"price":12.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_fred-dewey_the-school-of-public-life-1.jpg?v=1679354002"},{"product_id":"a-kick-in-the-belly-women-slavery-and-resistance","title":"A Kick in the Belly - Women, Slavery and Resistance","description":" \u003cdiv class=\"row info\"\u003e\r\u003cdiv class=\"edition-single--book-teaser\"\u003e\r\r\u003cstrong\u003eThe story of how enslaved women struggled for freedom in the West Indies\u003c\/strong\u003e\r\r\u003c\/div\u003e\r\u003cdiv class=\"edition-single--book-description\"\u003e\r\rAside from Mary Prince, enslaved West Indian women had few opportunities to record their stories for posterity. Yet from their dusty footprints and the umpteen small clues they left for us to unravel, there’s no question that they earned their place in history. Pick any Caribbean island and you’ll find race, skin colour and rank interacting with gender in a unique and often volatile way. Moreover, the evidence points to a distinctly female role in the development of a culture of slave resistance—a role that was not just central, but downright dynamic.\r\rFrom the coffle-line to the Great House, enslaved women found ways of fighting back that beggar belief. Whether responding to the horrendous conditions of plantation life, the sadistic vagaries of their captors or the “peculiar burdens of their sex,” their collective sanity relied on a highly subversive adaptation of the values and cultures they smuggled with them naked from different parts of Africa. By sustaining or adapting remembered cultural practices, they ensured that the lives of chattel slaves retained both meaning and purpose. This sense of self gave rise to a sense of agency and over time, both their subtle acts of insubordination and their conscious acts of rebellion came to undermine the very fabric and survival of West Indian slavery.\r\r\u003c\/div\u003e\r\u003c\/div\u003e","brand":"KNV, Marston","offers":[{"title":"Default Title","offer_id":46376317714779,"sku":null,"price":21.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_Stella-Dadzie_A-Kick-in-the-Belly-Women-Slavery-and-Resistance-1.jpg?v=1679354030"},{"product_id":"sister-outsider-deutsche-ubersetzung","title":"Sister Outsider - Deutsche Übersetzung","description":" \u003cdiv class=\"ng-star-inserted\"\u003e\r\u003cdiv\u003e\r\r\u003cspan class=\"TextSchwarz\"\u003eAudre Lorde ist die revolutionäre Denkerin und Ikone des Schwarzen Feminismus\u003c\/span\u003e\r\rAudre Lorde wusste, was es heißt, als Bedrohung zu gelten: als feministische Dichterin, als Schwarze Frau in einer weißen akademischen Welt, als lesbische Mutter eines Sohnes. Viele \"Formen menschlicher Verblendung haben ein und dieselbe Wurzel: die Unfähigkeit, Unterschiedlichkeit als eine dynamische Kraft zu begreifen, die bereichernd ist, nicht bedrohlich\". Lorde widmete ihr Schaffen dem Kampf gegen Unterdrückung. Verschiedenheit und Schwesternschaft, Zorn, Erotik und Sprache wurden zu kraftvollen Waffen. In ihren Texten über Rassismus, Patriarchat und Klasse finden wir Antworten auf die brennenden Fragen der Gegenwart - ein halbes Jahrhundert nach Erscheinen beweist der Band seine erschreckende Aktualität.\r\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003cdiv class=\"ng-star-inserted\"\u003e\u003c\/div\u003e","brand":"KNV","offers":[{"title":"Default Title","offer_id":46376319254875,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_audre-lorde_sister-outsider-1-scaled.jpg?v=1679354295"},{"product_id":"how-to-be-an-antiracist","title":"How To Be an Antiracist","description":" \u003cb\u003eNot being racist is not enough. We have to be antiracist.\u003c\/b\u003e\r\rIn this rousing and deeply empathetic book, Ibram X. Kendi, founding director of the Antiracism Research and Policy Center, shows that when it comes to racism, neutrality is not an option: until we become part of the solution, we can only be part of the problem.\r\rUsing his extraordinary gifts as a teacher and story-teller, Kendi helps us recognise that everyone is, at times, complicit in racism whether they realise it or not, and by describing with moving humility his own journey from racism to antiracism, he shows us how instead to be a force for good. Along the way, Kendi punctures all the myths and taboos that so often cloud our understanding, from arguments about what race is and whether racial differences exist to the complications that arise when race intersects with ethnicity, class, gender and sexuality.\r\rIn the process he demolishes the myth of the post-racial society and builds from the ground up a vital new understanding of racism - what it is, where it is hidden, how to identify it and what to do about it.","brand":"KNV, Penguin","offers":[{"title":"Default Title","offer_id":46376320991579,"sku":null,"price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_ibram-kendi_how-to-be-antiracist-scaled.jpg?v=1679354457"},{"product_id":"conversations-across-place-vol-1-reckoning-with-an-entangled-w","title":"Conversations Across Place Vol.1 - Reckoning With An Entangled World","description":" \u003cem\u003eConversations Across Place\u003c\/em\u003e provides a publishing platform for international artists and writers engaging with landscape in the broader sense of geography, ecology, space, place, built and ‘natural’ environments. Contemporary discourse focused on decolonial, feminist and queer methodologies is underscored through a variety of subjects and themes in order to reveal historical and present-day entanglements. The format of ‘conversation’ – of translation and dialogue – frames this project, which originated in a process-based workshop. Artists, writers and architects gathered to converse across the borders that divide places and disciplines, enacting the tangling that already exists in our plural ecosystems.\r\rVolume I: The first volume of \u003cem\u003eConversations Across Place \u003c\/em\u003egrapples with the reflexive relationships of extraction, ruination and reverberation, working towards solidarity across places and perspectives. Within and between the essays, texts, interviews\/conversations and artwork that make up the book, landscapes both metaphorical and material are mapped onto each other producing new images of liminal times and spaces that provide a critical opportunity to reassess diverse relationships to the world. The book uses queer and decolonial methods as explicit tools of disorientation, questioning the clarity of time and space that rises from a Western cis-heteronormative and imperial context. Rather than a field guide, this book proposes a \u003cem\u003econstellation \u003c\/em\u003eof material – a horizontal network made of various perspectives which together may point in new directions.\r\r\u003cimg class=\"alignnone size-full wp-image-1088557\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2021\/06\/zabriskie_conversation-across-glove_-1-2-scaled.jpg\" alt=\"\" width=\"2560\" height=\"2560\"\u003e \u003cimg class=\"alignnone size-full wp-image-1088559\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2021\/06\/zabriskie_conversation-across-glove_-1-3-scaled.jpg\" alt=\"\" width=\"2560\" height=\"2560\"\u003e \u003cimg class=\"alignnone size-full wp-image-1088561\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2021\/06\/zabriskie_conversation-across-glove_-1-scaled.jpg\" alt=\"\" width=\"2560\" height=\"2560\"\u003e\u003cimg class=\"alignnone size-full wp-image-1088563\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2021\/06\/zabriskie_conversation-across-glove_-2-scaled.jpg\" alt=\"\" width=\"2560\" height=\"2560\"\u003e \u003cimg class=\"alignnone size-full wp-image-1088565\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2021\/06\/zabriskie_conversation-across-glove_-2b-scaled.jpg\" alt=\"\" width=\"2560\" height=\"2560\"\u003e \u003cimg class=\"alignnone size-full wp-image-1088567\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2021\/06\/zabriskie_conversation-across-glove_-3-scaled.jpg\" alt=\"\" width=\"2560\" height=\"2560\"\u003e","brand":"GVA, Jessica Reitz","offers":[{"title":"Default Title","offer_id":46376324825435,"sku":null,"price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_Conversations-Across-Place-Vol.1-scaled.jpg?v=1679354937"},{"product_id":"vita-nova-forum-do-futuro","title":"Vita Nova Fórum do Futuro","description":" \u003cdiv class=\"std\"\u003e\r\u003cdiv class=\"description\"\u003eThe \u003cem\u003eVita Nova\u003c\/em\u003e editorial project had its genesis in the \u003cem\u003eFórum do Futuro\u003c\/em\u003e: a programme of debates, artist talks, and performances, held annually in the city of Porto, that brings together guests from different artistic and scientific practices to reflect on fundamental issues for contemporary societies. Given the impossibility of holding the 2020 edition, due to the challenges posed by the pandemic, the Fórum do Futuro is instead presenting a book that proposes to question human and non-human existence in the current social context, spanning different cosmogonic views.\u003c\/div\u003e\r\u003c\/div\u003e\r\u003cdiv\u003e\u003c\/div\u003e\r\u003cdiv\u003eEditor: Shumon Basar, Guilherme Blanc, Filipa Ramos, Jenna Sutela\rTexts: Sophia Al-Maria, K Allado-McDowell, Shumon Basar, Guilherme Blanc, Rosi Braidotti, Octavia Butler, Ted Chiang, GPT-3, Alexis Pauline Gumbs, Kirsten Keller, Filipa Ramos, Tabita Rezaire, Jenna Sutela, Denise Ferreira da Silva, Suzanne Treister, Aby Warburg, Chandra Wickramasinghe, Feifei Zhou\rDesigner: Studio Manuel Raeder\rCo-publisher: Ágora - Cultura e Desporto, E.M.