{"title":"Neuheiten","description":"","products":[{"product_id":"pirate-ecology","title":"Pirate Ecology — So we can be free!","description":"\u003cdiv class=\"product__description rte remove-empty-space\"\u003e\n\u003cp\u003eIn Europe today, we have no project for the environment that is capable of resisting the policies of suffocation of an increasingly unbreathable world:\u003cbr\u003e\u003cbr\u003e* a project initiated in working-class neighborhoods that articulates anchoring on land with freedom of movement;\u003cbr\u003e* a project with its sights set on Africa, aiming to establish a broad internationalist front against global heating and the destruction of life itself;\u003cbr\u003e* a project that makes the Mediterranean an autonomous space and a rallying point for mutinies from North and South alike;\u003cbr\u003e* a project that views land liberation, animal liberation, and equal human dignity as fundamentally intersecting;\u003cbr\u003e* a project that envisages secession in the face of increasingly threatening right-wing extremist forces;\u003cbr\u003e* a project that sets sail in search of One Piece, the famous treasure in the eponymous manga that has become a symbol in working-class neighborhoods of the thirst for freedom thriving there;\u003cbr\u003e* a project that addresses children, seeking their well-being and liberation.\u003cbr\u003e\u003cbr\u003eThis is the project to pirate ecology.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFatima Ouassak's book, \u003c\/em\u003ePirate Ecology—So we can be free! \u003cem\u003eis the third release of \u003ca href=\"https:\/\/kverlag.com\/collections\/pensees-soignees\" rel=\"noopener\" target=\"_blank\"\u003ePensées soignées\u003c\/a\u003e, K. Verlag's new series of works-in-translation dedicated to relaying how intellectuals and activists in the non-Anglophone world are thinking about care and caring about thought. By proliferating new concepts, models, and tools, the series aims to address the tragedies of our diminished and imperiled historical moment.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFatima Ouassak\u003c\/strong\u003e is a French essayist, speaker, public policy consultant, and environmentalist, feminist and anti-racist activist of Moroccan origin. She is co-founder of the Front de Mères collective, a parents\u003cem\u003e\u003cspan style=\"font-size: 13pt; font-family: Garamond,serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\" id=\"docs-internal-guid-a2d232d7-7fff-5d88-1e7f-51786ef3e09f\"\u003e’\u003c\/span\u003e\u003c\/em\u003e union in working-class neighborhoods. Her book \u003cem\u003eLa puissance des méres\u003c\/em\u003e (The Power of Mothers) received the\u003cstrong\u003e \u003c\/strong\u003ePrix de l\u003cspan style=\"font-size: 13pt; font-family: Garamond,serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\" id=\"docs-internal-guid-a2d232d7-7fff-5d88-1e7f-51786ef3e09f\"\u003e’\u003c\/span\u003eessai féministe Causette in 2021. \u003cem\u003ePour une écologie pirate, et nous serons libres\u003c\/em\u003e was originally published by Editions La Découverte in 2023.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArturo Escobar\u003c\/strong\u003e is an activist-researcher from Cali, Colombia, working on territorial struggles against extractivism, ecosocial transitions, and ontological design. He was professor of anthropology and political ecology at the University of North Carolina, Chapel Hill, USA, until 2018, and is currently affiliated with the PhD Program in Environmental Sciences at Universidad del Valle, Cali. Over the past thirty years, he has worked closely with Afro-descendant, environmental, and feminist organizations in Colombia. His most well-known book is \u003cem\u003eEncountering Development: The Making and Unmaking of the Third World\u003c\/em\u003e (1995, 2nd ed. 2011). His most recent books are \u003cem\u003eDesigns for the Pluriverse: Radical Interdependence, Autonomy, and the Making of Worlds \u003c\/em\u003e(2018), \u003cem\u003ePluriversal Politics: The Real and the Possible\u003c\/em\u003e (2020), and \u003cem\u003eRelationality: An Emergent Politics of Life Beyond the Human\u003c\/em\u003e, with Michal Osterweil and Kriti Sharma (2024). He has been a member of the American Academy of Arts and Sciences since 2021.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCarolyn Shread\u003c\/strong\u003e is Senior Lecturer in French at Mount Holyoke College and teaches translation at Smith College, in Massachusetts, USA. She has translated some fifteen books into English, of which seven by philosopher Catherine Malabou, including \u003cem\u003ePleasure Erased: The Clitoris Unthought\u003c\/em\u003e, recipient of a 2022 French Voices Award. She has a longstanding interest in Haitian Studies and in Translation Studies, in which she has published scholarly articles on feminist, decolonial, and eco translation. She is on the advisory board of the Nida FUSP Centre for Advanced Research in Translation and is a member of the Global Eco-Translation Network.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product-metadata-wrapper\"\u003e\n\u003cp class=\"product-information\"\u003e\u003cem\u003eFatima Ouassak, Pirate Ecology—So we can be free!.\u003c\/em\u003e Translated from the French by Carolyn Shread, and with a new introductory essay by Arturo Escobar, for the Pensées soignées series co-edited by Stuart Kendall and Etienne Turpin. Design by K. Verlag with Wolfgang Hückel and Katharina Tauer. Originally published in French by Éditions La Découverte as «Pour une écologie pirate: Et nous serons libres,» the English translation has been partly funded by the Institut Français de Berlin.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"K Verlag","offers":[{"title":"Default Title","offer_id":51023149531483,"sku":null,"price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_fatimaouassak_pirateecology.jpg?v=1787470730"},{"product_id":"we-live-like-trees-inside-the-footsteps-of-our-ancestors","title":"We live like trees inside the footsteps of our ancestors","description":"\u003cp\u003eSomewhere between canopy and root, memory and resistance, we live like trees inside the footsteps of our ancestors. This evocative phrase—originally coined by Vito Apüshana, a poet from the Wayuu people in the Guayira peninsula, northern Colombia—gives shape to a publication that gathers artistic and theoretical practices from across Latin America. It focuses practices that refuse colonial and Western-centered notions of nature, and instead grow through ecological sensibilities, situated pedagogies, and more-than-human knowledge systems.\u003c\/p\u003e\n\u003cp\u003eBringing together decolonial, ecocritical, and multispecies perspectives, the anthology traces how historical conditions, environmental struggles, and extractive economies shape the terrain of contemporary Latin American art. In the face of neoliberal dispossession and ecological collapse, it surfaces alternative ways of understanding land, life, and kinship—ways that challenge the entrenched separations between nature and culture, self and territory.\u003c\/p\u003e\n\u003cp\u003eFeaturing a range of contributions from artists, curators, and scholars—including reflective essays, critical writings, and conversations—We live like trees inside the footsteps of our ancestors offers radical visions of the environment. Each piece reimagines the relationship between humans and the more-than-human, unearthing epistemologies rooted in place, relation, and resistance. Together, they invite us to think with the Global South—not only about crisis, but about how to live otherwise.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMariana Cunha\u003c\/strong\u003e is a researcher and educator, currently developing theoretical and practice-led research at the Centre for Research and Education in Arts and Media (CREAM), University of Westminster, where she lectures in screen studies. Holding a PhD and MA in Cultural and Critical Studies from Birkbeck, University of London, she previously held two postdoctoral fellowships in Brazil. Her research explores ecology, spatial practices, affect, and moving images, with a focus on ecological aesthetics in contemporary global cinema and Latin American moving image-based art. Mariana has contributed as a film programmer in Brazil and the UK and co-curated the exhibition We live like trees inside the footsteps of our ancestors (Blenheim Walk Gallery, 2023). She has published widely, co-editing Human Rights, Social Movements and Activism in Contemporary Latin American Cinema (2018) and Space and Subjectivity in Contemporary Brazilian Cinema (2017).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMarianna Tsionki\u003c\/strong\u003e is an art theorist, curator, and Associate Professor \u0026amp; University Curator at Leeds Arts University, overseeing curatorial programs, collections, and archives. She holds a PhD in Curatorial Studies (Manchester School of Art) and an MA in Contemporary Art Theory (Goldsmiths, University of London). Her research examines the role of curatorial and institutional practice in ecological crisis, focusing on decolonial eco-visualities, eco-feminist practices, and Indigenous Naturecultures. She has contributed essays to edited volumes, exhibition catalogs, and peer-reviewed journals and received numerous grants, including the AAMC Research Programme with Art Fund (2019). She has participated in the School of Common Knowledge by L’Internationale (2024) and the Anthropocene Campus Venice by the Max Planck Institute and HKW (2021).