{"title":"Magazines","description":"","products":[{"product_id":"mono-kultur-27-ryan-mcginley","title":"mono.kultur #27 - Ryan McGinley","description":" \u003cdiv class=\"issuebox\"\u003e\r\u003cdiv class=\"product-name monokultur\"\u003e\r\u003ch4 class=\"short-description std\"\u003eDAYDREAMING\r“I love the idea of the unexpected.”\u003c\/h4\u003e\r\u003c\/div\u003e\rThe American photographer Ryan McGinley features in the mono.kultur #27, Spring 2011 issue. McGinley’s colourful and vivid photographs capture the zeitgeist of a generation like no other. Celebrating the sweet and fleeting state of youth, his images are suffused with colour, light and energy. Naked kids climbing trees, running through the desert, rolling down hills, suspended in the air, diving into lakes, leaping through fireworks – there’s a lightness and carelessness and beauty to McGinley’s images that is utterly addictive. His powerful depictions of youth in the here and now are a raw and personal declaration of love to life with all its highs and lows.\r\rThe photographer was the youngest artist to exhibit at the prestigious Whitney Museum in New York and has been enjoying a stellar career, equally successful in the world of fine arts as with his commercial work that has won numerous awards.\r\rIn a refreshingly frank and honest conversation, Ryan McGinley talked with mono.kultur about his first 10 years of an astonishing career, his memories of the late Dash Snow and why every day is an adventure.\r\r\u003c\/div\u003e\r\u003cdiv class=\"creditbox\"\u003e\r\rInterview by Martina Kix\rIntroduction by \u003ca href=\"http:\/\/www.mono-graphie.com\"\u003eKai von Rabenau\u003c\/a\u003e\rPhotography by Ryan McGinley\rDesign by \u003ca href=\"http:\/\/www.unfinishedinventory.com\"\u003eEva Gonçalves\u003c\/a\u003e and \u003ca href=\"http:\/\/www.mono-graphie.com\"\u003eKai von Rabenau\u003c\/a\u003e\r\r\u003c\/div\u003e\r\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/04\/zabriskie_monokultur_ryan_mc_kingley-7.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5644\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/04\/zabriskie_monokultur_ryan_mc_kingley-7.jpg\" alt=\"zabriskie_monokultur_ryan_mc_kingley - 7\" width=\"1200\" height=\"1200\"\u003e\u003c\/a\u003e\r\r\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/04\/zabriskie_monokultur_ryan_mc_kingley-5.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5642\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/04\/zabriskie_monokultur_ryan_mc_kingley-5.jpg\" alt=\"zabriskie_monokultur_ryan_mc_kingley - 5\" width=\"1200\" height=\"1200\"\u003e\u003c\/a\u003e\r\r\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/04\/zabriskie_monokultur_ryan_mc_kingley-4.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5641\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/04\/zabriskie_monokultur_ryan_mc_kingley-4.jpg\" alt=\"zabriskie_monokultur_ryan_mc_kingley - 4\" width=\"1200\" height=\"1200\"\u003e\u003c\/a\u003e\r\u003cdiv class=\"creditbox\"\u003e\r\r\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/04\/zabriskie_monokultur_ryan_mc_kingley-2.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5639\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/04\/zabriskie_monokultur_ryan_mc_kingley-2.jpg\" alt=\"zabriskie_monokultur_ryan_mc_kingley - 2\" width=\"1200\" height=\"1125\"\u003e\u003c\/a\u003e\r\r \r\r\u003c\/div\u003e","brand":"mono.kultur","offers":[{"title":"Default Title","offer_id":46376162230619,"sku":null,"price":5.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_monokultur_ryan_mc_kingley-1.jpg?v=1679342506"},{"product_id":"mono-kultur-38-gus-van-sant","title":"mono.kultur #38 - Gus van Sant","description":" \u003ch4\u003eIN LIMBO\r“I’m not actually involved, but I’m observing.”\u003c\/h4\u003e\rIn 1991, River Phoenix and Keanu Reeves, portraying two street prostitutes in ‘My Own Private Idaho’, took us on a trip to the dark side of the USA – a seedy, disturbing and vulnerable place entirely at odds with the great American Dream. It also launched one of Hollywood’s most unusual and distinct cinematic careers with Gus van Sant.\r\rSince then, oscillating between classic Hollywood productions like ‘Good Will Hunting’ or ‘Milk’, and highly experimental, challenging art house movies such as ‘Drugstore Cowboy’, ‘Elephant’ or ‘Last Days’, Gus van Sant is one of the very few directors to work within and without Hollywood with remarkable ease and credibility, shaping a strangely addictive and consistently courageous filmography.\r\rIf anything, it is a recurring affinity for the fragile and excluded – addicts, hustlers, politicians, rock stars – and for youth, at that breaking point where innocence ends, that unites van Sant’s vast and diverse body of work.\r\rGus van Sant offers us a profoundly humane view of the world. It is a cinema defined by tenderness and slowness, preferring to observe rather than manipulate. A cinema of gaps and open endings, where mood reigns over meaning, where what we see and hear doesn’t quite add up, leaving us wondering.\r\rIn a suitably meandering interview with mono.kultur, Gus van Sant talked about his second chance as a director, inventing films on the spot and why Hollywood always wins.\r\rVisually, the issue is heavily influenced by Gus van Sant’s quiet cinematic style, submitting itself to an endless horizon of American landscapes, leaving ample space to words, skies, and the occasional figure drifting into sight.\r\rInterview by Anna Saulwick\rIntroduction by Kai von Rabenau\rFilm Stills by Gus van Sant\rDesign by Linda Riedl\r\r \r\r\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/04\/zabriskie_monokultur_gus_van_sant-3.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5653\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/04\/zabriskie_monokultur_gus_van_sant-3.jpg\" alt=\"zabriskie_monokultur_gus_van_sant - 3\" width=\"1200\" height=\"1200\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/04\/zabriskie_monokultur_gus_van_sant-4.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5654\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/04\/zabriskie_monokultur_gus_van_sant-4.jpg\" alt=\"zabriskie_monokultur_gus_van_sant - 4\" width=\"1200\" height=\"1200\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/04\/zabriskie_monokultur_gus_van_sant-5.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5655\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/04\/zabriskie_monokultur_gus_van_sant-5.jpg\" alt=\"zabriskie_monokultur_gus_van_sant - 5\" width=\"1200\" height=\"1200\"\u003e\u003c\/a\u003e","brand":"mono.kultur","offers":[{"title":"Default Title","offer_id":46376162328923,"sku":null,"price":5.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_monokultur_gus_van_sant-1.jpg?v=1679342512"},{"product_id":"mono-kultur-39-terre-thaemlitz","title":"mono.kultur #39 - Terre Thaemlitz","description":" \u003cdiv class=\"product-name monokultur\"\u003e\r\u003ch4\u003eTHE ARROGANCE OF OPTIMISM\r“I have more to say about the workings of division than of community.”\u003c\/h4\u003e\r\u003c\/div\u003e\r\u003cdiv class=\"short-description std\"\u003e\r\rPolitics and the dance floor make for uneasy bedfellows, and it is this uneasiness that drives most of the work of Terre Thaemlitz, confronting head-on issues that are usually off limits in electronic music. Thaemlitz is a producer and DJ, also known under his monikers of DJ Sprinkles, Social Material, and K-S.H.E, among others. But she is also a writer, educator and activist of sorts, with very fluid notions of gender, switching continuously between male and female drag.\r\rBorn in 1968, Terre Thaemlitz left the rigidly conservative and violently homophobic environment of his home state, Missouri, in the mid-1980s for New York. She became involved in the queer and transgender scenes both socially and musically at a time when house music was not a genre but simply the wide open sound of a specific social and political space. As New York’s underground queer music scenes dissolved under gentrification, Thaemlitz eventually relocated to Tokyo at the beginning of the ’00s.\r\rToday, Terre Thaemlitz is a reference point not only within the confines of electronic music, but particularly for transgendered communities. The fragility of identity – sexual and otherwise – in relation to the larger world is a central theme for Thaemlitz, tirelessly dissecting the boundaries and friction between public and private, between minority and mainstream with a brutal sharpness and criticality that are often somewhat irritating, continuously questioning and exposing political and social systems and the violence they generate.