\u003c\/div\u003e","brand":"Bom Dia Boa Tarde Boa Noite","offers":[{"title":"Default Title","offer_id":46376325808475,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/Zabriskie_vita-nova-1-scaled.jpg?v=1679355067"},{"product_id":"despite-dispossession-an-activity-book","title":"Despite Dispossession: An Activity Book","description":" \u003cdiv class=\"column\"\u003e\r\rAs transnational extractivism, neo-fascist politics, and economies of abandonment and disposability expand around the world, can we facilitate situated practices of storytelling and worldmaking that enliven futures propelled by the forces of indignation, desire, and relationality? \u003ci\u003eDespite Dispossession: An Activity Book \u003c\/i\u003eextends an invitation to restore and reinvent bonds of reciprocity with the land, humans, and non-humans, while envisioning transformative and shared horizons. This collaborative endeavor takes as its point of departure the contested realities and public struggles of the dispossessed.\r\rBringing together seven site-sensitive engagements, the contributors develop their artistic works, as well as speculative tools and activities, to conjure worlds to come in the ruins of dispossession. The result is a combination of subtle theoretical reflection, pluriversal modes of inquiry, and unruly epistemic intervention. Drawing its inspiration from decolonizing methodologies, Black aesthetics, and epistemologies of the South, the project gathers these influences for a novel experiment that demonstrates how arts-based researchers confront dispossession through itinerant practices of resistance.\r\r\u003c\/div\u003e\rWith contributions by Anette Baldauf, Berhanu Ashagrie Deribew, Sílvia das Fadas, Naomi Rincón Gallardo, Ruben Gaztambide-Fernandez, Elizabeth Giorgis, İpek Hamzaoğlu, Janine Jembere, and Rojda Tuğrul.\r\rDesign by K. in collaboration with Wolfgang Hückel \u0026amp; Katharina Tauer.\r\r[DE]   In Städten so verschieden wie Addis Abeba, Istanbul, Mexico City und Berlin ist das Konzept der „dispossession“ für Aktivist*innen, Wissenschaftler*innen und Künstler*innen derzeit eine zentrale Referenz im Hinblick auf die gewaltsamen Aneignungen von Land, Körpern und Beziehungen im Kontext von kolonialem Raub, korporativem Landgrabbing, vom Staat geleiteter, großflächiger Umsiedlung, urbaner Gentrifizierung, usw. Die Realitäten der damit verbundenen Kämpfe und öffentlichen Revolten bilden den Ausgangspunkt des künstlerisch-kollektiven Arbeitsbuchs \u003cem\u003eDespite Dispossession\u003c\/em\u003e. Es liefert Reflexionen, Anregungen und Übungen für informelle und ephemere Taktiken der Beanspruchung und epistemischen Intervention. Das Projekt findet Inspiration in den Epistemologien des Südens, dekolonialisierenden Methoden sowie Black Aesthetics und postuliert, dass eine kunst-basierte Forschung, die Wissen, Tun und Fühlen zu vereinen versucht, die Komplexität von Enteignungsprozessen erfassen und mit Widerstand und Resilienz aufladen kann.\r\rhttps:\/\/vimeo.com\/515079678\r\r\u003cimg class=\"alignnone size-full wp-image-1089338\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2021\/07\/Zabriskie_despite-despossession_an-activity-book_02-scaled.jpg\" alt=\"\" width=\"2560\" height=\"2560\"\u003e \u003cimg class=\"alignnone size-full wp-image-1089345\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2021\/07\/Zabriskie_despite-despossession_an-activity-book_03-scaled.jpg\" alt=\"\" width=\"2560\" height=\"2560\"\u003e \u003cimg class=\"alignnone size-full wp-image-1089347\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2021\/07\/Zabriskie_despite-despossession_an-activity-book_04-scaled.jpg\" alt=\"\" width=\"2560\" height=\"2560\"\u003e \u003cimg class=\"alignnone size-full wp-image-1089349\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2021\/07\/Zabriskie_despite-despossession_an-activity-book_04b-scaled.jpg\" alt=\"\" width=\"2560\" height=\"2560\"\u003e \u003cimg class=\"alignnone size-full wp-image-1089351\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2021\/07\/Zabriskie_despite-despossession_an-activity-book_04c-scaled.jpg\" alt=\"\" width=\"2560\" height=\"2560\"\u003e \u003cimg class=\"alignnone size-full wp-image-1089353\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2021\/07\/Zabriskie_despite-despossession_an-activity-book_05-scaled.jpg\" alt=\"\" width=\"2560\" height=\"2560\"\u003e \u003cimg class=\"alignnone size-full wp-image-1089355\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2021\/07\/Zabriskie_despite-despossession_an-activity-book_06-scaled.jpg\" alt=\"\" width=\"2560\" height=\"2560\"\u003e \u003cimg class=\"alignnone size-full wp-image-1089357\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2021\/07\/Zabriskie_despite-despossession_an-activity-book_07-scaled.jpg\" alt=\"\" width=\"2560\" height=\"2560\"\u003e \u003cimg class=\"alignnone size-full wp-image-1089359\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2021\/07\/Zabriskie_despite-despossession_an-activity-book_08-scaled.jpg\" alt=\"\" width=\"2560\" height=\"2560\"\u003e","brand":"K Verlag","offers":[{"title":"Default Title","offer_id":46376326431067,"sku":null,"price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/Zabriskie_despite-despossession_an-activity-book_01-scaled.jpg?v=1679355170"},{"product_id":"alles-uber-liebe-neue-sichtweisen","title":"Alles über Liebe - Neue Sichtweisen","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"TextSchwarz\"\u003e\u003cspan id=\"freeText162057866790325439\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eEin Lieblingsbuch von Lorena Carràs, ausgewählt für unseren \u003ca href=\"https:\/\/zabriskie.de\/blogs\/zabriskie-rewind\/zabriskie-rewind-2021\" rel=\"noopener\" target=\"_blank\"\u003e2021 Rewind\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e~~~\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eWie wir lieben sollten – der feministische und antirassistische Klassiker erstmals in deutscher Übersetzung\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003eMit ihren über 34 Büchern zählt die Schriftstellerin, Literaturwissenschaftlerin und Aktivistin bell hooks zu den bedeutendsten Stimmen für Frauen- und Bürgerrechte seit den 1970er-Jahren. Nach einem Studium an der renommierten Stanford University und einer Dissertation an der University of California zählt sie noch heute zu den führenden Intellektuellen der USA. Sie lehrte englische Literaturwissenschaft an der Yale University sowie am Oberlin College. Heute ist sie Professorin am Kentucky’s Berea College. bell hooks ist ihr Pseudonym und der Name ihrer indigenen Großmutter, den sie in Kleinschreibung verwendet.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAll About Love is a revelation about what causes a polarized society and how to heal the divisions that cause suffering. Here is the truth about love, and inspiration to help us instill caring, compassion, and strength in our homes, schools, and workplaces.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“The word ‘love’ is most often defined as a noun, yet we would all love better if we used it as a verb,” writes bell hooks as she comes out fighting and on fire in All About Love. Here, at her most provocative and intensely personal, renowned scholar, cultural critic and feminist bell hooks offers a proactive new ethic for a society bereft with lovelessness--not the lack of romance, but the lack of care, compassion, and unity. People are divided, she declares, by society’s failure to provide a model for learning to love. As bell hooks uses her incisive mind to explore the question “What is love?” her answers strike at both the mind and heart. Razing the cultural paradigm that the ideal love is infused with sex and desire, she provides a new path to love that is sacred, redemptive, and healing for individuals and for a nation. The Utne Reader declared bell hooks one of the “100 Visionaries Who Can Change Your Life.” All About Love is a powerful, timely affirmation of just how profoundly her revelations can change hearts and minds for the better.\u003c\/p\u003e","brand":"KNV","offers":[{"title":"Default Title","offer_id":46376327119195,"sku":"","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_bell-hooks_alles-u_CC_88ber-liebe-1-scaled.jpg?v=1679355254"},{"product_id":"eine-grenze-bewohnen-erinnerung-dekolonisieren","title":"Eine Grenze bewohnen - Erinnerung dekolonisieren","description":" \u003ch3\u003eEine Grenze bewohnen – Erinnerung dekolonisieren\u003c\/h3\u003e\rMit diesen vier wichtigen Essays wird die Wissensproduktion Léonora Mianos erstmals einem deutschsprachigen Publikum zugänglich. Der in ihrem gesamten Werk zentrale Begriff Afropea wird hier anschaulich vermittelt: eine Form hybrider Identität als Chance für mehr Sichtbarkeit und Selbstbestimmung afropäischer Menschen in Europa. Dem neokolonial motivierten Projekt der Francophonie stellt sie ihr Konzept der Afrophonie entgegen. Dies betont die performative Dimension von Sprechen und Schreiben. Bald ironisch, bald poetisch und immer eindringlich und exemplarisch formuliert sie ihre radikale Perspektive auf das kolonial geprägte Narrativ der transatlantischen Versklavung und Rassifizierung. Auf intelligente und einfühlsame Weise beschreibt Léonora Miano einen Ausweg aus kolonialen Konstrukten wie Schuld und Kollaboration. Ihrer Vision von Erinnerungsarbeit legt sie eine einzigartige Form humanistisch begründeter Universalität zugrunde. Die Essays sind eine starke Stimme in der Aneignung postkolonialer Erinnerung aus der Perspektive Subsahara-Afrikas und der Diaspora.\r\u003ch3\u003eFür welche Personen ist das Buch?