{"title":"Miss Read","description":"","products":[{"product_id":"decolonizing-nature-contemporary-art-and-the-politics-of-ecology","title":"Decolonizing Nature - Contemporary Art and the Politics of Ecology","description":"\u003cp\u003e\u003cspan class=\"b_text\"\u003eWhile ecology has received little systematic attention within art history, its visibility and significance has grown in relation to the threats of climate change and environmental destruction. By engaging artists’ widespread aesthetic and political engagement with environmental conditions and processes around the globe—and looking at cutting-edge theoretical, political, and cultural developments in the Global South and North—\u003ci\u003eDecolonizing Nature\u003c\/i\u003e offers a significant, original contribution to the intersecting fields of art history, ecology, visual culture, geography, and environmental politics. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"b_text\"\u003eArt historian T. J. Demos, author of \u003ci\u003eReturn to the Postcolony: Specters of Colonialism in Contemporary Art\u003c\/i\u003e (2013), considers the creative proposals of artists and activists for ways of life that bring together ecological sustainability, climate justice, and radical democracy, at a time when such creative proposals are urgently needed.\u003c\/span\u003e “\u003ci\u003eDecolonizing Nature\u003c\/i\u003e presents a timely critical analysis of the parameters and limitations of philosophical, artistic, and curatorial models responding to anthropogenic climate change. Rich and informative, the book makes an impassioned argument for a post-anthropocentric political ecology, in which the aesthetic realm enjoins with Indigenous philosophies and environmental activism to challenge the neoliberal corporate-state complex. It invites us to confront tough questions on how we might collectively reimagine and realize environmental justice for humans and nonhumans alike.” —Jean Fisher, Emeritus Professor in Fine Art and Transcultural Studies, Middlesex University “Astute and ambitious. Essential reading for anyone interested in the arts, activism, and environmental change. Demos moves with impressive ease across national boundaries, cultural forms, social movements, and ecological theories.” —Rob Nixon, Currie C. and Thomas A. Barron Family Professor in Humanities and the Environment, Princeton University “Demos breaks new ground in art criticism. In an expansive analysis of polyvocal artist-activist practices in the Global South and the North, Demos eschews environmental catastrophism, scientific determinism, and techno-fixes to highlight collaborative resistance to neocolonial violence and neoliberal collusion-to-plunder. He is also searching for what the path forward might be. Rigorous, accessible, and rebellious, \u003ci\u003eDecolonizing Nature\u003c\/i\u003e is an inspiring and indispensible contemporary art manifesto.” —Subhankar Banerjee, Lannan Chair of Land Arts of the American West and Professor of Art and Ecology, University of New Mexico “With \u003ci\u003eDecolonizing Nature\u003c\/i\u003e, Demos extends his formidable intellectual project to a realm that has until recently often been characterized by varying degrees of naïveté, obscurantism, and indeed green-washing: the relationship between art and ecology. The first systematic study of its kind, \u003ci\u003eDecolonizing Nature\u003c\/i\u003e is an exemplary combination of militant research and contemporary art history that will resonate with activists on the front lines as much as those working in the art field, reframing the latter as a site of struggle in its own right as we come to terms with the so-called Anthropocene.” —Yates McKee, author of \u003ci\u003eStrike Art: Contemporary Art and the Post-Occupy Condition\u003c\/i\u003e “Demos’s ability to distill and interrelate heterogeneous discourses, practices, and eco-political contexts, without flattening them in the process, is a breathtaking feat and, moreover, one that rises to the demands of his complex and urgent subject. As clear in its argumentation as it is dense with information, the meat of this book lies in its detailed discussion of specific artworks and the environmental struggles from which they emerge and to which they ambitiously, and often brilliantly, respond. \u003ci\u003eDecolonizing Nature\u003c\/i\u003e makes a forceful case for why and how art matters, now more than ever.” —Emily Eliza Scott, Postdoctoral Fellow, Institute for the History and Theory of Architecture, ETH Zurich, and coeditor of \u003ci\u003eCritical Landscapes: Art, Space, Politics\u003c\/i\u003e Design by Miriam Rech, Berlin\u003c\/p\u003e\n\u003cp\u003e\u003cimg height=\"516\" width=\"728\" alt=\"zabriskie_t_j_demos_decolonizing_nature_1\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/11\/zabriskie_t_j_demos_decolonizing_nature_1.jpeg\" class=\"alignnone size-full wp-image-7054\"\u003e \u003cimg height=\"516\" width=\"728\" alt=\"zabriskie_t_j_demos_decolonizing_nature_2\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/11\/zabriskie_t_j_demos_decolonizing_nature_2.jpeg\" class=\"alignnone size-full wp-image-7055\"\u003e \u003cimg height=\"516\" width=\"728\" alt=\"zabriskie_t_j_demos_decolonizing_nature_3\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/11\/zabriskie_t_j_demos_decolonizing_nature_3.jpeg\" class=\"alignnone size-full wp-image-7056\"\u003e \u003cimg height=\"516\" width=\"728\" alt=\"zabriskie_t_j_demos_decolonizing_nature_4\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/11\/zabriskie_t_j_demos_decolonizing_nature_4.jpeg\" class=\"alignnone size-full wp-image-7057\"\u003e\u003c\/p\u003e","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":46376169898331,"sku":null,"price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_t_j_demos_decolonizing_nature.png?v=1679343019"},{"product_id":"environments","title":"environments - Nuno da Luz","description":"\u003cp\u003eA favourite book of Jean-Marie Dhur, selected for our \u003ca rel=\"noopener\" href=\"https:\/\/zabriskie.de\/blogs\/zabriskie-rewind\/zabriskie-rewind-2020\" target=\"_blank\"\u003e2020 Rewind\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e~~~\u003cbr\u003e\u003cbr\u003eEleven „environments“ records were released by the \u003ca href=\"https:\/\/www.discogs.com\/label\/56016-Syntonic-Research-Inc\"\u003eSyntonic Research label\u003c\/a\u003e over eleven years, starting with the ocean surf in 1969 and ending with a blizzard in 1979. This was the first record series to successfully market ambient sound recordings to a broad audience in the US, with the purpose of being used as a mood enhancer and stress reliever. \u003cbr\u003e\u003cbr\u003eDa Luz's publication brings together all the liner notes to the albums and their respective cover art, alongside an essay by the series’ creator Irv Teibel from 1984. Accompanied by an essay by editor Nuno da Luz on why Teibel pronounced that “the music of the future isn’t music”, and its links to Tony Conrad and the New York avant-garde of the time. \u003cbr\u003e\u003cbr\u003ePublished by ATLAS Projectos. \u003cbr\u003e\u003cbr\u003eNuno da Luz is an artist and publisher whose work oscillates between sonic explorations of place and book-making through the imprint ATLAS Projectos. In 2015, he participated in the Master of Experimentation in Arts and Politics, created by Bruno Latour at Sciences Po, Paris. He is co-founder of COYOTE, an interdisciplinary collective working on experimental forms, as well as of record label Palmario (together with Joana Escoval). He runs the ATLAS Projectos imprint together with artist Gonçalo Sena. \u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/l.facebook.com\/l.php?u=http%3A%2F%2Fwww.nunodaluz.com%2F%3Ffbclid%3DIwAR3yXpATYk9d00pye4UMG_jGiN82VhyA4kyvzScrfrEZLZ3EOlwUlKKCNWU\u0026amp;h=AT2vJAx0AUhZJEvIG_cNBBJ-IvgkwZRxSKQGJcJnTMNWUueClF4k1ENPQo65Iph_wiTjR5-OJuTejkSz2phd3_SDxJ9-zWZb0cT_WFSl8fiIg6b6S-muYzH8X8MfvcWUR-D4Y9RpHF-S-VBWGQ479yM\" rel=\"nofollow noopener noreferrer\" data-lynx-mode=\"hover\" target=\"_blank\"\u003ewww.nunodaluz.com\u003c\/a\u003e  \u003c\/p\u003e","brand":"Atlas Projectos","offers":[{"title":"Default Title","offer_id":46376280621403,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_nuno_da_luz_environments-1.jpg?v=1679349766"},{"product_id":"wxtch-craft-zine-spring-22-edition3-toward-a-queer-ecofeminism","title":"Wxtch Craft Zine - Spring 22 (Edition3): Toward a Queer Ecofeminism","description":" We begin this fourth and final cycle of Wxtch Craft by invoking a joyfully militant image: two figures carrying an abundance of gifts and dancing between four magic wands that seem to bless a fertile ground. Symbolizing the power of community and erotic communion, this Tarot card establishes a necessary terrestrial stability for bodies to tap into lifetimes of body wisdom and sensuously perceive a more-than-human world. The eyes, the skin, the tongue, ears, and nostrils—all are gates where our body receives the nourishment of otherness.