\u003c\/p\u003e","brand":"K Verlag","offers":[{"title":"Default Title","offer_id":51023861416283,"sku":null,"price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_weliveliketreesinsidethefootstepsofourancestors.jpg?v=1790765164"},{"product_id":"collapsed-mythologies","title":"Collapsed Mythologies - A Geofinancial Atlas - 2nd edition","description":"\u003cp\u003eThe realm of finance has its own ecological logic. Hectocorns offer behemoths poison pills, whales take fledglings to the moon, disappear into dark pools, and form fraudulent daisy chains with one another. The publication examines the slang terms used by traders and other financial professionals. Between what these terms mean and the ecological world they refer to, Benjaminsen and Casey detect a rich mythological history. Unpacking this charming language reveals the absurd (super) natural “fictions” that materially and violently shape our worldly ecology.\u003c\/p\u003e\n\u003cp\u003eEline Benjaminsen is an artist making lens-based, follow-the-money narratives. Dayna Casey is an artist essaying and narrating multi-scalar complexity. Amy Bride is a PhD in Gothic Finance. Sami Hammana is an artist and writer. Marie Storli is a journalist and economist. Alexis Wright is a Gulf of Carpentaria novelist.\u003c\/p\u003e","brand":"GVA, Jessica Reitz","offers":[{"title":"Default Title","offer_id":51840038601051,"sku":null,"price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_CollapsedMythologies-AGeofinancialAtlas.jpg?v=1764859766"},{"product_id":"noopiming-the-cure-for-white-ladies","title":"Noopiming - The Cure for White Ladies","description":"\u003cp\u003eShortlisted for the Dublin Literary Award\u003c\/p\u003e\n\u003cp\u003eAkiwenzii is the old man and their will. Ninaatig is the maple tree; they are their lungs. Mindimooyenh is the old woman who holds it all together; she is their conscience. Sabe, the honest sasquatch, is the marrow in their bones. Adik is the caribou and their nervous system. Asin, human, is their eyes and ears; Lucy, human, their mind. Together they are Mashkawaji, our narrator, who may be frozen stiff but still remembers a time of connection everywhere.\u003c\/p\u003e\n\u003cp\u003eWhen Mashkawaji’s parts attempt to commune with the world around them, they find it’s a strange place, full of SpongeBob Band-Aids and branded coffee mugs. Exposing the unnatural solitude at the heart of settler-capitalism and fully grounded in Indigenous ways of being, Noopiming offers a moving and wickedly funny vision of what modern togetherness might look like – even as it breaks open the self to a world still alive with people, animals, ancestors, and spirits.\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.andotherstories.org\/wp-content\/uploads\/2025\/01\/Pages-from-Noopiming-B-offset-v1-copy.pdf\"\u003eRead an excerpt\u003c\/a\u003e\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":51857015734619,"sku":null,"price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_LeanneBetasamosakeSimpson_Noopiming-TheCureforWhiteLadies.jpg?v=1765198176"},{"product_id":"the-fermentation-kitchen","title":"The Fermentation Kitchen","description":"\u003cp\u003eFrom kimchi to miso, kombucha to ginger beer, The Fermentation Kitchen introduces you to the alchemy of fermentation ' taking simple ingredients and transforming them in form and flavour.\u003c\/p\u003e\n\u003cp\u003eExplore a wide range of authentic and adapted techniques from across cultures and continents and harness bacteria, yeast, and fungus to create a variety of ferments to add flavour to dishes, boost gut health, and give perishable produce a new lease of life.\u003c\/p\u003e\n\u003cp\u003eReconnect with these natural processes and learn to incorporate ferments into your everyday cooking with guides to flavour, texture and aroma alongside recipe ideas serving as inspiration.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":51904986415451,"sku":null,"price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_samcooper_TheFermentationKitchen.jpg?v=1770968570"},{"product_id":"the-wild-edge-of-sorrow","title":"The Wild Edge of Sorrow: Rituals of Renewal and the Sacred Work of Grief","description":"\u003cp\u003eHope and healing for a profoundly fractured world—a pathway home to the brightness, pains, and gifts of being alive\u003c\/p\u003e\n\u003cp\u003eThe bestselling book on grief and loss from psychotherapist Francis Weller: “One of the best books on grief I have ever read. … It helped me turn to and understand my grief in ways I never had before. It has helped me feel alive again.” —Anderson Cooper\u003c\/p\u003e\n\u003cp\u003eProfoundly moving, beautifully written, The Wild Edge of Sorrow is a balm for the soul and a necessary salve for moving together through difficult times. Grounded in ritual and connection, this book welcomes each grief with care and attention, opening us to the feelings, experiences, and sacred knowledge that connect us to each other and ultimately make us whole.\u003c\/p\u003e\n\u003cp\u003ePsychotherapist Francis Weller introduces the 5 gates of grief, helping us come to terms with grief and loss within a culture so fundamentally detached from the needs of the soul.\u003c\/p\u003e\n\u003cp\u003e* The first gate recognizes that everything we love, we will lose. Here, we meet the pain of losing a loved one; the grief of illness; and the tender invitation to touch the depths of our losses and loves\u003cbr\u003e* The second gate helps us uncover the places that have not yet known love: our secret shames, our shadow sids, and the neglected pieces of our soul that need restoration and care.\u003cbr\u003e* The third gate meets us at the immense sorrows of the world\u003cbr\u003e* The fourth gate, what we expected but did not receive, offers wisdom for tending our wholeness after the love, care, and validation we need are withheld\u003cbr\u003e* The fifth gate opens to our ancestral grief: the traumas, pains, losses, and unrealized dreams of those who came before us.\u003c\/p\u003e\n\u003cp\u003eWith grief rituals, reflection prompts, and deep, ageless wisdom, The Wild Edge of Sorrow is a genre-defining invitation to healing and renewal. Weller helps us rediscover wilwhat modernity has made us forget…and reconnects us to our most profound and human yearnings. Less a self-help volume than a blessing, this book is a homecoming for the soul.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":52164975755611,"sku":null,"price":26.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_TheWildEdgeofSorrow.jpg?v=1772804257"},{"product_id":"in-the-absence-of-the-ordinary-soul-work-for-times-of-uncertainty-essays-on-grief-change-and-sacred-transitions","title":"In the Absence of the Ordinary: Soul Work for Times of Uncertainty - Essays on grief, change, and sacred transitions","description":"\u003cp\u003eWe are at a threshold. As we face uncertain futures, the familiar is falling away. This book invites us to embody new ways of being and connecting so we can navigate troubled times together\u003c\/p\u003e\n\u003cp\u003eFrom the bestselling author of The Wild Edge of Sorrow, a beautifully packaged collection of 17 essays on meeting this moment with clarity, care, and skill\u003c\/p\u003e\n\u003cp\u003ePraise for The Wild Edge of Sorrow: “It blew me away. I underlined things on nearly every page.” —Anderson Cooper\u003c\/p\u003e\n\u003cp\u003eIn his singular and inimitable voice, psychotherapist and author of The Wild Edge of Sorrow Francis Weller offers 17 soulful essays to help us move together through the anxieties, difficulties, and sacred transitions of 21st-century life.\u003c\/p\u003e\n\u003cp\u003eIn the Absence of the Ordinary frames our current era as a rough initiation—an upending experience of profound trauma and transformation that demands we reorient our ways of thinking, being, and relating. 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Instead, genocide, slavery and colonialism are the key foundation stones upon which the West was built, and we are still living under this system today: America is now at the helm, perpetuating global inequality through business, government, and institutions like the UN, the IMF, the World Bank and the WTO. The West is rich because the Rest is poor. Capitalism is racism. The Enlightenment, which underlies every part of our foundational philosophy today, was and is profoundly racist. A work of essential clarity, The New Age of Empire is a groundbreaking new account of our place in our profoundly corrupt global system.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePraise:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Kehinde Andrews shines a light on the truth of our past and in doing so lights the way forward. 