\u003c\/h3\u003e\rFür Menschen, die eine wichtige Stimme weiblicher antirassistisch positionierter Wissensproduktion zu Postkolonialismus kennenlernen möchten. Für alle, die sich mit Identitätspolitiken in Zeiten von Globalisierung und Post- sowie Neokolonialität auseinandersetzen wollen.\r\r\u003cstrong\u003eLéonora Miano\u003c\/strong\u003e ist eine vielfach ausgezeichnete, wichtige postkoloniale französische Stimme, die mit dem vorliegenden Band nun erstmals auch auf Deutsch zugänglich wird. Ihr Werk besteht aus mehr als 15 Romanen, Theaterstücken und Essaybänden, für die sie vielfach ausgezeichnet wurde. Unter anderem mit dem Goncourt des lycéens (2006) und dem Prix Seligmann (2012). Für den im Herbst 2020 bei w_orten \u0026amp; meer auf Deutsch erscheinenden Roman La Saison de l’ombre wurde ihr der renommierte Prix Fémina verliehen. Zuletzt war sie mit ihrem jüngsten Werk Impératrice Rouge, einer starken afrikanischen Utopie, für den Prix Goncourt nominiert.\rLéonora Miano ist in Douala (Kamerun) geboren, lebte seit 1991 in Frankreich und wohnt heute in Togo.","brand":"KNV, w_orten \u0026 meer","offers":[{"title":"Default Title","offer_id":46376339145051,"sku":null,"price":11.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/Zabriskie_leonora-miano_Eine-Grenze-bewohnen-Erinnerung-dekolonisieren-scaled.jpg?v=1679355853"},{"product_id":"empowerment-und-widerstand-inspirierende-begegnungen-mit-audre","title":"Empowerment und Widerstand - Inspirierende Begegnungen mit Audre","description":" Audre Lorde (1934–1992) ist eine der einflussreichsten afroamerikanischen Autorinnen* des 20. Jahrhunderts. Die Werke der Schwarzen lesbischen kriegerischen Dichterin – wie sie sich selbst bezeichnete – und Aktivistin, Essayistin und Romanautorin sind bis heute international wegweisend und aktuell für Schwarze, feministische* und weitere Befreiungsbewegungen. Dieser Band veranschaulicht die Verbindungen Schwarzer Frauen über Grenzen und Unterschiede hinweg. Er bietet einen verdichteten Überblick über das Leben, die Visionen und die Philosophie Audre Lordes. Marion Kraft, eine enge Freundin Audre Lordes präsentiert in diesem Buch persönliche und facettenreiche Essays über das Werk, Leben und die Visionen Audre Lordes. In einem Interview aus dem Jahr 1986 kommt Audre Lorde selbst zu Wort. Das Buch wurde von Marion Kraft zunächst anlässlich Audre Lordes 25. Todestages auf Englisch veröffentlicht und liegt hier nun endlich auch auf Deutsch vor. Es ist eine politische wie persönliche Hommage an Audre Lorde und ihr wichtiges transnationales, literarisches und aktivistisches Wirken.\r\u003ch3\u003eFür welche Personen ist das Buch zu empfehlen?\u003c\/h3\u003e\rFür Menschen, die Audre Lorde kennenlernen oder noch weiter in ihre Werke und Wissensproduktionen eintauchen möchten. Für Menschen, die sich inspirieren lassen möchten von den weitreichenden Verbindungen, die Audre Lorde in verschiedenen Communities und der afrodeutschen feministischen Community in Deutschland geschaffen hat.\r\u003ch3\u003eMarion Kraft\u003c\/h3\u003e\rist eine afrodeutsche promovierte Literaturwissenschaftlerin, Dozentin, Autorin, Herausgeberin und Übersetzerin. Sie hat fünf Bücher und zahlreiche Essays zu Rassismus, Literatur, Feminismus und der Schwarzen Bewegung in Deutschland veröffentlicht. Marion Kraft ist Co-Übersetzerin einer englisch-deutschen Ausgabe ausgewählter Gedichte Audre Lordes.","brand":"KNV, w_orten \u0026 meer","offers":[{"title":"Default Title","offer_id":46376339177819,"sku":null,"price":11.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/Zabriskie_marion-kraft_empowerment-und-widerstand-scaled.jpg?v=1679355859"},{"product_id":"afropessimismus","title":"Afropessimismus","description":" \u003cstrong\u003e\u003cem\u003eWas es heißt, Schwarz zu sein: Afropessimismus ist ein Aufschrei und eine radikale Antwort auf eine der drängendsten Fragen unserer Zeit\u003c\/em\u003e\u003c\/strong\u003e\r\rWie erklärt sich die brutale Alltäglichkeit der Gewalt gegen Schwarze Menschen? Warum bestimmt die Geschichte der Sklaverei ihre Erfahrungen bis heute? Wie kommt es, dass Rassismus jeden Aspekt des sozialen, politischen und geistigen Lebens berührt? Frank B. Wilderson III begegnet diesen Fragen in einer Weise, die so komplex ist wie unsere Verstrickungen in sie: Teils einschneidende Analyse, teils bewegendes Memoir, zeugt »Afropessimismus« davon, was es heißt, Schwarz – und das heißt für Wilderson immer zugleich, kein Mensch – zu sein. Er schildert eine nur scheinbar idyllische Kindheit in einem weißen Vorort von Minneapolis, die politisierten 1970er- und 1980er-Jahre, seinen Aktivismus gegen die südafrikanische Apartheid und die Gewalt, die ihm als Wissenschaftler noch heute begegnet. Wildersons Aufmerksamkeit für die Verheerungen eines Schwarzen Lebens in einer weißen Welt zeigen, dass die Unterdrückung der Schwarzen kein Relikt der Vergangenheit ist. Vielmehr bildet sie die unhintergehbare Grundlage jedes Verständnisses von Kultur, Fortschritt und Subjektivität. Auch die unbestreitbaren Erfolge des Civil Rights Movements oder von Black Lives Matter konnten sie nicht grundlegend infrage stellen. Ausgangspunkt von Wildersons Denken ist deshalb die Ausweglosigkeit. »Afropessimismus« fragt, wie sich das Leben als versklavte Person überhaupt erzählen lässt: eine herausfordernde und notwendige Lektüre.\r\rÜbersetzung: Jan Wilm\r\r\u003cstrong\u003eFrank B. Wilderson III,\u003c\/strong\u003e 1956 in New Orleans geboren, ist Professor und Leiter der African Amercian Studies an der University of California, Irvine. 1992 war er einer von zwei US-Amerikanern, die in den African National Congress unter der Führung von Nelson Mandela gewählt wurden. Sein Buch »Incognegro: A Memoir of Exile and Apartheid« (2008) wurde mit dem »Hurston\/Wright Legacy Award« für Nonfiction ausgezeichnet. »Afropessimismus« ist sein erstes Buch in deutscher Übersetzung.","brand":"Prolit","offers":[{"title":"Default Title","offer_id":46376342225243,"sku":null,"price":28.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_Afropessimismus-scaled.jpg?v=1679356064"},{"product_id":"sand-talk-deutsch","title":"Sand Talk - Das Wissen der Aborigines und die Krisen der modernen Welt","description":"\u003cdiv class=\"std\"\u003e\u003cspan class=\"TextSchwarz\"\u003eEin Lieblingsbuch von Una Hamilton Helle, ausgewählt für unseren \u003ca href=\"https:\/\/zabriskie.de\/blogs\/zabriskie-rewind\/zabriskie-rewind-2022\" rel=\"noopener\" target=\"_blank\"\u003e2022 Rewind\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e~~~\u003cbr\u003e\u003cbr\u003e»Sand Talk« beschert dem Leser nichts weniger als einen Wechsel der Perspektive, von der aus wir die Krisen der modernen Welt betrachten und neu beurteilen können. Tyson Yunkaporta, Angehöriger des im australischen West Cape York beheimateten Apalech-Clans und Professor für Indigenes Wissen, vermittelt in diesem an Geschichten reichen Buch das tiefe, komplexe und prozesshafte Wissen der Aborigines. Ein Wissen, das aus der innigen und symbiotischen Beziehung zum Land und zu den Ahnen besteht und auf dem Denken in Geschichten und dem Erkennen von Mustern beruht. Es ist flüchtig wie die Zeichnungen, die bei den Zwiegesprächen oder den Unterhaltungen in der Gruppe in den Sand gezeichnet werden, und zugleich umfassend wie die Traumzeit. Es ist aber auch ein Wissen, das durch die westliche Zivilisation verheert wurde, die die weiten Gebiete Australiens ausgeplündert und die Kultur der Aborigines, die sich als Hüter des Landes verstehen, marginalisiert und verstümmelt hat. Yunkaporta macht dieses verschüttete Wissen lebendig und sucht in den Mustern der indigenen Kultur nach Möglichkeiten, die Moderne auf den Weg der Nachhaltigkeit zu führen. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"TextSchwarz\"\u003e\u003cstrong\u003eTyson Yunkaporta\u003c\/strong\u003e ist Wissenschaftler und Kunstkritiker. Er ist Angehöriger des im äußersten Norden des australischen Queenslands beheimateten Apalech Stammes. Er schnitzt traditionelle Werkzeuge und Waffe und unterrichtet als Professor für Indigenes Wissen an der Deakin University in Melbourne.\u003c\/span\u003e\u003c\/div\u003e","brand":"Prolit","offers":[{"title":"Default Title","offer_id":46376347304283,"sku":null,"price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_Sand-Talk-1-scaled.jpg?v=1679356593"},{"product_id":"take-care-of-your-self-the-art-and-cultures-of-care-and-libera","title":"Take Care of Your Self - The Art and Cultures of Care and Libera","description":" Artist Sundus Abdul Hadi’s reflections on self-care as a community act depict care as crucial to creating a just society.\r\r“Take care of yourself. How many times a week do we hear or say these words? If we all took the time to care for ourselves, how much stronger would we be? More importantly, how much stronger would our communities be?”\r\rIn Take Care of Your Self, Sundus Abdul Hadi turns a critical and inventive eye to the notion of care and how it relates to social justice. In contrast to the billion-dollar industry of self-care, Abdul Hadi identifies care as a necessary practice—rooted in self, community, and the world—in the collective process of decolonization, empowerment, and liberation.\r\rAbdul Hadi explores the role of art in building regenerative narratives to confront and undo systemic oppression and trauma. Weaving in the work of visionary transcultural artists who engage the liberatory intersections of struggle and care, Abdul Hadi centers the voices of those most-often relegated to the margins and emphasizes the importance of creating brave spaces for their stories and art. The transformative power of care exists in these spaces, building a foundation for a world in desperate need of healing and change.