\r\rCuratorial statement\r\rThis cycle, that dreams of queer and crip more-than-human Sex Magick, is an open invitation to become incredibly sensitive and sensual to an essentially queer universe. It is about cultivating certain skill - available to all genders but also to men - that works as an anti-dote and earth medicine for this encapsulating, desensitizing modern world.\r\rOnly by temporarily shedding the accepted perceptual logic of their culture can the sorcerer hope to enter into relation with other species on their own terms; only by altering the common organization of their senses will they be able to enter into a rapport with the multiple nonhuman sensibilities that animate the local landscape.2\r\rThis attunement is the necessary groundwork for also this program to shapeshift next academic year, when it will metamorphose into a new form while remaining true to its ethics and politics, spirit unchanged.\r\rThe program will shapeshift because, sadly, shallow and fixed representation of the witch continue to prevail, derailing our attention with what we would call ‘bad faith distractions’. Dismissing the contemporary revival of the witch as just some new woo woo manifestation of angst-fueled, crystal-gazing consumer-capitalism is once again diverting our precious attention from the deep and rigorous system critique that the prismatic Wxtch is speaking to. Happily, our transformative path is paved with awareness expanding and bodymind altering flowers, for those who bother to look, sensuously and sensitively.\r\rAlso, now the witch has become a ‘fashionable theme’, we remind ourselves of the warning that Silvia Federici issued in the first cycle: be aware of any facile appropriation and (curatorial, commercial) commodification of the witch, especially when the gross devaluation of colonized female, queer and children’s bodies throughout his-tory is once again swept under the carpet.\r\rThe reclaiming of witch is in danger of reproducing the same epistemological violence without an informed societal analysis and unwavering commitment to anti-racism, anti-sexism and social justice. Indeed, being aware of how anti-capitalist counter-spells can be misused and backfire, is also part of this transformative path. So, as a reminder, we invoke the dark counter-image of the Four of Wands, that is, the malefic theater of the witch hunt, where gross forms of patriarchal sexual violence were given free reign:\r\rWitch hunters were both obsessed and terrified of female sexuality. The inquisitors asked the accused over and over again \"What was the Devil's penis like? (…) They enjoyed the absolute domination over the captured women; they could give free rein to their sexual voyeurism. The prisoners suffered multiple rape at the hands of the guards: when one of them was found strangled in her cell, it was said that the Devil had come to claim his servant. Many of the condemned women could not even stand at the moment of execution. But even if they felt for a moment relieved to be done with this all sexual violence, they were left to face an excruciating death.3\r\rThis dark historical picture also echoes the sexual violence that female slaves suffered and still suffer at the hands of the masters. Throughout this meandering program we have been questioning the ‘fixed’ and ‘evident’ dichotomies (polarities) that justify the social, sexual, and political conventions of a deeply hierarchical and (neo)colonial capitalist system. When we cast long and hard looks - and counter-spells – on these dichotomies, it is not hard to see which categories were and still are deemed more desirable, noble and higher, and which categories continue to depositories of fear, greed and exoticizing fascination:\r\rculture \/ nature\r\rhuman \/ nature\r\rreason \/ matter\r\rmind, spirit \/ body (nature)\r\rrationality \/ animality (nature)\r\rreason \/ emotion (nature)\r\rfreedom \/ necessity (nature)\r\rcivilized \/ primitive (nature)\r\rproduction \/ reproduction (nature)\r\rmale \/ female (closer to nature)\r\rwhite \/ coloured, black (closer to nature)\r\rmaster \/ slave (closer to nature)\r\rThus, the Hydra of racism, colonialism and sexism has drawn its conceptual strength and legitimation from a false creation of sexual, racial and ethnic deviance. Closer to the animal nature, these not fully human deviant bodies are ‘begging’ to be subdued, exploited and ‘deflowered’. In the same vein, the body is construed as a sphere of inferiority, the last cultured and irrational vestige of our ‘despicable’ animal nature. As a consequence, unfettered queer Eros of colour is a direct assault on the false terrestrial stability of the colonial empire.\r\rAppeals to nature have often been used to justify social norms, to the detriment of women, nature, queers, and persons of color. The range of colonial assaults on sexuality -- from gender roles to same-sex behaviors to heterosexual practices -- is the reason I name the colonizers' perspective erotophobic rather than simply homophobic.4\r\rWxtch craft is therefore to love and liberate Eros, exuberantly and excessively, in and for all bodies, far away from the clutches of witch hunters in their many contemporary guises. The queer and crip sex magick this program conjures, undoes the harmful sexualization of nature and the so-called naturalization of sex, that allows to dismiss everything outside the heteronormative frame as unnatural and diseased.\r\rLiberated from these shallow and fixed notions of what sex and the erotic can be, we are free to explore and celebrate ourselves as a humble, inextricable part of the natural world – just one more awareness among many multiple awarenesses. A natural world that is brimming with the most lush, queer entanglements of sex and gender, to the point where sometimes those distinctions cease to exist.\r\rWe are free to kiss like snails, change sex like bluehead brasses5, swim like whale sperm and enter in communion with an octopus6, all of course, between the firm parenthesis of trust and awareness come to meet con-sensually that otherness of the other. Please be welcome to join us on this magical ride.\r\r1 David Abrams, Spell of the Sensous.\r2 David Abrams, Spell of the Sensous.\r3 Mona Chollet, Sorcières - La puissance invaincue des femmes\r4 Greta Gaard, Toward a Queer Eco feminism https:\/\/www.semanticscholar.org\/paper\/TOWARD-A-QUEER-ECOFEMINISM-By-GRETA-GAARD-Ecofeminism-Gaard\/acc95beb6751e4ca58a4c2361cbadcf6d06f2a0a\r5 https:\/\/www.wnycstudios.org\/podcasts\/radiolab\/articles\/gonads-xy\r6 My Octopus Teacher, on Netflix","brand":"Erika Sprey","offers":[{"title":"Default Title","offer_id":46376383643995,"sku":"","price":13.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_Wxtch-Craft-Zine-_E2_80_93-Spring-22-Edition3-1-scaled.jpg?v=1679358341"},{"product_id":"radical-rituals-1-romania","title":"Radical Rituals - 45°N 20°E – 45°N 31°E (Romania)","description":"\u003cp\u003eMore just spatial practices are to be found in the diversity and nuances of myriad space-making paradigms that tackle local challenges while providing credible responses to current global issues. In Radical Rituals, we collect spatial protocols following an imaginary line: the 45°N parallel. This line crosses Europe, from the Atlantic Coast to the Black Sea. The practices are named rituals because they strengthen the potential for collective action in order to reach systemic change. They are labeled radical because they are highly transformative and point toward possible futures. Centered around the themes of Commons, Waters and Identities, Radical Rituals 45°N 20°E – 45°N 31°E covers the first stretch of forty five degrees' research carried across Romania from Timisoara to the Danube Delta.