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In a time when horror is livestreamed and apathy is institutionalized, this book asks how such paralysis is possible—and how art can contribute to recognition of the unfolding crimes against humanity? How do poets, visual artists, theatre and filmmakers unsettle the spectacle of shock? How can grief become a collective and political force, rather than a privatized void?\u003c\/p\u003e\n\u003cp\u003eThrough testimonies from war zones—from Gaza to Kharkiv, Beirut to Brussels—this book composes a polyphonic response to a world that demands clarity but offers none. It does not moralize. It insists. On mourning. 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Mit seinen Romanen zählt er zu den wichtigsten britischen Autoren und entfachte mit seinen radikalen postökologischen Thesen immer wieder neue Debatten.\u003c\/p\u003e","brand":"KNV, Prolit","offers":[{"title":"Default Title","offer_id":53278203904347,"sku":null,"price":34.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_BekenntnisseeinesgenesendenUmweltschuetzers-Essays.jpg?v=1781524085"},{"product_id":"copy-machine-manifestos-artists-who-make-zines","title":"Copy Machine Manifestos: Artists Who Make Zines","description":"\u003cp\u003e\u003cstrong\u003eThe first publication dedicated to artists' zines in North America, a revelatory exploration of an unexamined but thriving aesthetic practice\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCopy Machine Manifestos\u003c\/em\u003e captures the rich history of artists' zines as never before, placing them in the lineage of the visual arts and exploring their vibrant growth over the past five decades.\u003cbr\u003eFully illustrated with hundreds of zine covers and interiors, alongside work in other media, such as painting, photography, film, video, and performance, the book also features brief biographies for more than 100 zine-makers including Beverly Buchanan, Mark Gonzales, G.B. Jones, Miranda July, Bruce LaBruce, Terence Koh, LTTR, Ari Marcopoulos, Mark Morrisroe, Raymond Pettibon, Brontez Purnell, Paul Mpagi Sepuya, and Kandis Williams.\u003cbr\u003e\u003cbr\u003eAccompanying a major exhibition at the Brooklyn Museum, this expansive book, bound as a paperback with a separate jacket, focuses on zines from North America, celebrating how artists have harnessed the medium's essential role in community building and transforming material and conceptual approaches to making art across all media since 1970. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBranden W. 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This publication is the contribution of the people who, over the years, have sat in a circle, exchanged ideas, debated, created, undone and recreated. It is a container of memories and reflections, of moments of transition and thought, the way we continue to nourish our imagination and daily practice. There are over 20 of us here, but the people who have orbited around the project have been many more over the years.\u003c\/p\u003e\n\u003cp\u003eBy reading these pages, you will discover how Foghíles has rooted itself in the territory of Meilogu, particularly in Semèstene, what it has done over the years and what it hopes to continue doing in the future. The contributions are all written in two languages: the main language of the author and its respective translation in Italian or English. You will find stories, journals, snapshots, reflections, sounds. Some are written in the first person, more intimate and personal contributions, others in the form of essays; some accompanied by sketches, others by photos taken over the years. Each person had the freedom to choose the form of expression that felt most their own, in order to put together a panorama that could best tell the story of the project.\u003c\/p\u003e\n\u003cp\u003eThe book unfolds through the passage of seasons: it begins with the Autumn Equinox, where we introduce the physical and social context in which Foghíles was born and still exists. Then follows the Winter Solstice, marking the transition to the theme of memory: the story of official meetings and more informal events, from the lighting of the oven to the planting of garlic, fava beans, chickpeas. The Spring Equinox celebrates, through different lenses, the people, objects, and places, and then leads us to the Summer Solstice—the landscape of the future: the expression of values, desires, and imaginations in both the short and long term. This book is the story of the project, but it is also an invitation to those who want to start being part of it, to launch new collaborations or simply share similar values.\u003c\/p\u003e\n\u003cp\u003eIf you ever find yourself on the Strada Statale 131, at kilometre 168, you can turn off toward Semèstene. Let your gaze rest on the valley and in 5 minutes you’ll reach the village. Ask for Foghíles. If you don’t find us in the courtyard, we’re out in the countryside, organising or celebrating the next Festa Campestre. Join us, your presence will always be welcome.\u003c\/p\u003e\n\u003cp\u003eSince its inception in the summer of 2018, Foghíles has been a project that follows the seasonal rhythms of Seméstene, one of the smallest inland villages in Sardinia. In Logudorese Sardinian, Foghíles means “hearths”: in the past, and still today, gatherings around the fire represent moments of knowledge transmission and direct learning through storytelling and shared experience. The project aims to propose a new narrative of rurality by restoring relationships with the lands received as a gift, strengthening roots and shaping new wings—an intimate yet open practice intended to help us become good ancestors for the future. By hosting gatherings that celebrate the circularity of time, seasonal transitions, and the various forms of sensitive life, Foghíles reinterprets and interacts with vernacular knowledge, wild trees, dry-stone structures, and bodies of water. According to the agricultural calendar, the Foghíles year ends\/begins in September (su Cabidanni), during the week of the autumn equinox. Foghíles is a self-funded project, cared for daily by the Ni Sotgiu Family, together with a transgenerational collective composed of practitioners from various disciplines, intercultural guests, and local communities. 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Er entwirft eine Vision für eine neue Politik der Freundschaft, für ein respektgeleitetes Miteinander, das auf Distanz, Aufmerksamkeit und gegenseitiger Anerkennung beruht. Respekt ist für ihn kein Luxus, sondern die Voraussetzung für Demokratie, Diskurs und ein gelingendes Leben.\u003c\/p\u003e","brand":"KNV, Prolit","offers":[{"title":"Default Title","offer_id":53328096166235,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_ohne_respekt1.jpg?v=1780751117"},{"product_id":"autobiography-of-cotton","title":"Autobiography of Cotton","description":"\u003cp\u003eA novel about how cotton workers transformed the Mexico-US borderlands, by a Pulitzer Prize–winning author.\u003c\/p\u003e\n\u003cp\u003eIn 1934, a young José Revueltas traveled to Tamaulipas to support the cotton workers’ strike in Estación Camarón, which became the basis of his landmark novel, Human Mourning. In her own groundbreaking novel, Autobiography of Cotton, Cristina Rivera Garza recounts her grandparents’ journey from mining towns to those same cotton fields as it intersects with Revueltas’s life in a vivid and evocative history of cotton cultivation along the Mexico-US border.\u003c\/p\u003e\n\u003cp\u003eThrough archival research and personal narrative, Rivera Garza chronicles the way cotton transformed the borderlands by reconstructing the cotton workers’ strike and reveals how cycles of deprivation and ecocide persist across generations. Deeply personal and politically acute, Rivera Garza crafts a new kind of border novel that tells how a brittle land radically altered her grandparents’ lives and the territories they helped develop. An intimate fictionalization, Autobiography of Cotton reveals a rich social history of agricultural colonization, labor activism, environmental degradation, and cross-border migration.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cem\u003ePraise:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘This book is one of restless movement and passionate hope.’ - Sam Sacks\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘A sumptuous work of autofiction that plumbs the mirage-like landscapes of the border region and the frictions that simmer between neighbouring nations. In dense, lyrical prose, Rivera Garza weaves in an array of political and historical allusions, highlighting the human costs and environmental degradation caused by the cash crop that created our modern world.’ - Hamilton Cain\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘Cristina Rivera Garza — mythmaker, archivist, historiographer, etymologist, and philosopher — reveals the blood-soaked blossom between parallel histories. 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Cristina Rivera Garza has become an oracle of the in-between, and one of North America’s greatest living writers.’ - Francisco Cantú\u003c\/em\u003e\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":53367818584411,"sku":null,"price":22.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_AutobiographyofCotton.jpg?v=1781537655"},{"product_id":"the-book-of-mysteries","title":"The Book of Mysteries - Wild Time and the Ritual Year","description":"\u003cp\u003eAt festive gatherings celebrating summer’s peak, in reflective moments as winter gave way, Rebecca Tamás began to hear another rhythm. A faint hint that, underneath the rush of clocks and calendars, another, richer kind of time might exist.\u003c\/p\u003e\n\u003cp\u003eAs she suffered from grief and burnout, Tamás sought a deeper connection to the movement of the seasons through an immersion in old folkways. She set out on a journey across the UK guided by the Pagan wheel of the year, marking each solstice, equinox and the midpoints between them with a ritual drawn from ancient traditions. From a confrontation with the sharp pains of winter at Samhain in Edinburgh to a giddy experience of collective joy at Padstow’s May Day, she found in these traditional practices electric potential for transforming our relationship to the natural world.\u003c\/p\u003e\n\u003cp\u003eIntellectually penetrating and richly lyrical, The Book of Mysteries follows the drumbeat of seasonal ritual towards an immersion in the wild time of the earth. Ecstatic, radical and irreverent, this book is a rallying cry to wrest time away from the structures of work and capital, so as to encounter the life-giving mystery of the natural world.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003ePraise:\u003c\/p\u003e\n\u003cp\u003e\"A wonderfully unmooring passage through a year that connects to life that is deeper, looser, and more true than the tightly wound, unnatural calendars so many of us keep. The Book of Mysteries reminded me of the current that runs beneath everything, and that, if we are open to it, can transform us\" - Amina Cain, author of 'Indelicacy'\u003c\/p\u003e\n\u003cp\u003e\"Whenever I read Rebecca Tamás, I find myself enormously grateful for the suppleness of her mind, and for her prose writing that is as lucid as it is lush, and as useful as it is beautiful. The Book of Mysteries left me facing down the year feeling newly attuned to wild time, and perhaps apter to the sometimes-impossible seeming task of wriggling out from beneath the dragnet that capital casts over the world. I will be recommending this book to everyone\" - A. K. Blakemore, author of 'The Manningtree Witches'\u003c\/p\u003e\n\u003cp\u003e\"A delicious exploration of the ritual year, ripe with the uncanny\" - Katherine May, author of 'Wintering'\u003c\/p\u003e\n\u003cp\u003e\"Insightful and bracing: a personal and political journey through the seasons\" - Melissa Harrison, author of 'All Among the Barley'\u003c\/p\u003e\n\u003cp\u003e\"A searing exploration of the ways in which capitalist time restricts and defines our lives. In reaching towards wild time and capturing the embodied, living experience of ritual and community, this book offers a sense of possibility. It gives us different ways to inhabit our world, minds and bodies, so that we might live more freely\" - Jessica Andrews, author of 'Milk Teeth'\u003c\/p\u003e\n\u003cp\u003e\"Rebecca Tamás has written a manifesto for our times. This is a riveting book that’s also deeply intellectual and well-researched. In lucid, lyrical prose, Tamás reminds us to look past our office calendars to pay attention to the natural world, and shows us what we may discover by acknowledging our kinship with the non-human\" - Deepa Anappara, author of 'The Last of Earth'\u003c\/p\u003e\n\u003cp\u003e\"Rebecca Tamás powerfully expresses the contemporary experience of a time out of joint, and embraces a wildness that lies outside the logic of capital, and beyond the narrow casements of our own minds. Passionate, devoted, clear-sighted and lyrical, this book will take you through the changing seasons and toward the promise of a better world\" - Helen Jukes, author of 'Mother Animal'\u003c\/p\u003e\n\u003cp\u003e2One of our most powerful, poetic and radical writers on ecology and the mystic; the world we see and that which is unseen. Rebecca Támas shows us that, in all the ways that matter, the two can and should be connected. The Book of Mysteries came to me exactly when I needed it, lifted me out of an imposed sameness and re-introduced me to a wild, abundant, strange time: the wheel of the year and its rituals. I know that it will do the same for many, many readers to come\" - Roisin Dunnett, author of 'A Line You Have Traced'\u003c\/p\u003e\n\u003cp\u003e\"This book is a precious and life-affirming gift to our hearts and intellects! As Rebecca Tamás journeys on a quest for joy and a connection to nature through participating in seasonal rituals across the UK, I felt that rare feeling: the return of hope. Each encounter with an exquisitely eccentric ritual – made vivid thanks to Tamás’s powers as a writer of poetry – showed us life, as ebulliently vital and anarchic as it should be. The Book of Mysteries immerses the reader in the tempo of the earth and reminds us that we too can tune into it, and begin to dance. A text to fend off the banal fascism that ravages our times\" - Rebecca May Johnson, author of 'Small Fires'\u003cbr\u003e\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":53382915981659,"sku":null,"price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_tamas_TheBookofMysteries-WildTimeandtheRitualYear.jpg?v=1781536791"},{"product_id":"your-presence-is-a-danger-to-your-life","title":"Your Presence is a Danger to Your Life - Voices from Gaza","description":"\u003cp\u003eTranslated by Leri Price\u003c\/p\u003e\n\u003cp\u003eIn the year following 7 October 2023, Samar Yazbek met with hundreds of survivors from Gaza, asking each of them about their experiences of that day and the months of destruction and displacement that followed. From these encounters comes Your Presence Is a Danger to Your Life, a selection of twenty-six testimonies from ordinary civilians aged thirteen to sixty-five, whose lives have been irrevocably altered by what may one day be remembered as one of the most savage military offensives of our time. Adapted from warning flyers dropped moments before a bombing, the book’s title captures the impossible reality of life for Gazans. That reality is laid bare in accounts marked by unimaginable loss – homes shattered, loved ones vanished, limbs obliterated – and mechanisms of cruelty that defy comprehension. In gathering these testimonies, Yazbek brings into focus the human lives behind the headlines, and the survivors’ determination, even amid devastation, to speak and to be heard.\u003cbr\u003e\u003cbr\u003eSamar Yazbek is a Syrian writer and journalist. She was born in 1970 and studied Arabic literature at Latakia University. Yazbek has been a prominent advocate for human rights and more specifically women’s rights in Syria. In 2011, she took part in the popular uprising against the Assad regime and was forced into exile soon after. In 2010, Yazbek was selected as one of the 39 most promising authors under the age of 40 by Beirut39, organized by the Hay Festival. In 2012 she was awarded the PEN\/Pinter Prize ‘International writer of courage’ for her book In the Crossfire, and received the Swedish Tucholsky Prize and the Dutch Oxfam\/PEN Prize the following year. In 2022, Yazbek was chosen by the Royal Society of Literature as one of twelve International Writers. Yazbek has published two short story collections, seven novels and four non-fiction literary narratives, and has been translated into over twenty languages.\u003c\/p\u003e\n\u003cp\u003eLeri Prize is an award-winning literary translator of contemporary Arabic fiction. She was a Finalist for the National Book Award for Translated Literature in 2024, 2021, and 2019. Her translation of Khalifa’s Death is Hard Work also won the 2020 Saif Ghobash Banipal Prize for Arabic Literary Translation.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cem\u003ePraise:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘This book is a searing read, very moving both in the piety so often saving the sanity of these casualties of appalling vengeance, and in their hope for a future in which there will again be mosques, schools, universities and hospitals in Gaza.’\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e— Lucy Beckett, The Tablet\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘[T]his book is a vital reminder of the ongoing genocide and the almost unimaginable extent of its human costs…. In Your Presence Is a Danger to Your Life, each testimony is striking both for the individual horror it contains and for its similarity with the other twenty-six accounts. In each one, there is a phrase or an image in which the weight of the destruction of a human being’s former life can be felt…. These are the details that stay with a reader long after the book is closed…. [T]hese words and the voices speaking them are vitally important. With Your Presence Is a Danger to Your Life, Yazbek, Price and Fitzcarraldo have made it possible to listen.’