\r\rPraise:\r\r“Take Care of Your Self turns upside down and inside out the meanings of self-care, illuminating for us decolonial futures through our collective healing. Sundus Abdul Hadi invites us into the most intimate valleys of her own healing journey—taking us gently by the hand to show us the visionary work of artists while rooting us in the fertile soils nurtured by Black, Indigenous, anticolonial, and feminist thinkers—and pointing to the revolutionary potential of transnationalism. Take Care of Your Self left me elated, floating a bit with the buoyancy that hope offers.”—Noura Erakat, author of Justice for Some: Law and the Question of Palestine","brand":"Gardners, Ingram","offers":[{"title":"Default Title","offer_id":46376348909915,"sku":null,"price":17.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_sundus-abdul-hadi_Take-Care-of-Your-Self-The-Art-and-Cultures-of-Care-and-Liberation-1-scaled.jpg?v=1679356778"},{"product_id":"holding-change-the-way-of-emergent-strategy-facilitation-and-m","title":"Holding Change: The Way of Emergent Strategy Facilitation and Mediation","description":"\u003cdiv class=\"product-info-main product-details left-section\"\u003e\n\u003cdiv class=\"product attribute description\"\u003e\n\u003cdiv class=\"value\"\u003e\n\u003cem\u003eHolding Change\u003c\/em\u003e is part of the\u003cstrong\u003e \u003ca href=\"https:\/\/www.akpress.org\/featured-products\/emergent-strategy-series.html\"\u003eEmergent Strategy Series\u003c\/a\u003e.\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"value\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"value\"\u003eIn our complex world, facilitation and mediation skills are as important for individuals as they are for organizations. How do we practice them in ways that align with nature, with pleasure, with our best imagining of our future? How do we attend to generating the ease necessary to help us move through the inevitable struggles of life? How do we practice the art of holding others without losing ourselves? Black feminists have answers to those questions that can serve anyone working to create changes in our world, changes great and small; individually, interpersonally, and within our organizations. \u003cem\u003eHolding Change\u003c\/em\u003e is about attending to coordination, to conflict, to being humans in right relationship with each other, not as a constant ongoing state, but rather as a magnificent, mysterious, ever-evolving dynamic in which we must involve ourselves, shape ourselves and each other. The majority of the book is sourced from brown’s twenty-plus years of facilitation and mediation work with movement groups. \u003cbr\u003e\u003cbr\u003eIncludes contributions by Autumn Brown, Sage Crump, Malkia Devich-Cyril, Ejeris Dixon, Alexis Pauline Gumbs, Prentis Hemphill, Micky ScottBey Jones, N’Tanya Lee, and Makani Themba \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eadrienne maree brown\u003c\/strong\u003e is the author of \u003cem\u003eEmergent Strategy: Shaping Change, Changing Worlds\u003c\/em\u003e; \u003cem\u003ePleasure Activism: The Politics of Feeling Good\u003c\/em\u003e; \u003cem\u003eWe Will Not Cancel Us: And Other Dreams of Transformative Justice\u003c\/em\u003e; co-editor of \u003cem\u003eOctavia’s Brood: Science Fiction from Social Justice Movements\u003c\/em\u003e; cohost of the podcasts \u003cem\u003eHow to Survive the End of the World\u003c\/em\u003e and \u003cem\u003eOctavia’s Parables\u003c\/em\u003e; and founder of the Emergent Strategy Ideation Institute.   “adrienne maree brown is powerful both as a healer and as a thought leader. Her revelatory work, \u003cem\u003eHolding Change\u003c\/em\u003e, arrives at the intersection of activism and whole-wellness, at a time when the world needs it most. \u003cem\u003eHolding Change\u003c\/em\u003e is about improved communication, achieving conflict resolution, and making space for others while still holding one’s self in high regard. A necessary and mighty tool.” \u003cstrong\u003e—Patrisse Khan Cullors, co-founder of Black Lives Matter and \u003cem\u003eNYT\u003c\/em\u003e bestselling author of \u003cem\u003eWhen they Call You a Terrorist\u003c\/em\u003e\u003c\/strong\u003e “adrienne maree brown is not an outsider looking into movement work but a weaver who has committed her life to our collective liberation ... She helped us advance our structure, systems, and vision in ways that allowed us to stay grounded in our north star. She is a master adapter and a gift to the movement.” \u003cstrong\u003e—Karissa Lewis, Rising Majority\u003c\/strong\u003e “Adrienne is the most powerful, insightful facilitator I have ever had the privilege to witness, let alone work with ... Her technique is a powerful demonstration of how strong, innovative facilitation has the ability to help leaders build visionary movements.” \u003cstrong\u003e—Thenjiwe McHarris, Blackbird and Movement for Black Lives\u003c\/strong\u003e \"\u003cem\u003eHolding Change\u003c\/em\u003e is the kind of wise resource book I wish so very badly that I had when I was free and organizing.... brown is both pragmatic and compassionate in her advice, recognizing that a broken system breaks people and that we can only do the work that is needed as the people we are. That maybe we can both get to our destination of a better world together and learn to be better to each other as part of the same process.\" \u003cstrong\u003e—Marius Mason, political prisoner\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"AK Press","offers":[{"title":"Default Title","offer_id":46376364638555,"sku":null,"price":17.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/Zabriskie_adrienne-maree-brown_holding-change-1-scaled.jpg?v=1679357307"},{"product_id":"lieben-lernen-alles-uber-verbundenheit","title":"Lieben lernen - Alles über Verbundenheit","description":" \u003cdiv class=\"ng-star-inserted\"\u003e\r\u003cdiv\u003e\r\r\u003cspan class=\"TextSchwarz\"\u003eLiebe(n) geht uns alle an.\u003c\/span\u003e\r\rUnsere Sehnsucht und Suche nach Liebe hört nie auf. Egal, wie alt wir sind. Warum fällt es uns dennoch so schwer, den wahren Stellenwert der Liebe gesellschaftlich anzuerkennen? Weshalb verharren so viele Menschen in Beziehungen, die schon lange nicht mehr liebevoll sind? Wieso stoßen vor allem ältere Frauen mit ihrem Liebesbedürfnis an Grenzen? Wo kollidieren Geschlechterrollen mit Erwartungen? Wie hat die feministische Bewegung unsere Vorstellung von Liebe beeinflusst und verändert? Und inwiefern stecken wir alle (noch) in patriarchalen Denkmustern und Machtstrukturen fest?\r\rMit souveräner Offenheit begegnet die renommierte Literaturwissenschaftlerin bell hooks diesen Fragen. Jenseits aller Dogmen und Schuldzuweisungen entwirft sie eine neue Kunst des Liebens; basierend auf Freiheit, Selbstliebe und echter Verbundenheit.\r\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003cdiv\u003e\u003c\/div\u003e\r\u003cdiv\u003e\u003cspan class=\"TextSchwarz\"\u003ebell hooks, geboren am 25. September 1952 als Gloria Watkins in Hopkinsville, Kentucky, war eine US-amerikanische Literaturwissenschaftlerin und Aktivistin. Seit den 1970er-Jahren zählt sie zu den bedeutendsten Stimmen für Frauen- und Bürgerrechte. Sie unterrichtete u. a. an der Yale Universität und am Oberlin College und lehrte zuletzt als Professorin am Berea College, Kentucky. bell hooks ist der Name ihrer indigenen Großmutter und war ihr Pseudonym. bell hooks starb am 15. Dezember 2021 in Kentucky.\u003c\/span\u003e\u003c\/div\u003e\r\u003cdiv class=\"ng-star-inserted\"\u003e\r\u003cdiv class=\"text-typ\"\u003e\u003c\/div\u003e\r\u003c\/div\u003e","brand":"KNV","offers":[{"title":"Default Title","offer_id":46376367030619,"sku":"","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_bell-hooks_lieben-lernen-1-scaled.jpg?v=1679357460"},{"product_id":"wxtch-craft-zine-fall-session-edition2-your-name-is-medicine-over-my-skin","title":"Wxtch Craft Zine - Fall Session (Edition2) : Your name is medicine over my skin","description":" Towards the end of the first year of exploring Wxtch Craft as a queer feminist liberatory practice, we realised that we were in this for the long haul. Because at every turn, the many gendered witch revealed themselves to be like a precious stone or prism, casting a new, refracted light on the many struggles - of class, gender, race and ecology - that intersect and entangle in their figure. The necessity for a (virtual) clearing in the woods persists. That is, a place for nurturance and (self) education, to listen and learnfrom the life-saving knowledges that witchcrafts are (un) earthing worldwide.\r\"As indigenous peoples, we are fighting to protect what we love - our way of life, our rivers, the animals, our forest, life on Earth - and it's time that you listened to us\". (Nemonte Nenquimo)\rAnd so we continue to walk with our cherished guests and hosts into the woods to exchange medicine and craft new stories for earthly survival from a witch's perspective. We seek to understand what insidious storytelling leads to estrangement, disenchantment, objectification and oppression, and what re-story-ing leads to restoration, re-enchantment, transformations and justice. An important part of this work is becoming skillful in what the great mage Ursula L. Le Guin calls magic: knowing the true, original name of things. This is also the reason why we, inspired by Alexis Pauline Gumbs, one of the most re-enchanting voices of our time and our guest, decided to name this Fall cycle:\rWXTCH CRAFT: YOUR NAME IS MEDICINE OVER MY KIN\r(tr)andcestral wisdoms and earth crafting\r\rContent:\r\r* Undrowned: Remember, by Alexis Pauline Gumbs\r* Lexicon Index\r* Nightflying: Power, Memory, Magic, by Aurora Levins Morales\r* sWitches Manifesto\r* Poem, by Janice Lee\r* Learning the Grammar of Animacy, by Robin Wall Kimmerer\r* Poem, by Laila Surges\r* Undrowned: Listen, by Alexis Pauline Gumbs\r* Digging, by Audre Lorde\r* On the Nature of the Ally, by Dale Pendell\r* Shrine Interventions\r* A Tale of Two Mermaids, by Olga Elliot\r* Undrowned: Collaborate, by Alexis Pauline Gumbs\r* References","brand":"Erika Sprey","offers":[{"title":"Default Title","offer_id":46376373092699,"sku":null,"price":12.