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.forty-five-degrees.com\/radical-rituals\/\" target=\"_blank\" rel=\"noopener\"\u003ehttps:\/\/www.forty-five-degrees.com\/radical-rituals\/\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eProtagonists: Alex Axinte (OPEN Garage), Alexandra Trofin (BETA Biennial), Raluca Voinea (The Experimental Research Station on Art and Life), Silvia Moldovan (SEPALE Cultural and Ecological Association), Daria Maria Oancea \u0026amp; George Marinescu (Atelier Ad Hoc Arhitectura), Matei David (Cișmigiu Civic Initiative Group), Loredana Pană (Ecopolis), Silviu Medeșan (Someș Delivery), Marta Popescu (MaiMultVerde), Răzvan Crimschi, Maria Luiza Zamora (Asociația 37), Mihai Danciu (Jiu Valley Engaged Coalition), Mihai Moldovan (Ambulance for Monuments), Anca Gyemant (h.arta), Edith Lázár \u0026amp; Flaviu Rogojan (Aici Acolo Pop-Up Gallery), Tobias Pasăre (Casa Verde).\u003c\/p\u003e","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":46376482406747,"sku":"","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_Radical-Rituals-45_C2_B0N-20_C2_B0E-_E2_80_93-45_C2_B0N-31_C2_B0E-1-scaled.jpg?v=1679363096"},{"product_id":"earth-craft-zine-5-kindred-soils","title":"Earth Craft Zine 5 - Kindred Soils","description":"\u003csection class=\"component component--richtext\" data-width=\"template-bleed:content\"\u003e\n\u003cdiv class=\"component__container\"\u003e\n\u003cdiv class=\"component__body article\"\u003e\n\nThe next cycle of this program will continue to dwell in many gardens and kitchens, as we try to collectively re-imagine how the current world food system could be decolonized one grain of sand (or soil, or mud…) at the time.\n\u003cblockquote class=\"blockquote\"\u003eHow can food, seed and land sovereignty and justice look like in a world that is almost completely enclosed but in which also alternatives are emerging through the cracks?\u003c\/blockquote\u003e\nEvery session will celebrate a specific food culture and land practice that unearth community (her)stories of struggle and resistance within a web of life that ultimately connects all continents, for the love of soil. Foods such as Za’atar, (heirloom) seeds, palm oil, wildly foraged plants and pollution remediating mushrooms are not only carriers of personal, social and political issues of concern, but also guides and kindred companions throughout this exploration.\n\nFor these same entangled and muddy reasons, we have invited this cycle the kindred Bakudapan Food Study Group to co-edit the Earth Craft zine, that hopefully inspires further self-study of this magically expansive subject matter that reminds us that everything in this world is food and food for something else.\n\nErika Sprey\nHead and curator of the Studium Generale of the Royal Academy of Art, The Hague (KABK)\n\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Erika Sprey","offers":[{"title":"Default Title","offer_id":46762106192219,"sku":"","price":13.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_Earth-Craft-Zine-3-kindred-soils-1-scaled.jpg?v=1684783341"},{"product_id":"going-out-walking-listening-soundmaking","title":"Going Out – Walking, Listening, Soundmaking","description":"\u003cp\u003eSince the 1960s, the act of walking has provided a way for artists and musicians to escape the formality of the concert hall or institutional venue, engaging with shifting public spaces, natural environments, and the social and political sphere. Walking redefines notions of composer, performer, public, and music itself, while opening new modes of perception and action.\u003c\/p\u003e\n\u003cp\u003eGoing Out addresses these developments by exploring the relationship between walking, listening, and soundmaking in the arts—from the first soundwalks and itinerant performances in the 1960s to today's manifold ambulatory projects. The book consists of an extensive essay by Elena Biserna followed by an anthology of historical and contemporary contributions in the form of documentation, essays, interviews, manifestos, scores, narratives, and reflections. Through the variety of these contributions, the book makes an argument that at the intersection of walking, listening, and soundmaking there is both a long legacy of interdisciplinary experimentations and a broad field that resounds with urgent issues in critical spatial thinking and practice.\u003c\/p\u003e\n\u003cp\u003eContributions by Max Neuhaus, Willem de Ridder, William Levy, Collective Actions Group, David Helbich, Janet Cardiff, Jacek Smolicki, Carolyn Chen, Tao G. Vrhovec Sambolec, Hildegard Westerkamp, Albert Mayr, Tim Ingold, Akio Suzuki, katrinem, Beatrice Ferrara \u0026amp; Leandro Pisano, Catherine Clover, AM Kanngieser, Gascia Ouzounian \u0026amp; Sarah Lappin, Ultra-red, Vivian Caccuri, Stefan Szczelkun, LIGNA, Edyta Jarząb, Oupa Sibeko, Brian Hioe, Brandon LaBelle, Adrian Piper, Andra McCartney \u0026amp; Sandra Gabriele, Amanda Gutiérrez, Jennifer Lynn Stoever, Stephanie Springgay, Carmen Papalia, Christine Sun Kim, Charles Eppley, Budhaditya Chattopadhyay, Viv Corringham, BNA-BBOT, Ella Parry-Davies \u0026amp; Ann, Mendi + Keith Obadike, Gwenola Wagon \u0026amp; Stéphane Degoutin, Eleni Ikoniadou, Justin Bennett, Christina Kubisch \u0026amp; Christoph Cox, RYBN, Alisa Oleva, Naomi Waltham-Smith, Anna Raimondo, Libby Harward.\u003c\/p\u003e","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":46762114711899,"sku":"","price":37.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_Going-Out-_E2_80_93-Walking-Listening-Soundmaking-1-scaled.jpg?v=1684783486"},{"product_id":"sound-space-sense-en","title":"Sound – Space – Sense [en] - DNA #21","description":"\u003cp\u003e\u003cspan class=\"readonlyText multiple\"\u003ePeople perceive audio events in very different ways. There is still a great deal of uncertainty about the physics, biology, signifiers, and unconscious processes on the basis of which auditory experiences are constructed. The book applies the methods of artistic research to convey a sense of how mental space, social practice, and the direct experience of sound relate to each other and how connections are generated between these levels—a topology of resonances, reflections, and vibrations in perpetual motion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"readonlyText multiple\"\u003eLanguage: English\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-top: 8px; margin-bottom: 12px; padding-top: 0px; margin-right: 40px;\" class=\"catanno\"\u003eEdited by Detlef Diederichsen, Arno Raffeiner, Jan St. Werner\u003c\/p\u003e\n\u003cp style=\"margin-top: 8px; margin-bottom: 12px; padding-top: 0px; margin-right: 40px;\" class=\"catanno\"\u003eText by J.P. Caron, Diana Deutsch, David Grubbs, Tim Johnson, Gascia Ouzounian, Patricia Reed, Matana Roberts, Paolo Thorsen-Nagel.\u003c\/p\u003e","brand":"GVA, Jessica Reitz","offers":[{"title":"Default Title","offer_id":47593695412571,"sku":null,"price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_sound_space_sense_DNA.jpg?v=1708442079"},{"product_id":"zoo-index-reader-volume-1","title":"Zoo Index Reader (volume 1)","description":"\u003cp\u003e\u003cstrong\u003eZoo Index Reader\u003c\/strong\u003e examines the relevance and effect that zoos have in shaping our gaze towards non-human animals and by extension ourselves\/each other. Through a mixture of visual research into zoological space—in the form of an A-Z glossary—and written contributions on the history of menageries, the confinement and privatization of land, pets, zoo architecture, the \"naturalization\" of animals, and the role of zoos and animals in the history of cinema, among many other things, this first volume asks: Do we need zoos? What does a meaningful coexistence with animals look like? Why have we decided to give a balloon to an elephant?\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eTerezie Štindlová\u003c\/strong\u003e is a founder of ZOO Index project, one half of a non-workaholic design studio Day Shift Office and a concrete office chair maker. She graduated from Werkplaats Typografie in 2023 and is currently based in Amsterdam.\u2028\u2028\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/zooindex.net\/\" target=\"_blank\"\u003ehttps:\/\/zooindex.net\/\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJacob Lindgren\u003c\/strong\u003e is a graphic designer and artist living in Chicago with an interest in typography, ecology, and self-organization; co-founder of the bookshop Inga; and is working with the Anthropocene Commons network.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":47624366653787,"sku":null,"price":29.