\r\rIn a challenging interview with mono.kultur, Terre Thaemlitz talked about the politics of sexuality, his disillusion with the music industry, and why roller disco was so amazing.\r\rVisually, the issue is a dark affair, steeped in a dirty, gritty black. Printed on no less than six different paper stocks and juxtaposing several grids and graphic systems, it creates its own visual logic – only to disturb our most fundamental habits of reading and navigating a magazine by opening backwards, from right to left.\r\rInterview by Melissa Canbaz\rArtwork by Terre Thaemlitz\rDesign by Kai von Rabenau\/mono.studio\r\r\u003c\/div\u003e\r\u003cdiv class=\"short-description std\"\u003e\u003c\/div\u003e\r\u003cdiv class=\"short-description std\"\u003e\n\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/04\/zabriskie_monokultur_terre_thaemlitz-2.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5657\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/04\/zabriskie_monokultur_terre_thaemlitz-2.jpg\" alt=\"zabriskie_monokultur_terre_thaemlitz - 2\" width=\"1200\" height=\"1200\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/04\/zabriskie_monokultur_terre_thaemlitz-3.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5658\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/04\/zabriskie_monokultur_terre_thaemlitz-3.jpg\" alt=\"zabriskie_monokultur_terre_thaemlitz - 3\" width=\"1200\" height=\"1200\"\u003e\u003c\/a\u003e\n\u003c\/div\u003e","brand":"mono.kultur","offers":[{"title":"Default Title","offer_id":46376162394459,"sku":null,"price":5.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_monokultur_terre_thaemlitz-1.jpg?v=1679342518"},{"product_id":"berliner-hefte-zu-geschichte-und-gegenwart-der-stadt-2-die-legende-vom-sozialen-wohnungsbau-zur-zeit-nicht-erhaltlich","title":"Berliner Hefte zu Geschichte und Gegenwart der Stadt 2 - Die Legende vom Sozialen Wohnungsbau - Zur zeit nicht erhältlich","description":" Die Wohnungsfrage ist zurück im gesellschaftlichen Diskurs. Es ist die Frage nach einer Wohnraumversorgung für diejenigen, die durch einen boomenden Immobilienmarkt nichts gewinnen. Dazu gehören in Zukunft auch die Menschen, die bei uns heute Zuflucht suchen. Politik, Wirtschaft sowie verschiedene zivilgesellschaftliche Akteure fordern vor diesem Hintergrund ein Mehr an Sozialem Wohnungsbau. Doch taugt das Fördersystem des Sozialen Wohnungsbaus dazu, langfristig niedrige Mieten zu garantieren? Dieses Heft räumt mit Missverständnissen auf und erklärt, warum der Soziale Wohnungsbau in seiner bundesdeutschen und Westberliner Ausprägung eine Legende ist: Statt einer nachhaltigen Wohnraumversorgung für einkommensschwache Haushalte ging es bisher vor allem um Wirtschaftsförderung und private Eigentumsbildung. Grund genug, sich mit dem Prinzip des Sozialen Wohnungsbaus auseinanderzusetzen.\r\rMit Fotografien u.a. von Jürgen Henschel und Steffen Osterkamp\r\u003cspan style=\"color: red\"\u003e\r\u003c\/span\u003e","brand":"Florian Wüst","offers":[{"title":"Default Title","offer_id":46376167145819,"sku":null,"price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_die_legende_vom_sozialen_wohnungsbau-1.jpg?v=1679342845"},{"product_id":"berliner-hefte-zu-geschichte-und-gegenwart-der-stadt-3-marx-engels-forum-ja","title":"Berliner Hefte zu Geschichte und Gegenwart der Stadt 3 - MARX-ENGELS-FORUM – JA!","description":" Am 4. April 2016 trafen sich rund 40 Personen anlässlich des 30-jährigen Gedenkens an die Errichtung des Marx-Engels-Forums in Berlin-Mitte. Die meisten von ihnen waren auch schon 1986 bei dessen Einweihung anwesend – gelebte Geschichte an einem Ort, dem immer wieder seine Bedeutung abgesprochen wird. In den 1950er\/60er Jahren wurde die Fläche für ein Hochhaus der DDR-Regierung freigehalten, das nie gebaut wurde. Die Planung des Marx-Engels-Forums in seiner parkähnlichen Form begann 1973. Nach 1989 wurde der Ort zunächst ohne Veränderungen hingenommen, vielleicht gar vergessen. Heute stehen sich zwei Lager gegenüber: Auf der einen Seite die ‚Historischen’ mit ihrem Bestreben einer parzellengenauen Rekonstruktion des mittelalterlichen Stadtgrundrisses. So als wären sie vom Schlossbaufieber angesteckt, das sich am gegenüberliegenden Spreeufer ausbreitet. Auf der anderen Seite die ‚Modernen’, welche die architektonischen und städtebaulichen Zeugnisse der DDR-Moderne bewahren und weiterentwickeln wollen. Das Marx-Engels-Forum ist ein Erinnerungsort par excellence zwischen Fernsehturm und zukünftigem Humboldt-Forum. Seit 2010 durch die Baumaßnahmen für die U-Bahnlinie 5 kaum zugänglich, soll dieser ab 2019 als städtischer Grünraum aufgewertet werden. Die Geschichte des Ortes und seine wiederholten Neuverhandlungen, auch im Rahmen des Beteiligungsverfahrens von 2015, werden in diesem Heft zeichnerisch zur Diskussion gestellt: Wie lässt sich ein offenes Gelände – JA, genau darum geht es – an dieser zentralen Stelle erhalten und mit dem Ziel einer ständig wechselnden Nutzung gestalten? Um die Freiheit in der Aneignung des Forums zu ermöglichen, müsste sie in der Gestaltung des öffentlichen Raumes eingeschrieben sein. Was liegt da näher, als den Stadtraum ausgehend von der Kunst über die physische Präsenz verschiedener skulpturaler Setzungen zu entwickeln. Schließlich waren die Skulpturen zuerst da – nicht nur Marx und Engels!\r\r ","brand":"Florian Wüst","offers":[{"title":"Default Title","offer_id":46376173699419,"sku":null,"price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_-66.jpg?v=1679343355"},{"product_id":"mono-kultur-43-fatima-al-qadiri","title":"mono.kultur #43 - Fatima Al Qadiri","description":" \u003cdiv class=\"issuebox\"\u003e\r\r\u003cstrong\u003e\u003cspan class=\"quote\"\u003e“I want to be heard and not seen.”\u003c\/span\u003e\u003c\/strong\u003e\r\r\u003c\/div\u003e\r\u003cdiv class=\"issuebox\"\u003e\r\rThe video game \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Desert_Strike\"\u003e\u003cem\u003eDesert Strike\u003c\/em\u003e\u003c\/a\u003e was launched in 1992 for the \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Sega_Genesis\"\u003eSega Genesis\u003c\/a\u003e console to great commercial success. Published only a year after the first \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Gulf_War\"\u003eGulf War\u003c\/a\u003e, it was the first shoot ’em up game directly modelled on real life events, or rather, on a real war. It marked a new level of cynicism in the gaming industry, and what made it even more unsettling was its almost immersive approach, as embodied by its soundtrack, or its absence of soundtrack – \u003cem\u003eDesert Strike\u003c\/em\u003e featured no music, but a layer of ambient sounds, further blurring the lines between reality and entertainment.\r\rTwenty years later, \u003ca href=\"http:\/\/fatimaalqadiri.com\/\"\u003eFatima Al Qadiri\u003c\/a\u003e tried to fill the silence with her EP \u003ca href=\"http:\/\/pitchfork.com\/reviews\/albums\/17312-desert-strike-ep\/\"\u003e\u003cem\u003eDesert Strike\u003c\/em\u003e\u003c\/a\u003e, reclaiming the game by composing a dark and threatening soundtrack, setting fractured melodies against a dense tapestry of lingering soundscapes, heavy bass lines, fragments of processed choir pads, and sound effects. Desert Strike evokes a cold and distant, sparse environment that is oddly static, and it makes for a good example of the sonic and visual universe of Fatima Al Qadiri.\r\rBending and fusing different genres of music, the Kuwaiti producer and visual artist has released a \u003ca href=\"https:\/\/www.discogs.com\/artist\/2390862-Fatima-Al-Qadiri\"\u003ehandful of largely instrumental albums\u003c\/a\u003e that often imply narratives wrapped in a dystopian atmosphere, evoking an uncanny imagery of our increasingly oversaturated and disorienting information age. It is a simple yet complicated sound that owes as much to electronic music and \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Yuzo_Koshiro\"\u003evideo game soundtracks\u003c\/a\u003e as it does to \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Modest_Mussorgsky\"\u003eRussian composers\u003c\/a\u003e and \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Nasheed\"\u003eArab musical traditions\u003c\/a\u003e.