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_Wxtch-Craft-Zine-Edition-2-1-scaled.jpg?v=1679357663"},{"product_id":"sacred-instructions-indigenous-wisdom-for-living-spirit-based","title":"Sacred Instructions - Indigenous Wisdom for Living Spirit-Based","description":"\u003cp\u003eA favourite book of Lann Hornscheidt, selected for our \u003ca href=\"https:\/\/zabriskie.de\/blogs\/zabriskie-rewind\/zabriskie-rewind-2020\" target=\"_blank\" rel=\"noopener\"\u003e2020 Rewind\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003eAncient indigenous wisdom to light the way toward a contemporary path for everyone seeking a more loving and balanced world. \u003cbr\u003e\u003cbr\u003eDrawing from ancestral knowledge, as well as her experience as an attorney and activist, Sherri Mitchell addresses some of the most crucial issues of our day—including indigenous land rights, environmental justice, and our collective human survival. Sharing the gifts she has received from the elders of her tribe, the Penobscot Nation, she asks us to look deeply into the illusions we have labeled as truth and which separate us from our higher mind and from one another. Sacred Instructions explains how our traditional stories set the framework for our belief systems and urges us to decolonize our language and our stories. It reveals how the removal of women from our stories has impacted our thinking and disrupted the natural balance within our communities. For all those who seek to create change, this book lays out an ancient world view and set of cultural values that provide a way of life that is balanced and humane, that can heal Mother Earth, and that will preserve our communities for future generations.\u003c\/p\u003e","brand":"Gardners, Macmillan Distribution","offers":[{"title":"Default Title","offer_id":46376373715291,"sku":null,"price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_SacredInstructions-IndigenousWisdomforLivingSpirit-Based.jpg?v=1777926277"},{"product_id":"absolute-humidity","title":"Absolute Humidity","description":" Absolute Humidity is a volume that aims to re-position conversations about the climate, weather and the environment by placing artist’s voices at the centre of the discussion. The publication focuses on contemporary artists from the Asia-Pacific region, including twenty-eight new conversations and other contributions that form a new constellation of inquiries. Through this project, contributors discuss how ideas surrounding weather, the environment and the climate be conceptualised by artists producing fresh ideas surrounding artistic agency.\r\rBringing together some key voices from this region, this book includes practices that span from Jakarta to Brisbane, from Ho Chin Min City to Mumbai, from Hong Kong to Dubai and more. For example, Bahar Behbahani discusses her love of Islamic design through a de-colonial lens, looking at the nuanced role of water within these histories in Iran, and how this folds into her artistic practice.\r\rAlfredo and Isabel Aquilizan speak about living between the Philippines and Australia and how this has informed their life and art practice, using Filipino Balikbayan boxes as an analogy for migration. Zheng Bo straddles the space between politics and the environment in his work, in this conversation, we delve into his favourite type of plant, among other things. Hitman Gurung \u0026amp; Sheelasha Rajbhandari discuss the important work they have done in the wake of the 2015 Nepal Earthquake and the ongoing community cultural development that they continue to do for their city. Lantian Xie reflects sensitively on the role of privilege in relation to heat-politics in the gulf, and many more stories fold into the Absolute Humidity volume.","brand":"Hopscotch Reading Room","offers":[{"title":"Default Title","offer_id":46376378204507,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_Absolute-Humidity-1-2.jpg?v=1679357901"},{"product_id":"poet-warrior-a-memoir","title":"Poet Warrior - A Memoir","description":" Three-term poet laureate Joy Harjo offers a vivid, lyrical, and inspiring call for love and justice in this contemplation of her trailblazing life.\r\rJoy Harjo, the first Native American to serve as U.S. poet laureate, invites us to travel along the heartaches, losses, and humble realizations of her \"poet-warrior\" road. A musical, kaleidoscopic, and wise follow-up to Crazy Brave, Poet Warrior reveals how Harjo came to write poetry of compassion and healing, poetry with the power to unearth the truth and demand justice.\rHarjo listens to stories of ancestors and family, the poetry and music that she first encountered as a child, and the messengers of a changing earth—owls heralding grief, resilient desert plants, and a smooth green snake curled up in surprise. She celebrates the influences that shaped her poetry, among them Audre Lorde, N. Scott Momaday, Walt Whitman, Muscogee stomp dance call-and-response, Navajo horse songs, rain, and sunrise. In absorbing, incantatory prose, Harjo grieves at the loss of her mother, reckons with the theft of her ancestral homeland, and sheds light on the rituals that nourish her as an artist, mother, wife, and community member.\rMoving fluidly between prose, song, and poetry, Harjo recounts a luminous journey of becoming, a spiritual map that will help us all find home. Poet Warrior sings with the jazz, blues, tenderness, and bravery that we know as distinctly Joy Harjo.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":46376383152475,"sku":null,"price":27.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_poet-warrior-1-scaled.jpg?v=1679358258"},{"product_id":"teklife-ghettoville-eski-the-sonic-ecologies-of-black-music","title":"Teklife, Ghettoville, Eski - The Sonic Ecologies of Black Music","description":" \u003cstrong\u003eHow Black electronic dance music makes it possible to reorganize life within the contemporary city.\u003c\/strong\u003e\r\rTeklife, Ghettoville, Eski argues that Black electronic dance music produces sonic ecologies of Blackness that expose and reorder the contemporary racialization of the urban—ecologies that can never be reduced simply to their geographical and racial context. Dhanveer Singh Brar makes the case for Black electronic dance music as the cutting-edge aesthetic project of the diaspora, which due to the music's class character makes it possible to reorganize life within the contemporary city.\r\rClosely analysing the Footwork scene in South and West Chicago, the Grime scene in East London, and the output of the South London producer Actress, Brar pays attention to the way each of these critically acclaimed musical projects experiments with aesthetic form through an experimentation of the social. Through explicitly theoretical means, Brar foregrounds the sonic specificity of 12\" records, EPs, albums, radio broadcasts, and recorded performances to make the case that Footwork, Grime, and Actress dissolve racialized spatial constraints that are thought to surround Black social life.\r\rPushing the critical debates concerning the phonic materiality of Blackness, undercommons, and aesthetic sociality in new directions, Brar rethinks these concepts through concrete examples of contemporary Black electronic dance music production that allows for a theorization of the way Footwork, Grime, and Actress have--through their experiments in Blackness--generated genuine alternatives to the functioning of the city under financialized racial capitalism.\r\r \r\r\u003cstrong\u003eDhanveer Singh Brar\u003c\/strong\u003e is a scholar of Black Studies, as it intersects with Cultural Studies, Sound Studies and Critical Theory. He has published in journals such as Social Text, Darkmatter, and Cesura \/\/ Acceso and is a founding member of the London based Black Study Group. He is lecturer in Visual Cultures at Goldsmiths, University of London, and has previously held an Andrew W. Mellon Postdoctoral Fellowship in the Humanities at University of Pennsylvania and a Junior Research Fellowship at the Institute of Advanced Studies, UCL.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":46376383283547,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_Teklife-Ghettoville-Eski-scaled.jpg?v=1679358284"},{"product_id":"errant-journal-discomfort-issue-3","title":"Errant Journal  #3 - Discomfort","description":"\u003cp\u003eErrant #3 takes the ambiguous feeling of discomfort as a productive space to think from. What if instead of avoiding discomfort, we lean into it, dwell on it, stay with it so as to be able to learn from it? Central to the issue is the presence of discomfort as it accompanies the work of decoloniality, both in positions of marginalisation and of those who perhaps feel their comfort shaken for the first time. The contributions explore discomfort through personal histories, as well as curatorial, architectural \u0026amp; psychoanalytic perspectives. \u003ca href=\"https:\/\/errantjournal.org\/contents-3\/\" target=\"_blank\"\u003elist of contents\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEditor's Note\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"entry-content\"\u003eWelcome to the third issue of \u003cem\u003eErrant Journal\u003c\/em\u003e. With it, we feel that we have passed a long and precarious start-up phase and can say with careful confidence that \u003cem\u003eErrant\u003c\/em\u003e \u003cem\u003eJournal\u003c\/em\u003e is here to stay… at least for now. The topic of this issue is one that has been part of our very first discussions about starting a magazine. In fact, the topic of discomfort is always present in the process of understanding structural inequalities in our societies, as well as our own role – and responsibilities – in these. Finally being able to explore the subject in full and seeing how it resonates in different ways with our contributors, has not disappointed, nor could its timing have been more fitting. Personally, I feel that mentioning discomfort often just serves as a kind of disclaimer in discussions on ‘decolonisation’, without ever getting the attention it truly deserves – a necessary by-product that, after a brief acknowledgement (to protect who?), can be put aside again.