{"title":"Kunst","description":null,"products":[{"product_id":"is-it-my-body-selected-texts","title":"Is It My Body? Selected Texts","description":" Throughout the 1980s and early ’90s, Kim Gordon—widely known as a founding member of the influential band Sonic Youth—produced a series of writings on art and music. Ranging from neo-Conceptual artworks to broader forms of cultural criticism, these rare texts are brought together in this volume for the first time, placing Gordon’s writing within the context of the artist-critics of her generation, including Mike Kelley, John Miller, and Dan Graham. In addressing key stakes within contemporary art, architecture, music, and the performance of male and female gender roles, Gordon provides a prescient analysis of such figures as Kelley, Glenn Branca, Rhys Chatham, Tony Oursler, and Raymond Pettibon, in addition to reflecting on her own position as a woman on stage. The result—\u003ci\u003eIs It My Body?\u003c\/i\u003e—is a collection that feels as timely now as when it was written. This volume additionally features a conversation between Gordon and Jutta Koether, in which they discuss their collaborations in art, music, and performance.\r\r \r\r\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2014\/03\/gordon_is-it-my-body_spread_1.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-1825\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2014\/03\/gordon_is-it-my-body_spread_1.jpg\" alt=\"gordon_is-it-my-body_spread_1\" width=\"728\" height=\"577\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2014\/03\/gordon_is-it-my-body_spread_2.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-1827\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2014\/03\/gordon_is-it-my-body_spread_2.jpg\" alt=\"gordon_is-it-my-body_spread_2\" width=\"728\" height=\"577\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2014\/03\/gordon_is-it-my-body_spread_3.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-1829\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2014\/03\/gordon_is-it-my-body_spread_3.jpg\" alt=\"gordon_is-it-my-body_spread_3\" width=\"728\" height=\"577\"\u003e\u003c\/a\u003e","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":46376142242139,"sku":null,"price":16.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_kim_gordon_ist_it_my_body-1.jpg?v=1679341121"},{"product_id":"vanishing-point-how-to-disappear-in-america-without-a-trace","title":"Vanishing Point: How to disappear in America without a trace","description":" A manual on how to disappear and remain succesfully hidden in American society.\r\r“There are many good reasons to disappear from society. There are many bad reasons to want to. There are many good ways to disappear from society and there are many bad ways to disappear. While I won’t delve too deeply into the whys of disappearing, I will cover my opinions on how to disappear successfully. This essay covers what I consider to be most salient points on how to disappear and remain successfully hidden in American society. “ (Susanne Bürner)\r\r\u003cimg class=\"alignnone size-full wp-image-7506\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2015\/09\/zabriskie_buerner_vanishing_point_america_0.jpeg\" alt=\"zabriskie_buerner_vanishing_point_america_0\" width=\"1280\" height=\"947\"\u003e \u003cimg class=\"alignnone size-full wp-image-7507\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2015\/09\/zabriskie_buerner_vanishing_point_america_1.jpeg\" alt=\"zabriskie_buerner_vanishing_point_america_1\" width=\"1280\" height=\"946\"\u003e \u003cimg class=\"alignnone size-full wp-image-7508\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2015\/09\/zabriskie_buerner_vanishing_point_america_2.jpeg\" alt=\"zabriskie_buerner_vanishing_point_america_2\" width=\"1280\" height=\"947\"\u003e \u003cimg class=\"alignnone size-full wp-image-7509\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2015\/09\/zabriskie_buerner_vanishing_point_america_3.jpeg\" alt=\"zabriskie_buerner_vanishing_point_america_3\" width=\"1280\" height=\"947\"\u003e \u003cimg class=\"alignnone size-full wp-image-7510\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2015\/09\/zabriskie_buerner_vanishing_point_america_4.jpeg\" alt=\"zabriskie_buerner_vanishing_point_america_4\" width=\"1280\" height=\"947\"\u003e\r\r \r\r\u003cspan style=\"text-indent: 20px;width: auto;padding: 0px 4px 0px 0px;text-align: center;font: bold 11px\/20px 'Helvetica Neue',Helvetica,sans-serif;color: #ffffff;background: #bd081c no-repeat scroll 3px 50% \/ 14px 14px;cursor: pointer\"\u003eSave\u003c\/span\u003e","brand":"Susanne Bürner","offers":[{"title":"Default Title","offer_id":46376153874779,"sku":null,"price":5.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_vanishing_point_how_to_disappear_in_america.jpg?v=1679341964"},{"product_id":"devils-and-angels-ritual-feasts-in-europe","title":"Devils and Angels - Ritual Feasts In Europe","description":" Photographer Friso Spoelstra has visited numerous traditional folk festivals in sixteen different European countries during the past ten years and recorded the traditions in his photos. 'Devils And Angels' brings these stories together and shows individuality as well as surprising similarities between the various different cultures of ever-growing Europe.","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":46376155742555,"sku":null,"price":32.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_spoelstra_devils_angels.jpg?v=1679342094"},{"product_id":"jonas-mekas-scrapbook-of-the-sixties-reprint","title":"Jonas Mekas Scrapbook of the Sixties (Reprint)","description":" \u003cem\u003eScrapbook of the Sixties\u003c\/em\u003e is a collection of published and unpublished texts by Jonas Mekas, filmmaker, writer, poet, and cofounder of the Anthology Film Archives in New York. Born in Lithuania, he came to Brooklyn via Germany in 1949 and began shooting his first films there. Mekas developed a form of film diary in which he recorded moments of his daily life. He became the barometer of the New York art scene and a pioneer of American avant-garde cinema. Every week, starting in 1958, he published his legendary “Movie Journal” column in The Village Voice, writing on a range of subjects that were by no means restricted to the world of film. He conducted numerous interviews with artists like Andy Warhol, Susan Sontag, John Lennon \u0026amp; Yoko Ono, Erick Hawkins, and Nam June Paik. Some of these will now appear for the first time in his Scrapbook of the Sixties. Mekas’s writings reveal him as a thoughtful diarist and an unparalleled chronicler of the times—a practice that he has continued now for over fifty years.\r\rJonas Mekas (*1922, Semeniškiai \/ Lithuania), lives and works in New York. Film-maker, writer, poet and co-founder of the Anthology Film Archives one of the world’s largest and most important repositories of avant-garde film. Mekas’s work has been exhibited in museums and festivals worldwide.","brand":"GVA, Jessica Reitz","offers":[{"title":"Default Title","offer_id":46376157053275,"sku":null,"price":28.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_mekas_scrapbook.jpg-1.jpg?v=1679342187"},{"product_id":"labyrinth-english-edition","title":"Labyrinth - english Edition","description":" Published in collaboration with Rollo Press.\r\r»This book on labyrinths is wonderful! It enlarges the traditional catalog of labyrinths so much and so well, being itself labyrinthine,« remarked Jean-Luc Nancy, the French philosopher, on the German edition, published by Spector Books, ISBN 978-3-940064-82-0, in summer 2012. Sadie Plant, author of »Zeroes + Ones: Digital Women and the New Technoculture«, has now translated Labyrinth into English.\r\rThe starting point for this transcript of four lectures, all held in Leipzig in 2010, is a public art work that Olaf Nicolai installed in Paris in 1998. By exploring and combining a broad spectrum of topics that relate to the theme of the labyrinth, this book serves as both, a reference system to Nicolai’s work as well as an independent source book dealing with labyrinthian matter ranging from the minotaur to the floorplans of IKEA.","brand":"GVA, Jessica Reitz","offers":[{"title":"Default Title","offer_id":46376157086043,"sku":null,"price":12.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_nicolai_wenzel_labyrinth_2.jpg?v=1679342192"},{"product_id":"lob-des-schattens-entwurf-einer-japanischen-asthetik","title":"Lob des Schattens - Entwurf einer japanischen Ästhetik","description":" «Wie ein phosphoreszierender Stein, der im Dunkel glänzt, aber bei Tageshelle jeglichen Reiz als Juwel verliert, so gibt es ohne Schattenwirkung keine Schönheit.»\r\rAm Beispiel des Umgangs mit Licht und Schatten gelingt Tanizaki Jun’ichiro der faszinierende Entwurf einer japanischen Ästhetik. Kunstfertig und mit Leichtigkeit ergründet sein Essay die Wurzeln fernöstlicher Schönheit.\r\rOb Gärten, Häuser oder Gegenstände des alltäglichen Gebrauchs – im Umgang mit Licht und Schatten liegt der Schlüssel zum Verständnis japanischer Ästhetik. Gerade das Halbdunkel und die irritierende Düsternis bringen den Glanz bestimmter Materialien aufs Eindrücklichste zur Geltung. Die Eleganz lackierter Flächen, das Glitzern der Gold- und Silberfäden alter Gewebe entfalten sich ausschließlich im Schattenspiel zwischen den Objekten. Farbe und Struktur japanischen Papiers rückt erst der Dämmerschein ins rechte Licht. «Das, was man als schön bezeichnet, entsteht in der Regel aus der Praxis des täglichen Lebens heraus. So entdeckten unsere Vorfahren, die wohl oder übel in dunklen Räumen leben mussten, irgendwann die dem Schatten innewohnende Schönheit, und sie verstanden es, den Schatten einem ästhetischen Zweck dienstbar zu machen», erklärt Tanizaki Jun’ichiro.\r\rEinen besorgten Blick richtet er Richtung Westen. Denn was bedeuten der Siegeszug des elektrischen Lichts und gleißender Helligkeit für die jahrtausendealten Schönheitsvorstellungen seiner Heimat? An der Wende zur Moderne geschrieben, wurde Tanizakis berühmter Essay zum «ästhetischen Testament Japans» (Neue Zürcher Zeitung).\r\rIn bibiophiler Ausstattung mit einem Schutzumschlag aus Naturpapier, gebunden in schwarzes, geprägtes Strukturpapier, mit einer Original-Kalligraphie.","brand":"KNV","offers":[{"title":"Default Title","offer_id":46376158822747,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_tanizaki_lob_des_schattens.jpg?v=1679342307"},{"product_id":"marcel-duchamp-a-life-in-pictures","title":"Marcel Duchamp - A Life In Pictures","description":" A must for Duchamp devotees everywhere!\r\rThis little introduction to the life and works of Marcel Duchamp was originally published to accompany a Duchamp retrospective at the Pompidou Centre in Paris. Modelled on a children’s book it contains 12 dead-pan full-page colour illustrations of events in Duchamp’s life with an equally tongue-in-cheek, and entirely accurate, biography. The book was much admired at the time (Andy Warhol being an enthusiast, among others), this is its first appearance in English.\r\rGough-Cooper and Caumont are renowned Duchamp scholars, authors of the recently published Marcel Duchamp: Ephemerides (UK: Thames \u0026amp; Hudson)\r\rIllustrated by André Raffray.\r\r\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_caumont_marcel_duchamp_3.jpg\"\u003e\u003cimg class=\"alignnone wp-image-5182 size-full\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_caumont_marcel_duchamp_3.jpg\" alt=\"Marcel Duchamp\" width=\"1936\" height=\"1936\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_caumont_marcel_duchamp_4.jpg\"\u003e\u003cimg class=\"alignnone wp-image-5183 size-full\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_caumont_marcel_duchamp_4.jpg\" alt=\"Marcel Duchamp\" width=\"1936\" height=\"1936\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_caumont_marcel_duchamp_2.jpg\"\u003e\u003cimg class=\"alignnone wp-image-5181 size-full\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_caumont_marcel_duchamp_2.jpg\" alt=\"Marcel Duchamp\" width=\"1936\" height=\"1936\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_caumont_marcel_duchamp_1.jpg\"\u003e\u003cimg class=\"alignnone wp-image-5180 size-full\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_caumont_marcel_duchamp_1.jpg\" alt=\"Marcel Duchamp\" width=\"1936\" height=\"1936\"\u003e\u003c\/a\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":46376159543643,"sku":null,"price":9.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_caumont_marcel_duchamp_0.jpg?v=1679342362"},{"product_id":"3-new-york-dadas-and-the-blind-man-marcel-duchamp-henri-pierre-roche-beatrice-wood","title":"3 New York Dadas and the Blind Man - Marcel Duchamp, Henri-Pierre Roché, Beatrice Wood","description":" \u003cp class=\"font8\" align=\"justify\"\u003e\u003cspan class=\"font13\"\u003eThe story of the triangular relationship between Marcel Duchamp, Henri-Pierre Roché and Beatrice Wood in New York in 1917.\u003c\/span\u003e\u003c\/p\u003e\rThe main text here is the first English translation of Roché’s “novel” \u003ci\u003eVictor\u003c\/i\u003e, an account of his friendship with Duchamp (nicknamed Victor by his close friends at that time). Although unfinished, Roché’s text offers a unique first-hand account of New York Dada, all of whose principal characters and events duly make an appearance: Francis Picabia, Arthur Cravan, the Arensbergs and their \u003ci\u003esoirées\u003c\/i\u003e, the Blind Man’s Ball and the scandal of Duchamp’s \u003ci\u003eFountain\u003c\/i\u003e and its rejection from the Independents exhibition, a pivotal moment in modern art. There are also interesting insights into the sexual politics of the period, when a woman could be arrested, or blackmailed, for spending the night with a man to whom she was not married.\r\u003cp class=\"font8\" align=\"justify\"\u003e\u003ci\u003eVictor\u003c\/i\u003e is followed by a complete facsimile of the Dada magazine produced by these three: \u003ci\u003eThe Blind Man\u003c\/i\u003e, the second issue of which was devoted to the controversy surrounding the \u003ci\u003eFountain\u003c\/i\u003e. Beatrice Wood’s account of these events is taken from her memoirs.\u003c\/p\u003e\r\u003cp class=\"font8\" align=\"justify\"\u003eMarcel Duchamp needs little introduction, being one of the most influential artists of the last century. Roché, a lifelong friend of his, appears to have been something of a devotee of triangular relationships; he wrote a rather more famous autobiographical novel on the topic, \u003ci\u003eJules et Jim\u003c\/i\u003e, which became an emblematic film by François Truffaut. Wood went on to become a celebrated ceramicist, dying in 1998, aged 105.\u003c\/p\u003e\r\u003cp class=\"font8\" align=\"justify\"\u003eThe introduction and commentary is by Dawn Ades, the well-known scholar of Dada and Surrealism.\u003c\/p\u003e\r\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_duchamp_3_new_york_dadas_3.jpg\"\u003e\u003cimg class=\"alignnone wp-image-5188 size-full\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_duchamp_3_new_york_dadas_3.jpg\" alt=\"3 New York Dadas and the Blind Man\" width=\"1936\" height=\"1936\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_duchamp_3_new_york_dadas_2.jpg\"\u003e\u003cimg class=\"alignnone wp-image-5187 size-full\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_duchamp_3_new_york_dadas_2.jpg\" alt=\"3 New York Dadas and the Blind Man\" width=\"1936\" height=\"1936\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_duchamp_3_new_york_dadas_1.jpg\"\u003e\u003cimg class=\"alignnone wp-image-5186 size-full\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_duchamp_3_new_york_dadas_1.jpg\" alt=\"3 New York Dadas and the Blind Man\" width=\"1936\" height=\"1936\"\u003e\u003c\/a\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":46376159609179,"sku":null,"price":21.