\r\rIt is music that draws not only from an eclectic range of contrasting influences, but from a layered personal background: Born in Senegal, Fatima Al Qadiri grew up in \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kuwait\"\u003eKuwait\u003c\/a\u003e, but was exposed to electronic music and club culture during frequent stays in London and studies in the USA. She began experimenting with writing music as a child and later took composing courses during her undergraduate studies in linguistics at New York University.\r\rIt is also in New York where she soon established her own place within the art and music scenes, as comfortable producing music in her own name as she is conceiving art installations as a member of the artist collective \u003ca href=\"http:\/\/www.gccdomain.com\/\"\u003eGCC\u003c\/a\u003e or providing sound to the fashion shows of labels such as \u003ca href=\"http:\/\/www.telfar.net\/\"\u003eTelfar\u003c\/a\u003e and \u003ca href=\"https:\/\/www.hoodbyair.com\/\"\u003eHood by Air\u003c\/a\u003e.\r\rBut regardless of the genre or medium, almost all of Al Qadiri’s work is defined by the thematic undercurrents that run throughout her records, installations, and collaborations, dealing with cultural stereotypes, notions of place and displacement, regional and global politics, and concepts of national but also gender and sexual identity.\r\rHer interest in semiotics and how language determines our way of thinking has remained a lasting concern that Al Qadiri has also applied to the language of her music and art practice. The distinct aesthetics of her record covers and PR images often tap into the hyperreal, evoking corporate and cultural visual codes. It extends all the way to Al Qadiri’s highly stylised appearance, embodying an almost sleek aloofness.\r\rIn a way, Fatima Al Qadiri seems more interested in creating a sonic and visual space for thought and reflection, in filling the silence, proposing a shift of perspective rather than, as is so often the case with music, an emotional escape. Hers is a sound very much of the here and now, channeling not only a multi-layered past, but a complicated present, processing a flux of input and information. Sound as a filtered reality, a kind of digital compression of personal obsessions and contemporary concerns.\r\r\u003c\/div\u003e\r\u003cdiv class=\"creditbox\"\u003e\r\rInterview by Daniel Berndt\rWorks by \u003ca href=\"http:\/\/fatimaalqadiri.com\/\"\u003eFatima Al Qadiri\u003c\/a\u003e\rDesign by \u003ca href=\"http:\/\/www.fuchsborst.de\/\"\u003eFuchs Borst\u003c\/a\u003e\r\r\u003cimg class=\"alignnone size-medium wp-image-9474\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/06\/zabriskie_mono_kultur_fatima_al_qadiri-3-480x480.jpg\" alt=\"\" width=\"480\" height=\"480\"\u003e \u003cimg class=\"alignnone size-medium wp-image-9473\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/06\/zabriskie_mono_kultur_fatima_al_qadiri-2-480x480.jpg\" alt=\"\" width=\"480\" height=\"480\"\u003e\r\r\u003c\/div\u003e","brand":"mono.kultur","offers":[{"title":"Default Title","offer_id":46376183202139,"sku":null,"price":5.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_mono_kultur_fatima_al_qadiri-1.jpg?v=1679343943"},{"product_id":"berliner-hefte-zu-geschichte-und-gegenwart-der-stadt-6-zingster-strasse-25","title":"Berliner Hefte zu Geschichte und Gegenwart der Stadt 6 - Zingster Straße 25","description":" Um die Bevölkerung mit dringend benötigtem Wohnraum zu versorgen, setzte die DDR-Regierung ab Mitte der 1950er Jahre auf die industrielle Plattenbauweise. An den Stadträndern entstanden Neubausiedlungen, deren Wohnungen sich aufgrund ihrer modernen Ausstattung großer Beliebtheit erfreuten. Eine der zuletzt errichteten Großsiedlungen Ost-Berlins ist Neu-Hohenschönhausen. Erich Honecker selbst legte im Februar 1984 den Grundstein. Bereits 1987 konnten viele mehrstöckige Gebäude bezogen werden, darunter das Wohnhochhaus in der Zingster Straße 25. Drei Jahrzehnte später fragt die Künstlerin Sonya Schönberger, was aus den Erstbewohner*innen des Hauses geworden ist. Wer ist noch da? Wer ist hinzugekommen? Die auf Interviews basierenden Geschichten dieses Heftes geben Einblick in unterschiedliche, jedoch durch die äußere Hülle der ‚Platte‘ miteinander verbundene Lebenswirklichkeiten. Sie erzählen auf sehr persönliche Weise vom Alltag in der DDR, vom Wechsel der politischen Systeme und von der Gegenwart im wiedervereinten Deutschland.\r\r ","brand":"Florian Wüst","offers":[{"title":"Default Title","offer_id":46376208859483,"sku":null,"price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_berliner_hefte.jpg?v=1679344914"},{"product_id":"berliner-hefte-zu-geschichte-und-gegenwart-der-stadt-5-zur-verfassung","title":"Berliner Hefte zu Geschichte und Gegenwart der Stadt 5 - Zur Verfassung","description":" Recherchen, Dokumente 1989–2017\r\r1990 galt in Ost-Berlin für ein halbes Jahr eine Verfassung, die weitreichende politische Bürgerrechte enthielt. Diese waren aus den Erfahrungen der Revolution 1989 von den Bürgerbewegungen und der Opposition am Zentralen Runden Tisch der DDR formuliert worden. Die Verankerung der erweiterten politischen Rechte in der gemeinsamen Landesverfassung scheiterte jedoch im ersten Gesamtberliner Abgeordnetenhaus – einzig die Volksgesetzgebung wurde übernommen. Damit ist es in Berlin möglich, Gesetze durch Volksentscheid und ohne das Parlament direkt zu beschließen. Das gelang bisher mit den Volksentscheiden zur Offenlegung der Wasserverträge und zum Erhalt des Tempelhofer Feldes. Für letzteren stimmte im Mai 2014 eine Mehrheit in allen Bezirken. Dennoch versuchten die Regierungsparteien, das Tempelhofer Feld-Gesetz wieder zu kippen. In Reaktion darauf wurde 2016 das Volksbegehren Volksentscheid Retten eingeleitet, um die Volksgesetzgebung in der Verfassung zu stärken. Beide Vorgänge, 1989\/90 und 2016, hatten zum Ziel, dass alle Berliner*innen an der Ausgestaltung der Verfassung teilhaben können. Sie bilden die Klammer für dieses Heft.","brand":"Florian Wüst","offers":[{"title":"Default Title","offer_id":46376208892251,"sku":null,"price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_berliner_hefte_rosenfeld_meyer_franzbecker_zur_verfassung.jpg?v=1679344922"},{"product_id":"berliner-hefte-zu-geschichte-und-gegenwart-der-stadt-4-gemeingut-stadt","title":"Berliner Hefte zu Geschichte und Gegenwart der Stadt 4 - Gemeingut Stadt","description":" „Gemeingüter sind weder etwas, das einfach da draußen existiert, noch sind sie etwas, das – objektiv gesehen – bestimmten Ressourcen oder Dingen innewohnt. Sie sind eine Beziehung zwischen Menschen und den von ihnen kollektiv als essentiell für ihre Existenz beschriebenen Bedingungen“, schreibt Stavros Stavrides, Architekt, Aktivist und Autor von Common Space: The City as Commons. Stavrides versteht die Herstellung, Entwicklung und Pflege von Gemeingütern als eine soziale Praxis, die kapitalistische Werte und hierarchische Formen gesellschaftlicher Organisation radikal herausfordert. Auf diese Weise gestaltete städtische Räume unterscheiden sich von privatisierenden Einhegungen und von öffentlichem Raum, wie wir ihn kennen: gemeinsame Räume, die permanent einladend und im Entstehen begriffen sind, die nicht nur geteilt werden, sondern das Teilen selbst mitbestimmen. In diesem von Mathias Heyden herausgegebenen Heft führt Stavrides in sein Nachdenken über das Gemeingut Stadt ein. Am Beispiel besetzter Plätze, selbstverwalteter Einrichtungen und autonomer Nachbarschaften in Griechenland und Lateinamerika veranschaulicht er seine Theorie eines städtischen Gemeinschaffens, das im Kontext der globalen Debatten und Kämpfe um soziale und ökonomische Gerechtigkeit einen möglichen Weg hin zu einer in der Tat emanzipierten Gesellschaft weist.\rProduziert anlässlich des Projektes Ene Mene Muh und welche Stadt willst Du? Beiträge zum Berliner Wahlherbst 2016, nGbK, 2016\/17\r\r\u003cimg class=\"alignnone size-full wp-image-19776\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/01\/zabriskie_berliner_hefte_stravros_-1.jpg\" alt=\"\" width=\"1000\" height=\"1000\"\u003e\r\r\u003cimg class=\"alignnone size-full wp-image-19778\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2018\/03\/zabriskie_berliner_hefte_stravros_stavrides_mathias_hayden_gemeingut_stadt_02-1.jpg\" alt=\"\" width=\"1000\" height=\"1000\"\u003e","brand":"Florian Wüst","offers":[{"title":"Default Title","offer_id":46376212267355,"sku":null,"price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_berliner_hefte_stravros_stavrides_mathias_hayden_gemeingut_stadt_01.jpg?v=1679345164"},{"product_id":"kultur-und-gespenster-radio-heft-nr-14","title":"Kultur und Gespenster - Radio - Heft Nr. 14","description":" \u003cp class=\"bodytext\"\u003e\u003cb\u003eDas Magazin »Kultur \u0026amp; Gespenster« zum Thema Radio ist lieferbar.