\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e— Clem Clement, Bookblast\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘Since the start of Israel’s genocide against Palestinians, I have been grasping for words. Yazbek has done something extraordinary. She has captured the vocabulary we have all been searching for by turning to the people who witnessed this violence first hand in Gaza. The book does not make heroes of genocide survivors, nor does it romanticize their struggle. Instead, we are invited to mourn with them, to marvel at their endurance, and to be sobered by humanity’s capacity for barbarism. Yazbek shows us what it means to bear witness, to make space for grief, pain and suffering too vast to be contained, and how to do so with dignity, respect and humility. She has once again modelled what it means to be a keeper of humanity’s memory.’\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e— Tareq Baconi, author of Fire in Every Direction\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘This is a remarkable, shattering book that holds its voices with dignity and care. It speaks to us from a red world of absolute loss, yet is suffused with an extraordinary persistence of love. Beyond geopolitics, rhetoric, territory and leaders, there remains the bare fact of broken lives and the unbearable weight of human love.’\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e— A.L. Kennedy, author of Alive in the Merciful Country \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘While narrating death and destruction, the witnesses Yazbek spoke with still found a way to illustrate that, in the words of Palestinian poet Rafeef Ziadah, they taught life. Many insisted on showing Yazbek pictures of their families and of themselves when their bodies were still whole; some entrusted her with a list of names of the people they lost; they defied erasure by every means available to them…. Yazbek’s collection of testimonies, spanning the shattered lives of children as young as thirteen to the weary wisdom of the elderly, refutes the diminishment intended by the airdropped leaflets. If the leaflets claim their presence is a danger, Yazbek proves their erasure is the true catastrophe.’\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e— Ibtihal Rida Mahmood, Arab Lit\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘A work of profound ethical significance, a direct offering of words from voices that should never be silenced. Your Presence Is a Danger to Your Life is almost too painful to read, but so deeply humane and important that it compels us not to look away.’\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e— Preti Taneja, author of Aftermath\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘Piecing together the harrowing experiences of Palestinians in Gaza, this book lays bare not only the realities of Israel’s killing machine but also the blinding absence of justice. It holds together stories of a people already worn to the bone by decades of brutal oppression – blown apart, burned up, and, in some cases, literally evaporated into thin air. There is no reassuring rhetoric of resilience in the face of such horrors. Nor is Your Presence Is a Danger to Life simply a work of recovery and documentation. It is a call to action, demanding that we confront the unfathomable pain produced by dehumanizing structures of oppression and refuse to forget what has been done in Gaza.’\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e— Aimee Shalan, British Palestinian activist and writer\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘Samar Yazbek’s devastating compilation of testimonies, gathered in this time of genocide, brings to mind Dalia Taha’s introduction to the Learning Palestine pamphlet, Three Letters from the Prison by Walid Daqqah:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e“There are no more precious words than the ones that were written in spite of pain, censorship, torture. Pages that shouldn’t exist.”\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThese testimonies of the unconscionably injured are among hundreds of thousands such testimonies emerging from Gaza since 7 October 2023; official figures confirm there are currently 72,063 more we will never hear, with an as yet unknown number in the hundreds of thousands still buried under rubble. But despite Israel’s genocidal drive to silence Palestinian voices, despite Western complicity in this silencing, these twenty-six testimonies – shared with Yazbek and translated by Price – now exist as pages. If, like me, you have the means and the capacity to read them in all their blistering detail, and if you too have no personal knowledge of the unspeakable zannanat that plague these pages, then you  – we – have a particular duty: not only to read these precious words, but to act on them.’\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e— Natasha Soobramanien, co-author (with Luke Williams) of Diego Garcia\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePraise for The Crossing:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘Powerful and moving…bears comparison with George Orwell’s Homage To Catalonia as a work of literature, Yazbek is a superb narrator …  this is how she crosses the line from journalism to high literary art.’\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e— Andrew Hussey, Observer\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘An eloquent, gripping and harrowing account of the country’s decline into barbarism by an incredibly brave Syrian.’\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e— Barry Andrews, Irish Times\u003c\/em\u003e\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":53382962184539,"sku":null,"price":23.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_YourPresenceisaDangertoYourLife-VoicesfromGaza.jpg?v=1781537044"},{"product_id":"notes-from-deep-time","title":"Notes from Deep Time - A Journey Through Our Past and Future Worlds","description":"\u003cp\u003eThe story of the Earth is written into our landscape: it's there in the curves of hills, the colours of stone, surprising eruptions of vegetation. Wanting a fresh perspective on her own life, the writer Helen Gordon set out to read that epic narrative.\u003c\/p\u003e\n\u003cp\u003eHer odyssey takes her from the secret fossils of London to the 3-billion-year-old rocks of the Scottish Highlands, and from a state-of-the-art earthquake monitoring system in California to one of the world's most dangerous volcanic complexes in Naples. At every step, she finds that the apparently solid ground beneath our feet isn't quite as it seems.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cem\u003ePraise:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"The reward of Helen Gordon's profoundly considered and far-reaching book is that it opens up the dizzying view of geological time ... Notes from Deep Time reaches into a place that, in a post-religious era, offers a glimpse of something close to eternity\" - Philip Marsden\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Awe-inspiring ... It's Gordon's background as a literary writer that takes Notes From Deep Time to the next level. She has imbued geological tales with a beauty and humanity\" - Shaoni Bhattacharya-Woodward\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Notes From Deep Time is a marvel-rich masterclass of narrative non-fiction, one of those books that teaches its reader to see the world completely differently. That it does so with wit, wisdom and crystal-perfect prose only adds to the pleasure. To escape from the present into deep time with such a companionable guide is clarifying, almost therapeutic, and at times gratifyingly dizzying\" - Max Porter\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Helen Gordon's wonderfully expansive book encompasses a paradoxical fluidity, both tangible and immense, where human witnesses measure out deep time in golden spikes and ammonites, excavating lost seas and saurians for clues as to what we were and who we will be\" - Philip Hoare\u003c\/em\u003e\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":53382997344603,"sku":null,"price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_helengordon_notesfromdeeptime.jpg?v=1781536923"},{"product_id":"the-given-world","title":"The Given World","description":"\u003cp\u003eApril brings spring surging with it, giving rise, among many in the village, to a comforting illusion that all is somehow still right with the world, and that nothing will ever change.\u003c\/p\u003e\n\u003cp\u003eIn the ancient Welm Valley, something is shifting: the river is behaving oddly, while the arrival of spring, with its familiar rhythms, is shadowed by an undercurrent of unease.\u003c\/p\u003e\n\u003cp\u003eA woman falls while out walking and hopes to be found before nightfall; a doctor realises, too late, that he has long underestimated his wife; across the village, people are plagued by the same vast and unsettling dream. And alone in a converted priory, overlooking watermeadows unchanged for centuries, Clare Grey receives news which will force her to reconsider her family’s past and the fresh weight of her solitary existence.