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_duchamp_3_new_york_dadas_0.jpg?v=1679342368"},{"product_id":"a-mammal-s-notebook-new-writings-of-erik-satie","title":"A Mammal’s Notebook - New Writings of Erik Satie","description":" \u003cp class=\"font8\" align=\"justify\"\u003e\u003cem\u003eIt’s not a question of Satie’s relevance. He’s indispensable.\u003c\/em\u003e — John Cage\u003c\/p\u003e\rThis is the largest selection of the writings of Erik Satie yet to appear in English.\r\u003cp align=\"justify\"\u003eDismissed as an eccentric by many, Satie has come to be seen as a key influence on 20th- and 21st-century music. His compositions include, among other works, the ubiquitous \u003cem\u003eGymnopédies\u003c\/em\u003e, the \u003cem\u003eThree Pieces in the Form of a Pear\u003c\/em\u003e and the Dadaist opera \u003cem\u003eRelâche\u003c\/em\u003e. In later life he gathered about him Les Six, the cream of the new generation of French composers, and his influence has since continued to widen; John Cage and the New York School composers hailed him as “indispensable”, and more recently certain of his pieces have been seen as prefiguring both minimalist and ambient music.\u003c\/p\u003e\r\u003cp align=\"justify\"\u003eThe appeal of his writings, however, goes far beyond their musical value. He is revealed as one of the most beguiling of absurdists, in the mode of Lewis Carroll or Edward Lear, but with a strong streak of Dadaism (a movement with which he collaborated to some extent). These poignant, sly and witty texts, often as short as his briefer musical pieces, embody all his contradictions. Included here are his “autobiographical” \u003cem\u003eMemoirs of an Amnesic\u003c\/em\u003e; the gnomic annotations to his musical scores (\u003cem\u003eFor the Shrivelled and the Dimwits, I have written a suitably ponderous chorale… I dedicate this chorale to those who do not like me\u003c\/em\u003e); the publications of his private church; his absurdist play \u003cem\u003eMedusa’s Snare\u003c\/em\u003e; advertising copy for his local suburban newspaper; and the mysterious and elaborately calligraphed “private advertisements” found stuffed behind his piano after his death.\u003c\/p\u003e\r\u003cp align=\"justify\"\u003eSatie referred to himself as “a man in the manner of Adam (he of Paradise)”, and added: “My humour is reminiscent of Cromwell’s. I am also indebted to Christopher Columbus, as the American spirit has sometimes tapped me on the shoulder, and I have joyfully felt its ironically icy bite.” He died as he lived: “without quite ceasing to smile.”\u003c\/p\u003e\r\u003cp align=\"justify\"\u003e\u003cem\u003eThe smallest work by Satie is small the way a keyhole is small. Everything changes when you put your eye to it.\u003c\/em\u003e — Jean Cocteau\u003c\/p\u003e\r\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_volta_erik_satie_4.jpg\"\u003e\u003cimg class=\"alignnone wp-image-5194 size-full\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_volta_erik_satie_4.jpg\" alt=\"A Mammal's Notebook\" width=\"1936\" height=\"1936\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_volta_erik_satie_3.jpg\"\u003e\u003cimg class=\"alignnone wp-image-5193 size-full\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_volta_erik_satie_3.jpg\" alt=\"A Mammal's Notebook\" width=\"1936\" height=\"1936\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_volta_erik_satie_2.jpg\"\u003e\u003cimg class=\"alignnone wp-image-5192 size-full\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_volta_erik_satie_2.jpg\" alt=\"A Mammal's Notebook\" width=\"1936\" height=\"1936\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_volta_erik_satie_1.jpg\"\u003e\u003cimg class=\"alignnone wp-image-5191 size-full\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_volta_erik_satie_1.jpg\" alt=\"A Mammal's Notebook\" width=\"1936\" height=\"1936\"\u003e\u003c\/a\u003e","brand":"Turnaround","offers":[{"title":"Default Title","offer_id":46376159674715,"sku":null,"price":23.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_volta_erik_satie_0.jpg?v=1679342374"},{"product_id":"drawing-the-sun","title":"Drawing the Sun","description":" Bruno Munari talks to kids as fellow artists while he gently guides them through how to draw the sun - a classic children's artist book by Corriani.\rIn \"Drawing the Sun\", Bruno Munari suggests: \"When drawing the sun, try to have on hand colored paper, chalk, felt-tip markers, crayons, pencils, ballpoint pens—you can draw a sun with any one of them. Also remember that sunset and dawn are the back and front of the same phenomenon: when we are looking at the sunset, the people over there are looking at the dawn.\"\r\r \r\r\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_corraini_munari_drawing_the_sun_2.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5429\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_corraini_munari_drawing_the_sun_2.jpg\" alt=\"zabriskie_corraini_munari_drawing_the_sun_2\" width=\"700\" height=\"700\"\u003e\u003c\/a\u003e\r\r\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_corraini_munari_drawing_the_sun_3.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5430\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_corraini_munari_drawing_the_sun_3.jpg\" alt=\"zabriskie_corraini_munari_drawing_the_sun_3\" width=\"700\" height=\"700\"\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_corraini_munari_drawing_the_sun_5.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5432\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_corraini_munari_drawing_the_sun_5.jpg\" alt=\"zabriskie_corraini_munari_drawing_the_sun_5\" width=\"700\" height=\"700\"\u003e\u003c\/a\u003e","brand":"Raum Italic","offers":[{"title":"Default Title","offer_id":46376160395611,"sku":null,"price":16.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_corraini_munari_drawing_the_sun_1.jpg?v=1679342456"},{"product_id":"blue-tit-das-deutsch-islandische-blaumeisenbuch","title":"Blue Tit. Das deutsch-isländische Blaumeisenbuch","description":" Es begann eigentlich alles mit einem Artikel in der Berliner „die tageszeitung“. Ein Berliner Künstler züchtet Blaumeisen vor seinem Fenster in Kreuzberg und verkauft sie an italienische Feinkostgeschäfte. Die Umweltbehörde schaltet sich ein, Müller dementiert und stellt klar, daß Meisen ganz anders leben. Die Spur führt nach Island, wo es gar keine Meisen gibt. Das zweisprachige Lexikon: Elfen und die Elfenbeauftragte von Reykjavik, Windharfen, nordische Orchideen, Falkpläne mit kleinen Fehlern, Gebärden-sprache, Sex, Flechtenhandel, Besuch beim Staatspräsidenten, orchis militaris in der Mark Brandenburg, der Transvestitenclub von Island, Neidschuhe, die F.D.P. als ready made - Úlfur Hródólfsson in Berlin, Kassel und Hamburg, Angst haben vor., Island auf bayerischem Globus vergessen und die Abschaffung des Buchstabens Z.","brand":"Martin Schmitz Verlag","offers":[{"title":"Default Title","offer_id":46376162001243,"sku":null,"price":28.8,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_mueller_blue_tit1.jpg?v=1679342488"},{"product_id":"mono-kultur-27-ryan-mcginley","title":"mono.kultur #27 - Ryan McGinley","description":" \u003cdiv class=\"issuebox\"\u003e\r\u003cdiv class=\"product-name monokultur\"\u003e\r\u003ch4 class=\"short-description std\"\u003eDAYDREAMING\r“I love the idea of the unexpected.”\u003c\/h4\u003e\r\u003c\/div\u003e\rThe American photographer Ryan McGinley features in the mono.kultur #27, Spring 2011 issue. McGinley’s colourful and vivid photographs capture the zeitgeist of a generation like no other. Celebrating the sweet and fleeting state of youth, his images are suffused with colour, light and energy. Naked kids climbing trees, running through the desert, rolling down hills, suspended in the air, diving into lakes, leaping through fireworks – there’s a lightness and carelessness and beauty to McGinley’s images that is utterly addictive. His powerful depictions of youth in the here and now are a raw and personal declaration of love to life with all its highs and lows.\r\rThe photographer was the youngest artist to exhibit at the prestigious Whitney Museum in New York and has been enjoying a stellar career, equally successful in the world of fine arts as with his commercial work that has won numerous awards.\r\rIn a refreshingly frank and honest conversation, Ryan McGinley talked with mono.kultur about his first 10 years of an astonishing career, his memories of the late Dash Snow and why every day is an adventure.\r\r\u003c\/div\u003e\r\u003cdiv class=\"creditbox\"\u003e\r\rInterview by Martina Kix\rIntroduction by \u003ca href=\"http:\/\/www.mono-graphie.com\"\u003eKai von Rabenau\u003c\/a\u003e\rPhotography by Ryan McGinley\rDesign by \u003ca href=\"http:\/\/www.unfinishedinventory.com\"\u003eEva Gonçalves\u003c\/a\u003e and \u003ca href=\"http:\/\/www.mono-graphie.com\"\u003eKai von Rabenau\u003c\/a\u003e\r\r\u003c\/div\u003e\r\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/04\/zabriskie_monokultur_ryan_mc_kingley-7.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5644\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/04\/zabriskie_monokultur_ryan_mc_kingley-7.jpg\" alt=\"zabriskie_monokultur_ryan_mc_kingley - 7\" width=\"1200\" height=\"1200\"\u003e\u003c\/a\u003e\r\r\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/04\/zabriskie_monokultur_ryan_mc_kingley-5.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5642\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/04\/zabriskie_monokultur_ryan_mc_kingley-5.jpg\" alt=\"zabriskie_monokultur_ryan_mc_kingley - 5\" width=\"1200\" height=\"1200\"\u003e\u003c\/a\u003e\r\r\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/04\/zabriskie_monokultur_ryan_mc_kingley-4.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5641\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/04\/zabriskie_monokultur_ryan_mc_kingley-4.jpg\" alt=\"zabriskie_monokultur_ryan_mc_kingley - 4\" width=\"1200\" height=\"1200\"\u003e\u003c\/a\u003e\r\u003cdiv class=\"creditbox\"\u003e\r\r\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/04\/zabriskie_monokultur_ryan_mc_kingley-2.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5639\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/04\/zabriskie_monokultur_ryan_mc_kingley-2.jpg\" alt=\"zabriskie_monokultur_ryan_mc_kingley - 2\" width=\"1200\" height=\"1125\"\u003e\u003c\/a\u003e\r\r \r\r\u003c\/div\u003e","brand":"mono.kultur","offers":[{"title":"Default Title","offer_id":46376162230619,"sku":null,"price":5.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_monokultur_ryan_mc_kingley-1.jpg?v=1679342506"},{"product_id":"mono-kultur-38-gus-van-sant","title":"mono.kultur #38 - Gus van Sant","description":" \u003ch4\u003eIN LIMBO\r“I’m not actually involved, but I’m observing.”\u003c\/h4\u003e\rIn 1991, River Phoenix and Keanu Reeves, portraying two street prostitutes in ‘My Own Private Idaho’, took us on a trip to the dark side of the USA – a seedy, disturbing and vulnerable place entirely at odds with the great American Dream. It also launched one of Hollywood’s most unusual and distinct cinematic careers with Gus van Sant.\r\rSince then, oscillating between classic Hollywood productions like ‘Good Will Hunting’ or ‘Milk’, and highly experimental, challenging art house movies such as ‘Drugstore Cowboy’, ‘Elephant’ or ‘Last Days’, Gus van Sant is one of the very few directors to work within and without Hollywood with remarkable ease and credibility, shaping a strangely addictive and consistently courageous filmography.\r\rIf anything, it is a recurring affinity for the fragile and excluded – addicts, hustlers, politicians, rock stars – and for youth, at that breaking point where innocence ends, that unites van Sant’s vast and diverse body of work.\r\rGus van Sant offers us a profoundly humane view of the world. It is a cinema defined by tenderness and slowness, preferring to observe rather than manipulate. A cinema of gaps and open endings, where mood reigns over meaning, where what we see and hear doesn’t quite add up, leaving us wondering.\r\rIn a suitably meandering interview with mono.kultur, Gus van Sant talked about his second chance as a director, inventing films on the spot and why Hollywood always wins.\r\rVisually, the issue is heavily influenced by Gus van Sant’s quiet cinematic style, submitting itself to an endless horizon of American landscapes, leaving ample space to words, skies, and the occasional figure drifting into sight.\r\rInterview by Anna Saulwick\rIntroduction by Kai von Rabenau\rFilm Stills by Gus van Sant\rDesign by Linda Riedl\r\r \r\r\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/04\/zabriskie_monokultur_gus_van_sant-3.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5653\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/04\/zabriskie_monokultur_gus_van_sant-3.jpg\" alt=\"zabriskie_monokultur_gus_van_sant - 3\" width=\"1200\" height=\"1200\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/04\/zabriskie_monokultur_gus_van_sant-4.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5654\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/04\/zabriskie_monokultur_gus_van_sant-4.jpg\" alt=\"zabriskie_monokultur_gus_van_sant - 4\" width=\"1200\" height=\"1200\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/04\/zabriskie_monokultur_gus_van_sant-5.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5655\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/04\/zabriskie_monokultur_gus_van_sant-5.jpg\" alt=\"zabriskie_monokultur_gus_van_sant - 5\" width=\"1200\" height=\"1200\"\u003e\u003c\/a\u003e","brand":"mono.kultur","offers":[{"title":"Default Title","offer_id":46376162328923,"sku":null,"price":5.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_monokultur_gus_van_sant-1.jpg?v=1679342512"},{"product_id":"mono-kultur-39-terre-thaemlitz","title":"mono.kultur #39 - Terre Thaemlitz","description":" \u003cdiv class=\"product-name monokultur\"\u003e\r\u003ch4\u003eTHE ARROGANCE OF OPTIMISM\r“I have more to say about the workings of division than of community.”\u003c\/h4\u003e\r\u003c\/div\u003e\r\u003cdiv class=\"short-description std\"\u003e\r\rPolitics and the dance floor make for uneasy bedfellows, and it is this uneasiness that drives most of the work of Terre Thaemlitz, confronting head-on issues that are usually off limits in electronic music. Thaemlitz is a producer and DJ, also known under his monikers of DJ Sprinkles, Social Material, and K-S.H.E, among others. But she is also a writer, educator and activist of sorts, with very fluid notions of gender, switching continuously between male and female drag.\r\rBorn in 1968, Terre Thaemlitz left the rigidly conservative and violently homophobic environment of his home state, Missouri, in the mid-1980s for New York. She became involved in the queer and transgender scenes both socially and musically at a time when house music was not a genre but simply the wide open sound of a specific social and political space. As New York’s underground queer music scenes dissolved under gentrification, Thaemlitz eventually relocated to Tokyo at the beginning of the ’00s.