\u003c\/b\u003e\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003e\u003cb\u003e\r\u003c\/b\u003eDie Texte widmen sich dem Radio als Spukmedium, der elektronischen Präsenz von der Telegrafie bis zur Television und der Schizophrenie.\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eMit Texten von Ole Frahm, Klemens Gruber, John Mowitt, Patrick Primavesi, Milo Rau, Andreas Stuhlmann u. v. a.\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eWeitere Beiträge über das Unendliche und das Gute, den Herrensignifkanten in Philosophie, Alltagskultur und Politik, die Verfertigung der Subkultur beim Reden, die Hamburg Connection, Kreativität im Allgemeinen und den Kunstverein Frankfurt im Besonderen sowie über das, was passiert, wenn Hipsterkatzen zu Inventors of Tradition werden. Außerdem die Reisegeschichte, in diesem Fall eine Flaschenpost vom Mond.\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eMit Texten von Jan-Frederik Bandel, Burk Koller, Frieder Butzmann, Elke Stefanie Inders, Britta Peters, Robert Pfaller, Steffen Zillig u. v. a.\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eSowie Bildstrecken von Simon Logan, Peter Lynen und Claus Böhmler, Wibke Larink, Leonore Mau, Michaela Melián\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003e\u003cstrong\u003eINHALT\u003c\/strong\u003e\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eEditorial\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eDER SICH ENTFREMDETE GEIST\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eDIE BILDUNG\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eDas Unendliche und das Gute.\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eDer Herrensignifkant in Philosophie,\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eAlltagskultur und Politik\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eRobert Pfaller\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eDIE VERSTELLUNG\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003e»Bildgebende Diagnostik«\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003ePeter Lynen, Claus Böhmler\u003c\/p\u003e\r \r\u003cp class=\"bodytext\"\u003eDAS GEISTIGE TIERREICH UND\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eDER BETRUG ODER DIE SACHE\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eSELBST\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003ePlädoyer für die teleplasmatische Erbse.\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eHamburger Fußnoten zur Verfertigung\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eder Subkultur beim Reden\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eJan-Frederik Bandel\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eDie Hamburg Connection\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eFrieder Butzmann, 1997\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eDIE SINNLICHE\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eGEWISSHEIT\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eKreativität abrüsten\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eSteffen Zillig\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eBeyond and behind Scottish Style:\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eWenn Hipsterkatzen zu Inventors\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eof Tradition werden\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eElke Stefanie Inders\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003e»Eigentlich unterscheiden wir uns\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003egar nicht, denn das Lustige am\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eFrankfurter Kunstverein ist, dass\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003edie Leiter glauben, sie sind von\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eGott berufen.«\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eEine Podiumsdiskussion geführt\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003evon Britta Peters\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eLeonore Mau »Miami«\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eEine Bildstrecke zusammengestellt\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003evon Franziska Mecklenburg\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003e»Untitled Series«\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eZeichnungen von Simon Logan\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eDIE LUST UND\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eDIE NOTWENDIGKEIT\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eEditorial Radio\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eSpuk und Radio (1930)\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eGünther Stern\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eMensch, Medium, Message.\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eEine Einführung zu Jeffrey Sconce\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003evon Andreas Stuhlmann\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eSpukmedien.\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eElektronische Präsenz von\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eder Telegrafie bis zur Television\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eJeffrey Sconce\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eRadio und Schizophrenie.\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eAnmerkungen zu Daniel Paul\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eSchrebers Radiotheorie avant\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003ela lettre\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eOle Frahm\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003e»Radiotürme«\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eEine Bildstrecke von Michaela Melián\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eAngesichts des Radios\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eJohn Mowitt\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eRadiostimmen und die Geister\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003edes Lehrstücks\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003ePatrick Primavesi\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eMit dem Medium spielen.\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003e»Radio Alice« eine Stimme, die\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eniemandes Sprachrohr sein wollte\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eKlemens Gruber\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eOn Air.\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eEin Gedicht von Brandon LaBelle\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eHate Radio »Niemand wird\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eje verstehen, warum man ihn\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eauslöschen will.«\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eEine Radio-Sendung aus Ruanda\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eMilo Rau\u003c\/p\u003e\r \r\u003cp class=\"bodytext\"\u003eDIE TUGEND UND DER\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eWELTLAUF\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eA Magnificent Desolation.\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eFlaschenpost vom Mond.\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eEin Reisebericht von Burk Koller\u003c\/p\u003e","brand":"Textem","offers":[{"title":"Default Title","offer_id":46376218689883,"sku":null,"price":16.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_kultur_gespenster_radio-1.jpg?v=1679345667"},{"product_id":"kultur-amp-gespenster-marchen-heft-nr-12","title":"Kultur \u0026amp; Gespenster - Märchen - Heft Nr. 12","description":" \u003cp class=\"bodytext\"\u003eDie 12. Ausgabe des Magazins \u003cem\u003eKultur \u0026amp; Gespenster \u003c\/em\u003eist fast ein bisschen zu schön geworden und widmet sich ausschließlich der Märchensammlung von Karl Müllenhoff, welche er 1845 veröffentlichte.\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003e\u003cem\u003eKultur \u0026amp; Gespenster \u003c\/em\u003ebringt einen Teil der \u003cem\u003eSagen, Märchen und Lieder der Herzogtümer Schleswig, Holstein und Lauenburg, \u003c\/em\u003eergänzt um ein Gespräch zwischen dem Mediävisten und Literaturwissenschaftler Hartmut Freytag und dem Künstler Alexander Rischer, welcher im Herbst vergangenen Jahres etliche Fahrradtouren durchs Holsteinische unternahm, um die Originalschauplätze der Märchen für dieses Heft zu fotografieren.