\u003ca href=\"https:\/\/errantjournal.org\/editors-note-3\/#_ftn1\"\u003e[1]\u003c\/a\u003e But I also think of how the term ‘quality’ – still used as the main marker in deciding whether a project is considered worthy of funding – is in fact applied to those cultural expressions that fit ever so comfortably within what we already know (while at the same time having an equally comfortable notion of being ‘controversial’, ‘experimental’ or any other term that makes us feel something is new or worthy). It therefore feels as if the work of decoloniality is being done without really addressing an important factor that runs throughout: a sense of discomfort. The feeling definitely sneaks up on you. When experienced, discomfort is not always something that can be easily placed or defined, even to oneself. And although discomfort should not in any way be confused with structural inequalities, racism or any form of violence, it often acts as a thin layer that hides these matters behind its façade, thereby making its ‘unspeakable’ nature a mechanism for holding inequality and systems of domination in place. What’s more, the feeling of discomfort can be part of a productive not-knowing, in the way Édouard Glissant advocates for by claiming the ‘right to opacity’. Letting go of what we (think we) know is simultaneously a letting-go of our desire to comprehend and thereby reduce, or even assimilate, the singularities of cultural difference – something that is touched upon in several contributions to this issue. It is with these thoughts in mind that we published our first open call, through which we received most of the contributions to this issue. The different ways people responded to the topic has been exciting to see, as they greatly expanded the initial queries we posed. It is telling how many of them deal with an imbalance or shift of power relations; whether from the view of a marginalised member of society or those who feel their comfort shaken – perhaps for the first time – and use certain mechanisms to avoid such negative emotion(s). This is what Rebecca Glyn-Blanco dives into with her text about the role and limits of empathy, particularly in relation to the dynamics of migration politics. Glyn-Blanco asks ‘[w]hat if empathy shields us from the presence of the Other by returning us to the familiar Self, and as such, remains a deeply un-transformative act for the subject?’ By feeling sorry for others, we become reassured that we are being good citizens, and consequently ‘avoid confronting the discomfort of [our] own complicity in oppression.’ No such transposition is available when living a queer life on an island like Barbados for example. In her poetic and purposely fragmented contribution to this issue, Ada M. Patterson recounts her life on the island, what it means to leave it, and what dysphoria and other unbearable and uncomfortable conditions might mean for different species in a climate crisis-queered world. In this sometimes hostile and breathless space, what does it mean for queer and trans people to gather and ‘come up for air’? The unspeakable nature of discomfort perhaps explains why this issue of \u003cem\u003eErrant\u003c\/em\u003e has more creative contributions than our previous ones. Aaron Schuster makes a case for this in exemplifying how Franz Kafka can be thought of as a poet of discomfort, irritation, annoyance, suffering, and complaint, and showing the relationship between writing and suffering. It is in a poetic way, M.C. Julie Yu is able to ruminate on her experience of working as a masseur, bringing together the many layers of stigmatisation of the profession, further complicated by her own identity, place, and the need to just make a living. This ambiguity and inexpressibility of discomfort is also explored in Maaike Hommes’ essay about her inability to put into words her own undiagnosed physical pain. Counter to what we are made to believe, our bodies are relational and defined by vulnerability. Drawing on Johanna Hedva and Judith Butler, Hommes states that ´capitalism’s focus on able-bodied productivity conceives of wellness as the standard mode of existence and thinks of illness or vulnerability as a temporary state.´ Being ill then becomes an individual failure, entangled with feelings of shame and guilt. With a very different approach, Marwan Moujaes considers humiliation in his speculative essay on the consequences of a lowering of the gaze to the experience of a landscape. Since the invention of perspective in the Renaissance, our experience of a landscape can be said to be based on a man, standing and looking straight ahead. What then, does a landscape look like for those whose heads are permanently tilted in subjugation? What if, to humiliate is to obscure a landscape? While discomfort is often something that sneaks up on us, or something we simply endure, could we instead use it consciously as a strategy, and consequently as an act of resistance? This is the starting point of my conversation with curators Amal Alhaag and Rita Ouédraogo on the project \u003cem\u003eA Funeral for Street Culture\u003c\/em\u003e that took place at Framer Framed over the summer of 2021. Partly in response to the Black Lives Matter movement following the murder of George Floyd, their project considers how to mourn as well as celebrate together. Ouédraogo and Alhaag talk about working with and in big institutions as Black women, about the use of anger, about safety and the value of not knowing. But most of all about creating space for those who are often overseen, and the importance of coming together. Through the words of another conversation – this time one taking place in the nineteenth century between Sara Mazhar Makatemele, the first Black woman to live in Kalmar, Sweden, and her employer – Mmabatho Thobejane’s text offers a valuable historic reflection on the long history of mourning and manoeuvres made to ‘fit’ a worldview that is not one’s own. Although purportedly staying in Sweden and converting to Christianity by her own choice, Sara’s words resonate with a sad remembrance and a double consciousness of two cosmologies. ‘There are leaps and bounds performed by Sara to arrive here. To move, in the nineteenth century from one (dead) cosmology to the (alive and salvation-filled) other. What is the shape of those leaps? What mental and emotional manoeuvres does this movement require?’ We felt this issue could not have been complete without also addressing our built environments. In ‘The Idea of Comfort’, a text originally written in 1987, Tomás Maldonado retraces the origin of the concept of comfort as something categorically modern. Emerging alongside the capitalist societies of the Industrial Revolution, the fundamental role of comfort – according to Maldonado – is that of social control. In extension of this thesis, but to counter it with a more pluralistic approach, we read Dalle Abraham’s text about his upbringing in governmental housing in northern Kenya. Perhaps once thought of as signifiers of status or progress, they quickly have become a cliché of the postcolonial condition, functioning as a backdrop to a genre of African novels. Abraham’s very personal text recounts the dreams he had as a child, those of his parents, and what the ideas and mindsets stemming from such quarters have mutated into today. Equally unavoidable was the presence of COVID-19 in this issue as it has been in our lives the last two years and has drastically transformed the ways we think and feel about being in close proximity to others. The case, discussed here by architectural collective m7red, of the Argentinian government’s Sanitary Park in Buenos Aires, set up to temporarily house individuals infected with the virus who were not able to remain isolated from their families at home, can be seen as an experiment with important implications. How to stay connected while being isolated? What other forms of closeness can we imagine when our zones of comfort are suddenly shattered? As we adapt to a new reality in which the urgency of the COVID crisis recedes in our memory, we can perhaps rethink some of these relations the pandemic has exposed. Let us not just slip back into our comfortable lives unthinkingly but consider how so much of what has been exposed these last years is structural, but not unchanging.