\r\rToday, Terre Thaemlitz is a reference point not only within the confines of electronic music, but particularly for transgendered communities. The fragility of identity – sexual and otherwise – in relation to the larger world is a central theme for Thaemlitz, tirelessly dissecting the boundaries and friction between public and private, between minority and mainstream with a brutal sharpness and criticality that are often somewhat irritating, continuously questioning and exposing political and social systems and the violence they generate.\r\rIn a challenging interview with mono.kultur, Terre Thaemlitz talked about the politics of sexuality, his disillusion with the music industry, and why roller disco was so amazing.\r\rVisually, the issue is a dark affair, steeped in a dirty, gritty black. Printed on no less than six different paper stocks and juxtaposing several grids and graphic systems, it creates its own visual logic – only to disturb our most fundamental habits of reading and navigating a magazine by opening backwards, from right to left.\r\rInterview by Melissa Canbaz\rArtwork by Terre Thaemlitz\rDesign by Kai von Rabenau\/mono.studio\r\r\u003c\/div\u003e\r\u003cdiv class=\"short-description std\"\u003e\u003c\/div\u003e\r\u003cdiv class=\"short-description std\"\u003e\n\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/04\/zabriskie_monokultur_terre_thaemlitz-2.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5657\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/04\/zabriskie_monokultur_terre_thaemlitz-2.jpg\" alt=\"zabriskie_monokultur_terre_thaemlitz - 2\" width=\"1200\" height=\"1200\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/04\/zabriskie_monokultur_terre_thaemlitz-3.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5658\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/04\/zabriskie_monokultur_terre_thaemlitz-3.jpg\" alt=\"zabriskie_monokultur_terre_thaemlitz - 3\" width=\"1200\" height=\"1200\"\u003e\u003c\/a\u003e\n\u003c\/div\u003e","brand":"mono.kultur","offers":[{"title":"Default Title","offer_id":46376162394459,"sku":null,"price":5.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_monokultur_terre_thaemlitz-1.jpg?v=1679342518"},{"product_id":"outlaws-in-language-and-destiny","title":"Outlaws in Language and Destiny","description":" \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/zabriskie_escoval_outlaws-1.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5849\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/zabriskie_escoval_outlaws-1.jpg\" alt=\"zabriskie_escoval_outlaws - 1\" width=\"1523\" height=\"848\"\u003e\u003c\/a\u003e\r\rClear acetate 7'' Mono Flexi-Disc containing sound recordings of insects in a rain forest of Costa Rica mixed with the sound produced by a 180º orthodontic X-Ray in Lisbon. Encased in a double-sided poster with two found photos representing two kids and two birds, in Amazonia and Sweden.","brand":"Atlas Projectos","offers":[{"title":"Default Title","offer_id":46376163541339,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_escoval_outlaws.jpg?v=1679342571"},{"product_id":"next-spring-an-occasional-series-of-reviews-paris-may-16","title":"Next Spring: An Occasional Series of Reviews – Paris, May 16","description":" \u003cspan class=\"_4n-j fsl\"\u003e\u003cspan class=\"text_exposed_show\"\u003e\u003cstrong\u003eWriting by Clara Schulmann, Barbara Sirieix, and Jennifer Teets\rEdited by Laura Preston, with assistance of Alex Davidson and Sriwhana Spong\rTranslation by Gilles Berton and John Tittensor\r\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003eImages by Richard Frater and Scott Rogers\u003c\/strong\u003e\r\u003cp class=\"gmail-p1\"\u003e\u003cspan class=\"gmail-s1\"\u003e\"Next Spring” is an occasional series of reviews that offers a different approach to the writing of art criticism. Focused on the reading of one film work, each book in the series presents a parallel text on the artwork as both a critical response and literary production. The film selected and the text produced consider ecological issues, environmental concerns, and systematic revisionings.\u003c\/span\u003e\u003c\/p\u003e\r\u003cp class=\"gmail-p1\"\u003e\u003cspan class=\"gmail-s1\"\u003eThe language of place is given priority and image reproductions used nominally. \u003ci\u003eParis, May 16\u003c\/i\u003e, the pilot issue, includes writings by Clara Schulmann, Barbara Sirieix, and Jennifer Teets, as well as a visual essay by Scott Rogers on the invitation of Richard Frater. Edited by Laura Preston, with Alex Davidson and Sriwhana Spong. The second issue is a response to living in Athens during 2016–17.\u003c\/span\u003e\u003c\/p\u003e\r\u003cp class=\"gmail-p1\"\u003e\u003cspan class=\"gmail-s1\"\u003eLaura Preston writes, edits, and produces contemporary art projects.\u003c\/span\u003e\u003c\/p\u003e\r\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/zabriskie_preston_paris_may_16_1.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5842\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/zabriskie_preston_paris_may_16_1.jpg\" alt=\"zabriskie_preston_paris_may_16_1\" width=\"624\" height=\"471\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/zabriskie_preston_paris_may_16_2.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5843\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/zabriskie_preston_paris_may_16_2.jpg\" alt=\"zabriskie_preston_paris_may_16_2\" width=\"624\" height=\"471\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/zabriskie_preston_paris_may_16_3.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5844\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/zabriskie_preston_paris_may_16_3.jpg\" alt=\"zabriskie_preston_paris_may_16_3\" width=\"624\" height=\"471\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/zabriskie_preston_paris_may_16_4.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5845\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/zabriskie_preston_paris_may_16_4.jpg\" alt=\"zabriskie_preston_paris_may_16_4\" width=\"624\" height=\"471\"\u003e\u003c\/a\u003e  \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/zabriskie_preston_paris_may_16_6.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5847\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/zabriskie_preston_paris_may_16_6.jpg\" alt=\"zabriskie_preston_paris_may_16_6\" width=\"624\" height=\"471\"\u003e\u003c\/a\u003e","brand":"Atlas Projectos","offers":[{"title":"Default Title","offer_id":46376163606875,"sku":null,"price":12.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_preston_paris_may_16_0_neu.jpg?v=1679342578"},{"product_id":"palm-tree-studies-in-south-tyrol-and-beyond","title":"Palm Tree Studies in South Tyrol and Beyond","description":" Concept: Nanna Debois Buhl | Graphic design: Anni’s | Texts: Joanna Banham, Nanna Debois Buhl, Otto Huber, Susanne Stacher\r\rA peculiar phenomenon of the Northern Italian city Merano is its large population of palm trees. The majority of the Merano palm trees belong to the species Trachycarpus fortunei, which was brought to Europe from East Asia in the 1830s. The first palms were planted in the city around 1880 as Merano was transforming into a health resort and a tourist destination. With her artists’ book Palm Tree Studies in South Tyrol and Beyond, Nanna Debois Buhl seeks to trace the palm trees’ botanical trajectories and symbolic dimensions.\r\rThe publication presents Buhl’s research through a collection of materials including conversations with the Merano-based botanist Otto Huber, the design scholar specialized in wallpapers Joanna Banham, and the architect Susanne Stacher specialized in alpine architecture, as well as photos and photograms by the artist, old postcards and touristic posters of Merano, historical and scientific images of palm trees. Through this manifold material, the publication unfolds the “cultural biography” of the palm tree in Merano and elaborates on the incorporation of this exotic element in 19th century design and garden culture in the region and on a larger scale, also creating a link to utopian alpine architecture and its relation to landscape.\r\rPublished on the occasion of the public art exhibition Art \u0026amp; Nature 2016 Walking With Senses, Merano Spring Festival, Merano, Italy, March 24 – June 5, 2016 Curated by \u003cstrong\u003eBAU\u003c\/strong\u003e.\r\u003ca href=\"http:\/\/www.b-a-u.it\" target=\"_blank\" rel=\"noopener noreferrer\"\u003ewww.b-a-u.it\u003c\/a\u003e\r\r\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/Zabriskie_deboy_palm_tree_studies_01.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5879\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/Zabriskie_deboy_palm_tree_studies_01.jpg\" alt=\"Zabriskie_deboy_palm_tree_studies_01\" width=\"1200\" height=\"800\"\u003e\u003c\/a\u003e\r\r\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/Zabriskie_deboy_palm_tree_studies_02.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5880\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/Zabriskie_deboy_palm_tree_studies_02.jpg\" alt=\"Zabriskie_deboy_palm_tree_studies_02\" width=\"1200\" height=\"800\"\u003e\u003c\/a\u003e\r\r\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/Zabriskie_deboy_palm_tree_studies_03.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5881\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/Zabriskie_deboy_palm_tree_studies_03.jpg\" alt=\"Zabriskie_deboy_palm_tree_studies_03\" width=\"1200\" height=\"800\"\u003e\u003c\/a\u003e\r\r\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/Zabriskie_deboy_palm_tree_studies_04.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5882\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/Zabriskie_deboy_palm_tree_studies_04.jpg\" alt=\"Zabriskie_deboy_palm_tree_studies_04\" width=\"1200\" height=\"800\"\u003e\u003c\/a\u003e\r\r\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/Zabriskie_deboy_palm_tree_studies_05.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5883\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/Zabriskie_deboy_palm_tree_studies_05.jpg\" alt=\"Zabriskie_deboy_palm_tree_studies_05\" width=\"1200\" height=\"800\"\u003e\u003c\/a\u003e","brand":"Humboldt Books","offers":[{"title":"Default Title","offer_id":46376163672411,"sku":null,"price":12.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/Zabriskie_deboy_palm_tree_studies-1.jpg?v=1679342584"},{"product_id":"do-we-dream-under-the-same-sky","title":"DO WE DREAM UNDER THE SAME SKY","description":" \u003cspan class=\"b_text\"\u003e\u003ci\u003eDO WE DREAM UNDER THE SAME SKY\u003c\/i\u003e is an extension of the collaboration between artist Rirkrit Tiravanija, architects Nikolaus Hirsch and Michel Müller, and chef Antto Melasniemi. Designed by Hirsch and Müller as an outdoor shelter, the installation, made of modular bamboo and steel, welcomes visitors to engage in discussions while participating in the convivial atmosphere of shared food. This supplemental publication includes interviews, texts, images, and poems that illuminate the installation’s properties of self-sufficiency and how it was conceived as a new component of Tiravanija and Kamin Lertchaiprasert’s ongoing project “the land,” a self-sustaining artistic community near Chiang Mai, Thailand. At the end of the festival, the structure will be transported to Thailand and will be the first building block of a new workshop on the land.\u003c\/span\u003e\r\rIn a continuation of conversations among artists surrounding the land, this book explores urbanization in a post-rural condition, the act of building as a collaborative process, and land as a concept that can exist outside of ownership. A discussion with Hirsch, Tiravanija, Melasniemi, and Jörn Schafaff reflects on the way in which the installation builds on the land’s objectives relating to improvisation, collaboration, and the questioning of institutional structures. Also featured in the book are recipes developed by Melasniemi on the occasion of this installation-as-workshop, where the public is invited to participate in the cooking process.\r\rDO WE DREAM UNDER THE SAME SKY is a project by Rirkrit Tiravanija, Nikolaus Hirsch, Antto Melasniemi, Michel Müller\rwith Angkrit Ajchariyasophon, Sophie Aschauer, Uthit Atimana, Marc Bättig, Klaus Bollinger, Felix Broecker, Carlotta Brucker, Leonardo Bürgi, Letizia Calori, Jessica Coates, Claireban Coffey, Nico Dockx, Raphael Fellmer, Michael Gass, Philipp Gasser, Matthias Görlich, Manfred Grohmann, Raphaela Grolimund, Philipp Grünewald, Somyot Hananuntasuk, Carl Michael von Hausswolff, Karl Holmqvist, Pierre Huyghe, Duangporn Injan, Dueanthalay Injan, Kosit Juntaratip, Dong Kirativongkamchon, Komol Kongjarern, April Lamm, Paphonsak Laor, Kamin Lertchaiprasert, Daniela Leykam, Suwan Limanee, Glorimarta Linares, Kim Boris Löffler, Hector Madera, Therdsak Mahawongsanant, Violette Maillard, Chus Martinez, Philipp Misselwitz, Kritya Notanon, Tepparit Nuntasakun, Hans Ulrich Obrist, Tommaso Pagnacco, Intha Pankeaw, Philippe Parreno, Robert Peters, Thaiwijit Poengkasemsomboon, Tobias Rehberger, Anastasia Remes, Marion Ritzmann, François Roche, Natalia Rolon, Jirasak Saengpolsith, Heikki Salonen, Jörn Schafaff, Ilka Schön, Thasnai Sethaseree, Hanes Sturzenegger, Superflex, Molly Surno, Achim Vogelsberg, Emmi Wegener, Sasiwimon Wongjarin, Eveline Wüthrich\r\r\u003cspan class=\"b_text\"\u003eDesign by \u003ca href=\"http:\/\/www.mgoerlich.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eStudio Matthias Görlich\u003c\/a\u003e\u003c\/span\u003e\r\r\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/Zabriskie_do_we_dream_under_the_same_sky-11.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5922\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/Zabriskie_do_we_dream_under_the_same_sky-11.jpg\" alt=\"Zabriskie_do_we_dream_under_the_same_sky - 1\" width=\"600\" height=\"600\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/Zabriskie_do_we_dream_under_the_same_sky-2.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5923\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/Zabriskie_do_we_dream_under_the_same_sky-2.jpg\" alt=\"Zabriskie_do_we_dream_under_the_same_sky - 2\" width=\"600\" height=\"600\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/Zabriskie_do_we_dream_under_the_same_sky-3.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5924\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/Zabriskie_do_we_dream_under_the_same_sky-3.jpg\" alt=\"Zabriskie_do_we_dream_under_the_same_sky - 3\" width=\"600\" height=\"600\"\u003e\u003c\/a\u003e","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":46376163705179,"sku":null,"price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/Zabriskie_do_we_dream_under_the_same_sky-1.jpg?v=1679342590"},{"product_id":"toward-an-aesthetics-of-living-beings-zu-einer-asthetik-des-l","title":"Toward an Aesthetics of Living Beings | Zu einer Ästhetik des L","description":" \u003cspan class=\"b_text\"\u003eTexts by Alain Badiou, Karen Barad, Gregory Bateson, Bruce Chatwin, Gilles Deleuze, John Dewey, John Dupré, Sergei Eisenstein, Félix Guattari, Donna Haraway, Alexandre Kojève, Osip Mandelstam, Cord Riechelmann\u003c\/span\u003e\r\rThe question of life has always been one of modernity’s main preoccupations, but it was the advent of the camera—with its ability to record moving creatures—that initiated a new phase in the human investigation of animal behavior. In the world of contemporary art, animals now occupy center stage. Artworks such as Joseph Beuys’s \u003ci\u003eI Like America and America Likes Me \u003c\/i\u003e(1974), a weeklong performance in New York during which the artist lived with a coyote, and Rosemarie Trockel and Carsten Höller’s \u003ci\u003eHaus für Schweine und Menschen\u003c\/i\u003e at documenta X (1997), demonstrate the idea that culture, self-consciousness, and language do not exclusively belong to man. Drawing on key texts by Sergei Eisenstein, Gilles Deleuze, Félix Guattari, and Donna Haraway, and analyzing works by Pierre Huyghe, Christoph Keller, and Helen Marten, this volume brings together theory and art, showing how both turned to animals to find new ways of problematizing “life.”