\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eWunderbarerweise waren fast alle Orte zu finden: Heidnische Kultstätten, Quellen, Bäume, Kirchen, Glocken, Plätze für Mirakel und Rechtshändel, auch versunkene Orte und solche, an denen der Teufel den Übermut strafte. Gespenster, Irrlichter, Zauberer, Werwölfe, Teufelspferde, Drachen, Zwerge und weiße Frauen gehörten zum Alltag. Nicht zu sprechen von den Seuchen, Vorzeichen und Weissagungen, den versunkenen Schlössern, Grabhügeln, schlafenden Helden und Heeren, verhängnisvollen Bäumen und natürlich den überall vergrabenen Schätzen.\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003e\u003cem\u003eDie Redaktion\u003c\/em\u003e\u003c\/p\u003e\r \r\r ","brand":"Textem","offers":[{"title":"Default Title","offer_id":46376218755419,"sku":null,"price":12.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_kultur_gespenster_maerchen-1.jpg?v=1679345674"},{"product_id":"arch-232-an-atlas-of-commoning-orte-des-gemeinschaffens-deu","title":"ARCH+ 232: An Atlas of Commoning: Orte des Gemeinschaffens - deutsche Ausgabe","description":" \u003cdiv class=\"ausgabe-teaser\"\u003e\r\u003cdiv class=\"mod mod-text\"\u003e\r\r\u003cstrong\u003eKuratorisches Statement\u003c\/strong\u003e\r\rFacebook, Airbnb \u0026amp; Co., deren Geschäftsmodell auf der Kommerzialisierung sozialer Beziehungen beruht, haben Begriffe wie Community oder Sharing in leere Worthülsen verwandelt. Konzepte wie „Wir“ oder „Teilen“ stehen nicht mehr für Solidarität oder eine sozialpolitische Agenda, sondern bilden die Grundlage des aufkommenden Plattformkapitalismus. Begleitet wird diese ökonomische Entwicklung von einer weltweiten politischen Wende, \u2028die sich aus überkommenen Gemeinschaftsvorstellungen von Identität und Zugehörigkeit, Ausgrenzung und Diskriminierung speist.\r\rVor diesem Hintergrund will \u003ca href=\"http:\/\/www.archplus.net\/commoning\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003ci\u003eAn Atlas of Commoning: Orte des Gemeinschaffens\u003c\/i\u003e\u003c\/a\u003e – eine Tourneeausstellung des ifa (Institut für Auslandsbeziehungen) in Zusammenarbeit mit ARCH+ – den offenen und emanzipatorischen Raum des Wir zurückerobern und neu definieren. Das Projekt fokussiert dabei auf \u003ci\u003eUrban Commons\u003c\/i\u003e. Darunter wird die Schaffung und Bewirtschaftung materieller und immaterieller kollektiver Ressourcen und Räume als Grundlage demokratischer Teilhabe verstanden. Dies bringt die Wortneuschöpfung \u003ci\u003ecommoning\u003c\/i\u003e beziehungsweise „gemeinschaffen“ zum Ausdruck.\r\rGemeinschaffen ist ein Prozess der Aushandlung von Unterschieden und Konflikten zwischen Individuum, Gemeinschaft und Gesellschaft. Ein Prozess der räumlichen Organisation der Beziehungen zwischen Produktion und Reproduktion, Eigentum und Zugang zu Ressourcen. Ein Prozess, in dem Solidaritätsnetzwerke geknüpft und die individuellen und kollektiven Rechte neu definiert werden. Das Projekt stellt die vorherrschenden sozialen und politischen Strukturen infrage und sucht nach neuen Formen einer kollektiven und dennoch pluralistischen Governance. \u003ci\u003eAn Atlas of Commoning\u003c\/i\u003e entfaltet ein Netzwerk der Ideen für ein solidarisches und emanzipatorisches Gemeinschaffen, welches das Individuum nicht in der Gemeinschaft gleichschaltet, sondern das Einzigartige, das Andersartige und das Besondere zu entscheidenden Qualitäten des Miteinanders macht.\r\r\u003cem\u003eMirko Gatti, Stefan Gruber, Christian Hiller, Max Kaldenhoff, Elke aus dem Moore, Anh-Linh Ngo, Christine Rüb\u003c\/em\u003e\r\r\u003cimg class=\"alignnone size-full wp-image-17123\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2018\/09\/Zabriskie_atlas_of_commoning_ARCH-2.jpg\" alt=\"\" width=\"1000\" height=\"1000\"\u003e \u003cimg class=\"alignnone size-full wp-image-17124\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2018\/09\/Zabriskie_atlas_of_commoning_ARCH-3.jpg\" alt=\"\" width=\"1001\" height=\"1000\"\u003e \u003cimg class=\"alignnone size-full wp-image-17125\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2018\/09\/Zabriskie_atlas_of_commoning_ARCH-4.jpg\" alt=\"\" width=\"1000\" height=\"1000\"\u003e\r\r\u003cimg class=\"alignnone size-full wp-image-17126\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2018\/09\/Zabriskie_atlas_of_commoning_ARCH-5.jpg\" alt=\"\" width=\"1000\" height=\"1000\"\u003e \u003cimg class=\"alignnone size-full wp-image-17127\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2018\/09\/Zabriskie_atlas_of_commoning_ARCH-6.jpg\" alt=\"\" width=\"1000\" height=\"1000\"\u003e \u003cimg class=\"alignnone size-full wp-image-17128\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2018\/09\/Zabriskie_atlas_of_commoning_ARCH-7.jpg\" alt=\"\" width=\"1000\" height=\"1000\"\u003e \u003cimg class=\"alignnone size-full wp-image-17129\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2018\/09\/Zabriskie_atlas_of_commoning_ARCH-8.jpg\" alt=\"\" width=\"1000\" height=\"1000\"\u003e \u003cimg class=\"alignnone size-full wp-image-17130\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2018\/09\/Zabriskie_atlas_of_commoning_ARCH-9.jpg\" alt=\"\" width=\"1000\" height=\"1000\"\u003e\r\u003cdiv class=\"article-list-item\"\u003e\r\r\u003cstrong\u003eInhaltsverzeichnis\u003c\/strong\u003e\r\r\u003cstrong\u003eThema\u003c\/strong\u003e\r\r\u003cstrong\u003eVorwort\u003c\/strong\u003e\rStadt \u2028als Ort \u2028der \u2028Gemeinschaft\rAutor*innen: aus dem Moore, Elke\r2-3\r\r\u003cstrong\u003eEditorial\u003c\/strong\u003e\rDie \u2028umkämpften \u2028Felder des \u2028Gemeinschaffens\rAutor*innen: Gruber, Stefan \/ Ngo, Anh-Linh\r4-5\r\rThe 3D Additivist Cookbook\rDas vermeintlich demokratische Produktionsmittel 3D-Druck\rAutor*innen: Allahyari, Moreshin \/ Rourke, Daniel\r8\r\rFree Universal Construction Kit\rDie Marktlogik unterwandern\rAutor*innen: Levin, Golan \/ Sims, Shawn\r10-11\r\rWe Are the World, as performed by the Hong Kong Federation of Trade Unions Choir\rDie manipulative Kraft der Musik\rAutor*innen: Young, Samson\r12-13\r\rRights on Carpet\rDer Menschenrechtskanon im Spannungsfeld mit nicht-westlichen Kulturräumen und -praktiken\rAutor*innen: Herz, Manuel\r14-19\r\rCommon Space: Die Stadt als Gemeingut – \u2028Eine Einführung\rDie Welt durch das Wir begreifen\rAutor*innen: Stavrides, Stavros\r20-25\r\rDie Fiktion der \u2028Gemeinschaft\rEin politisches Leitbild \u2028zwischen identitärer und emanzipativer Aneignung\rAutor*innen: Spitta, Juliane\r26-31\r\rVom \u2028Kommu­nismus \u2028zum \u2028Commo­nismus\rMassimo De Angelis \u2028im Gespräch mit \u2028Harald Trapp \u2028und Robert Thum\rAutor*innen: De Angelis, Massimo \/ Thum, Robert \/ Trapp, Harald\r32-43\r\rDie Konstruktion von Gemeingütern – Ausblick auf eine andere Architekturtheorie der Stadt\rEie Vorstellungswelt der Commons hat von jeher wesentlich zur Entwicklung der Architektur der Stadt beigetragen.\rAutor*innen: Avermaete, Tom\r44-47\r\rEiner von vielen kommenden Atlanten …\rAn Atlas of Commoning als offenes Wissensarchiv\rAutor*innen: Gruber, Stefan\r48-49\r\rEIGENTUM und ZUGANG\rDer Kampf um Grund und Boden und der Zugang zu anderen lebensnotwendigen Ressourcen stehen seit jeher im Zentrum gesellschaftlicher Konfliktlinien.