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_Tereziestindlova_ZooIndexReader_01.jpg?v=1707918740"},{"product_id":"on-slaughter","title":"On Slaughter","description":"\u003cp\u003eFor her second artist book, “On Slaughter”, Klara Hobza accompanies Markus, a farmer in the remote forests of Sweden, as he slaughters two sheep. In long conversations, Markus provides insight into his personal experiences, skills, and knowledge from a life dedicated to living with and off the land. He reflects upon memories of what he learned from stubborn old farmers and people in the Siberian wilderness. The first impression of the book is undoubtedly gained from the table of contents: The land; Bench; Knives; Sharpening; Whisk; Before we start; The killing; The skinning; The organs; Usage of intestines; The Slaughter will be finished now; Glue; Meat; […]. However, this book goes beyond an objective teaching on how to slaughter step-by-step. We learn of Markus' individual approach to farming, his keeping of animals—including the act of slaughter—as being an inherent part of a healthy ecosystem.\u003cbr\u003e\u003cbr\u003eToday, we often lack knowledge or understanding of the act of animal slaughter. Industrial meat production is compartmentalized, and its products are detached from the killing process. By tapping into the traditions of the artistic genre of nature study and anatomy drawing, Klara Hobza highlights the inherent severity of the slaughter, while simultaneously allowing the process to be viewed with ardent curiosity and fascination.\u003cbr\u003e\u003cbr\u003e“On Slaughter” can be seen as a valuable contribution to the literature of survival books and field guides. Klara Hobza adds a layer of the individual, subjective, and emotional experience, which she understands to be equally as important to survival as the objective, practical skills.\u003cbr\u003eWhen asked how it feels to slaughter an animal, Markus answered: “Every time I slaughter, I think it's something, hmm … it's something … it's a feeling. The part where I feel nervous to kill the animal or something, that has long ago gone away … in a way. 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Each textbook chapter shares practical exercises to try at home, Earth-centered theory and spirituality, and interviews with Black and Indigenous Earth warriors—cultural workers generating planetary liberation in their everyday lives. These testimonios from Johanna Iraheta, Bruje Fuego, Raquel Lemus, Patty Denisse, Jasmine Nyende, Queen Hollins and Olivia Chumacero shine with wisdom and advice for new and seasoned Earth stewards alike. Created originally as Sarita Dougherty's DIY PhD Dissertation, A Textbook for the Ecocene is a curricula for eco-feminista educations, DIY degrees and planetary destinies. We are activating the Ecocene right now, one step at a time. What we pay attention to grows.\u003c\/p\u003e\n\u003cp\u003eSelf-published by Co—Conspirator Press with the support of Feminist Center for Creative Work. Edited by Simone Krug, copy edited by Gowri Chandra and Demi Corso. 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Inspired by beekeeping journals, the Gazette thus pays tribute to this tradition while creating a new platform, something easier to distribute and produce, opening up new possibilities of collaborations and experimentations. \u003cbr\u003e\u003cbr\u003eThe first issue unfolds the results of an ethnography about honey-hunting practices conducted in the vicinity of Digne-les-Bains, France, between 2022 and 2024 as part of a residency at the Cairn. Here you will find a text, co-written with Nicolas Césard, summarising our findings. Alongside the text, archive images, linocut prints by Ellen Lapper, and photographs contextualise the ethnography’s result. 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She currently directs the Center for Deep Listening at Rensselaer and is a Senior Lecturer in the Department of Arts and Director at Rensselaer Polytechnic Institute, in upstate New York.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Terra Nova Press","offers":[{"title":"Default Title","offer_id":49368324309339,"sku":null,"price":34.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_AYearofDeepListening-365TextScoresforPaulineOliveros.jpg?v=1730382687"},{"product_id":"bodies-of-sound","title":"Bodies of Sound: Becoming a Feminist Ear","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eBodies of Sound began by enquiring into how sonic experience is intervening in realms such as gender, memory, disability justice, anti-colonial ways of knowing, and anti-war movements - responding to our contemporary emergencies. What has emerged is a collection that makes an expansive case for listening for peace,Featuring over thirty contributors, this groundbreaking anthology explores sound and listening through the lens of the body. Bringing together poets, artists, writers and musicians including Anne Carson, Svetlana Alexievich, Sara Ahmed, Pauline Oliveros and Don Mee Choi, Bodies of Sounds maps the intricate links between feminist sonic culture and radical listening.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eWith contributions from: \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSara Ahmed, Ximena Alarcón, Svetlana Alexievich, Ain Bailey \u0026amp; Frances Morgan, Anna Barham, Xenia Benivolski, Leanne Betasamosake Simpson \u0026amp; Kite, Elena Biserna, Karen Barad \u0026amp; Black Quantum Futurism, Anne Bourne, Daniela Cascella, Theresa Hak Kyung Cha, Maria Chávez, Don Mee Choi, Carson Cole Arthur, Petero Kalulé \u0026amp; AM Kanngieser, Lindsay Cooper, Julia Eckhardt, Lucia Farinati \u0026amp; Claudia Firth, Ella Finer, Annie Goh, Louise Gray, Christina Hazboun, Johanna Hedva, Sarah Hennies, Tomoko Hojo, IONE, Lee Ingleton, Hannah Catherine Jones, Christine Sun Kim, Nat Lall, Cathy Lane, Jeanne Lee \u0026amp; Lona Foote, Marysia Lewandowska, Annea Lockwood \u0026amp; Jennifer Lucy Allan, Cannach MacBride, Elaine Mitchener \u0026amp; Hannah Kendall, Alison O'Daniel, Naomi Okabe, Pauline Oliveros, Daphne Oram, Gascia Ouzounian, Holly Pester, Roy Claire Potter, Anna Raimondo, Tara Rodgers, Aura Satz \u0026amp; Barbara London, Shortwave Collective, Sisters of the Order of Celestial Nephology, Sop, Syma Tariq, Marie Thompson, Trinh T. 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In this book of echoes, a variety of forms – from essays to text scores to art, fiction and memoir – speak across gender, ways of knowing, witnessing, sounding and voicing, translation, displacement, violence and peace.\u003c\/span\u003e\u003c\/p\u003e","brand":"Silver Press, Gardners","offers":[{"title":"Default Title","offer_id":49458839585115,"sku":null,"price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_ireneravell_sarahshin_bodiesofsound.jpg?v=1731500741"},{"product_id":"a-radical-garden","title":"A Radical Garden","description":"\u003cp\u003eA 16-page A4 2 colour riso zine collecting posters and thoughts on the radical act of gardening and growing. Looking at my own experience of gardening as well as some of the radical history and present of growing food and flowers.\u003c\/p\u003e","brand":"Central","offers":[{"title":"Default Title","offer_id":49492473774427,"sku":null,"price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_aradicalgarden.jpg?v=1731762426"},{"product_id":"being-together","title":"Being Together: A Manual For Living","description":"\u003cp\u003eGrace Ndiritu delves into radical approaches to education, drawing from her self-directed research in alternative, nomadic, and spiritual communities. Her experiences—from Buddhist monasteries to permaculture communities—profoundly shaped her understanding of embodied learning and its relevance in times of social upheaval. 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Published alongside her solo exhibition The Compassionate Rebels, Tools for Everyday Living Part 1 at Page Not Found in The Hague, the book extends the exhibition’s exploration of transformative educational practices and communal living.