\r\rThe Jahresring series is edited by Brigitte Oetker and published on behalf of Kulturkreis der deutschen Wirtschaft im BDI e.V.\rDesign by Surface\r\u003cspan class=\"b_meta\"\u003e\r\u003c\/span\u003e\r\r \r\r\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/Jahresring62_Toward-an-Aesthetics-of-Living-Beings_spread1.jpeg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5909\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/Jahresring62_Toward-an-Aesthetics-of-Living-Beings_spread1.jpeg\" alt=\"Jahresring62_Toward-an-Aesthetics-of-Living-Beings_spread1\" width=\"728\" height=\"515\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/Jahresring62_Toward-an-Aesthetics-of-Living-Beings_spread2.jpeg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5910\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/Jahresring62_Toward-an-Aesthetics-of-Living-Beings_spread2.jpeg\" alt=\"Jahresring62_Toward-an-Aesthetics-of-Living-Beings_spread2\" width=\"728\" height=\"515\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/Jahresring62_Toward-an-Aesthetics-of-Living-Beings_spread3.jpeg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5911\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/Jahresring62_Toward-an-Aesthetics-of-Living-Beings_spread3.jpeg\" alt=\"Jahresring62_Toward-an-Aesthetics-of-Living-Beings_spread3\" width=\"728\" height=\"515\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/Jahresring62_Toward-an-Aesthetics-of-Living-Beings_spread4.jpeg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5912\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/Jahresring62_Toward-an-Aesthetics-of-Living-Beings_spread4.jpeg\" alt=\"Jahresring62_Toward-an-Aesthetics-of-Living-Beings_spread4\" width=\"728\" height=\"515\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/Jahresring62_Toward-an-Aesthetics-of-Living-Beings_spread5.jpeg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5913\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/Jahresring62_Toward-an-Aesthetics-of-Living-Beings_spread5.jpeg\" alt=\"Jahresring62_Toward-an-Aesthetics-of-Living-Beings_spread5\" width=\"728\" height=\"515\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/Jahresring62_Toward-an-Aesthetics-of-Living-Beings_spread6.jpeg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5914\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/Jahresring62_Toward-an-Aesthetics-of-Living-Beings_spread6.jpeg\" alt=\"Jahresring62_Toward-an-Aesthetics-of-Living-Beings_spread6\" width=\"728\" height=\"515\"\u003e\u003c\/a\u003e","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":46376163770715,"sku":null,"price":28.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/Zabriskie_riechelmann_oetker_aesthetik_lebendigen-1.jpg?v=1679342597"},{"product_id":"espesor-molido","title":"Espesor Molido","description":"  \r\r ","brand":"Zabriskie Buchladen für Kultur und Natur","offers":[{"title":"Default Title","offer_id":46376164000091,"sku":null,"price":17.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/Zabriskie_espesor_molido_-1.jpg?v=1679342614"},{"product_id":"solid-sunbeam","title":"Solid sunbeam","description":" Solid Sunbeam est un journal photographique initié il y a quinze ans. Par un choix d’images issues de ce travail, le livre met en scène un quotidien fictionnel évoquant un sentiment de familiarité autant qu‘une forme d’étrangeté.\rDes fruits sur une table, un intérieur de voiture, des baigneurs, une cabane dans les arbres: le sujet est au centre mais l’intrigue est ailleurs, en léger décalage. Elle est suggérée par le dialogue entre les images, générant un flux narratif qui évolue librement au fil des lectures. Par la répétition de motifs et un jeu sur la surface même de l’image, Solid sunbeam tisse un récit entre réalité et fiction, poésie et hallucination.\r\r\u003cspan class=\"infos\"\u003e\rTexte par Joël Vacheron\rGraphisme: AMI\rConception du logo: Stéphanie Gygax\rImpression: SRO-Kundig\rAvec le soutien du Fonds municipal d’art contemporain de la Ville de Genève.\r\u003c\/span\u003e\r\r \r\r\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/solid-int1.png\"\u003e\u003cimg class=\"alignnone size-full wp-image-5938\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/solid-int1.png\" alt=\"solid-int1\" width=\"625\" height=\"460\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/solid-int2.png\"\u003e\u003cimg class=\"alignnone size-full wp-image-5939\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/solid-int2.png\" alt=\"solid-int2\" width=\"625\" height=\"460\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/solid-int3.png\"\u003e\u003cimg class=\"alignnone size-full wp-image-5940\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/solid-int3.png\" alt=\"solid-int3\" width=\"625\" height=\"460\"\u003e\u003c\/a\u003e\r\r\u003cspan class=\"infos\"\u003e \u003c\/span\u003e","brand":"Miami Books","offers":[{"title":"Default Title","offer_id":46376164163931,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/Zabriskie_solid-sunbeam_gygax.jpg?v=1679342622"},{"product_id":"alpenrose-auf-den-spuren-von-eduard-senn","title":"Alpenrose - Auf den Spuren von Eduard Senn","description":" \u003cspan id=\"result_box\" class=\"short_text\" lang=\"en\"\u003e\u003cspan class=\"\"\u003ePaintings and drawings: Eduard Senn\r\u003c\/span\u003e\u003c\/span\u003eConcept: Adeline Senn\rTexts: Adeline Senn, Bernard Senn, Martin SennFotos: Simon Senn","brand":"Miami Books","offers":[{"title":"Default Title","offer_id":46376164229467,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/Zabriskie_miami_books_alpenrose-1.jpg?v=1679342628"},{"product_id":"the-keartons-inventing-nature-photography","title":"The Keartons: Inventing nature photography","description":" In 1892 Richard and Cherry Kearton took the first ever photograph of a bird’s nest with eggs. Realising the camera’s potential to reveal secrets of the natural world, they resolved to make the best possible records of their discoveries in the habits and behaviour of birds and other creatures. This new and definitive study concerns itself with the lives and partnership of the Keartons, especially their role in the history of nature photography; their attitudes to and interaction with nature; and the status of invention in their work. Reproduced throughout the book are the remarkable photographs that they declared as having been taken ‘direct from nature’.","brand":"Central","offers":[{"title":"Default Title","offer_id":46376164786523,"sku":null,"price":19.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/Zabriskie_bevis_keartons_inventing_nature_photograhpy-11.jpg?v=1679342658"},{"product_id":"on-listening","title":"On Listening","description":" \u003cem\u003eOn Listening\u003c\/em\u003e is a unique collection of forty multi-disciplinary perspectives drawn from anthropology, bioacoustics, geography, literature, community activism, sociology, religion, philosophy, art history, conflict mediation and the sonic arts including music, ethnomusicology and field recording. These specially commissioned contributions explore the many ways in which skilled listening can mediate new relationships with our physical environment and the people and other species that we share it with.","brand":"Central","offers":[{"title":"Default Title","offer_id":46376164884827,"sku":"","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/Zabriskie_carlyle_lane_on_listening_web-11.jpg?v=1679342664"},{"product_id":"the-regional-book","title":"The Regional Book","description":" “Force yourself to see more flatly.”—Georges Perec, \u003cem\u003eSpecies of Spaces\u003c\/em\u003e\r\u003cem\u003eThe Regional Book\u003c\/em\u003e examines, in descriptions of forty-four locations, the Broads’ varied constitution: nature reserves, towns, riversides, marshes, seasides, waterways broad and narrow, broads landlocked and connected. The writing rubs against conventional forms of attention and styles of seeing, creating inventories that encompass fact, digression, memory and reverie. If Broadland is a flat landscape, with few rises, it remains possible to see more flatly.","brand":"Central","offers":[{"title":"Default Title","offer_id":46376164983131,"sku":null,"price":12.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/Zabriskie_matles_the_regional_book-11.jpg?v=1679342671"},{"product_id":"about-trees","title":"About Trees","description":" About Trees is the first book in the Broken Dimanche Press series Parapoetics - A Literature beyond the Human. Recognising a crisis of representation as our species adapts to life in the Anthropocene, About Trees considers our relationship with language, landscape, and perception. The result is an astonishing fusion of storytelling and art, which celebrates trees and our understanding of them, their past and their future, their potential and their ubiquity. It is a book to leaf through, again and again.\r\r\u003cem\u003eThe Anthropocene forces us to revise grammatical categories and experiment with alternative modes of representation within a 'we' of monstrous planetary proportions. It forces the questions: Who speaks, and on behalf of whom? How does the non-human articulate itself, and how do we identify such articulations? –Ida Bencke, Editor, BDP.\u003c\/em\u003e\r\r\u003cem\u003e\"Gently reaching, beautiful, bountiful — Katie Holten's About Trees translates pulp and ink into a new language of roots and branches, a bewildering, awilding forest of words as strange as it is unforgettable. Learning to live in the Anthropocene means learning to see, listen to, and speak with our world in whole new ways; About Trees helps us begin that transformation.\" —Roy Scranton, author of Learning to Die in the Anthropocene\u003c\/em\u003e\r\r\u003cem\u003e\"The political resistance movements of the future could communicate secret messages with trees—and go down in history as the slowest revolution ever. Holten is in full compliance with these plans, and actually has a few ideas of her own. \"I was reading about the Obama library today. Their budget is something like $1 billion. I immediately was thinking, 'I wonder if they are thinking about landscaping the garden and need some sort of typographic forest?\" she says with a laugh. \"I feel like this is just beginning, there's a lot more to come. More volumes—and I want [the typeface] to be planted in real life, too.\" —Meg Miller, FAST CO DESIGN\u003c\/em\u003e\r\r\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/08\/zabriskie_about_trees_holten_3.jpg\"\u003e\u003cimg class=\"alignnone size-medium wp-image-6256\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/08\/zabriskie_about_trees_holten_3-300x300.jpg\" alt=\"About Trees\" width=\"300\" height=\"300\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/08\/zabriskie_about_trees_holten_2.jpg\"\u003e\u003cimg class=\"alignnone size-medium wp-image-6255\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/08\/zabriskie_about_trees_holten_2-300x300.jpg\" alt=\"About Trees\" width=\"300\" height=\"300\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/08\/zabriskie_about_trees_holten_1.jpg\"\u003e\u003cimg class=\"alignnone size-medium wp-image-6254\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/08\/zabriskie_about_trees_holten_1-300x300.jpg\" alt=\"About Trees\" width=\"300\" height=\"300\"\u003e\u003c\/a\u003e","brand":"Broken Dimanche Press","offers":[{"title":"Default Title","offer_id":46376166031707,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_holten_about_trees.jpg?v=1679342774"},{"product_id":"aussichten-der-natur-naturasthetik-in-wechselwirkung-von-natu","title":"Aussichten der Natur - Naturästhetik in Wechselwirkung von Natur und Kultur","description":" Die Rede von der Natur ist heute in vielfacher Weise problematisch geworden. Das geht mitunter so weit, dass von einer vorauszusetzenden Natur gar nicht mehr gesprochen werden kann. Hartmut Böhme fragt in seinem grundlegenden Essay daher zunächst, was es heißt, in einer Epoche »nach der Natur« zu leben. Anschließend diskutiert er die wichtigsten Ansätze der Naturbetrachtung : den kulturalistischen Ansatz, die neodarwinistische Ästhetik, die Dekonstruktion von Natur, Natur im Zeichen der ›life sciences‹, den ökologischen Konstruktivismus, das Verfahren des »gendering nature« sowie schließlich den alten Kant'schen Ansatz einer »Technik der Natur«. Vor diesem Hintergrund werden von Bruegel bis Beuys bildkünstlerische Beispiele vorgestellt, die die jüngst vertretenen Thesen über die Unfähigkeit der westlichen Kultur, die Verflochtenheit von Natur und Kultur zu denken, widerlegen. Es zeichnen sich im Gegenteil gerade im europäischen Kontext Elemente der Entdeckung, Gestaltung und Achtung der Natur ab, die für die Zukunft der Geo-Ästhetik unverzichtbar sind.","brand":"Prolit","offers":[{"title":"Default Title","offer_id":46376166916443,"sku":null,"price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_hartmut_boehme_aussichten_der_natur.jpg?v=1679342814"},{"product_id":"boooook-the-life-and-work-of-bob-cobbing","title":"Boooook: The Life and Work of Bob Cobbing","description":" This is the first comprehensive overview of the life and work of the pioneering British concrete and sound poet Bob Cobbing (1920–2002). \u003ci\u003eBoooook\u003c\/i\u003e addresses all aspects of Cobbing’s rich career, with new essays detailing his key roles in London Film-makers’ Co-op, Better Books, abAna, as well as his involvement in the Destruction in Art Symposium, Fylkingen, and his publishing imprint Writers Forum.\r\rEdited by William Cobbing and Rosie Cooper – and illustrated with numerous reproductions of artworks, documents, posters, poems and film stills from the Bob Cobbing family collection – \u003ci\u003eBoooook\u003c\/i\u003e features contributions by Adrian Clarke, William Cobbing, Rosie Cooper, Arnaud Desjardin, Sanne Krogh Groth, Will Holder, Gustav Metzger, Marc Matter \u0026amp; Tris Vonna-Michell, David Toop, Steve Willey, Andrew Wilson and Maxa Zoller.