\rAutor*innen: ARCH+\r50-53\r\rAuszug aus dem Atlas\rIntegratives Bauprojekt am ehemaligen Blumengroßmarkt (IBeB) \/ Spreefeld \/ Prinzessinnengarten \u0026amp; Die Laube \/ WiLMa 19\rAutor*innen: School of Architecture, Carnegie Mellon University Pittsburgh (CMU) \/ ARCH+\r54-61\r\rBerlin und die Stadt als Gemeingut\rMathias Heyden im Gespräch mit Anh-Linh Ngo, Christian Hiller und Max Kaldenhoff\rAutor*innen: Heyden, Mathias \/ Hiller, Christian \/ Kaldenhoff, Max \/ Ngo, Anh-Linh\r62-69\r\rSpreefeld\rDen öffentlichen Zugang zum Flussufer mithilfe \u2028einer Wohnbau­genossenschaft erhalten\rAutor*innen: BARarchitekten \/ Carpaneto, Silvia \/ FATkoehl Architekten\r70-75\r\rIntegratives Bauprojekt am ehemaligen Blumengroßmarkt (IBeB)\rLebendige \u2028Gemeinschaft durch \u2028eine Mischung \u2028von Eigentums- und \u2028Nutzungsmodellen \u2028schaffen\rAutor*innen: HEIDE \u0026amp; VON BECKERATH \/ ifau\r76-79\r\rWiLMa 19\rTauschwert und Gebrauchswert \u2028trennen, um die Warenförmigkeit \u2028des Wohnens aufzuheben\rAutor*innen: Clemens Krug Architekten \/ Hummel, Bernhard\r80-81\r\rStad in de Maak\rLeerstand durch \u2028Zwischennutzung, \u2028Muskelhypothek \u2028und Kreislauf­wirt­schaft aktivieren\rAutor*innen: Stad in de Maak \/ City in the Making\r82-83\r\rLuchtsinge\rMit Crowdfunding \u2028als neue Form \u2028der Finanzierung \u2028eine öffentliche \u2028Infrastruktur realisieren\rAutor*innen: ZUS (Zones Urbaines Sensibles)\r84-87\r\rYoshino Cedar House\rGastfreundschaft mit \u2028Strategien des Gemeinschaffens kommerzialisieren\rAutor*innen: Hasegawa, Go\r88-91\r\rDie Einübung einer anderen Vision von Stadt\rElizabeth Calderon Lüning und Marco Clausen \u2028im Gespräch mit Christian Hiller \u2028und Anh-Linh Ngo\rAutor*innen: Calderon Lüning, Elizabeth \/ Clausen, Marco \/ Hiller, Christian \/ Ngo, Anh-Linh\r92-96\r\rPrinzessinnengarten \u0026amp; Die Laube\rMit Hilfe eines \u2028Gemeinschaftsgartens \u2028Wissen und Teilhabe \u2028kultivieren\r97-101\r\rBesetzung\rAlternative Besitzform \u2028von Grund und Boden\rAutor*innen: ARCH+ \/ Hinterbrandner, Angelika \/ Westerheide, Jan\r\r102-105\rTorre, David\rEinen vertikalen Slum \u2028durch konzentrische \u2028Entscheidungsstrukturen selbst verwalten\rAutor*innen: Urban-Think Tank (U-TT)\r106-107\rTorre, David – Experimentierfeld einer vertikalen Zukunft\rDer Bau des Gebäudes begann 1989. Es sollte das Kronjuwel des Finanzbezirks der Stadt werden, endete aber als gigantische Bauruine.\rAutor*innen: Urban-Think Tank (U-TT)\r108-109\r\rWassersiedlung in Lagos \u0026amp; Makoko Floating School\rDie Handlungsmacht \u2028der Architektur \u2028in einer Squattersiedlung \u2028auf dem Wasser \u2028problematisieren\rAutor*innen: NLÉ Architects\r110-111\r\rPRODUKTION und REPRODUKTION\rBis heute wird die Gestaltung des städtischen wie des häuslichen Raums vom Dogma der Funktionstrennung der Moderne bestimmt\rAutor*innen: ARCH+\r112-115\r\rAuszug aus dem Atlas\rKalkbreite \/ Dragon Court Village \/ R-Urban \/ Granby Workshop\rAutor*innen: School of Architecture, Carnegie Mellon University Pittsburgh (CMU) \/ ARCH+\r116-120\r\rReproduktionsarbeit\rDer Schlüssel zur Lösung liegt in der räumlichen Reorganisation vom häuslichen Bereich und jenem der Erwerbstätigkeit\rAutor*innen: ARCH+ \/ Gatti, Mirko\r121\r\rSemiotics of the Kitchen\rÜber die Bedeutungen traditioneller Symbole der Häuslichkeit\rAutor*innen: Rosler, Martha\r122-127\r\rCaring: Die räumliche Dimension der Sorgearbeit\rFürsorge ist ein komplexer Prozess, der Machtstrukturen, die Wirtschaftsordnung und die Trennung von öffentlichem und privatem Leben widerspiegelt\rAutor*innen: Trogal, Kim\r128-139\r\rThe Siedlung in der Schweiz – Gesellschaft, Gemeinschaft, Genossenschaft\rAn den Beispielen der Siedlungen Freidorf in Muttenz, Gwad in Wädenswil, Halen in Herrenschwanden und Mehr als Wohnen (MAW) in Zürich\rAutor*innen: Markus, Elena\r140-145\r\rKalkbreite\rSoziale \u2028Mitverantwortung \u2028auf der Ebene des \u2028Wohnblocks \u2028übernehmen\rAutor*innen: Müller Sigrist Architekten\r152-155\r\rPlanBude Hamburg\rDurch Wunsch­produktion \u2028die Stadtbewoh­ner*innen \u2028am Planungsprozess \u2028beteiligen\rAutor*innen: PlanBude\r156-161\r\rPlanBude Hamburg – der Prozess und die Tools\rZugänglich, modellhaft, ­demokratisch, ergebnisoffen, breitgefächert, vor Ort organisiert\rAutor*innen: PlanBude\r162-163\r\rEsso Häuser Requiem\rÖffentliches Sprechen als Form der politischen Rede\rAutor*innen: Baumgardt, Svenja Jana\r164-167\r\rGranby Workshop\rDurch \u2028Upcycling die \u2028Gemeinschaft \u2028und die \u2028lokale Wirtschaft \u2028erneuern\rAutor*innen: Assemble\r168-169\r\rR-Urban\rDie Resilienz von \u2028Nachbarschaften\u2028 durch lokale\u2028 Produktions- und \u2028Konsumkreisläufe \u2028stärken\rAutor*innen: Atelier d'architecture autogérée (AAA)\r170-173\r\rDragon Court Village\rÜberwindung der suburbanen \u2028Vereinzelung durch die Verknüpfung \u2028von Produktion \u2028und Reproduktion\rAutor*innen: Eureka\r174-179\r\rKollektive Raumbildung und symbolisches Kapital\rÜber Korrelationen \u2028zwischen sozialer Organisation \u2028und räumlicher Form\rAutor*innen: Hehl, Rainer\r180-181\r\rLa Maloca Tukano\rUnter einem \u2028gemeinsamen Dach einen \u2028ganzen Kosmos \u2028reproduzieren\r182-183\r\rLa Maloca Tukano\rDie Basis des wirtschaftlichen, kulturellen und spirituellen Lebens der Tukano ist die Maloca.\rAutor*innen: Mora, Maria C.\r\r184-185\rRECHT und SOLIDARITÄT\rVon der Durchsetzung rechtlicher Normen von oben und dem Aufbau von Solidaritätsnetzwerken von unten\rAutor*innen: ARCH+\r186-189\r\rAuszug aus dem Atlas\rZeichnerische Collagen: Roofless \/ City Plaza Hotel \/ Kotti \u0026amp; Co \/ Auroville\rAutor*innen: School of Architecture, Carnegie Mellon University Pittsburgh (CMU) \/ ARCH+\r190-193\rAuroville\rNach der Einheit \u2028der Menschen \u2028jenseits von Religion, Politik und Nationalitäten streben\rAutor*innen: Anger, Roger\r194-201\r\rFünfzig Jahre Auroville – Eine wegweisende Laborstadt für die gemeinsame Zukunft der Menschheit\rIndiens erstes modernes Bauwerk\rAutor*innen: Kundoo, Anupama\r202-205\r\rHouse of One\rDie Koexistenz \u2028der drei \u2028Weltreligionen \u2028mit einem \u2028Crowdfunding-\u2028Projekt \u2028gestalten\rAutor*innen: Kuehn Malvezzi\r206-209\r\rDas Recht auf Welt\rNur 14 Länder heißen alle Menschen, die einen gültigen Reisepass haben, ohne Visumsbeschränkungen willkommen.\rAutor*innen: Deutinger, Theo\r210-213\r\rWestern Sahara\rDurch \u2028Selbst­organisation \u2028ein eigenes \u2028Staatswesen \u2028aufbauen\rAutor*innen: Herz, Manuel \/ Baan, Iwan \/ National Union of Sahrawi Women\r214-215\r\rRoofless\rMit einem Platz \u2028als öffentliches \u2028Wohnzimmer \u2028die Gemeinschaft \u2028neu verhandeln\rAutor*innen: DAAR (Decolonizing Architecture Art Residency)\r216-217\r\rRoofless\rDie stille Revolution\rAutor*innen: Hilal, Sand\r218-221\r\rCity Plaza Hotel\rDas Recht auf Welt \u2028für Geflüchtete durch Selbstorganisation und Bewirtschaftung \u2028eines besetzten Hotels einfordern\rAutor*innen: Refugee Accomodation and Solidarity Space City Plaza\r222-225\r\rEl Campo de Cebada\rKommunale \u2028Institutionen durch \u2028direkte Demokratie \u2028auf einem städtischen \u2028Platz verändern\rAutor*innen: EL Campo De Cebad\r226-229\r\rSubtraktion – Momente der Vergemeinschaftung im Großwohnungsbau\rRund zehn Millionen Wohnungen wurden in der Nachkriegszeit – in Westdeutschland bis in die 1970er-Jahre, in Osdeutschland bis in die 1980er-Jahre...\rAutor*innen: Tajeri, Niloufar\r\r230-231\rKotti \u0026amp; Co\rMit einem \u2028Gecekondu \u2028für bezahlbaren \u2028Wohnraum in \u2028Berlin kämpfen\rAutor*innen: Kotti \u0026amp; Co\r232-233\r\rMiete essen Seele auf\rEin Film über den Kampf um bezahlbaren Wohnraum am Kottbusser Tor in Berlin\rAutor*innen: Levi, Angelika\r234-235\r\rARCH+ uncovered: Der Atlas of Commoning in seiner Form für die Deutschlandpremiere in Berlin (Juni 2018)\rEntwickelt von ARCH+ in Zusammenarbeit mit der School of Architecture der Carnegie Mellon University für die Tourneeausstellung des ifa\rAutor*innen: School of Architecture, Carnegie Mellon University Pittsburgh (CMU) \/ ARCH+\r\r \r\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e","brand":"Arch + GVA + Jessica Reitz","offers":[{"title":"Default Title","offer_id":46376227406171,"sku":null,"price":22.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/Zabriskie_atlas_of_commoning_ARCH-1.jpg?v=1679346162"},{"product_id":"arch-232-an-atlas-of-commoning-englische-ausgabe","title":"ARCH+ 232: An Atlas of Commoning - englische Ausgabe","description":"","brand":"Arch + GVA + Jessica Reitz","offers":[{"title":"Default Title","offer_id":46376228258139,"sku":null,"price":22.