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cem\u003ePraise:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Melissa Harrison doesn't just write the English countryside, she decocts, extracts, distills and blends its essences into fiction so real-world adjacent it haunts. The Given World is a masterful portrait of our time and place, which like the unquestionably animate river running through it, will not be contained.\" -- Amy-Jane Beer\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"I loved the way The Given World is at once warm and clever, meticulously attentive to place, plants and animals while insisting on human grace. Melissa Harrison’s prose is strong and lovely as ever.\" -- Sarah Moss\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"A truly groundbreaking novel, setting the day-to-day rhythms of rural life against troubling and sinister shifts in nature's calendar. Melissa Harrison's forensic portrayal of the village and its residents - wild and human, old and new - deserves a place at the very heart of the English post-pastoral canon.\" -- Stephen Moss\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Uncanny, knowing and wonderful, The Given World reminds us the countryside is no timeless idyll: it is of time, past, present, mythological and future, and sometimes, wears it in sharper relief than anywhere else, if you know, as Melissa Harrison does, where and how to look. A richly compelling form of the New Pastoral, or climate fiction, The Given World is as bright, resonant, urgent and startling as the clamour of long-silenced bells rung out one evening.\" -- Nicola Chester\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"The Given World is a superb and timely novel, lit and linked by people, place and time. It sings with symbolism and beautifully reflects the frightening and uncanny transitions of our time – natural, personal, national, historical – through the microcosm of a village and landscape that comes to life spectacularly through Harrison’s brilliant mastery of description and detail. Spirited, spirit-filled, strange, resonant, heartbreaking and poignant, The Given World rings through the reader like a struck bell.\" -- Rob Cowen\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Precious few writers can set a story in nature convincingly and nobody does it better than Melissa Harrison. A tale of honest rural intensity that grips and surprises.\" -- Tristan Gooley\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"A brilliantly acute social portrait of English rural life now. The best piece of serious fiction I’ve read this year. Extraordinary ... An elegy for the death of the English countryside and also a beautiful demonstration of how a piece of realist literary fiction can subtly borrow from the fantastic, weaving in threads of the mythic and the unearthly that enrich the this-worldly sense the book is making.\" -- Francis Spufford\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"A wonderful reading experience ... It is careful and full of care and I loved learning the rhythms and concerns of the characters and understanding their connections. It's an authentic and deeply observed multiperspective portrait of a village. An Under Milk Wood for the twenty-first century. It's just so fucking good.\" -- Amy Liptrot\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"The Given World is a village symphony, the finest work yet by a writer in her prime, she animates whatever she focuses on, characters live, we see them, we know them. The novel roams around the village, from one inhabitant to another, each one described with great warmth and psychological acuity, during a year when the seasons are in turmoil. Characters' relations to each other coexist with the interconnecting nature around them, while beneath everything builds a dread that changes are building, too enormous to face head on.\" -- Tim Pears\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"A novel that reminds us with every luminous sentence about the fragile grace of ordinary lives. I can’t think of a writer better at evoking the English countryside in all of its strange beauty.\" -- Evie Wyld\u003c\/em\u003e\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":53383321420123,"sku":null,"price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_harrisson_TheGivenWorld.jpg?v=1781536577"},{"product_id":"entering-the-healing-ground","title":"Entering the Healing Ground","description":"\u003cp\u003eThe Wild Edge of Sorrow Official Workbook–Reflections, rituals, and meditations for grief and renewal\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"copy-height\"\u003e\n\u003cstrong\u003eThe official companion to \u003cem\u003eThe Wild Edge of Sorrow\u003c\/em\u003e—reflection prompts, timely exercises, and rituals of renewal for moving with grief and loss from bestselling author Francis Weller\u003cbr\u003e\u003cbr\u003e“[\u003cem\u003eThe Wild Edge of Sorrow\u003c\/em\u003e] blew me away. I underlined things on nearly every page.” —Anderson Cooper, \u003cem\u003eAll There Is\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eInspired by Francis Weller’s revelatory bestseller, \u003cem\u003eThe Wild Edge of Sorrow Workbook\u003c\/em\u003e offers a guided pathway through the sacred depths, unexpected turns, and soul-restoring work of grief.\u003cbr\u003e\u003cbr\u003eChapter by chapter, Weller walks readers through writing exercises, embodied practices, guided reflections, and rituals from \u003cem\u003eThe Wild Edge of Sorrow\u003c\/em\u003e. The workbook is designed to be flexible: you can work section by section as you read the book or dip into standalone chapters that resonate with your own specific experiences. Weller invites you to cultivate a conversation with your grief, to understand your pains and losses in new and poignant ways—and he welcomes you into a deepened relationship with the \u003cem\u003eanima mundi\u003c\/em\u003e, the soul of the world.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNew exercises include:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eOrientation: An apprenticeship with sorrow\u003c\/li\u003e\n\u003cli\u003eWriting practice: Supporting your grief work\u003c\/li\u003e\n\u003cli\u003eReflection prompt: Deepening your kinship with the living earth\u003c\/li\u003e\n\u003cli\u003eInvitation: Holding a ritual space\u003c\/li\u003e\n\u003cli\u003eJournal prompts: The Five Gates of Grief\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003eIn a profoundly fractured world, Weller’s gentle and compassionate voice calls us back into ourselves—our griefs, joys, pains, and the ineffable qualities that make us human…and opens us up, once again, to the interdependence and healing connections that make us whole.\u003c\/div\u003e","brand":"Gardners, Macmillan Distribution","offers":[{"title":"Default Title","offer_id":53394314395995,"sku":null,"price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_francisweller_enteringthehealingground.jpg?v=1792411684"},{"product_id":"fancy-work","title":"Fancy Work: Unpicking Past Lives","description":"\u003cp\u003eWhat can a scrap of embroidery tell us about how to live? How can the past help us imagine unconstrained lives when not all traces remain? To explore these questions, Alice Hattrick turns to the embroidery designer May Morris and her circle, including her father William Morris; her mother Jane, an artist’s model and embroiderer herself; and MF, May’s gender non-conforming partner of twenty years. Through this queer encounter with the Arts and Crafts movement, Hattrick shifts attention from dominant narratives of design towards intimacy, labour and domestic life. Looking to May – alongside others who have found in textiles a means of resistance – Hattrick traces connections between these histories and their own queer identity, family ties and precarious working conditions within an ableist society. Expansive in thought, form and time, Fancy Work together archival fragments, domestic spaces and ongoing sites of struggle, insisting on the political force of often overlooked acts of defiance.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAlice Hattrick\u003c\/strong\u003e is a writer and lecturer based in London. Ill Feelings, their non-fiction book on chronic illness, intimacy and mother-daughter relationships, was published by Fitzcarraldo Editions in 2021. Alice’s criticism has been published in Art Review, frieze, The White Review and TANK, among other publications. They are the co-producer of Access Docs for Artists, made in collaboration with Leah Clements and the late Lizzy Rose, and teach at University of the Arts, London.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e‘This illuminating, expansive and intricately connected book on embroidery made me giddy with the ideas and knowledge it reveals. In detailing so diligently the histories, practices and techniques of needlework, insights into craft as a whole open up. Fancy Work shows how fluency in non-linguistic forms enriches language, sharpens political thought and articulates some of the most radical ways of living.’