\u003c\/p\u003e\n\u003cp\u003eContributors: Philippe Van Cauteren, Judith Wilkinson, Grace Ndiritu, Rafaela Lopez, Roberto dell’Orco, Jana Haeckel, Katleen Vermeir \u0026amp; Ronny Heiremans, Nathalie Boobis, Shayla Perreault, Edward Ball, Guadalupe Martinez, Stacy Suy, Sébastien Tien\u003c\/p\u003e\n\u003cp\u003eEditors: Grace Ndiritu, Sébastien Tien (second edition)\u003cbr\u003eCopy editor: Sue Spaid, Bryne McLaughlin\u003cbr\u003eDesign: Vrints-Kolsteren\u003c\/p\u003e\n\u003cp\u003eLanguage: English\u003c\/p\u003e","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":50057980379483,"sku":"","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_BeingTogether_AManualforLiving.jpg?v=1739535695"},{"product_id":"strangers-essays-new-edition","title":"Strangers - Essays on the Human and Non-Human - New Edition","description":"\u003cp\u003eIn Strangers, Rebecca Tamás explores where the human and nonhuman meet, and why this delicate connection just might be the most important relationship of our times. From ‘On Watermelon’ to ‘On Grief’, Tamás’s essays are exhilarating to read in their radical and original exploration of the links between the environmental, the political, the folkloric and the historical. From thinking stones, to fairgrounds, from colliding planets to transformative cockroaches, Tamás’s lyrical perspective takes the reader on a journey between body, land and spirit—exploring a new ecological vision for our fractured, fragile world. \u003cbr\u003e\u003cbr\u003eEssays: \u003cbr\u003eOn Watermelon • On Hospitality • On Panpscychism • On Greenness • On Pain • On Grief • On Mystery \u003cbr\u003e\u003cbr\u003eRebecca Tamás’s poetry and criticism has been published widely. She is the co-editor of Spells: Occult Poetry for the 21st Century, with Sarah Shin, published by Ignota Books and her first poetry collection, WITCH was published by Penned in the Margins in 2019; to praise from the Poetry Book Society, the Guardian, Telegraph, Irish Times, TLS, White Review and The Paris Review. Rebecca is a lecturer in Creative Writing at York St John University, where she co-curates The York Centre for Writing Poetry Series. \u003cbr\u003e\u003cbr\u003ePraise:\u003cbr\u003e\u003cbr\u003e‘This text is an echoing, unstoppable bell.’ – Caught by the River (book of the month) \u003cbr\u003e‘a beautiful exploration of our relationship with nature’ – Idler\u003cbr\u003e’A fascinating, lyrical exploration of the eco-political, from human and non-human bodies to landscapes. Tamás’ essays are deeply rooted in folklore and the fragility of existence. A stunning work of enquiry and eloquence.’ —­­­ Sinéad Gleeson \u003cbr\u003e‘Rebecca Tamás creates a shifting perspective in her essays which illuminates while giving unexpected pleasure.’ – Amit Chaudhuri \u003cbr\u003e‘Bursting with intellectual generosity. Deep wide roots and radical shoots. ’ —­­­ Max Porter \u003cbr\u003e‘To read Rebecca Tamás is to feel weirdly, uncannily creaturely, and to see all around us as pulsing with meaning.’ —­­­ Katherine Angel \u003cbr\u003e‘Strangers is a much-needed lesson in how to love—unconditionally and immeasurably—a dying world.’ —­­­ Jessica J. Lee \u003cbr\u003e‘Erudite yet intimate, moving yet fierce, Rebecca Tamás’ hungry exploration of the world – occurring at the porous boundary between literary forms – made me rethink what it means to be humane.’ —­­­ Olivia Sudjic \u003cbr\u003e’Rebecca Tamás writes searingly on loss, transformation, art and the body. Her writing is tender and sharp, brimming with heat’ —­­­ Nina Mingya Powles \u003cbr\u003e‘Strangers is an extraordinary, essential book. Both quiet and loud. Strange yet explicit.’ —­­­ Sara Baume \u003cbr\u003e‘exciting and clear-eyed’ —­­­ Melissa Harrison \u003cbr\u003e‘These essays are sharp, purposeful, moving and strange: necessary writing for now.’ —­­­ Jenn Ashworth \u003cbr\u003e‘The writing in these essays is luminous and urgent, intensely intimate and wildly global. Strangers is an intricate exploration of environmental precarity, literary strangeness, and the importance of the nonhuman.’ —­­­ Naomi Booth \u003cbr\u003e‘Strangers is a work of generous, optimistic curiosity, one which forgoes the easy promise of a world to come and invites us instead into a relationship of charged “feral intimacy” with a world that is already here.’ —­­­ Sam Byers \u003cbr\u003e‘Tamás builds a world so intimate for us here, teaching us how to unlearn and relearn, relive and relove.’ – Supriya Kaur Dhaliwal \u003cbr\u003e‘The essays appear not as fragments but as portals, dropping deep into the currents of contemporary ecological thought and lived experience…’ – Amy Clarkson, SPAM\u003c\/p\u003e","brand":"Booksource","offers":[{"title":"Default Title","offer_id":50106249478491,"sku":null,"price":18.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_Strangers-EssaysontheHumanandNon-Human-NewEditionRebeccaTamas.jpg?v=1740752315"},{"product_id":"let-s-become-fungal-oracle-cards","title":"Let's Become Fungal! 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The cards can be used in workshops, educational settings or just to guide you through your day.\u003c\/p\u003e\n\u003cp\u003eUnderstanding mycelium as a methodology for collaboration and co-existence, the purpose of the deck is to offer a playful tool to inspire and activate you with profound questions and teachings for social and environmental justice.\u003c\/p\u003e\n\u003cp\u003eThe starting point for this deck – that come in a silk-screen box – is the book \u003ca href=\"https:\/\/after8books.com\/lets-become-fungal.html\"\u003eLet’s Become Fungal!\u003c\/a\u003e: after a year of conducting workshops based on it all the learnings and further thoughts were broughts togehter in these cards. The knowledge flows from encounters from fungi-enthusaists in Asia, Latin America, Europe, and the Caribbean.\u003c\/p\u003e\n\u003cp\u003eIllustrations by Rommy González.\u003c\/p\u003e","brand":"Yasmine Ostendorf-Rodríguez","offers":[{"title":"Default Title","offer_id":50156380553563,"sku":null,"price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_Let_sBecomeFungal_OracleCards.jpg?v=1740759945"},{"product_id":"climate-emergency-reading-recs","title":"Climate Emergency Reading Recs","description":"\u003cp\u003eThis zine is a starting place, an entryway. This is a list of (mostly) books we (Amelia Greenhall and Elizabeth Case) have read and vetted. It’s a list of what has stuck with us, and some notes on why. It’s a list to try to collect ourselves in the face of an overwhelming force – global climate change – and pour out into the world a little of what it has given us. It is not comprehensive; the readings we chose were deeply informed and shaped by our personal biases, perspectives, and reading preferences.\u003c\/p\u003e\n\u003cp\u003ePerhaps, then, this list is best described as a small selection of wildflowers from a small section of meadow, while the rest of the field and forest rolls on toward the horizon.\u003c\/p\u003e\n\u003cp\u003eWe hope this zine is a place of connection, a way of building solidarity and relationships across time and space. We hope some of these stories recommended within can help turn climate despair into something less stagnant, that others will fill you with wonder and incredulity, and still more will remind you of the power we all have to grow a sustained, thriving, equitable, and extravagantly joyful world. \u003c\/p\u003e\n\u003cp\u003eThe zine has a full color cover. The interior is printed in black.\u003cbr\u003ePrinted with a cream cover and copy paper interior.\u003c\/p\u003e","brand":"Anemone Studio","offers":[{"title":"Default Title","offer_id":50284278120795,"sku":"","price":8.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_ClimateEmergencyReadingRecs.jpg?v=1742994009"},{"product_id":"artist-publishers-reflect-on-book-waste","title":"Artist Publishers Reflect on Book Waste","description":"\u003cp\u003eBy Temporary Services and Emily Larned, Lisa Anne Auerbach, Sarah Nicholls, Gato Negro Ediciones, Paul John, George Wietor, Karin DeJong\u003c\/p\u003e\n\u003cp\u003eFour color RISO plus additional colors on waste sheet insert pages.\u003c\/p\u003e\n\u003cp\u003eBuilding on our previous publications like Book Waste Book, Self-Reliance Library and What Problems Can Artist Publishers Solve? we invited 7 artist publishers to reflect on their experiences of waste in the making of their books. They describe problems they faced in the past and are working to avoid in the future, lessons learned, changes they are making or have made to make their work less wasteful, interesting things they do with waste materials, and tips or tricks to have a less ecologically damaging publishing practice.\u003c\/p\u003e\n\u003cp\u003eWe are thrilled by the texts written by each contributor. They are honest, informative, thoughtful, and demystify a hidden aspect of publishing that is always present and rarely discussed in an open way.