\r\r\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/09\/zabriskie_boooook_cobbing_9.jpg\"\u003e\u003cimg class=\"alignnone wp-image-6475 size-full\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/09\/zabriskie_boooook_cobbing_9.jpg\" alt=\"Boooook\" width=\"1280\" height=\"1280\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/09\/zabriskie_boooook_cobbing_8.jpg\"\u003e\u003cimg class=\"alignnone wp-image-6474 size-full\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/09\/zabriskie_boooook_cobbing_8.jpg\" alt=\"Boooook\" width=\"1280\" height=\"1280\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/09\/zabriskie_boooook_cobbing_7.jpg\"\u003e\u003cimg class=\"alignnone wp-image-6473 size-full\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/09\/zabriskie_boooook_cobbing_7.jpg\" alt=\"Boooook\" width=\"1280\" height=\"1280\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/09\/zabriskie_boooook_cobbing_6.jpg\"\u003e\u003cimg class=\"alignnone wp-image-6472 size-full\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/09\/zabriskie_boooook_cobbing_6.jpg\" alt=\"Boooook\" width=\"1280\" height=\"1280\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/09\/zabriskie_boooook_cobbing_5.jpg\"\u003e\u003cimg class=\"alignnone wp-image-6471 size-full\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/09\/zabriskie_boooook_cobbing_5.jpg\" alt=\"Boooook\" width=\"1280\" height=\"1280\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/09\/zabriskie_boooook_cobbing_4.jpg\"\u003e\u003cimg class=\"alignnone wp-image-6470 size-full\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/09\/zabriskie_boooook_cobbing_4.jpg\" alt=\"Boooook\" width=\"1280\" height=\"1280\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/09\/zabriskie_boooook_cobbing_3.jpg\"\u003e\u003cimg class=\"alignnone wp-image-6469 size-full\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/09\/zabriskie_boooook_cobbing_3.jpg\" alt=\"Boooook\" width=\"1280\" height=\"1280\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/09\/zabriskie_boooook_cobbing_2.jpg\"\u003e\u003cimg class=\"alignnone wp-image-6468 size-full\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/09\/zabriskie_boooook_cobbing_2.jpg\" alt=\"Boooook\" width=\"1280\" height=\"1280\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/09\/zabriskie_boooook_cobbing_1.jpg\"\u003e\u003cimg class=\"alignnone wp-image-6467 size-full\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/09\/zabriskie_boooook_cobbing_1.jpg\" alt=\"Boooook\" width=\"1280\" height=\"1280\"\u003e\u003c\/a\u003e\r\r\u003cspan style=\"text-indent: 20px;width: auto;padding: 0px 4px 0px 0px;text-align: center;font: bold 11px\/20px 'Helvetica Neue',Helvetica,sans-serif;color: #ffffff;background: #bd081c no-repeat scroll 3px 50% \/ 14px 14px;cursor: pointer\"\u003eSave\u003c\/span\u003e","brand":"Central","offers":[{"title":"Default Title","offer_id":46376167080283,"sku":null,"price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_boooook_the_life_and_work_of_bob_cobbing.jpg-1.jpg?v=1679342838"},{"product_id":"der-traum-von-der-reise-zum-mond","title":"Der Traum von der Reise zum Mond","description":" Lange bevor Wissenschaftler Reisen zum Mond ernsthaft in Erwägung zogen, hatten Künstler und Literaten bereits alles darüber bis ins Detail erforscht. Bis zum heutigen Tag dient unser astronomischer Nachbar – mit dem Raumschiff nur drei Tage entfernt – als kreative und spekulative Projektionsfläche für Visionäre auf der ganzen Welt. Nach mehr als fünf Jahrzehnten – seit den ersten Schritten auf dem Mond – zeichnet das Buch »Der Traum von der Reise zum Mond« eine visuelle Kulturgeschichte der Erforschung des Mondes in Vergangenheit, Gegenwart und Zukunft nach. Die inspirierende Reise durch die Geschichte reicht von Ptolemäus frühen Berechnungen der Entfernung von der Erde zum Mond, Galileis Erfindung des Teleskops sowie seinen Federzeichnungen der Mondoberfläche bis zum Goldenen Zeitalter der Mondreisen um die Mitte des 20. Jahrhunderts mit Kubricks Film 2001: Odyssee im Weltraum und den konkreten Vorbereitungen der Apollo Mondlandung.\r\r\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/10\/zabriskie_feireiss_der_traum_von_der_reise_zum_mond_6.jpg\"\u003e\u003cimg class=\"alignnone wp-image-6701 size-full\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/10\/zabriskie_feireiss_der_traum_von_der_reise_zum_mond_6.jpg\" alt=\"Der Traum von der Reise zum Mond\" width=\"1280\" height=\"1280\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/10\/zabriskie_feireiss_der_traum_von_der_reise_zum_mond_5.jpg\"\u003e\u003cimg class=\"alignnone wp-image-6700 size-full\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/10\/zabriskie_feireiss_der_traum_von_der_reise_zum_mond_5.jpg\" alt=\"Der Traum von der Reise zum Mond\" width=\"1280\" height=\"1280\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/10\/zabriskie_feireiss_der_traum_von_der_reise_zum_mond_4.jpg\"\u003e\u003cimg class=\"alignnone wp-image-6699 size-full\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/10\/zabriskie_feireiss_der_traum_von_der_reise_zum_mond_4.jpg\" alt=\"Der Traum von der Reise zum Mond\" width=\"1280\" height=\"1280\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/10\/zabriskie_feireiss_der_traum_von_der_reise_zum_mond_3.jpg\"\u003e\u003cimg class=\"alignnone wp-image-6698 size-full\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/10\/zabriskie_feireiss_der_traum_von_der_reise_zum_mond_3.jpg\" alt=\"Der Traum von der Reise zum Mond\" width=\"1280\" height=\"1280\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/10\/zabriskie_feireiss_der_traum_von_der_reise_zum_mond_2.jpg\"\u003e\u003cimg class=\"alignnone wp-image-6697 size-full\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/10\/zabriskie_feireiss_der_traum_von_der_reise_zum_mond_2.jpg\" alt=\"Der Traum von der Reise zum Mond\" width=\"1280\" height=\"1280\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/10\/zabriskie_feireiss_der_traum_von_der_reise_zum_mond_1.jpg\"\u003e\u003cimg class=\"alignnone wp-image-6696 size-full\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/10\/zabriskie_feireiss_der_traum_von_der_reise_zum_mond_1.jpg\" alt=\"Der Traum von der Reise zum Mond\" width=\"1280\" height=\"1280\"\u003e\u003c\/a\u003e","brand":"GVA, Jessica Reitz","offers":[{"title":"Default Title","offer_id":46376167965019,"sku":null,"price":16.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/Zabriskie_feireis_der_traum_von_der_reise_zum_mond.jpg?v=1679342922"},{"product_id":"wolkenstudien-cloud-studies-etudes-des-nuages","title":"Wolkenstudien. Cloud Studies. Études des nuages","description":" Texte auf Deutsch, Englisch, Französisch.\rTexts in English, German, French.\r\rWolken sind flüchtige Gebilde – sie zu fixieren, um ihre Formen richtig einteilen, benennen und lesen zu können, galt den Meteorologen des 19. und frühen 20. Jahrhunderts als wichtige Etappe, um die Geheimnisse der Atmosphäre besser zu verstehen. Das damals noch junge Medium Fotografie bot den Wissenschaftlern völlig neuartige Darstellungsmöglichkeiten. Mit der Kamera machten sie präzise und naturgetreue Bilder, die Aufschluss über das Zusammenspiel von Wolken und Atmosphäre gaben. Helmut Völters »Wolkenstudien« zeigt sechs Stationen der wissenschaftlichen Wolkenfotografie – von ihren Anfängen in den 1880er Jahren bis zu den Aufnahmen der ersten Wettersatelliten in den 1960er Jahren. Jede der sechs Positionen steht für eine eigene wissenschaftliche und fotografische Sichtweise auf Wolken.\r\rMit einem Essay von Marcel Beyer, Fotografien von Albert Riggenbach, Ralph Abercromby, anonymen Piloten des Ersten Weltkriegs, Ferdinand Quénisset, Philippe Schereschewsky, Philippe Wehrlé, Masanao Abe, den Tiros-Wettersatelliten; sowie Textauszügen von Jean Baptiste Lamarck, Luke Howard, Johann Wolfgang Goethe, John Ruskin, Gerard Manley Hopkins, William Clement Ley und weiteren.\r\r****\r\rClouds are fleeting entities – studying them so as to correctly classify, name and read their forms was considered in the 19th and early 20th centuries an important step in coming to understand the secrets of the atmosphere. In its early stages photography offered scientists completely new ways of depicting clouds. They used cameras to make precise, lifelike images, which provided in turn insights into the interaction of clouds and the atmosphere. Helmut Völter‘s »Cloud Studies« presents six different stations of scientific cloud photography, from its beginnings in the 1880s to the images made by the first weather satellites in the 1960s. Each of the six chapters represents a very different scientific and photographic perspective of clouds.\r\rWith an essay by Marcel Beyer; photographs by Albert Riggenbach, Ralph Abercromby, anonymous pilots of World War I, Ferdinand Quénisset, Philippe Schereschewsky, Philippe Wehrlé, Masanao Abe and the Tiros weather satellites; and excerpts from works by Jean Baptiste Lamarck, Luke Howard, Johann Wolfgang Goethe, John Ruskin, Gerard Manley Hopkins, William Clement Ley and others.\r\r\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/10\/zabriskie_voelter_wolkenstudien_1.jpg\"\u003e\u003cimg class=\"alignnone wp-image-6725 size-full\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/10\/zabriskie_voelter_wolkenstudien_1.jpg\" alt=\"Wolkenstudien\" width=\"1280\" height=\"1280\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/10\/zabriskie_voelter_wolkenstudien_2.jpg\"\u003e\u003cimg class=\"alignnone wp-image-6726 size-full\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/10\/zabriskie_voelter_wolkenstudien_2.jpg\" alt=\"Wolkenstudien\" width=\"1280\" height=\"1280\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/10\/zabriskie_voelter_wolkenstudien_3.jpg\"\u003e\u003cimg class=\"alignnone wp-image-6727 size-full\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/10\/zabriskie_voelter_wolkenstudien_3.jpg\" alt=\"Wolkenstudien\" width=\"1280\" height=\"1280\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/10\/zabriskie_voelter_wolkenstudien_4.jpg\"\u003e\u003cimg class=\"alignnone wp-image-6728 size-full\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/10\/zabriskie_voelter_wolkenstudien_4.jpg\" alt=\"Wolkenstudien\" width=\"1280\" height=\"1280\"\u003e\u003c\/a\u003e","brand":"GVA, Jessica Reitz","offers":[{"title":"Default Title","offer_id":46376167997787,"sku":null,"price":38.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_voelter_wolkenstudien.jpg?v=1679342927"},{"product_id":"the-sea-as-a-craftsman","title":"The sea as a craftsman","description":" \"You throw something into the sea, and the sea (after an unspecific and indeterminable amount of time) hands it back to you carved, finished, smoothed, shiny or polished according to the material and wet too because that way colours are brighter\".\r\rReflections on the sea as creator of 'useless' design objects.\r\r \r\r\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/10\/zabriskie_munari_sea_craftsman-2.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-6906\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/10\/zabriskie_munari_sea_craftsman-2.jpg\" alt=\"zabriskie_munari_sea_craftsman-2\" width=\"1000\" height=\"1000\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/10\/zabriskie_munari_sea_craftsman-3.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-6908\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/10\/zabriskie_munari_sea_craftsman-3.jpg\" alt=\"zabriskie_munari_sea_craftsman-3\" width=\"1000\" height=\"1000\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/10\/zabriskie_munari_sea_craftsman-4.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-6909\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/10\/zabriskie_munari_sea_craftsman-4.jpg\" alt=\"zabriskie_munari_sea_craftsman-4\" width=\"1000\" height=\"1000\"\u003e\u003c\/a\u003e","brand":"Raum Italic","offers":[{"title":"Default Title","offer_id":46376169046363,"sku":null,"price":12.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_munari_sea_craftsman-1.jpg?v=1679342984"},{"product_id":"parallel-encyclopedia-2-second-edition","title":"Parallel Encyclopedia #2 - Reprinting","description":" Batia Suter's work intuitively situates found images in new contexts to provoke surprising reactions and significative possibilities. This volume follows on from the first \u003ci\u003eParallel Encyclopedia\u003c\/i\u003e, published in 2007. Underlying themes of Suter's practice are the \"iconification\" and \"immunogenicity\" of old images, and the circumstances by which they become charged with new associative values. \"In my work, I collect groups of images based on various themes and characteristics, and I investigate how they can manipulate each other, depending on where and how they are placed. In the process of making this book, narrative lines unfolded before my eyes as I shifted images around.\"\r\rDesign: Roger Willems.\r\r\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/11\/zabriskie_batia_suter_parallel_encyclopedia_1.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-7016\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/11\/zabriskie_batia_suter_parallel_encyclopedia_1.jpg\" alt=\"zabriskie_batia_suter_parallel_encyclopedia_1\" width=\"720\" height=\"480\"\u003e\u003c\/a\u003e\r\r\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/11\/zabriskie_batia_suter_parallel_encyclopedia_2.jpg\"\u003e\u003cimg class=\"alignnone wp-image-7017\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/11\/zabriskie_batia_suter_parallel_encyclopedia_2.jpg\" alt=\"zabriskie_batia_suter_parallel_encyclopedia_2\" width=\"720\" height=\"480\"\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/11\/zabriskie_batia_suter_parallel_encyclopedia_3.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-7018\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/11\/zabriskie_batia_suter_parallel_encyclopedia_3.jpg\" alt=\"zabriskie_batia_suter_parallel_encyclopedia_3\" width=\"720\" height=\"480\"\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/11\/zabriskie_batia_suter_parallel_encyclopedia_4.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-7019\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/11\/zabriskie_batia_suter_parallel_encyclopedia_4.jpg\" alt=\"zabriskie_batia_suter_parallel_encyclopedia_4\" width=\"720\" height=\"480\"\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/11\/zabriskie_batia_suter_parallel_encyclopedia_5.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-7020\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/11\/zabriskie_batia_suter_parallel_encyclopedia_5.jpg\" alt=\"zabriskie_batia_suter_parallel_encyclopedia_5\" width=\"720\" height=\"480\"\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/11\/zabriskie_batia_suter_parallel_encyclopedia_6.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-7021\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/11\/zabriskie_batia_suter_parallel_encyclopedia_6.jpg\" alt=\"zabriskie_batia_suter_parallel_encyclopedia_6\" width=\"720\" height=\"480\"\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/11\/zabriskie_batia_suter_parallel_encyclopedia_7.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-7022\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/11\/zabriskie_batia_suter_parallel_encyclopedia_7.jpg\" alt=\"zabriskie_batia_suter_parallel_encyclopedia_7\" width=\"720\" height=\"480\"\u003e\u003c\/a\u003e","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":46376169734491,"sku":null,"price":62.