\u003cbr\u003e— Holly Pester, author of The Lodgers\u003c\/p\u003e\n\u003cp\u003e‘There are so many layers to this book; every page left my mind brimming with detail, colour and affection. Fancy Work somehow contains multitudes while remaining clear, intimate and curiously joyful. I knew at once it was a book I would treasure and return to.’\u003cbr\u003e— Sara Baume, author of Seven Steeples\u003c\/p\u003e\n\u003cp\u003e‘I loved this book. Alice Hattrick writes with luminous beauty about textile craft as a mode of resistance, and about the radically creative lives of artist May Morris and her partner MF. Fancy Work presents a fascinating history of stitchwork as an embodied practice, from Gee’s Bend quilts stained with menstrual blood to the meticulous embroidery of nineteenth-century lunatic patients. This is a book about patience, repetition and generative unproductivity – about the human desire to make things and the loss inherent in all textiles. It is curious, smart, fierce and tender; I will be thinking about it for a long time.’\u003cbr\u003e— Maddie Ballard, author of Bound\u003c\/p\u003e\n\u003cp\u003e‘The quaint stereotypes that surround embroidery cannot survive after this. Alice Hattrick’s intervention is not just a history of maligned “craft”, but a study into the imperialistic and misogynistic forces that have caused and perpetuated that derision. Fabric, it turns out, is infused with life. It is an overlooked witness to and participant in our collective story. You will be hooked.’\u003cbr\u003e— Nathalie Olah, author of Bad Taste\u003c\/p\u003e\n\u003cp\u003ePraise for Ill Feelings:\u003c\/p\u003e\n\u003cp\u003e‘Ill Feelings is a deeply personal and deeply political reckoning with the nature of illness, inheritance, time, silence, bodies and invisibility. Alice Hattrick offers both a radical redefinition of the dominant narratives surrounding health and pain, and the knowledge we need in order to name, understand and resist them. Hattrick has found a voice and form which open up new and exciting possibilities for writing the self and making sense of the collective past: I read this remarkable book with outrage, fascination and immense admiration.’\u003cbr\u003e— Francesca Wade, author of Gertrude Stein: An Afterlife\u003c\/p\u003e\n\u003cp\u003e‘I love the quality of attentiveness that Alice Hattrick brings to their poised and pointillistic exploration of the mysterious aetiologies and affects of chronic fatigue. They excel in listening out for echoes and whispers, their narrative of illness wriggling into uncomfortable places that medicine dismisses or ignores. Their book makes you pause to think – and rethink – page by page.’\u003cbr\u003e— Marina Benjamin, author of Insomnia\u003c\/p\u003e\n\u003cp\u003e‘Ill Feelings defies neat conclusions as well as easy categorization of the book itself, so that attempting to describe it here seems like misdiagnosis, and to try and name the paradox at its heart seems like a betrayal of its rewards. But the thrill of Alice Hattrick’s writing stems from its struggle to be free of its constraints, communicating with unspooling fury the mutability of lived experience rather than presuming to define it. In doing so, they remind us that the undefined – our own ill feelings – reveals not weakness so much as our inherent capacity for resistance.’\u003cbr\u003e— Olivia Sudjic, author of Exposure\u003c\/p\u003e\n\u003cp\u003e‘I read Ill Feelings with a sense of wonder at the courage required not just to live with a medically unexplained illness, but to write about it with such descriptive clarity and probing intelligence. Alice Hattrick’s book is a powerful cure for ignorance or indifference about a complex form of suffering.’\u003cbr\u003e— Edmund Gordon, author of The Invention of Angela Carter\u003c\/p\u003e\n\u003cp\u003e‘Ill Feelings is a necessary, urgent book that I feel I have been waiting my whole life to read. A beautiful combination of memoir, reportage and razor-sharp analysis, it made me think very deeply and critically and feel powerfully understood all at once – a testament to what truly accomplished non-fiction writers can achieve. This book makes me excited for the future of literary non-fiction writing and its power to change the world and how we see it.’\u003cbr\u003e— Lucia Osborne-Crowley, author of The Lasting Harm\u003c\/p\u003e\n\u003cp\u003e‘Hattrick’s ability to reflect life with ME in form and language is complex and brilliant. The structure of Ill Feelings appears initially as haphazard, perhaps, but the more you read, the more it clarifies: this is not a book of simple narrative, of gradual progression.’\u003cbr\u003e— Connor Harrison, Review 31\u003c\/p\u003e\n\u003cp\u003e‘Ill Feelings belongs on the shelf with Susan Sontag’s Illness as Metaphor, Ben Watt’s Patient, Anne Boyer’s The Undying and Jenn Ashworth’s Notes Made While Falling, because, quite simply, it’s that good.’\u003cbr\u003e— Steven Long, The Crack Magazine\u003c\/p\u003e\n\u003cp\u003e‘Ill Feelings offers spellbinding reality unlike anything I have ever read. It conquers the sense of grief that we have to learn to live with; this deep guttural fear in humanity is addressed compassionately.’\u003cbr\u003e— Billie Ingram-Sofokleous, Buzz Magazine\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":53401154453851,"sku":null,"price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_fancywork.jpg?v=1786716583"},{"product_id":"finding-albion-myth-folklore-and-the-quest-for-a-hidden-britain","title":"Finding Albion: Myth, Folklore and the Quest for a Hidden Britain","description":"\u003cp\u003eZakia Sewell is on a quest for another Britain. 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On All Hallow's Eve she encounters the ghosts of Empire that are still haunting the nation, and in the depths of a Cornish winter she asks if today's new folk revival could unite our increasingly divided country?\u003c\/p\u003e\n\u003cp\u003eFinding Albion brings a hopeful story of Britain out from the shadows, giving us a deeper sense of who we are, and heralding the promise of a brighter future.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eZakia Sewell\u003c\/strong\u003e is a writer, DJ and broadcaster based in London. She hosts Dream Time on BBC Radio 6 Music, and used to host the flagship breakfast show on NTS radio. For the past eight years she has been producing and presenting radio documentaries and podcasts for platforms such as BBC Radio 3 and 4, Tate and Camden Art Centre. Her acclaimed four-part Radio 4 series My Albion (2020) was an inspiration for this book. 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His diagnosis was devastating: stagnation in music was akin to a venous insufficiency, or worse, some kind of nuclear winter that would ward off the spring for endless generations to come. \u003c\/p\u003e\n\u003cp\u003eDrawing on musicians like SOPHIE, Arca and Iglooghost, Matt Bluemink declares that the future is not lost; it still speaks to us through music. If Fisher’s Hauntology — dwelling on ghosts of the past — is the logic of depression, then Bluemink’s Anti-Hauntology posits a logic of hope where voices from the future continue to guide the development of the present.\u003c\/p\u003e\n\u003cp\u003eIsland-hopping through Stiegler's philosophy of technics, Simondon's theory of individuation, and the spatial imaginaries of cyberpunk and solarpunk, Bluemink builds a theoretical framework equal to the times — one that takes seriously our capacity to, not only diagnose the world, but remake it. In order to create a new future we must re-imagine our relationship with music, with technology, and with culture. The world of tomorrow is a blank canvas; an open book. New beginnings are always possible. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eENDORSEMENTS\u003cbr\u003e\"This theory toolkit is driven by the desire to create new beginnings, which arise not out of the ashes of the old. The future emerges elsewhere, and there’s an urgent need to overcome the organized malaise. According to Bluemink, music can pull us out of this rabbit hole, and drag us out of platform misery. Our common task will be to design these future-seducing figures and sounds that appear out of nowhere and make the world dance again.\" — Geert Lovink\u003c\/p\u003e\n\u003cp\u003e\"For those seeking to reclaim the future, Matt Bluemink’s book is a welcome read. For the future is cluttered with debris and overblown images that AIs produce to block our view: this is the cyber-trap that The Future is not Lost disarms. And it was time to deactivate the cyber-gimmick we’ve been dragging around since the 1980s — since the liberating cyborg, the political critique of cybernetics, and cyber-gothic. No, accelerationism, its melancholic double, and its fascist flip side are not inevitable. For the way out is already here, in the music (of SOPHIE, Arca, Iglooghost), in the architecture of connected islands, in autonomous cosmologies, in the atmosphere of solar spirits.