\u003c\/p\u003e\n\u003cp\u003eEach booklet includes two sheets of bound-in overprinted book waste provided by Paul John of Endless Editions and Temporary Services, making each copy slightly different and unique. \u003c\/p\u003e","brand":"Marc Fischer \/ Brett Bloom","offers":[{"title":"Default Title","offer_id":50301406806363,"sku":"","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_WhatProblemsCanArtistPublishersSolve.jpg?v=1743001688"},{"product_id":"booksellers-reflect-on-self-publishing","title":"Booksellers Reflect on Self-Publishing","description":"\u003cp\u003eCompiled by Temporary Services with writings by Steven Svymbersky \/ Quimby's Bookstore NYC, Mark Pawson, Joe Biel \/ Microcosm Publishing, Jae Kyung Kim \/ einBuch.haus, Karin de Jong \/ PrintRoom, Craig Mathis \/ Printed Matter, Liz Mason \/ Quimby's Bookstore, Geoffrey KixMiller \/ Tomorrow Today\u003c\/p\u003e\n\u003cp\u003eAt long last, a new Temporary Services booklet - made with 8 wonderful contributors from the artist book, zine and self-publishing bookselling universe.\u003c\/p\u003e\n\u003cp\u003eFor this booklet we reached out to book stores and distributors that we have worked with—in some cases for just a couple years, and in others for almost the entire time that we’ve been making and selling booklets and books. We sent everyone this description of the publication we wanted to produce:\u003c\/p\u003e\n\u003cp\u003eArtist publishing is thriving. As printing continues to become more accessible, and subjects like zine-making become part of college and high school curricula, the number of self-publishers is exploding. There are an ever-increasing number of art book fairs, zine fests and events for self-publishers, but distribution of the countless titles people produce remains a challenge as the number of participants in the field surges. Many people that work in bookstores that carry artists’ books and zines are also publishers themselves. We invited some of the booksellers we work with to reflect on the state of self-publishing as they experience it at the stores they work in, manage, or own. What insights can they share about the state of self-publishing? What advice can bookstores offer to self-publishers? How can artist publishers and bookstores work together in mutually supportive ways? What approaches are working and where are there weaknesses in the publisher and distributor relationship?  \u003c\/p\u003e\n\u003cp\u003eThis collection provides a detailed and generous array of observations, stories, and advice. We hope it is valuable to anyone that is interested in publishing, and wants their work to be in stores and other spaces for books. There are so many other great shops we couldn’t include; readers should talk to them too.\u003c\/p\u003e","brand":"Marc Fischer \/ Brett Bloom","offers":[{"title":"Default Title","offer_id":50301490233691,"sku":"","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_BooksellersReflectonSelf-Publishing.jpg?v=1743001546"},{"product_id":"what-problems-can-artist-publishers-solve","title":"What Problems Can Artist Publishers Solve?","description":"\u003cp\u003eBy Temporary Services with PrintRoom, and contributions from: Josh MacPhee, Eric Von Haynes, Tim Devin, Journal of Aesthetics and Protest, Richard Lee \/ Booklyn, Press Press, Llano del Rio Collective, Thick Press, Alex Arzt, AND Publishing, Jan Steinbach, antoine lefebvre editions, Simon Worthington, Freek Lomme \/ Onomatopee, Clara Balaguer \/ Hardworking Goodlooking, Nina Prader \/ Lady Liberty Press, and Eleanor Vonne Brown.\u003c\/p\u003e\n\u003cp\u003eTemporary Services booklet #118 is a collaboration with our old friends at PrintRoom in Rotterdam, produced in advance of a mini-showing of our Self-Reliance Library in July 2018. For this booklet we invited 17 artist publishers to respond to the question: Thinking locally, regionally, nationally, and internationally: What are some social, political, economic and ecological problems that artist publishers are equipped to address or solve using their knowledge, skills, and resources?\u003c\/p\u003e\n\u003cp\u003eThe result is a strong collection of texts (and images) with two pages given over to each contributor. To us, these represent some particularly vital thoughts about what artist publishers are capable of in this particular moment, with some great calls for solidarity, generosity, sharing, and experimentation.\u003c\/p\u003e\n\u003cp\u003eHere is some more from the introduction that we wrote:\u003c\/p\u003e\n\u003cp\u003eThis is our 118th publication. While we continue to exhibit our art work as Temporary Services, it is increasingly common that we move from one artist-book-focused event to another, placing our publications directly into the hands of readers. We spend far more time talking to people when we visit cities for book fairs and a lot less time installing our work in exhibition spaces. We meet a lot of other publishers, artists, writers, readers, librarians, and activists at these events and we try to stay connected. Often we meet up again at other book fairs and friendships develop and continue over the course of many years.\u003c\/p\u003e\n\u003cp\u003eWe first met Karin de Jong from PrintRoom at the New York Art Book Fair some years ago. We are excited that we are finally collaborating on a project together and launching it at her home base in Rotterdam. Some of the participants in this booklet have been friends for a long time; we are just getting to know others after meeting them in similar ways. Karin has also pulled in some publishers we did not know beforehand. We are excited to share their work and ideas with you. \u003c\/p\u003e\n\u003cp\u003eWe are still understanding the potentials for how we might harness the contributions of others in this highly independent publishing community. This booklet can be thought of as one step for how we can create together, support each other, and sustain ourselves into the future, which looks more uncertain all the time.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFull Four-color Risograph\u003c\/p\u003e","brand":"Marc Fischer \/ Brett Bloom","offers":[{"title":"Default Title","offer_id":50301566026075,"sku":"","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_WhatProblemsCanArtistPublishersSolve_f44bf9f9-cd4d-4cc9-8717-cb82ec3dae98.jpg?v=1743001837"},{"product_id":"do-you-speak-flower","title":"Do You Speak Flower?","description":"\u003cdiv class=\"woocommerce-product-details__short-description\"\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe book Do You Speak Flower? by author and curator\u003c\/span\u003e\u003cb\u003e Alexandra Midal \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003ewas published on the occasion of the 28th Biennial of Design, \u003c\/span\u003e\u003cem\u003e\u003cb\u003eBIO28 Double Agent: Do You Speak Flower?\u003c\/b\u003e\u003c\/em\u003e\u003cspan style=\"font-weight: 400;\"\u003e, which takes place from November 21, 2024, to April 6, 2025. The exhibition is on view at the Museum of Architecture and Design and Galerija ISIS, and at the Mala galerija Banke Slovenije until January 4, 2025.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eDouble Agent: Do You Speak Flower? explores a field at the intersection of flowers and steganography. Steganography describes the practice of concealing secret information within an image, message or physical object to avoid detection. From a technical point of view, steganography has the particularity of being invisible, unlike cryptography, which consists of encrypting information in order to conceal it and therefore points to the existence of a message to be decrypted. More simply, cryptography hides the meaning whereas steganography hides the very existence of a secret. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThrough a number of case studies at the crossroads of design, art and architecture, often flirting with popular culture, this essay surveys the range of concealment practices employed by designers and artists, but above all by dissidents, revolutionaries and various kinds of agitators who want to communicate in secret without attracting suspicion. More specifically, it explores the unsuspected tactics of concealment that can lurk beneath the delicate, romantic language of floriography. \u003cbr\u003e\u003c\/span\u003e\u003cbr\u003eFeaturing case studies across design, art, and architecture, the book accompanies the 28th Biennial of Design, \u003ca href=\"https:\/\/mao.si\/en\/exhibition\/bio28-double-agent-do-you-speak-flower\/\" rel=\"noopener\" target=\"_blank\"\u003eBIO28 Double Agent: 'Do You Speak Flower?',\u003c\/a\u003e held in Ljubljana in 2024–2025. \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":50375090504027,"sku":null,"price":17.