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_batia_suter_parallel_encyclopedia.jpg?v=1679343002"},{"product_id":"decolonizing-nature-contemporary-art-and-the-politics-of-ecology","title":"Decolonizing Nature - Contemporary Art and the Politics of Ecology","description":"\u003cp\u003e\u003cspan class=\"b_text\"\u003eWhile ecology has received little systematic attention within art history, its visibility and significance has grown in relation to the threats of climate change and environmental destruction. By engaging artists’ widespread aesthetic and political engagement with environmental conditions and processes around the globe—and looking at cutting-edge theoretical, political, and cultural developments in the Global South and North—\u003ci\u003eDecolonizing Nature\u003c\/i\u003e offers a significant, original contribution to the intersecting fields of art history, ecology, visual culture, geography, and environmental politics. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"b_text\"\u003eArt historian T. J. Demos, author of \u003ci\u003eReturn to the Postcolony: Specters of Colonialism in Contemporary Art\u003c\/i\u003e (2013), considers the creative proposals of artists and activists for ways of life that bring together ecological sustainability, climate justice, and radical democracy, at a time when such creative proposals are urgently needed.\u003c\/span\u003e “\u003ci\u003eDecolonizing Nature\u003c\/i\u003e presents a timely critical analysis of the parameters and limitations of philosophical, artistic, and curatorial models responding to anthropogenic climate change. Rich and informative, the book makes an impassioned argument for a post-anthropocentric political ecology, in which the aesthetic realm enjoins with Indigenous philosophies and environmental activism to challenge the neoliberal corporate-state complex. It invites us to confront tough questions on how we might collectively reimagine and realize environmental justice for humans and nonhumans alike.” —Jean Fisher, Emeritus Professor in Fine Art and Transcultural Studies, Middlesex University “Astute and ambitious. Essential reading for anyone interested in the arts, activism, and environmental change. Demos moves with impressive ease across national boundaries, cultural forms, social movements, and ecological theories.” —Rob Nixon, Currie C. and Thomas A. Barron Family Professor in Humanities and the Environment, Princeton University “Demos breaks new ground in art criticism. In an expansive analysis of polyvocal artist-activist practices in the Global South and the North, Demos eschews environmental catastrophism, scientific determinism, and techno-fixes to highlight collaborative resistance to neocolonial violence and neoliberal collusion-to-plunder. He is also searching for what the path forward might be. Rigorous, accessible, and rebellious, \u003ci\u003eDecolonizing Nature\u003c\/i\u003e is an inspiring and indispensible contemporary art manifesto.” —Subhankar Banerjee, Lannan Chair of Land Arts of the American West and Professor of Art and Ecology, University of New Mexico “With \u003ci\u003eDecolonizing Nature\u003c\/i\u003e, Demos extends his formidable intellectual project to a realm that has until recently often been characterized by varying degrees of naïveté, obscurantism, and indeed green-washing: the relationship between art and ecology. The first systematic study of its kind, \u003ci\u003eDecolonizing Nature\u003c\/i\u003e is an exemplary combination of militant research and contemporary art history that will resonate with activists on the front lines as much as those working in the art field, reframing the latter as a site of struggle in its own right as we come to terms with the so-called Anthropocene.” —Yates McKee, author of \u003ci\u003eStrike Art: Contemporary Art and the Post-Occupy Condition\u003c\/i\u003e “Demos’s ability to distill and interrelate heterogeneous discourses, practices, and eco-political contexts, without flattening them in the process, is a breathtaking feat and, moreover, one that rises to the demands of his complex and urgent subject. As clear in its argumentation as it is dense with information, the meat of this book lies in its detailed discussion of specific artworks and the environmental struggles from which they emerge and to which they ambitiously, and often brilliantly, respond. \u003ci\u003eDecolonizing Nature\u003c\/i\u003e makes a forceful case for why and how art matters, now more than ever.” —Emily Eliza Scott, Postdoctoral Fellow, Institute for the History and Theory of Architecture, ETH Zurich, and coeditor of \u003ci\u003eCritical Landscapes: Art, Space, Politics\u003c\/i\u003e Design by Miriam Rech, Berlin\u003c\/p\u003e\n\u003cp\u003e\u003cimg height=\"516\" width=\"728\" alt=\"zabriskie_t_j_demos_decolonizing_nature_1\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/11\/zabriskie_t_j_demos_decolonizing_nature_1.jpeg\" class=\"alignnone size-full wp-image-7054\"\u003e \u003cimg height=\"516\" width=\"728\" alt=\"zabriskie_t_j_demos_decolonizing_nature_2\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/11\/zabriskie_t_j_demos_decolonizing_nature_2.jpeg\" class=\"alignnone size-full wp-image-7055\"\u003e \u003cimg height=\"516\" width=\"728\" alt=\"zabriskie_t_j_demos_decolonizing_nature_3\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/11\/zabriskie_t_j_demos_decolonizing_nature_3.jpeg\" class=\"alignnone size-full wp-image-7056\"\u003e \u003cimg height=\"516\" width=\"728\" alt=\"zabriskie_t_j_demos_decolonizing_nature_4\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/11\/zabriskie_t_j_demos_decolonizing_nature_4.jpeg\" class=\"alignnone size-full wp-image-7057\"\u003e\u003c\/p\u003e","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":46376169898331,"sku":null,"price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_t_j_demos_decolonizing_nature.png?v=1679343019"},{"product_id":"wabi-sabi-further-thoughts","title":"Wabi-Sabi: Further Thoughts","description":" 'Wabi-Sabi: Further Thoughts' is a complement to 'Wabi-Sabi: for Artists, Designers, Poets \u0026amp; Philosophers', the seminal volume on the beauty of things imperfect, impermanent, and incomplete. Author Leonard Koren, who trained as an artist and architect, is a design and aesthetics theorist.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":46376170127707,"sku":null,"price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_wabi-sabi_further_thoughts.png?v=1679343053"},{"product_id":"see-red-womens-workshop-feminist-posters-1974-1990","title":"See Red - Women's Workshop - Feminist Posters 1974-1990","description":" \u003cdiv class=\"std\"\u003eFounded in 1974, See Red Women’s Workshop grew out of a shared desire to combat sexist images of women and to create positive and challenging alternatives. Women from different backgrounds came together to make posters and calendars that tackled issues of sexuality, identity and oppression. With humour and bold graphics, they expressed the personal experiences of women as well as their role in wider struggles for change. Written by See Red members, detailing the group’s history, the book features all of their original screenprints, alongside posters commissioned for radical groups and campaigns.\u003c\/div\u003e\r\u003cdiv class=\"std\"\u003eWith a foreword by Sheila Rowbotham.\u003c\/div\u003e","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":46376170389851,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_see_red_womens_workshop_feminist_posters_1974-1990.jpg?v=1679343059"},{"product_id":"wabi-sabi-for-artists-designers-poets-and-philosophers","title":"Wabi Sabi For Artists, Designers, Poets And Philosophers","description":" This is an updated version of the enduring 1994 classic that first introduced the concept of \"imperfect beauty\" to the West. Text, images, and book design seamlessly meld into a wabi-sabi-like experience.\r\rWabi-sabi is a beauty of things imperfect, impermanent, and incomplete . . .. . . wabi-sabi could even be called the \"Zen of things,\" as it exemplifies many of Zen's core spiritual-philosophical tenets . . .Wabi-sabi is the most conspicuous and characteristic feature of what we think of as traditional Japanese beauty. It occupies roughly the same position in the Japanese pantheon of aesthetic values as do the Greek ideals of beauty and perfection in the West . . .Wabi-sabi, in its purest, most idealized form, is precisely about the delicate traces, the faint evidence, at the borders of nothingness . . .\r\rAuthor \u003cstrong\u003eLeonard Koren\u003c\/strong\u003e was trained as an architect but never built anything—except an eccentric Japanese tea house—because he found large, permanent objects too philosophically vexing to design. Instead he created WET: The Magazine of Gourmet Bathing, one of the premier avant-garde magazines of the 1970s. Subsequently Koren has produced unusual books about design- and aesthetics-related subjects. Koren resides in both America and Japan. For more information, visit www.leonardkoren.com.","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":46376172028251,"sku":null,"price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_leonard_koren_wabi-sabi_for_artists_designers_poets_philosophers.jpg?v=1679343198"},{"product_id":"luso-di-libri-the-use-of-books","title":"L'Uso Di Libri – The Use of Books","description":" \u003cdiv class=\"bookDescription\"\u003e\r\rYou ever read the back of a book and blah blah blah words and more words, and function. Poets depend on the emotional character of words. Manuals depend on the instructiveness of words. Yet words can be pronounced backwards or cut up and given new meaning, they can be looked at for their mathematical value, pondered over how they change in translation or seen as hiding messages within them. Therefore the various groupings of the same words can be made to perform completely different tasks. Shouldn’t this be in italian? This book is not about words. Words can’t describe what is going on in this book. Not all books are holy. Some fill holes. Some bridge gaps, some balance objects, hide things, make good kindling. Dear Sir\/Madam, words fail me. If we were closer I would take you by the hand and show you what we could do. There are different ways to use the world. There are different ways to use the word.\r\rThanks to Stefano S. Antonelli, Helene Hellmich, Francesca Mezzano, Natalie Reed, Sandra \u0026amp; Eugenio Sidoli \u0026amp; NovYork\r\r\u003cimg class=\"alignnone size-medium wp-image-8259\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/04\/zabriskie_huebner_downey_use_of_books_2-654x480.png\" alt=\"\" width=\"654\" height=\"480\"\u003e\r\r\u003cimg class=\"alignnone size-medium wp-image-8260\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/04\/zabriskie_huebner_downey_use_of_books_3-677x480.png\" alt=\"\" width=\"677\" height=\"480\"\u003e \u003cimg class=\"alignnone size-medium wp-image-8261\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/04\/zabriskie_huebner_downey_use_of_books_4-654x480.png\" alt=\"\" width=\"654\" height=\"480\"\u003e \u003cimg class=\"alignnone size-medium wp-image-8262\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/04\/zabriskie_huebner_downey_use_of_books_5-673x480.png\" alt=\"\" width=\"673\" height=\"480\"\u003e \u003cimg class=\"alignnone size-medium wp-image-8263\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/04\/zabriskie_huebner_downey_use_of_books_7-668x480.png\" alt=\"\" width=\"668\" height=\"480\"\u003e \u003cimg class=\"alignnone size-medium wp-image-8264\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/04\/zabriskie_huebner_downey_use_of_books_8-664x480.png\" alt=\"\" width=\"664\" height=\"480\"\u003e \u003cimg class=\"alignnone size-medium wp-image-8265\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/04\/zabriskie_huebner_downey_use_of_books_9-667x480.png\" alt=\"\" width=\"667\" height=\"480\"\u003e\r\r\u003c\/div\u003e","brand":"Possible Books","offers":[{"title":"Default Title","offer_id":46376178024795,"sku":null,"price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_huebner_downey_use_of_books_1.png?v=1679343549"},{"product_id":"mono-kultur-43-fatima-al-qadiri","title":"mono.kultur #43 - Fatima Al Qadiri","description":" \u003cdiv class=\"issuebox\"\u003e\r\r\u003cstrong\u003e\u003cspan class=\"quote\"\u003e“I want to be heard and not seen.”\u003c\/span\u003e\u003c\/strong\u003e\r\r\u003c\/div\u003e\r\u003cdiv class=\"issuebox\"\u003e\r\rThe video game \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Desert_Strike\"\u003e\u003cem\u003eDesert Strike\u003c\/em\u003e\u003c\/a\u003e was launched in 1992 for the \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Sega_Genesis\"\u003eSega Genesis\u003c\/a\u003e console to great commercial success. Published only a year after the first \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Gulf_War\"\u003eGulf War\u003c\/a\u003e, it was the first shoot ’em up game directly modelled on real life events, or rather, on a real war. It marked a new level of cynicism in the gaming industry, and what made it even more unsettling was its almost immersive approach, as embodied by its soundtrack, or its absence of soundtrack – \u003cem\u003eDesert Strike\u003c\/em\u003e featured no music, but a layer of ambient sounds, further blurring the lines between reality and entertainment.\r\rTwenty years later, \u003ca href=\"http:\/\/fatimaalqadiri.com\/\"\u003eFatima Al Qadiri\u003c\/a\u003e tried to fill the silence with her EP \u003ca href=\"http:\/\/pitchfork.com\/reviews\/albums\/17312-desert-strike-ep\/\"\u003e\u003cem\u003eDesert Strike\u003c\/em\u003e\u003c\/a\u003e, reclaiming the game by composing a dark and threatening soundtrack, setting fractured melodies against a dense tapestry of lingering soundscapes, heavy bass lines, fragments of processed choir pads, and sound effects. Desert Strike evokes a cold and distant, sparse environment that is oddly static, and it makes for a good example of the sonic and visual universe of Fatima Al Qadiri.\r\rBending and fusing different genres of music, the Kuwaiti producer and visual artist has released a \u003ca href=\"https:\/\/www.discogs.com\/artist\/2390862-Fatima-Al-Qadiri\"\u003ehandful of largely instrumental albums\u003c\/a\u003e that often imply narratives wrapped in a dystopian atmosphere, evoking an uncanny imagery of our increasingly oversaturated and disorienting information age. It is a simple yet complicated sound that owes as much to electronic music and \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Yuzo_Koshiro\"\u003evideo game soundtracks\u003c\/a\u003e as it does to \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Modest_Mussorgsky\"\u003eRussian composers\u003c\/a\u003e and \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Nasheed\"\u003eArab musical traditions\u003c\/a\u003e.\r\rIt is music that draws not only from an eclectic range of contrasting influences, but from a layered personal background: Born in Senegal, Fatima Al Qadiri grew up in \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kuwait\"\u003eKuwait\u003c\/a\u003e, but was exposed to electronic music and club culture during frequent stays in London and studies in the USA. She began experimenting with writing music as a child and later took composing courses during her undergraduate studies in linguistics at New York University.\r\rIt is also in New York where she soon established her own place within the art and music scenes, as comfortable producing music in her own name as she is conceiving art installations as a member of the artist collective \u003ca href=\"http:\/\/www.gccdomain.com\/\"\u003eGCC\u003c\/a\u003e or providing sound to the fashion shows of labels such as \u003ca href=\"http:\/\/www.telfar.net\/\"\u003eTelfar\u003c\/a\u003e and \u003ca href=\"https:\/\/www.hoodbyair.com\/\"\u003eHood by Air\u003c\/a\u003e.