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_archplus-1.jpg?v=1679346250"},{"product_id":"fireflies-6-alain-guiraudie-albert-serra","title":"Fireflies #6 - Alain Guiraudie \u0026 Albert Serra","description":" \u003cem\u003e\u003cstrong\u003eEssays:\u003c\/strong\u003e\u003c\/em\u003e Annabel Brady-Brown, Giulio Bursi, Veronica Scott Esposito, Howard Hampton, Frédéric Jaeger, Michael Koresky, Dennis Lim, Michael Sicinski, Albert Serra (trs. Elizabeth Bryer), Masha Tupitsyn\r\r\u003cstrong\u003e\u003cem\u003eFiction\/Poetry\/Experimental:\u003c\/em\u003e\u003c\/strong\u003e CAConrad, Luise Donschen, Bruce Hainley \u0026amp; Wayne Koestenbaum, Alain Guiraudie (trs. Jeffrey Zuckerman), James Lattimer \u0026amp; Dane Komjlen, Peter Polites, Pierre Senges (trs. Jacob Siefring)\r\r\u003cem\u003e\u003cstrong\u003ePostcards From The Cinema:\u003c\/strong\u003e\u003c\/em\u003e Erika Balsom, Phil Coldiron, Luc Moullet, Paul Dalla Rosa\r\r\u003cem\u003e\u003cstrong\u003eVisual Art:\u003c\/strong\u003e\u003c\/em\u003e Kasper Bosmans, Cruising Pavilion, James Geoffrey Nunn\u003cem\u003e\r\u003c\/em\u003e\r\r\u003cem\u003e\u003cstrong\u003eInterviews\u003c\/strong\u003e\u003c\/em\u003e with Alain Guiraudie and Albert Serra by Giovanni Marchini Camia\r\r\u003cimg class=\"alignnone size-full wp-image-17452\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2018\/10\/zabriskie_fireflies_altert_serra_alain_guiraudie_2.jpg\" alt=\"\" width=\"1000\" height=\"1000\"\u003e \u003cimg class=\"alignnone size-full wp-image-17453\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2018\/10\/zabriskie_fireflies_altert_serra_alain_guiraudie-4.jpg\" alt=\"\" width=\"1000\" height=\"1000\"\u003e \u003cimg class=\"alignnone size-full wp-image-17454\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2018\/10\/zabriskie_fireflies_altert_serra_alain_guiraudie-5.jpg\" alt=\"\" width=\"1000\" height=\"1000\"\u003e \u003cimg class=\"alignnone size-full wp-image-17455\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2018\/10\/zabriskie_fireflies_altert_serra_alain_guiraudie-8.jpg\" alt=\"\" width=\"1000\" height=\"1000\"\u003e \u003cimg class=\"alignnone size-full wp-image-17456\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2018\/10\/zabriskie_fireflies_altert_serra_alain_guiraudie-10.jpg\" alt=\"\" width=\"1000\" height=\"1000\"\u003e","brand":"Fireflies","offers":[{"title":"Default Title","offer_id":46376228815195,"sku":null,"price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_fireflies_altert_serra_alain_guiraudie_1.jpg?v=1679346273"},{"product_id":"another-gaze-a-feminist-film-journal-2","title":"Another Gaze - A Feminist Film Journal #2","description":" Another Gaze is a feminist film journal, founded in January 2016, and established to highlight the gender inequality of the film industry and amplify the voices of great, often overlooked, filmmakers who identify as women.\r\rIncluding essays about Lucrecia Martel, Alice Rohrwacher, Cecilia Mangini, Chantal Akerman, Mika Rottenberg, Anocha Suwichakornpong, Agnès Varda, Barbara Hammer, Laida Lertxundi.\r\rInterviews with Nandita Das, Lucile Hadžihalilović, Elisabeth Subrin, Jayisha Patel, Aminatou Echard.\r\rSections on Mothers, Intimacy, Hysteria, Animals, The South, Anthropocene, Listening, Decolonising \u0026amp; Queering the Gaze\r\rContributors including Sandy Flitterman-Lewis, Alicia Izharuddin, Maya Caspari, Phoebe Chen, Rhian Sasseen, Hannah Paveck, Laura Staab, Mythily Ramachandran, Rebecca Choong Wilkins, Marie López, Daniel Kasman, Emily Watlington, Gabriella Beckhurst, Jonathan Ellis, Missouri Williams, Lenne Timmins, Lili Pickett-Palmer, Francesca Massarenti, Hannah Kinney-Kobre, Jessica Mcgoff, Naomi Pallas, Susu Laroche, Philippa Snow, Nicola Watkinson, Phoebe Frances, Siobhan Leddy, Ayanna Dozier, Mary McGill, Danielle Chu, Danica van de Velde\r\r\u003cimg class=\"alignnone size-full wp-image-18730\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2018\/12\/zabriskie_another_gaze_a_feminist_journal-2.jpg\" alt=\"\" width=\"1000\" height=\"1000\"\u003e \u003cimg class=\"alignnone size-full wp-image-18731\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2018\/12\/zabriskie_another_gaze_a_feminist_journal-3.jpg\" alt=\"\" width=\"1000\" height=\"1000\"\u003e \u003cimg class=\"alignnone size-full wp-image-18732\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2018\/12\/zabriskie_another_gaze_a_feminist_journal-4.jpg\" alt=\"\" width=\"1000\" height=\"1000\"\u003e \u003cimg class=\"alignnone size-full wp-image-18733\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2018\/12\/zabriskie_another_gaze_a_feminist_journal-5.jpg\" alt=\"\" width=\"1000\" height=\"1000\"\u003e\r\r ","brand":"Central","offers":[{"title":"Default Title","offer_id":46376233730395,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_another_gaze_a_feminist_journal-1.jpg?v=1679346667"},{"product_id":"arch-228-stadtland-der-neue-rurbanismus","title":"ARCH+ 228: Stadtland – Der neue Rurbanismus","description":" \u003cdiv class=\"col-two-middle\"\u003e\r\u003cdiv class=\"ausgabe-teaser\"\u003e\r\u003cdiv class=\"mod mod-text\"\u003e\r\rMit der fortschreitenden Urbanisierung werden die Gegensätze von Stadt und Land, Zentrum und Peripherie, Kultur und Natur zunehmend aufgelöst. Der hierarchische Blick von der Stadt auf das Land wird umgekehrt, die romantische Verklärung des ländlichen Raumes als Ort der Natürlichkeit und Ursprünglichkeit, als Opfer der Industrialisierung und Verstädterung in Frage gestellt: Das Land wird zu einem ambivalenten Akteur, in vielerlei Hinsicht zum Vorreiter. Dem Philosophen Armen Avanessian zufolge sind Städte heute nur mehr vom Land aus zu betrachten, und dieses Land sei genauso wenig „natürlich“ wie der Rest der Natur.\r\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003cdiv class=\"clear\"\u003e\u003c\/div\u003e","brand":"Arch + GVA + Jessica Reitz","offers":[{"title":"Default Title","offer_id":46376233894235,"sku":null,"price":22.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_neu_webseite_-9.jpg?v=1679346684"},{"product_id":"the-plant-13","title":"The Plant #13","description":" With pictures by Linda McCartney, Janneke Van Der Hagen, Alice Neale, Sam Rock and more. Plastics\/ Ana Mendieta\/ Birdwatching\/ Lemaire\/ Palermo.\r\r\u003cimg class=\"alignnone size-full wp-image-18743\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2018\/12\/zabriskie_the_plant_2.jpg\" alt=\"\" width=\"1000\" height=\"1000\"\u003e \u003cimg class=\"alignnone size-full wp-image-18744\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2018\/12\/zabriskie_the_plant_3.jpg\" alt=\"\" width=\"1000\" height=\"1000\"\u003e\r\r ","brand":"Central","offers":[{"title":"Default Title","offer_id":46376234090843,"sku":null,"price":16.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_the_plant_1.jpg?v=1679346719"},{"product_id":"berliner-hefte-zu-geschichte-und-gegenwart-der-stadt-7-wiedersehen-in-tunix","title":"Berliner Hefte zu Geschichte und Gegenwart der Stadt 7 - Wiedersehen in TUNIX!","description":" Vom 27. bis 29. Januar 1978 kamen zahlreiche Vertreter*innen der undogmatischen Linken auf dem legendären\u003cem\u003e Tunix\u003c\/em\u003e-Kongress an der Technischen Universität in West-Berlin zusammen. Rund 20.000 Menschen waren der Einladung zu einem „Treffen all derer, denen es stinkt in diesem, unserem Lande“, gefolgt – gemäß der Parole: „Wir hauen alle ab! Zum Strand von TUNIX!“. In einer Atmosphäre von Diskussion, Aktion und Party fanden lebhafte Debatten statt, u.a. zu alternativer Energiegewinnung, selbstverwalteten Jugendzentren, Neonazis in der Bundesrepublik, Feminismus und Ökologie, ‚neuer‘ Theorie aus Frankreich, zum Überleben im Stadtteil, zu linken Buchhandlungen und Kneipen. Das \u003cem\u003eTreffen in Tunix \u003c\/em\u003ewar ein Nährboden für neue Projektformen. Es ging um erreichbare Ziele. Der Begriff des Projekts stand dabei für Vernetzung, Beweglichkeit und Selbstbestimmung. Die emanzipatorischen Ansätze umfassten gleichermaßen die Kritik an etablierten Institutionen, den Wunsch nach Befreiung aus engen politischen Strukturen und den Aufbau neuer Handlungs(spiel)räume. Seither hat sich der Projektbegriff verändert – das Projekt selbst ist als Arbeits- und Organisationsform zum neoliberalen Leitbild geworden. 40 Jahre nach \u003cem\u003eTunix\u003c\/em\u003e gilt es, diese Ambivalenz zur Sprache zu bringen und die Projektepraxis auf ihre politischen Anliegen hin zu befragen.\rProduziert anlässlich der Veranstaltung \u003cem\u003eWiedersehen in TUNIX! Eine Revision der Berliner Projektekultur\u003c\/em\u003e, HAU Hebbel am Ufer, 2018\r\r160 Seiten, zahlr. Abbildungen, mit Texten u.a. von Sabeth Buchmann, Birgit Eusterschulte, Christa Kamleithner, Felix Klopoteck\/Ulrich Bröckling, Jana König, Stefan König, Sibylle Plogstedt, Sven Reichardt, Thomas Seibert, Michael Sontheimer, Julia Wigger und Fotografien von Stephanie Kloss\r\r\u003cimg class=\"alignnone size-full wp-image-19773\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/01\/zabriskie_berliner_hefte_wiedersehenin_tunix_02.jpg\" alt=\"\" width=\"1000\" height=\"1000\"\u003e\r\r\u003cimg class=\"alignnone size-full wp-image-19777\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/01\/zabriskie_berliner_hefte_wiedersehenin_tunix_03.jpg\" alt=\"\" width=\"1000\" height=\"1000\"\u003e","brand":"Florian Wüst","offers":[{"title":"Default Title","offer_id":46376238776667,"sku":null,"price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_berliner_hefte_wiedersehenin_tunix_01.jpg?v=1679346872"},{"product_id":"record-culture-magazine-issue-5","title":"Record Culture Magazine - Issue 5","description":" Featuring Raphaël Top-Secret, Julianna Barwick, Misha Hollenbach, Jacques Renault, Carla Dal Forno, Arthur Russell Invites, Michael Kucyk, Avalon Emerson, Thomas Bullock, Dubby, Marie Davidson and Bell Towers.