\u003chr class=\"wp-block-separator\"\u003e\n\u003csub\u003e\u003ca href=\"https:\/\/errantjournal.org\/editors-note-3\/#_ftnref1\"\u003e[1]\u003c\/a\u003e Recently, much discussion seems to centre around the notion that the buzzword ‘decolonisation’ has lost its meaning (and this in turn has become a fashionable thing to say). Although it is true that a great deal of institutions use the term to justify their programme, without actually doing any of the work or truly making changes, it is not by any means a term without meaning. Important to mention here is the difference between decolonisation and \u003cem\u003edecoloniality\u003c\/em\u003e as coined by Aníbal Quijano. Whereas the first refers to the struggle of people to get their land back from colonial settlers, the second encompasses an epistemic reconstitution that is ongoing. These meanings seem to be consistently mixed up, and in common use (although incorrect), the latter is what is usually meant with the term ‘decolonisation’. See for more info on the differentiation: Mignolo, Walter D., Catherine Walsh. \u003cem\u003eOn Decoloniality. Concepts Analytics Praxis. \u003c\/em\u003eDurham and London: Duke University Press, 2018.\u003c\/sub\u003e\n\u003c\/div\u003e\n  Contributors: Dalle Abraham, Amal Alhaag, Rebecca Glyn-Blanco, Irene de Craen, Maaike Hommes, m7red, Tomás Maldonado, Marwan Moujaes, Rita Ouédraogo, Ada M. Patterson, Aaron Schuster, Mmabatho Thobejane, M.C. Julie Yu","brand":"Errant Journal","offers":[{"title":"Default Title","offer_id":46376383545691,"sku":"","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_errant-journal_discomfort-scaled.jpg?v=1679358325"},{"product_id":"wxtch-craft-zine-spring-22-edition3-toward-a-queer-ecofeminism","title":"Wxtch Craft Zine - Spring 22 (Edition3): Toward a Queer Ecofeminism","description":" We begin this fourth and final cycle of Wxtch Craft by invoking a joyfully militant image: two figures carrying an abundance of gifts and dancing between four magic wands that seem to bless a fertile ground. Symbolizing the power of community and erotic communion, this Tarot card establishes a necessary terrestrial stability for bodies to tap into lifetimes of body wisdom and sensuously perceive a more-than-human world. The eyes, the skin, the tongue, ears, and nostrils—all are gates where our body receives the nourishment of otherness.\r\rCuratorial statement\r\rThis cycle, that dreams of queer and crip more-than-human Sex Magick, is an open invitation to become incredibly sensitive and sensual to an essentially queer universe. It is about cultivating certain skill - available to all genders but also to men - that works as an anti-dote and earth medicine for this encapsulating, desensitizing modern world.\r\rOnly by temporarily shedding the accepted perceptual logic of their culture can the sorcerer hope to enter into relation with other species on their own terms; only by altering the common organization of their senses will they be able to enter into a rapport with the multiple nonhuman sensibilities that animate the local landscape.2\r\rThis attunement is the necessary groundwork for also this program to shapeshift next academic year, when it will metamorphose into a new form while remaining true to its ethics and politics, spirit unchanged.\r\rThe program will shapeshift because, sadly, shallow and fixed representation of the witch continue to prevail, derailing our attention with what we would call ‘bad faith distractions’. Dismissing the contemporary revival of the witch as just some new woo woo manifestation of angst-fueled, crystal-gazing consumer-capitalism is once again diverting our precious attention from the deep and rigorous system critique that the prismatic Wxtch is speaking to. Happily, our transformative path is paved with awareness expanding and bodymind altering flowers, for those who bother to look, sensuously and sensitively.\r\rAlso, now the witch has become a ‘fashionable theme’, we remind ourselves of the warning that Silvia Federici issued in the first cycle: be aware of any facile appropriation and (curatorial, commercial) commodification of the witch, especially when the gross devaluation of colonized female, queer and children’s bodies throughout his-tory is once again swept under the carpet.\r\rThe reclaiming of witch is in danger of reproducing the same epistemological violence without an informed societal analysis and unwavering commitment to anti-racism, anti-sexism and social justice. Indeed, being aware of how anti-capitalist counter-spells can be misused and backfire, is also part of this transformative path. So, as a reminder, we invoke the dark counter-image of the Four of Wands, that is, the malefic theater of the witch hunt, where gross forms of patriarchal sexual violence were given free reign:\r\rWitch hunters were both obsessed and terrified of female sexuality. The inquisitors asked the accused over and over again \"What was the Devil's penis like? (…) They enjoyed the absolute domination over the captured women; they could give free rein to their sexual voyeurism. The prisoners suffered multiple rape at the hands of the guards: when one of them was found strangled in her cell, it was said that the Devil had come to claim his servant. Many of the condemned women could not even stand at the moment of execution. But even if they felt for a moment relieved to be done with this all sexual violence, they were left to face an excruciating death.3\r\rThis dark historical picture also echoes the sexual violence that female slaves suffered and still suffer at the hands of the masters. Throughout this meandering program we have been questioning the ‘fixed’ and ‘evident’ dichotomies (polarities) that justify the social, sexual, and political conventions of a deeply hierarchical and (neo)colonial capitalist system. When we cast long and hard looks - and counter-spells – on these dichotomies, it is not hard to see which categories were and still are deemed more desirable, noble and higher, and which categories continue to depositories of fear, greed and exoticizing fascination:\r\rculture \/ nature\r\rhuman \/ nature\r\rreason \/ matter\r\rmind, spirit \/ body (nature)\r\rrationality \/ animality (nature)\r\rreason \/ emotion (nature)\r\rfreedom \/ necessity (nature)\r\rcivilized \/ primitive (nature)\r\rproduction \/ reproduction (nature)\r\rmale \/ female (closer to nature)\r\rwhite \/ coloured, black (closer to nature)\r\rmaster \/ slave (closer to nature)\r\rThus, the Hydra of racism, colonialism and sexism has drawn its conceptual strength and legitimation from a false creation of sexual, racial and ethnic deviance. Closer to the animal nature, these not fully human deviant bodies are ‘begging’ to be subdued, exploited and ‘deflowered’. In the same vein, the body is construed as a sphere of inferiority, the last cultured and irrational vestige of our ‘despicable’ animal nature. As a consequence, unfettered queer Eros of colour is a direct assault on the false terrestrial stability of the colonial empire.\r\rAppeals to nature have often been used to justify social norms, to the detriment of women, nature, queers, and persons of color. The range of colonial assaults on sexuality -- from gender roles to same-sex behaviors to heterosexual practices -- is the reason I name the colonizers' perspective erotophobic rather than simply homophobic.4\r\rWxtch craft is therefore to love and liberate Eros, exuberantly and excessively, in and for all bodies, far away from the clutches of witch hunters in their many contemporary guises. The queer and crip sex magick this program conjures, undoes the harmful sexualization of nature and the so-called naturalization of sex, that allows to dismiss everything outside the heteronormative frame as unnatural and diseased.\r\rLiberated from these shallow and fixed notions of what sex and the erotic can be, we are free to explore and celebrate ourselves as a humble, inextricable part of the natural world – just one more awareness among many multiple awarenesses. A natural world that is brimming with the most lush, queer entanglements of sex and gender, to the point where sometimes those distinctions cease to exist.\r\rWe are free to kiss like snails, change sex like bluehead brasses5, swim like whale sperm and enter in communion with an octopus6, all of course, between the firm parenthesis of trust and awareness come to meet con-sensually that otherness of the other. Please be welcome to join us on this magical ride.\r\r1 David Abrams, Spell of the Sensous.\r2 David Abrams, Spell of the Sensous.\r3 Mona Chollet, Sorcières - La puissance invaincue des femmes\r4 Greta Gaard, Toward a Queer Eco feminism https:\/\/www.semanticscholar.org\/paper\/TOWARD-A-QUEER-ECOFEMINISM-By-GRETA-GAARD-Ecofeminism-Gaard\/acc95beb6751e4ca58a4c2361cbadcf6d06f2a0a\r5 https:\/\/www.wnycstudios.org\/podcasts\/radiolab\/articles\/gonads-xy\r6 My Octopus Teacher, on Netflix","brand":"Erika Sprey","offers":[{"title":"Default Title","offer_id":46376383643995,"sku":"","price":13.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_Wxtch-Craft-Zine-_E2_80_93-Spring-22-Edition3-1-scaled.jpg?v=1679358341"},{"product_id":"zami","title":"Zami: A New Spelling of My Name - A Biomythography","description":" \"If I didn't define myself for myself, I would be crunched into other people's fantasies for me and eaten alive\"\r\rA little black girl opens her eyes in 1930s Harlem, weak and half-blind. On she stumbles - through teenage pain and loneliness, but then to happiness in friendship, work and sex, from Washington Heights to Mexico, always changing, always strong. This is Audre Lorde's story. A rapturous, life-affirming autobiographical novel by the 'Black, lesbian, mother, warrior poet', it changed the literary landscape.