\r\rBut regardless of the genre or medium, almost all of Al Qadiri’s work is defined by the thematic undercurrents that run throughout her records, installations, and collaborations, dealing with cultural stereotypes, notions of place and displacement, regional and global politics, and concepts of national but also gender and sexual identity.\r\rHer interest in semiotics and how language determines our way of thinking has remained a lasting concern that Al Qadiri has also applied to the language of her music and art practice. The distinct aesthetics of her record covers and PR images often tap into the hyperreal, evoking corporate and cultural visual codes. It extends all the way to Al Qadiri’s highly stylised appearance, embodying an almost sleek aloofness.\r\rIn a way, Fatima Al Qadiri seems more interested in creating a sonic and visual space for thought and reflection, in filling the silence, proposing a shift of perspective rather than, as is so often the case with music, an emotional escape. Hers is a sound very much of the here and now, channeling not only a multi-layered past, but a complicated present, processing a flux of input and information. Sound as a filtered reality, a kind of digital compression of personal obsessions and contemporary concerns.\r\r\u003c\/div\u003e\r\u003cdiv class=\"creditbox\"\u003e\r\rInterview by Daniel Berndt\rWorks by \u003ca href=\"http:\/\/fatimaalqadiri.com\/\"\u003eFatima Al Qadiri\u003c\/a\u003e\rDesign by \u003ca href=\"http:\/\/www.fuchsborst.de\/\"\u003eFuchs Borst\u003c\/a\u003e\r\r\u003cimg class=\"alignnone size-medium wp-image-9474\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/06\/zabriskie_mono_kultur_fatima_al_qadiri-3-480x480.jpg\" alt=\"\" width=\"480\" height=\"480\"\u003e \u003cimg class=\"alignnone size-medium wp-image-9473\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/06\/zabriskie_mono_kultur_fatima_al_qadiri-2-480x480.jpg\" alt=\"\" width=\"480\" height=\"480\"\u003e\r\r\u003c\/div\u003e","brand":"mono.kultur","offers":[{"title":"Default Title","offer_id":46376183202139,"sku":null,"price":5.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_mono_kultur_fatima_al_qadiri-1.jpg?v=1679343943"},{"product_id":"undersound","title":"Undersound","description":"\u003cp\u003eThe artist book Undersound is published on the occasion of Moritz Fehr’s (*1981, lives and works in Berlin) \u003ca href=\"https:\/\/www.kunstverein-hildesheim.de\/ausstellungen\/undersound\/\" target=\"_blank\" rel=\"noopener\"\u003esolo exhibition\u003c\/a\u003e at the Hildesheimer Kunstverein. The bronze shimmering cover shows the imprint of the Californian Colosseum-mine, where ore and cyanide had been excavated to win gold and silver. Today the postindustrial landscape is a fallow region, however it provided fertile ground for Fehr’s multimedia working process. Working with field recordings, Sound Art or the latest 3D technologies, the artist researched and depicted the deserted terraces of the mine: the origin of resources for today’s infrastructure. In other works, he followed and reflected on the path of energy, from the plug socket to the transformer station, across power plants and solar cells, visualized in stereoscopic video works and audio compositions. The Villa Romana Prize is Germany’s oldest art fellowship. Ever since 1905, it is awarded annually, usually to four artists. It includes a ten-month fellowship in the artists‘ house Villa Romana, a free studio, and a monthly stipend. Every year, at the end of their stay in Florence, the publications of the Villa Romana Fellows are jointly conceived by the artists.\u003c\/p\u003e\n\u003cdiv class=\"product-contributors\"\u003e\n\u003cspan class=\"label-above\"\u003eContributors: \u003c\/span\u003e\u003cspan class=\"product-contributor\"\u003eKathrin Meyer, Clemens Krümmel, Florian Sprenger\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e--\u003c\/div\u003e\n\u003cdiv\u003eDas Künstlerbuch Undersound erscheint anlässlich der gleichnamigen Ausstellung von Moritz Fehr (*1981) im Hildesheimer Kunstverein. Die Publikation dokumentiert und kommentiert die Arbeiten Colosseum und Mojave (A Person Was Here) von Moritz Fehr und bildet einen Einblick in die technologisch und kunsthistorisch geprägte Arbeitsweise des jungen Berliner Künstlers. „Die hyperreale Darstellung von Landschaft mittels Raumbild und Raumton betont die Annahme, dass die Existenz einer unberührten Natur eine Fantasie ist: Mensch, Technik und Natur sind grundlegend und auf vielschichtige Arten und Weisen miteinander verwoben. Durch den gezielten Einsatz technischer Verstärkung und verschiedener Aufnahmeverfahren thematisieren Moritz Fehrs Arbeiten auch die radikale Erweiterung menschlicher Sinne durch Technologie – und damit die Perspektive, durch technische Vermittlung andere Zugänge zu einer nur scheinbar stillen Umwelt zu finden.“ (Kathrin Meyer, Kuratorin der Ausstellung Undersound) \u003cstrong\u003e\u003ca href=\"http:\/\/www.moritzfehr.de\/\"\u003ewww.moritzfehr.de\u003c\/a\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cimg height=\"480\" width=\"481\" alt=\"\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/06\/zabriskie_undersound-2-481x480.jpg\" class=\"alignnone size-medium wp-image-9645\"\u003e \u003cimg height=\"480\" width=\"474\" alt=\"\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/06\/zabriskie_undersound-3-474x480.jpg\" class=\"alignnone size-medium wp-image-9646\"\u003e \u003cimg height=\"480\" width=\"480\" alt=\"\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/06\/zabriskie_undersound-4-480x480.jpg\" class=\"alignnone size-medium wp-image-9647\"\u003e \u003cimg height=\"480\" width=\"480\" alt=\"\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/06\/zabriskie_undersound-5-480x480.jpg\" class=\"alignnone size-medium wp-image-9648\"\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"border-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px 'Helvetica Neue',Helvetica,sans-serif; color: #ffffff; background: #bd081c no-repeat scroll 3px 50% \/ 14px 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer; top: 748px; left: 20px;\"\u003eSave\u003c\/span\u003e\u003c\/p\u003e","brand":"Anagram","offers":[{"title":"Default Title","offer_id":46376185921883,"sku":null,"price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_undersound-1.jpg?v=1679344023"},{"product_id":"on-glaciers-and-avalanches-notes-on-representation-vol-8","title":"On Glaciers And Avalanches: Notes On Representation Vol. 8","description":" One can sense an alternation between direct experience and a more distant analysis in the work of Irene Kopelman. She is deeply fascinated by natural phenomena and their acute impact on the senses, and equally intrigued by the methods and tools we use to understand them. This book focuses on glaciers, alpine forests, and mountain landscapes sculpted by avalanches, especially their texture, morphology, and “readability”. It includes drawings and field notes made during multiple trips to the Swiss Alps, as well as paintings produced later in the studio. Contributions by various experts with whom she worked offer insight into glaciology, ecology, and art history.\r\r\u003cstrong\u003e\u003ca href=\"http:\/\/www.irenekopelman.com\/projects\/project-a\/\"\u003ewww.irenekopelman.com\/projects\/project-a\/\u003c\/a\u003e\u003c\/strong\u003e\r\r \r\r\u003cimg class=\"alignnone size-medium wp-image-9894\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/07\/zabriskie_irene_kopelman_on_glaciers_and_avalanches_2-480x480.jpg\" alt=\"\" width=\"480\" height=\"480\"\u003e\r\r\u003cimg class=\"alignnone size-medium wp-image-9896\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/07\/zabriskie_irene_kopelman_on_glaciers_and_avalanches-1-480x480.jpg\" alt=\"\" width=\"480\" height=\"480\"\u003e\r\r\u003cimg class=\"alignnone size-medium wp-image-9895\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/07\/zabriskie_irene_kopelman_on_glaciers_and_avalanches-2-480x480.jpg\" alt=\"\" width=\"480\" height=\"480\"\u003e\r\r\u003cimg class=\"alignnone size-medium wp-image-9898\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/07\/zabriskie_irene_kopelman_on_glaciers_and_avalanches_3-480x480.jpg\" alt=\"\" width=\"480\" height=\"480\"\u003e\r\r ","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":46376188543323,"sku":null,"price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/Zabriskie_irene_kopelman_on_glaciers_and_avalanches.jpg?v=1679344065"},{"product_id":"sacrifice-the-ikebana-of-regeneration-offered-to-the-future","title":"Sacrifice - The Ikebana of Regeneration, Offered to the Future -","description":" A virtuoso in the Japanese art of flower arrangement, Atsunobu Katagiri first visited the Fukushima area in September 2013, two and a half years after the Great East Japan Earthquake. Struck by the vacancy of the haunted landscapes and destroyed homes, he also noticed the growth of summer weeds, fields of flowering plants, and abundant gardens that had lost both owners and boundaries. Despite his conflicted emotions, nature’s resurgence grounded him, and he began collecting and arranging flowers amid the ruins, as if to regenerate the voices of the land. This collection of stunning photos is the result. With an essay by poet and professor Norio Akasaka.\r\r \r\r\u003cimg class=\"alignnone size-medium wp-image-9817\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/07\/Zabriskie_ikebana_sacrifice-1-480x480.jpg\" alt=\"\" width=\"480\" height=\"480\"\u003e \u003cimg class=\"alignnone size-medium wp-image-9818\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/07\/Zabriskie_ikebana_sacrifice-2-480x480.jpg\" alt=\"\" width=\"480\" height=\"480\"\u003e \u003cimg class=\"alignnone size-medium wp-image-9819\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/07\/Zabriskie_ikebana_sacrifice-2b-680x480.jpg\" alt=\"\" width=\"680\" height=\"480\"\u003e \u003cimg class=\"alignnone size-medium wp-image-9820\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/07\/Zabriskie_ikebana_sacrifice-3-680x480.jpg\" alt=\"\" width=\"680\" height=\"480\"\u003e \u003cimg class=\"alignnone size-medium wp-image-9821\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/07\/Zabriskie_ikebana_sacrifice-4-680x480.jpg\" alt=\"\" width=\"680\" height=\"480\"\u003e \u003cimg class=\"alignnone size-medium wp-image-9822\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/07\/Zabriskie_ikebana_sacrifice-5-680x480.jpg\" alt=\"\" width=\"680\" height=\"480\"\u003e \u003cimg class=\"alignnone size-medium wp-image-9823\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/07\/Zabriskie_ikebana_sacrifice-5b-680x480.jpg\" alt=\"\" width=\"680\" height=\"480\"\u003e \u003cimg class=\"alignnone size-medium wp-image-9824\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/07\/Zabriskie_ikebana_sacrifice-6-680x480.jpg\" alt=\"\" width=\"680\" height=\"480\"\u003e \u003cimg class=\"alignnone size-medium wp-image-9825\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/07\/Zabriskie_ikebana_sacrifice-6b-680x480.jpg\" alt=\"\" width=\"680\" height=\"480\"\u003e \u003cimg class=\"alignnone size-medium wp-image-9826\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/07\/Zabriskie_ikebana_sacrifice-7-680x480.jpg\" alt=\"\" width=\"680\" height=\"480\"\u003e \u003cimg class=\"alignnone size-medium wp-image-9827\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/07\/Zabriskie_ikebana_sacrifice-7b-680x480.jpg\" alt=\"\" width=\"680\" height=\"480\"\u003e\r\r ","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":46376188608859,"sku":null,"price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/Zabriskie_atsunobu_katagirisacrifice_ikebana.jpg?v=1679344070"},{"product_id":"against-the-anthropocene","title":"Against the Anthropocene","description":" \u003cstrong\u003eVisual Culture and Environment Today\u003c\/strong\u003e\r\rAddressing the current upswing of attention in the sciences, arts, and humanities to the new proposal that we are in a human-driven epoch called the Anthropocene, this book critically surveys that thesis and points to its limitations. It analyzes contemporary visual culture—popular science websites, remote sensing and SatNav imagery, eco-activist mobilizations, and experimental artistic projects—to consider how the term proposes more than merely a description of objective geological periodization. This book argues that the Anthropocene terminology works ideologically in support of a neoliberal financialization of nature, anthropocentric political economy, and endorsement of geoengineering as the preferred—but likely disastrous—method of approaching climate change. To democratize decisions about the world’s near future, we urgently need to subject the Anthropocene thesis to critical scrutiny and develop creative alternatives in the present.\r\r“The idea of the Anthropocene needs to be eviscerated, and there is no one better suited to do it than T. J. Demos. In this sharp book Demos demonstrates that the Anthropocene thesis obscures a host of gross inequalities and the powerful interests behind them. Exploring examples (such as Google Earth) that support Anthropocene iconography, as well as a plethora of critical alternatives that decolonize and indigenize the Anthropocene, Demos offers a strong indictment of the violence of contemporary fossil capitalism. This manifesto should be on the bookshelves and in the back pockets of all climate justice activists.”\r—Ashley Dawson, Professor of English, CUNY Graduate Center and College of Staten Island\r\rDesign by Miriam Rech, Berlin","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":46376188903771,"sku":"","price":19.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_demos_against_the_anthropocene-1.jpg?v=1679344101"},{"product_id":"aru-kuxipa-sacred-secret","title":"Aru Kuxipa - Sacred Secret","description":" \u003cspan class=\"b_text\"\u003eContributions by Mila Cataldo, Damian Christinger, James Clifford, Anna Dantes, Fabiano Txana Bane Sales Huni Kuin Kaxinawa, Francesca von Habsburg, Marcelo Piedrafita Iglesias, José Yubē de Lima Kaxinawa, Leopardo Yawa Bane Sales Huni Kuin Kaxinawa, Manoel Dua Busē Vandique Kaxinawa, Ricardo Moebus, Jeremy Narby, Ernesto Neto, Osvaldo Isaka Manduca Mateus Kaxinawa, Tiago Paulino Sales Txana Xiná Bena, Virgulino Ixã Rodrigues Sales Kaxinawa, Pirjo Kristiina Virtanen, Franziska Sophie Wildförster, Daniela Zyman\u003c\/span\u003e\r\r“This is a new story; it is called Aru Kuxipa. It is new, but it is old. Aru Kuxipa to me means our people, the old ones, living together with nature, in balance with our tradition. Aru means secret, sacred. Kuxipa means like a god.” —Txana Bane\r\rThe exhibition \"Aru Kuxipa\" was conceived as by Brazilian artist Ernesto Neto as a personal tribute to the Huni Kuin. Held at TBA21 – Augarten, the show was a vibrant demonstration of ancestral futures, a term that unpacks potentials for creating a future that is also deeply rooted in cultures of tradition. Through multiple exchanges between members of thirty-two Huni Kuin communities in Brazil, this publication brings together threads from anthropology, art, and science that are interwoven, like the movement of a serpent, with essay contributions, oral histories, drawings, and traditional song. Together, they outline the way unique kinships produced within an indigenous cosmo-vision can shape our present moment.