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_midal_doyouspeakflower.jpg?v=1744707429"},{"product_id":"geology-of-the-present-en-dna-17","title":"Geology of the present [en] DNA #17","description":"\u003cdiv class=\"right\"\u003e\n\u003cdiv style=\"text-align: left;\" class=\"text\"\u003eThe history of deep time on our planet is delineated by Earth's stratigraphic layers. The task of identifying, analyzing, and dating the transformation processes at work within the Earth's systems falls within the remit of the geological sciences. However, the transition from the Holocene to the Anthropocene is turning geology into a social science. Microscopic physical, chemical, and biological traces in the sediments are glaring indicators pointing to the acceleration and globalization of economic growth and ecological devastation that hase taken place in the last decades. This book examines ways in which the archives of the Anthropocene can be made legible. Scientists, researchers, and artists grapple with concrete stratigraphic materials in an exploration of the opportunities and challenges involved in planetary knowledge production.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" class=\"text\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" class=\"text\"\u003ePublication series \u003ca href=\"https:\/\/zabriskie.de\/collections\/all\/dna-reihe\"\u003eDas Neue Alphabet\u003c\/a\u003e  (The New Alphabet)\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" class=\"text\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" class=\"text\"\u003eWith contributions by Giulia Bruno, Rowan Deer, Armin Linke, Simon Turner and the Anthropocene Working Group (AWG)\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" class=\"text\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" class=\"text\"\u003e\n\u003cdiv class=\"element text-element  element--padding\" id=\"inhaltheadline_1\"\u003e\n\u003cdiv class=\"element-cols-1\"\u003e\n\u003cp\u003e\u003cstrong\u003eTable of contents:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"element text-element  element--padding\" id=\"inhalt\"\u003e\n\u003cdiv class=\"element-cols-1\"\u003e\n\u003cp\u003e\u003cb\u003eIntroduction\u003c\/b\u003e\u003cbr\u003eNiklas Hoffmann-Walbeck, Katrin Klingan, Georg Schäfer\u003c\/p\u003e\n\u003cp class=\"noMarginBottom\"\u003e\u003cb\u003eEarth Indices: Processing the Anthropocene\u003c\/b\u003e\u003cbr\u003eGiulia Bruno and Armin Linke\u003c\/p\u003e\n\u003cp class=\"noMarginBottom\"\u003e\u003cb\u003eThe Anthropocene as a Geological Time Unit\u003c\/b\u003e\u003cbr\u003eSimon Turner\u003c\/p\u003e\n\u003cp class=\"noMarginBottom\"\u003e\u003cb\u003e12 Perspectives of the Anthropocene\u003c\/b\u003e\u003cbr\u003eRowan Deer, Simon Turner\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" class=\"book-gallery two-grid\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"GVA, Jessica Reitz","offers":[{"title":"Default Title","offer_id":50520142741851,"sku":null,"price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_geologyofthepresent.jpg?v=1746347878"},{"product_id":"radical-runosong","title":"Radical Runosong - Decolonizing Self and Tradition","description":"\u003cp\u003eThis book is about land and kin, dispossession and desire, solidarity and silence. It is a critical celebration of the oral tradition of runosong, a style of singing which has been practiced for centuries by Baltic Finnic peoples on the land now called Estonia and elsewhere. By drawing upon the wealth of alternative vocal and somatic practices embedded in runosong, the compiled texts enact a fugitive search for historical consciousness. Working against the grain of Estonian nationalism and its Eurocentric tendencies, this involves mapping and resisting the ways in which divergent bodies, selves, and forms of physical sociality have been disci­plined through the interplay of brutality and privilege inherent to modernization. The book is a provocation, but one born out of love and a sense of obligation to the ancestors.\u003c\/p\u003e","brand":"Vaim Sarv","offers":[{"title":"Default Title","offer_id":50625064010075,"sku":"","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_radicalRunosong.jpg?v=1748692140"},{"product_id":"a-year-in-the-allotment","title":"A Year in the Allotment","description":"\u003cp\u003eA 32-page A6 2 colour riso zine documenting a year in an allotment in North Yorkshire!\u003cbr\u003e\u003cbr\u003e12 months og planting, growing \u0026amp; harvesting in an allotment plot in north Yorkshire.\u003c\/p\u003e","brand":"Central","offers":[{"title":"Default Title","offer_id":50687664980315,"sku":"","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_AYearintheAllotment.jpg?v=1749043708"},{"product_id":"100-words-for-water","title":"100 Words for Water - A Projective Ecosocial Vocabulary","description":"\u003cp\u003e“100 Words for Water: A Projective Ecosocial Vocabulary” delves into the urgent and intertwined relationship between water systems and human life amidst the escalating climate crisis. Drawing on the United Nations’ assertion that “the climate crisis is mainly a water crisis,” this thought-provoking book compiles over one hundred key terms defined by contemporary thinkers in science, philosophy, politics, activism and architecture. These terms – such as Water Rights, Hydrocatharsis, Decommodification of Water and Liquid Modernity – form a vital lexicon to guide transformative action and foster a more symbiotic relationship with water.\u003c\/p\u003e\n\u003cp\u003eStructured as a collaborative exploration, the book combines scientific insight, philosophical depth and architectural vision to redefine how we engage with water socially, politically and ecologically. Illustrated with cartographic case studies, the volume offers vivid and hopeful scenarios for reshaping human-water interdependence. Through its diverse contributors and interdisciplinary approach, \"100 Words for Water” challenges readers to rethink water management and design as the foundation of a resilient, multispecies future. This book is an essential resource for architects, activists, policymakers and anyone passionate about ecosocial transformation and water equity in an era of unprecedented environmental change.\u003c\/p\u003e\n\u003cp\u003eEdited by Eva Franch i Gilabert, Mireia Luzárraga, Alejndro Muiño.\u003c\/p\u003e\n\u003cp\u003eWith contributions by Stacy Alaimo, Markus Bader, Chan Carson, Beatriz Colomina, Cooking Sections, José Luis de Vicente, Elvira Dyangani Ose and many others.\u003c\/p\u003e\n\u003cp\u003eDesign: Arauna Studio + Paratext.\u003c\/p\u003e","brand":"Arvato","offers":[{"title":"Default Title","offer_id":50746851918171,"sku":"","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_100WordsforWater-AProjectiveEcosocialVocabulary.jpg?v=1749563992"},{"product_id":"its-freezing-in-la-issue-11-knowledge","title":"It's freezing in LA! Issue 11 - Knowledge","description":"\u003cp\u003eInside you’ll find explorations of knowledge and action, climate science and trust, Indigenous knowledge, conspiracies, deep sea disputes, and can encounter environmental knowledge encoded everywhere from music and art to data centres and gardens!\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIn this issue: Knowledge\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eClimate knowledge in melody\u003c\/li\u003e\n\u003cli\u003eHow landscapes remember\u003c\/li\u003e\n\u003cli\u003eScience and trust\u003c\/li\u003e\n\u003cli\u003eCommunity gardens\u003c\/li\u003e\n\u003cli\u003eArt and the body\u003c\/li\u003e\n\u003cli\u003eConspiracies\u003c\/li\u003e\n\u003cli\u003eData centres\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font_8\"\u003eIFLA! is an independent magazine with a fresh perspective on climate change. Too often, environmental discussion is polarised into one of two categories: the remote, technical language of science, or the hotheaded outrage of activism. We find the middle ground, inviting writers and illustrators from a variety of fields to give us their take on how climate change will affect — and is affecting — society.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eWe want to help untangle the climate tensions and choices that our generation will have to navigate by platforming as many different perspectives as we can find. IFLA! provides original, engaging and surprising content — widening environmental discussion and offering a range of vocabulary and insights not found elsewhere.