\r\rAudre Lorde was a writer, feminist and civil rights activist - or, as she famously put it, 'Black, lesbian, mother, warrior, poet'. Born in New York in 1934, she had her first poem published while she was still in high school. After stints as a factory worker, ghost writer, social worker, X-ray technician, medical clerk, and arts and crafts supervisor, she became a librarian in Manhattan and gradually rose to prominence as a poet, essayist and speaker, anthologised by Langston Hughes, lauded by Adrienne Rich, and befriended by James Baldwin. She was made Poet Laureate of New York State in 1991, when she was awarded the Walt Whitman prize; she was also awarded honorary doctorates from Hunter, Oberlin and Haverford colleges. She died of cancer in 1992, aged 58.\r\r\u003cem\u003ePraise:\u003c\/em\u003e\r\r\u003cem\u003e\"I came across Audre Lorde's Zami, and I cried to think how lucky I was to have found her. She was an inspiration. At last I felt I fitted in.\" -Jackie Kay\u003c\/em\u003e\r\r\u003cem\u003e\"Excellent and evocative... personal honesty and lack of pretentiousness shine through the writing. Her experiences are painted with exquisite imagery.\" -The New York Times\u003c\/em\u003e\r\r\u003cem\u003e\"Zami is important because of its descriptions of growing up a black lesbian feminist in the 1950s, with open, unapologetic, vivid descriptions of women's relationships.\" -Guardian\u003c\/em\u003e","brand":"KNV, Penguin","offers":[{"title":"Default Title","offer_id":46376399307099,"sku":null,"price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_zami-new_spelling.jpg?v=1729250599"},{"product_id":"routes-worlds-e-flux-journal","title":"Routes \/ Worlds (e-flux journal)","description":" \u003cstrong\u003eEdited by Julieta Aranda, Kaye Cain-Nielsen, Anton Vidokle, Brian Kuan Wood.\u003c\/strong\u003e\r\rElizabeth A. Povinelli maps the creation and dismantling of worlds formed by the twinning of historical progress and settler colonialism—as a unity in events and a contradiction in ideology. Even if corporations and nation-states now collude in the same Ponzi schemes, they still continue to transform space and time. At the receiving end of the ideological exhaust pipe, where transformation is inherited as deformation, the diagram flips to place brutality and existential exhaustion at the beginning. But the beginning of what? How about a new beginning, starting with modes of survival and persistence against, and within, a world built from deferred promises? This is a world that many in the imperial hemisphere are only starting to realize they’ve known for longer than they want to admit.\r\rRoutes\/Worlds rearticulates large-scale systems of power and affect, even as—or precisely because—those systems stage increasingly novel forms of neglect. Today, it only becomes clearer that struggles to survive day-to-day challenges are most often struggles against sedimented raw deals whose disastrous logic needs to be traced over large expanses of space and time to become perceptible. In this constant struggle, Povinelli provides weapons as well as inspiration.","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":46376399372635,"sku":null,"price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_Routes-Worlds-e-flux-journal-scaled.jpg?v=1679359543"},{"product_id":"rassismus-sexismus-und-klassenkampf","title":"Rassismus, Sexismus und Klassenkampf","description":" In 13 chronologisch geordneten Essays zeichnet die radikale politische Aktivistin Angela Davis die Entwicklung der amerikanischen Frauenbefreiungsbewegung von den 1960er Jahren bis zum Zeitpunkt der Veröffentlichung des Buches (1981) nach und verknüpft sie mit der Geschichte Schwarzer Frauen in den USA – von der Sklaverei bis zu den Ungerechtigkeiten der Gegenwart. Denn mit dem Ende der Sklaverei in der Folge des amerikanischen Bürgerkrieges war der Rassismus noch nicht überwunden. Die Schwarzen wurden zwar zu Bürger*innen, aber zu Bürger*innen zweiter Klasse.\r\rAngela Davis beleuchtet kritisch, wie sich der Kampf um die Bürgerrechte der Schwarzen mit den Kämpfen weißer Frauen für Bildung, Wahlrecht und Gleichberechtigung verband. Die Autorin argumentiert, dass die weiße Frauenbewegung die Bedürfnisse der Schwarzen Gemeinschaft nie verstanden habe, und erklärt, warum Schwarze Frauen in den USA aufgrund von Klassenlage und Rassismus an die heute zentralen Fragen des Feminismus meist anders herangehen als ihre weißen Schwestern: an die Frage der Berufswahl, der gewerkschaftlichen Organisierung, der sexuellen Gleichberechtigung, der Geburtenkontrolle und reproduktiven Freiheit, der Gewalt, der Haus- und Care-Arbeit.","brand":"KNV","offers":[{"title":"Default Title","offer_id":46376401142107,"sku":null,"price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_angela-davis_rassismus_sexismus.jpg?v=1679359691"},{"product_id":"freedom-is-a-constant-struggle","title":"Freedom is a constant struggle","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cspan class=\"TextSchwarz\"\u003eA favourite book of Midori Hirano, selected for our \u003ca rel=\"noopener\" href=\"https:\/\/zabriskie.de\/blogs\/zabriskie-rewind\/zabriskie-rewind-2021\" target=\"_blank\"\u003e2021 Rewind\u003c\/a\u003e\u003c\/span\u003e\u003cspan class=\"TextSchwarz\"\u003e.\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"TextSchwarz\"\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e~~~\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eFrom the Author of WOMEN, RACE AND CLASS, this is a timely provocation that examines the concept of attaining freedom in light of our current world conflicts. \u003cbr\u003e\u003cbr\u003eIn these newly collected essays, interviews and speeches, world-renowned activist and scholar Angela Y. Davis illuminates the connections between struggles against state violence and oppression throughout history and around the world. Reflecting on the importance of black feminism, intersectionality and prison abolitionism for today's struggles, Davis discusses the legacies of previous liberation struggles, from the Black Freedom Movement to the South African anti-Apartheid movement. She highlights connections and analyses today's struggles against state terror, from Ferguson to Palestine. Facing a world of outrageous injustice, Davis challenges us to imagine and build the movement for human liberation. And in doing so, she reminds us that 'Freedom is a constant struggle.'\u003c\/p\u003e","brand":"KNV, Penguin","offers":[{"title":"Default Title","offer_id":46376401174875,"sku":"","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_freedom_is_a_constant_struggle-1.jpg?v=1679359696"},{"product_id":"pollution-is-colonialism","title":"Pollution is Colonialism","description":" In \u003cem\u003ePollution Is Colonialism\u003c\/em\u003e Max Liboiron presents a framework for understanding scientific research methods as practices that can align with or against colonialism. They point out that even when researchers are working toward benevolent goals, environmental science and activism are often premised on a colonial worldview and access to land. Focusing on plastic pollution, the book models an anticolonial scientific practice aligned with Indigenous, particularly Métis, concepts of land, ethics, and relations. Liboiron draws on their work in the Civic Laboratory for Environmental Action Research (CLEAR)—an anticolonial science laboratory in Newfoundland, Canada—to illuminate how pollution is not a symptom of capitalism but a violent enactment of colonial land relations that claim access to Indigenous land. Liboiron's creative, lively, and passionate text refuses theories of pollution that make Indigenous land available for settler and colonial goals. In this way, their methodology demonstrates that anticolonial science is not only possible but is currently being practiced in ways that enact more ethical modes of being in the world.\r\rPraise:\r\r“There are exceedingly few texts like this that ask from an Indigenous perspective: how might we consider relations between science and land and water and still practice ‘good’ science? Pollution Is Colonialism is at the leading edge of a significant turn in science and technology studies toward thinking with settler colonialism as a structure and terrain, and by bringing Indigenous studies into conversations with pollution, plastics, and lab sciences, this book makes a major contribution.” — Candis Callison, author of How Climate Change Comes to Matter: The Communal Life of Facts\r\r“One of the most original and compelling books I’ve read in a long time, Pollution Is Colonialism is a truly exciting intellectual achievement. It argues for, and most importantly models, a decolonial scientific practice. A must-read book for anyone concerned about land relations.” — Joseph Masco, author of The Future of Fallout, and Other Episodes in Radioactive World-Making\r\r“This important book challenges the very sense of what pollution is, demonstrating its deep entanglements with settler colonialism, and then generously offers us anticolonial feminist methods that might better take up pollution's colonial form. This book is a model of what engaged feminist anticolonial STS research looks like.” — Michelle Murphy, author of The Economization of Life\r\r\"To read Liboiron is to constantly be surprised, reeducated, alarmed, and moved to practice anticolonial methodologies and interrogate everything we know.... Liboiron has written a text for the ages.\" — Kerri Arsenault, Orion","brand":"Gardners","offers":[{"title":"Default Title","offer_id":46376407171419,"sku":null,"price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_Max-Liboiron_pollution-is-colonialism-scaled.jpg?v=1679360139"}],"url":"https:\/\/zabriskie.de\/collections\/decolonisation-antiracism.oembed?page=3","provider":"Zabriskie Buchladen für Kultur und Natur","version":"1.0","type":"link"}