\r\rCopublished with Thyssen-Bornemisza Art Contemporary, Vienna\rDesign by John McCusker and Hendrike Nagel\r\r\u003cimg class=\"alignnone wp-image-10065 size-large\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/07\/zabriskie_-16-1-800x800.jpg\" alt=\"\" width=\"800\" height=\"800\"\u003e \u003cimg class=\"alignnone wp-image-10066 size-large\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/07\/zabriskie_-17-1-800x800.jpg\" alt=\"\" width=\"800\" height=\"800\"\u003e \u003cimg class=\"alignnone wp-image-10067 size-large\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/07\/zabriskie_-19-814x800.jpg\" alt=\"\" width=\"814\" height=\"800\"\u003e \u003cimg class=\"alignnone wp-image-10068 size-large\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/07\/zabriskie_-20-1-800x800.jpg\" alt=\"\" width=\"800\" height=\"800\"\u003e\r\r \r\r\u003cspan style=\"text-indent: 20px;width: auto;padding: 0px 4px 0px 0px;text-align: center;font: bold 11px\/20px 'Helvetica Neue',Helvetica,sans-serif;color: #ffffff;background: #bd081c  no-repeat scroll 3px 50% \/ 14px 14px;cursor: pointer\"\u003eSave\u003c\/span\u003e","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":46376189165915,"sku":null,"price":37.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_aru_kuxipa.jpg?v=1679344143"},{"product_id":"ape-culture","title":"Ape Culture","description":" »Ape Culture« traces the long cultural and scientific obsession with humanity’s closest relatives. In the Western historical representations of modernity, depictions of apes were traditionally used to show the absence of culture. Standing as a liminal figure separating humans and animals, the ape has, since ancient times, played a central role in the narrative of civilisational progress. This book, which appears in conjunction with the exhibition of the same nameseeks, however, to go beyond the mere examination of apes as signifiers of difference. The juxtaposition of artworks with documents taken from popular culture and the history of primatology gives the reader an insight into what the science historian Donna Haraway has termed the »primate order« — a hall of mirrors reflecting the scientific and cultural projections that turned the ape from an instrument of humanity’s self-definition into an integral element in testing out the possibility of reconstructing human »nature«.\r»Ape Culture« will be shown at the Haus der Kulturen der Welt from 30 April to 6 July 2015.","brand":"GVA, Jessica Reitz","offers":[{"title":"Default Title","offer_id":46376189362523,"sku":null,"price":29.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_kultur_der_affen_ape_culture_39efa0f7-1605-497f-a3a3-b97b488690ce.jpg?v=1679344154"},{"product_id":"the-triangle","title":"The Triangle","description":"\u003cp\u003eFrom the vegetable structure of the coconut to the diagram of human settlements by Le Corbusier, one can frequently find the shape of the equilateral triangle in many different occurences, both in a natural environment and in artificial works. Along with the circle and the square, the equilateral triangle is one of the three basic forms, and is suitable to be combined in modular frameworks to generate a structured field in which endless other combinatorial forms may be constructed. From classical Arab and Japanese decorations to the contemporary architecture of Buckminster Fuller and Wright, the familiarity with the equilateral triangle, in all its formal and structural resources, generates curious and fascinating experimentations. After the books of the same collection dedicated to the circle and the square, a new reprint by Bruno Munari about the many uses of this evocative shape throughout the centuries. These studies were originally published in 1976 in the series Quaderni di design, curated by Munari himself for Zanichelli.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg class=\"alignnone size-medium wp-image-10296\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/07\/the-triangle-3.jpg\" alt=\"\" width=\"400\" height=\"200\"\u003e \u003cimg class=\"alignnone size-medium wp-image-10297\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/07\/the-triangle-2.jpg\" alt=\"\" width=\"400\" height=\"200\"\u003e \u003cspan style=\"text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px 'Helvetica Neue',Helvetica,sans-serif; color: #ffffff; background: #bd081c no-repeat scroll 3px 50% \/ 14px 14px; cursor: pointer;\"\u003eSave\u003c\/span\u003e \u003cspan style=\"text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px 'Helvetica Neue',Helvetica,sans-serif; color: #ffffff; background: #bd081c  no-repeat scroll 3px 50% \/ 14px 14px; cursor: pointer;\"\u003eSave\u003c\/span\u003e\u003c\/p\u003e","brand":"Raum Italic","offers":[{"title":"Default Title","offer_id":46376191066459,"sku":null,"price":16.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_munari_triangle.jpg?v=1679344175"},{"product_id":"the-square","title":"The Square","description":"\u003cp\u003eSquare has much importance in man's life: a lot of churches, monuments, games (like chess), fonts is square-based. But man seems not to realize it... one more time Bruno Munari amazes us with an historical, anthropological, scientific square book. \u003cimg class=\"alignnone size-full wp-image-10315\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/07\/the-square-2.jpg\" alt=\"\" width=\"400\" height=\"200\"\u003e \u003cimg class=\"alignnone size-medium wp-image-10316\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/07\/the-square-3.jpg\" alt=\"\" width=\"404\" height=\"200\"\u003e   \u003cspan style=\"text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px 'Helvetica Neue',Helvetica,sans-serif; color: #ffffff; background: #bd081c  no-repeat scroll 3px 50% \/ 14px 14px; cursor: pointer;\"\u003eSave\u003c\/span\u003e\u003c\/p\u003e","brand":"Raum Italic","offers":[{"title":"Default Title","offer_id":46376191394139,"sku":null,"price":16.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_munari_square.jpg?v=1679344192"},{"product_id":"blau-eine-wunderkammer-seiner-bedeutungen","title":"Blau - Eine Wunderkammer seiner Bedeutungen","description":"\u003cp\u003eDie Welt, in der wir leben, ist an vielen Stellen in sattes Blau getaucht: Unsere Heimat ist der blaue Planet mit seinem azurfarbenen Himmel. Wir verlieren uns in Yves Kleins monochromen Blau-Gemälden, hören beschwingt Gershwins Rhapsody in Blue, geben uns mit Novalis dem romantischen Sehnen nach der blauen Blume hin und genießen die blaue Stunde. Selten und wertvoll ist die blaue Mauritius, alltäglich die Blue Jeans. Die Tiefe und Kraft jener Farbe entspringt den Bedeutungen, die wir ihr zuschreiben: wild, sinnlich und faszinierend; wie in einer Wunderkammer, jenem untergegangenen Museum, das die unterschiedlichsten Fundstücke nebeneinander versammelte, um das Staunen zu lehren, versammelt der meisterhafte Erzähler Jürgen Goldstein verschiedene Facetten vom Reichtum des Blaus, er knüpft Bedeutungsketten, elaboriert und assoziativ, wohl abgewogen und zugleich sprunghaft – Genregrenzen, Chronologien und wissenschaftliche Etikette gelten hier nicht. Dieses gelehrte und elegant verfasste Buch erschafft einen Archipel an essayistischen Miniaturen, die Bedeutungsinseln gleichen und doch untergründig miteinander verbunden sind, und taucht ein in das Geheimnis, das uns am Blau so berührt. \u003cstrong\u003eJürgen Goldstein\u003c\/strong\u003e, geboren 1962, lehrt als Professor für Philosophie an der Universität Koblenz-Landau. Maßgeblich von Hans Blumenberg inspiriert, widmen sich seine Studien der Genese und dem Profil der Moderne. Seine Bücher befassen sich mit der Herausbildung der neuzeitlichen Subjektivität und Rationalität, der politischen Philosophie des 20. Jahrhunderts und der Geschichte der Naturwahrnehmung. Für sein Buch »Georg Forster. Zwischen Freiheit und Naturgewalt« erhielt er 2015 den Gleim-Literaturpreis und 2016 den Preis der Leipziger Buchmesse in der Kategorie Sachbuch \/ Essayistik.\u003c\/p\u003e","brand":"Prolit","offers":[{"title":"Default Title","offer_id":46376191918427,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/Zabriskie_-juergen_goldstein_blau.jpg?v=1679344222"},{"product_id":"intervals-and-forms-of-stones-of-stars","title":"intervals and forms of stones of stars","description":" \u003cdiv id=\"page\"\u003e\r\u003cdiv id=\"main\" class=\"clearfix\"\u003e\r\u003cdiv id=\"contentarea\"\u003e\r\u003cdiv id=\"content-inner\" class=\"inner column center clearfix\"\u003e\u003cform id=\"product_addtocart_form\" action=\"https:\/\/www.mottodistribution.com\/wholesale\/checkout\/cart\/add\/uenc\/aHR0cDovL3d3dy5tb3R0b2Rpc3RyaWJ1dGlvbi5jb20vd2hvbGVzYWxlL2ludGVydmFscy1hbmQtZm9ybXMtb2Ytc3RvbmVzLW9mLXN0YXJzLW5hbm5hLWRlYm9pcy1idWhsLWh1bWJvbGR0LWJvb2tzLW1vdHRvLmh0bWw_X19fU0lEPVU,\/product\/12864\/form_key\/fTV6jcIbrJqq5sn1\/\" method=\"post\"\u003e\r\u003cdiv class=\"article_container clearfix\"\u003e\r\u003cdiv class=\"article_zoom_description\"\u003e\r\u003cdiv class=\"collateral-box\"\u003e\r\u003cdiv class=\"product-specs\"\u003e\r\rIntervals and forms of stones of stars investigates a Nordic man-made beach landscape. Located near Copenhagen, Køge Bay Beach Park is a 7-kilometer-long recreational area reclaimed from the sea. While highly planned and regulated, the idea was to create a landscape that looked like wild nature. The book is a reflection of this anthropocene biotope, its botany, and its cultural context. Through a series of cameraless photographic registrations, Buhl maps the biotope’s flora, fauna, and particles and draws connections between the characteristics of the site and its photographic representation. Her photographs are inspired by the cameraless photographic works of W. H. Fox Talbot (1840s) and A. Strindberg (1890s); images created without a photographic lens, only by use of light and light sensitive surfaces. In the photographs, dust particles resemble the night sky and the wings of an insect look like a topographical map. The book contains the series of full-page photographs as well as a text of field notes and two conversations, with N. Bubandt, Professor of Anthropology, Aarhus University and with L. Gallun, Assistant Curator of Photography at MoMA, New York.\r\r\u003cstrong\u003eNanna Debois\u003c\/strong\u003e \u003cstrong\u003eBuhl\u003c\/strong\u003e is a visual artist who lives and works in Copenhagen and New York. She participated in The Whitney Museum’s Independent Study Program, New York (2008-09), and received her MFA from The Royal Danish Academy of Fine Arts (2006). Her practice is a continuous investigation of historical and cultural knowledge through botany, animal life, imagery, and architecture. Her work has been exhibited at institutions such as the Pérez Art Museum, Florida; SculptureCenter, New York; Art in General, New York; The Studio Museum, Harlem, New York; MSU Museum of Contemporary Art, Zagreb; Lunds Konsthall, Sweden; ARKEN Museum of Modern Art; Kunsthal Charlottenborg; Kunsthallen Brandts; Museum for Contemporaty Art, Roskilde; and Herning Museum of Contemporary Art, Denmark.\r\r\u003cimg class=\"alignnone size-full wp-image-15408\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/09\/e8ll5fqjrrakqpdio9pl.jpg\" alt=\"\" width=\"1000\" height=\"680\"\u003e\r\r\u003cimg class=\"alignnone size-full wp-image-15410\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/09\/mj98chi5fdrxn6sdkkzm.jpg\" alt=\"\" width=\"1000\" height=\"680\"\u003e\r\r\u003cimg class=\"alignnone size-full wp-image-15413\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/09\/tepesoz1uga2vrdcbl89.jpg\" alt=\"\" width=\"1000\" height=\"680\"\u003e\r\r\u003cimg class=\"alignnone size-full wp-image-15412\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/09\/rn4pojly3dnnanb5d5zx.jpg\" alt=\"\" width=\"1000\" height=\"680\"\u003e  \u003cimg class=\"alignnone size-full wp-image-15409\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/09\/kytewnqpmkgnd6gp79tq.jpg\" alt=\"\" width=\"1000\" height=\"680\"\u003e\r\r\u003cimg class=\"alignnone size-full wp-image-15407\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/09\/dkrm24u7ctzqrqbs0mmn.jpg\" alt=\"\" width=\"1000\" height=\"680\"\u003e\r\r\u003cimg class=\"alignnone size-full wp-image-15406\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/09\/ctwvy7imqi3f1ltoapc4.jpg\" alt=\"\" width=\"1000\" height=\"680\"\u003e\r\r\u003cimg class=\"alignnone size-full wp-image-15411\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/09\/myjrvddg0hgbbwsl79mg.jpg\" alt=\"\" width=\"1000\" height=\"680\"\u003e\r\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/form\u003e\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":46376194474331,"sku":null,"price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_nanna_debois_buhl_intervals_and_forms_of_stones_of_stars-1.jpg?v=1679344273"},{"product_id":"himmel-und-erde","title":"Himmel und Erde","description":" \"Himmel und Erde\" war eine Reihe von künstlerischen Projekten, die sich von Februar bis Oktober 2016, vom winterlichen Baumschnitt bis zur herbstlichen Obsternte, mit dem Haag, einer verwilderten Streuobstwiese in Baruth, auseinandersetzte. An jeweils einem Wochenende im Monat wurden gemeinsame Feldarbeiten im Haag mit Einladungen von Künstlern und anderen Vortragenden zusammengebracht, die sich mit den Themen Gärten, Landwirtschaft, Nahrungsmittel beschäftigten. Basierend auf diesem künstlerischen Projekt ist die Publikation \"Himmel und Erde\" entstanden.","brand":"info@kreuzbergersalon.de","offers":[{"title":"Default Title","offer_id":46376194638171,"sku":null,"price":14.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_schmidt_wiesel_himmel_und_erde.jpg?v=1679344285"},{"product_id":"the-work-of-art-in-the-age-of-mechanical-reproduction","title":"The Work of Art in the Age of Mechanical Reproduction","description":" One of the most important works of cultural theory ever written, Walter Benjamin's groundbreaking essay explores how the age of mass media means audiences can listen to or see a work of art repeatedly – and what the troubling social and political implications of this are.\r\r\u003cstrong\u003eWalter Benjamin\u003c\/strong\u003e was born on July 15, 1892 to a German-Jewish family in Berlin. He was educated at the Albert Ludwig University in Freiburg and the Friedrich Wilhelm University in Berlin. An essay on Goethe's \u003ci\u003eElective Affinities \u003c\/i\u003e\u003ci\u003epublished \u003c\/i\u003ein 1924 earned him swift recognition but he struggled to find a position to support himself and build on its success. When the Nazis came to power in 1933, Benjamin fled to Paris and became a prominent critic of Hitler's regime. During this period he worked on his immense study of 19th century Parisian life known as \u003ci\u003eThe Arcades Project\u003c\/i\u003e (which was posthumously published in unfinished form).Following the Nazi invasion of France Benjamin attempted to escape to the United States where a visa had been obtained for him.Trying to get through to neutral Portugal, Benjamin was prevented from crossing the Spanish border and committed suicide on September 27 1940.","brand":"KNV","offers":[{"title":"Default Title","offer_id":46376195490139,"sku":null,"price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_walter_benjamin_the_artwork.jpg?v=1679344340"}],"url":"https:\/\/zabriskie.de\/collections\/kunst.oembed?page=37","provider":"Zabriskie Buchladen für Kultur und Natur","version":"1.0","type":"link"}