\u003c\/p\u003e","brand":"Ra \u0026 Olly","offers":[{"title":"Default Title","offer_id":50746918306139,"sku":null,"price":12.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_It_sfreezinginLA_Issue11-Knowledge.jpg?v=1749138120"},{"product_id":"its-freezing-in-la-visible-signs","title":"It's freezing in LA! Visible Signs","description":"\u003cp class=\"font_8\"\u003e\u003cstrong\u003eSpecial Edition: Creative Responses to the Climate Crisis\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv id=\"comp-k0pgxxi9\" class=\"style-k1z1k6fl\"\u003e\n\u003cdiv class=\"style-k1z1k6flbg\" id=\"comp-k0pgxxi9bg\"\u003eVisible Signs that Something Isn’t Right is the first publication to be produced outside of It’s Freezing in LA!’s usual printing schedule. Throughout its pages are a collection of creative projects on a variety of themes, from mushrooms to oil companies; at the same time covering various creative forms, from theatre to photography.\u003cbr\u003e\u003cbr\u003eVSTSTIR’s was made in collaboration with the graphic design duo Open Practice (Katie Evans and Gabriela Matuszyk). They were commissioned to reinterpret the existing design templates from IFLA!’s main series with the word ‘Retrofitting’ as a starting point. Retrofitting is a process in architecture involving modification of an existing structure by introducing new components. The cover design incorporates this idea by including elements of the main issue with the new title overprinted on top. The typography embraces the history of IFLA!’s font, Peace, mixing old and new releases of the typeface in the spirit of retrofitting.\u003c\/div\u003e\n\u003cdiv class=\"style-k1z1k6flbg\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"style-k1z1k6flbg\"\u003e\n\u003cp\u003e\u003cstrong\u003eIn this issue: \u003c\/strong\u003eVisible Signs That Something Isn’t Right\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGardens designed by algorithms\u003c\/li\u003e\n\u003cli\u003eField recordings of our shifting planet\u003c\/li\u003e\n\u003cli\u003ePaintings by the ‘Plant Name-Giver’\u003c\/li\u003e\n\u003cli\u003eSculpting with plastic\u003c\/li\u003e\n\u003cli\u003ePreparing sustainable theatre \u003c\/li\u003e\n\u003cli\u003eHow to navigate a fictional map\u003c\/li\u003e\n\u003cli\u003eNeurodiversity and ecological making\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ra \u0026 Olly","offers":[{"title":"Default Title","offer_id":50747068383579,"sku":null,"price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_VisibleSigns.jpg?v=1749138650"},{"product_id":"a-nomadic-book","title":"A Nomadic Book — Office for a Human Theatre","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003eLanguage: english \/ italiano\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eA Nomadic Book expands and celebrates the first five editions of the Nomadic School. Created in 2020 by Office for a Human Theatre [OHT], the Nomadic School takes place every summer at around 2000 meters above sea level in the Alpine region, with the aim of developing— as Filippo Andreatta and Sarah Messerschmidt write —“an alternative mentorship programme rooted in artistic creativity, which practices horizontal learning and pedagogical openness”. The Alps cease to function merely as a backdrop and instead become worlds in which to rethink the very notion of theatre, “a multispecies art” form and “a site at which different organisms can interact to produce unexpected and surprising connections”. The 22 contributions collected in A Nomadic Book are drawn from reflections on contemporary performing arts, investigations into practices of coexistence, and analyses of the relationships between environment and architecture. Together, these contributions explore the interconnections between the practices and knowledges that drive the Nomadic School.\u003c\/p\u003e\n\u003cp\u003eA Nomadic Book espande e celebra le prime cinque edizioni della Scuola Nomadica. Creata nel 2020 da Office for a Human Theatre [OHT], la Scuola Nomadica si svolge ogni estate a circa 2000 metri d’altezza nel territorio alpino con l’intento di sviluppare — come scrivono Filippo Andreatta e Sarah Messerschmidt — “un programma di pedagogia alternativa radicato nella creatività artistica, che pratica l’apprendimento orizzontale e l’apertura pedagogica”. Le Alpi smettono di fungere da semplice contesto per porsi come mondi per ripensare la stessa nozione di teatro, “arte multispecie” e “luogo in cui diversi organismi possono interagire per produrre connessioni inaspettate e sorprendenti”. Muovendo da riflessioni sulle arti performative contemporanee, indagini sulle pratiche di convivenza e analisi delle relazioni tra ambiente e architettura, i 22 interventi raccolti in A Nomadic Book esplorano le interconnessioni tra pratiche e saperi che muovono la Scuola Nomadica.\u003c\/p\u003e\n\u003cp\u003eTesti di | Texts by\u003cbr\u003eFilippo Andreatta, Sarah Messerschimdt\u003cbr\u003eAnnibale Salsa, Lucia Pietroiusti, Prathima Muniyappa, Gianni Laneri, Rosario Talevi, Veronica Franchi, Enrico Malatesta, Michael S. Bekele, Christian Casarotto, Annamaria Ajmone, May Abnet, Miriam Daxl, Elisabetta Filosi, Studio Folder, Dehlia Hannah, Lilian Fraiji, Victoria Bjork, Giacomo Lorandi\u003c\/p\u003e\n\u003cp\u003eFoto di | Photos by\u003cbr\u003eAnnamaria Ajmone, Archivio Enrico Andreatta, Archivo Histórico José Vial, Giacomo Bianco\u003c\/p\u003e","brand":"bruno","offers":[{"title":"Default Title","offer_id":50747810185563,"sku":"","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_aNomadicBookofficeforahumantheatre.jpg?v=1749564601"},{"product_id":"ecotones","title":"Ecotones - Investigating Sounds and Territories","description":"\u003cp\u003eIn our image-saturated contemporary society, sight often eclipses other senses that are vital to understanding the unseen dynamics of our sensory relationship with environments. As a counter-project to the hegemony of images, the act of listening opens up new possibilities for exploring both built and natural environments and moving our attention to granting a voice to more-than-human agencies.\u003c\/p\u003e\n\u003cp\u003eEcotones showcases investigations on the relevance of sound in territorial studies. It is developed as a curated collection of texts from various disciplines and practitioners exploring spaces, territories, and ecologies through sonic endeavors. With a variety of formats, from essays and fiction pieces to situated case studies, Ecotones narrates sound as a medium, the act of listening as a political tool, and sonic experiments.\u003c\/p\u003e\n\u003cp\u003eValentin Bansac is a French researcher and photographer teaching at EPFL in Lausanne. Mike Fritsch is a Luxembourgish architect and urbanist working between France and Luxembourg. Alice Loumeau is a French\/Canadian architect and cartographer and a former resident at Villa Albertine. Peter Szendy is a French philosopher and musicologist and a professor at Brown University.\u003c\/p\u003e","brand":"GVA","offers":[{"title":"Default Title","offer_id":50789287199067,"sku":"","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_ecotones.jpg?v=1749814023"},{"product_id":"apian-gazette-vol-02-special-issue","title":"Apian Gazette - Vol. 02  - Special Issue","description":"\u003cp\u003eThis second issue of Apian Gazette is unique because it’s about Apian – the Ministry of Bees itself rather than a specific research subject. It’s an issue that’s dear to me as it offers a brief overview of over a decade of research – from the fields of anthropology, art, and beekeeping – about the relationships humans have developed with bees. In particular, I wanted to produce an object that I can easily distribute (away from the digital) which acts as a call for future collaborations. Mixing images and writing, this special issue sums up the Ministry’s story and spirit. Here, images are not mere illustrations; they are an integral part of the knowledge produced by the Ministry. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Aladin Borioli","offers":[{"title":"Default Title","offer_id":52619478794587,"sku":null,"price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_apiangazette_vol.2.jpg?v=1773844333"}],"url":"https:\/\/zabriskie.de\/collections\/miss-read.oembed?page=2","provider":"Zabriskie Buchladen für Kultur und Natur","version":"1.0","type":"link"}