\u003c\/p\u003e\n\u003cp\u003eA beacon of hope that never forgets political critique, The Future is not Lost draws on philosophers (Gilles Deleuze, Peter Sloterdijk, Gilbert Simondon, Yuk Hui) to prevent us from succumbing to the charms of spectres. Anti-hauntological is the solarpunk world whose warmth Mark Fisher never felt. 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So what is left in this wasteland? Well, Arbitrage for one; other monumental processes like Lifting, Holding, Dragging and Folding roam around above our heads.\u003c\/p\u003e\n\u003cp\u003eThere is a touch of destiny with this one. We have really pushed it as far as we can, and as we stay up all night trying to put the final touches on everything, the reverberations are starting to return. It’s been called, provocative, emancipatory, cutting-edge, and even, in some places, a bit caustic. Perhaps it is provocative because it begins to depart from Marxism as-we-know-it, and, with all the relevant necessary reverences applied, it attempts, dare I say, to step forward from the discourse of labour \u0026amp; production—not that what follows is somehow simpler, because it’s not. Yet as the authors contend, the world has already moved on, and capital, that same old capital, continues to do what it has always done, at myriad different scales, and in myriad worlds. Capital may well have already broken free of us, and so where exactly does that leave you, homocapitalus?\u003c\/p\u003e\n\u003cp\u003eIt would be in-keeping with the style of Charles Mudede to raise the question of whether we are on the cusp of a second ejection from Eden, and that means that whether we are ready or not, we have to step through the looking glass into a new conversation. That is what the authors wish to do here, to push the conversation to a new position, a position which understands DoorDash drivers, MMORPG gold farmers, and remote workers, accounts for AWS architecture, for memecoins and blockchain, for BlackRock, for the Internet (but for reals this time), for High-Frequency Trading and the LinkedIn economy, for Scale, for Airplane Miles and Club card points, and for ADHD \u0026amp; Adderall.\u003c\/p\u003e\n\u003cp\u003eThese two researchers have an enormous insight into contemporary economics, technology and finance, and yet they write as musicians, as the poetic theorists of antiquity, which, for us, makes this text epic. With Charles Mudede and Alex Quicho holding Exocapitalism down, it looks as though Marek Poliks \u0026amp; Roberto Alonso Trillo are here to stay.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eAbout the authors:\u003cbr\u003eMarek Poliks is a researcher in the philosophy of technology, especially with respect to deep learning. He’s based in Minneapolis, Minnesota. Marek and his primary research partner Roberto Alonso Trillo (HKBU) have been working to situate deep learning tools as endosymbiotic reproductive infrastructure (inorganic vehicles through which biological, epistemological, and social information is encoded, subject to contingent processes, and transmitted).\u003c\/p\u003e\n\u003cp\u003eRoberto Alonso Trillo is a theorist and artist whose work spans cultural theory, media philosophy, and experimental sound. Based in Hong Kong, his research engages the aesthetic and political dimensions of machine learning, with particular attention to infrastructural critique and performativity. In ongoing collaboration with Marek Poliks, he investigates AI theory and speculative design as part of a broader inquiry into automation and cultural production. His interdisciplinary practice extends into sound art, post-instrumental music, and critical pedagogy.  \u003cbr\u003e\u003cbr\u003e\u003cspan class=\"caption\"\u003e\u003cb\u003eTo be cited as:\u003c\/b\u003e \u003cbr\u003ePoliks, M., Trillo, R.A.(2025) Exocapitalism: Economies with absolutely no limits. Berlin\/Nicosia: Becoming. 978-9925-8156-7-8.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eForeword: \u003c\/strong\u003eCharles Mudede\u003cbr\u003e\u003cstrong\u003eAfterword: \u003c\/strong\u003eAlex Quicho\u003cbr\u003e\u003cstrong\u003eIllustrations:\u003c\/strong\u003e Avocado Ibuprofen\u003cbr\u003e\u003cstrong\u003eLayouts \u0026amp; Design:\u003c\/strong\u003e Becoming (Claire Elise \u0026amp; Polymnia)\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Becoming Press","offers":[{"title":"Default Title","offer_id":53491592462683,"sku":null,"price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_exocapitalism.jpg?v=1783084314"},{"product_id":"semiotics-of-the-end-essays-on-capitalism-and-the-apocalypse","title":"Semiotics of the End: Essays on Capitalism and the Apocalypse","description":"\u003cp\u003eBack before the first edition of Semiotics of the End was published by the established Institute of Network Cultures, we joined Blue Labyrinths and NON in promoting three excerpts from what looked like a very promising book. We anticipated the first edition with some excitement, and we were secretly wishing we could have been the publisher, so when the author approached us about a second edition, we were delighted to facilitate.\u003c\/p\u003e\n\u003cp\u003eThis book contains 13 essays (14 including Matt Bluemink’s Afterword) about the plethora of signs that constitute our understanding of “the End”,  exploring the boring, the exhausted, the doomed, the looping and more. The book is drenched in music, as well as other references to icons of popular and internet culture. The backcover reads: \u003c\/p\u003e\n\u003cp\u003e    “The apocalypse as such will not take place, as it is already finished. Today, there is no longer any difference between the end of the world and capitalism itself: from Britney Spears’ Till the World Ends to The Caretaker’s Everywhere at the End of Time, from Avenger’s Endgame to Donnie Darko, and all the way down to the internet’s Backrooms, the world never ends but is reproduced again and again according to the semio-logic of capital.\u003c\/p\u003e\n\u003cp\u003e    In contrast with Mark Fisher’s capitalist realism, Semiotics of the End is a manifesto for the imagination of another relationship with the end. If it is easier to imagine the end of the world than the end of capitalism, as Slavoj Žižek, Fredric Jameson, and Mark Fisher put it, it is only because we have not imagined anything yet. The end is just the beginning.”\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCONTENTS: \u003c\/p\u003e\n\u003cp\u003e    Essay One: Not with a Bang, but a Yawn\u003cbr\u003e    Essay Two: Capitalism and Dark Media\u003cbr\u003e    Essay Three: After the End of All Things\u003cbr\u003e    Essay Four: Meltdown Now\u003cbr\u003e    Essay Five: Violence Against the Imaginary\u003cbr\u003e    Essay Six: Overdrive and Meaning: Les Rallizes Dénudés\u003cbr\u003e    Essay Seven: Doom Loop Forever\u003cbr\u003e    Essay Eight: Technology Degree Zero\u003cbr\u003e    Essay Nine: To Sleep, Perchance...\u003cbr\u003e    Essay Ten: Welcome to the Virtual Plaza\u003cbr\u003e    Essay Eleven: The Backrooms \u003cbr\u003e    Essay Twelve: The Ghost in Architecture\u003cbr\u003e    Essay Thirteen: Anti-Hauntology\u003cbr\u003e    Afterword: New Beginnings by Matt Bluemink \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eBIOS: \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAlessandro Sbordoni \u003c\/strong\u003ewas born in Cagliari in 1995. He is the author of The Shadow of Being: Symbolic \/ Diabolic (2nd edition, Miskatonic Virtual University Press, 2023). He is an editor of the British magazine Blue Labyrinths and the Italian magazine Charta Sporca. He lives in London and works for the Open Access publisher Frontiers. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eMatt Bluemink\u003c\/strong\u003e is a philosopher and writer from London. He is the founder and editor-in-chief of Blue Labyrinths magazine. Matt’s research is focused on the relationship between the philosophy of technology, media theory and urbanism. He also writes on contemporary music, literature, and digital culture.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eTO BE CITED AS:\u003c\/p\u003e\n\u003cp\u003eSbordoni, A. (2024) Semiotics of the End: Essays on Capitalism and the Apocalypse. 2nd Edition. Berlin\/Nicosia: Becoming. 978-9925-8118-6-1.\u003cbr\u003e\u003c\/p\u003e","brand":"Becoming Press","offers":[{"title":"Default Title","offer_id":53501003268443,"sku":null,"price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_SemioticsoftheEnds.jpg?v=1783083883"},{"product_id":"berlin-review-reader-7-sommer-26","title":"Berlin Review - Reader 7 - Sommer 26","description":"\u003cp\u003e\u003cstrong\u003eDeutsch - English\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eDie siebte Printausgabe der Berlin Review. Texte über Bücher, Ideen und die Gegenwart von Florian Meinel, Mika Toyota, Eleni Karamali, Annika Meyer, Biao Xiang, Eric Otieno Sumba, Raphaela Edelbauer, Sinthujan Varatharajah, Claudia Durastanti, Maha El Hissy, Meret Weber, Miriam Stoney, Marius Goldhorn, Edna Bonhomme, Faith Hillis, Enis Maci, Philipp Felsch, Karosh Taha und Diedrich Diederichsen. 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