\r\u003cdiv class=\"col sqs-col-9 span-9\"\u003e\r\u003cdiv class=\"row sqs-row\"\u003e\r\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\r\u003cdiv id=\"block-cb3dff41bde0822735e5\" class=\"sqs-block html-block sqs-block-html\"\u003e\r\u003cdiv class=\"sqs-block-content\"\u003e\r\rRecord Culture Magazine is a bi-annual publication that focuses on niche music communities around the world and their intersection with the worlds of art, fashion and culture.\r\rLed by in-depth interviews, image portfolios and photography that gives a unique view into homes and studio spaces.\r\r\u003c\/div\u003e\r \r\r+ Issue 5 supplement:\rRVNG Intl. Experiments in Design and Collaboration: 2003–2018\r72 pages, Saddle stitch, Softcover\r\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003cdiv class=\"col sqs-col-3 span-3\"\u003e\r\u003cdiv id=\"block-yui_3_17_2_37_1458506375666_17074\" class=\"sqs-block spacer-block sqs-block-spacer sized vsize-1\"\u003e\r\u003cdiv class=\"sqs-block-content\"\u003e\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e","brand":"Ra \u0026 Olly","offers":[{"title":"Default Title","offer_id":46376239202651,"sku":null,"price":24.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_record-1.jpg?v=1679346916"},{"product_id":"f-r-david-spring-2019-black-sun","title":"F.R.DAVID - Spring 2019: Black Sun","description":" \u003cem\u003eBlack Sun\u003c\/em\u003e is edited in conversation with Krist Gruijthuijsen, to accompany the exhibitions \u003cem\u003eDavid Wojnarowicz Photography \u0026amp; Film 1978–1992\u003c\/em\u003e,\u003cem\u003e Reza Abdoh\u003c\/em\u003e, and \u003cem\u003eTIES, TALES AND TRACES. Dedicated to Frank Wagner, Independent Curator (1958–2016)\u003c\/em\u003e.\r\rDavid Wojnarowicz (1954–1992) came into prominence in the East Village art world of the 1980s, actively embracing all media and forging an expansive range of work both fiercely political and highly personal. Although largely self-taught, he worked as an artist and writer to merge a sophisticated combination of found and discarded material with an uncanny understanding of literary influences. First displayed in rough storefront galleries, his work already gained national prominence at the very moment. Diagnosed with HIV in the late 1980s his work became resolutely and fervently political at a time where the AIDS epidemic was cutting down a generation of artists. From the late 1970s until his death in 1992, Wojnarowicz produced a body of work that was as conceptually rigorous as it was stylistically diverse.\r\rThe issue departs from Wojnarowicz’s grief at the loss of loved ones during the 1980s AIDS crisis, and anger at the US government for their willful neglect of this loss. The issue assembles a chorus of various gendered and sexual positions, all seeking support, love and intimacy in linguistic, architectural and bodily structures, all the while under threat of collapse. These voices are threaded together with excerpts from Julia Kristeva’s white, feminist, psychoanalytical, semiotic \u003cem\u003eBlack Sun. \u003cspan class=\"\"\u003eDepression and Melancholia\u003c\/span\u003e (1992)\u003c\/em\u003e.\r\rF.R.DAVID is co-published by \u003ca href=\"https:\/\/www.uhbooks.directory\/\"\u003euh books\u003c\/a\u003e and KW Institute for Contemporary Art.\r\r ","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":46376249491803,"sku":null,"price":12.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_fr_srping_black_sun-1-Kopie.jpg?v=1679347239"},{"product_id":"mono-kultur-46-francis-kere","title":"mono.kultur #46 - Francis Kéré","description":" In our most colourful issue yet, we step into the life and work of architect Francis Kéré, known in equal measure for his lighthearted and innovative architecture, his remarkable background, and his infectious sense of optimism.\r\rAnd his path is an extraordinary one: beginning in Gando, a small village in Burkina Faso, and moving all the way to West Berlin in the 1980s, where Kéré would end up studying architecture. His graduation project was the school Gando never had – built in 2001 with the help of the people it was designed for, the village community. It was also the starting point for his own practice that celebrates architecture as a fundamentally social act.\r\rSince then, Kéré has completed numerous projects both in Africa and beyond, including schools, medical centres, cultural institutions, and temporary installations, such as the renowned annual Serpentine Pavilion in 2017. Frequently relying on local materials and infrastructure, his work is marked by a profound simplicity and refreshing lightness, meeting technical problems with surprising and seemingly effortless solutions. It reflects his attitude that architecture should, in its most primary function, seek to improve the lives of the people who inhabit it.\r\rWith mono.kultur, Francis Kéré talked about his long trajectory from a remote village in Africa to Berlin, his steadfast belief in optimism, and what makes a tree a perfect piece of architecture.\r\rDesignwise, we followed Kéré’s principle to work with what is at hand, sourcing papers from dead stock at our printers’, essentially using an assortment of leftovers. And colour, of course, with the issue based on the national colours of Burkina Faso, paying tribute to the idea of culture as a shared ground to build upon.\r\r\u003cimg class=\"alignnone size-full wp-image-21456\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/03\/zabriskie_francis_kere_Monokultur-1.jpg\" alt=\"\" width=\"1200\" height=\"1200\"\u003e \u003cimg class=\"alignnone size-full wp-image-21458\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/03\/zabriskie_francis_kere_Monokultur-4.jpg\" alt=\"\" width=\"1200\" height=\"1200\"\u003e \u003cimg class=\"alignnone size-full wp-image-21460\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/03\/zabriskie_francis_kere_Monokultur-5.jpg\" alt=\"\" width=\"1200\" height=\"1200\"\u003e","brand":"mono.kultur","offers":[{"title":"Default Title","offer_id":46376249950555,"sku":null,"price":5.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_monokultur_kere-1.jpg?v=1679347316"},{"product_id":"krzak-papier-1","title":"KRZAK PAPIER #1","description":" \u003cdiv dir=\"ltr\"\u003e\u003cspan style=\"color: #000000;font-family: arial, sans-serif\"\u003eExamining physical, geographical, digital, political and emotional contexts, KRZAK PAPIER issue 1 explores a broad range of meanings behind WASTE - from unwanted matter to lost time.\u003cspan class=\"gmail-m_-2794842253080287104gmail-Apple-converted-space\"\u003e \u003c\/span\u003eThe publication is entirely in English with international contributions in form of articles as well as art and design projects.\r\u003c\/span\u003e\u003c\/div\u003e\r\u003cdiv dir=\"ltr\"\u003e\r\u003cdiv\u003e\r\u003cdiv class=\"gmail_default\"\u003e\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003cdiv dir=\"ltr\"\u003e\r\u003cdiv class=\"gmail_default\"\u003e\r\u003cdiv class=\"gmail_default\"\u003e\r\u003cdiv class=\"column\"\u003e\r\rProject oriented on sharing reflections and possible directions for sustainable present\/future. As an editorial concept it gathers content from an open call, existing projects and comissions by local and international contributors. We see it as platform for expression of variety of voices - from emerging creatives and amateurs to specialists in a subject. Profits from sales will support our activities and cover print cost of the next issue.\r\r\u003c\/div\u003e\r\u003cdiv class=\"page\" title=\"Page 8\"\u003e\r\u003cdiv class=\"section\"\u003e\r\u003cdiv class=\"layoutArea\"\u003e\r\u003cdiv class=\"column\"\u003e\r\r\u003cstrong\u003eSPÓŁDZIELNIA KRZAK (Krzak Collective)\u003c\/strong\u003e\r\rNon-profit collectively run garden and cultural space in Warsaw, PL. It focuses on strategies for translating environmental care into arts and culture as well as into everyday practices. Occupying physical space of a garden and small house at Osiedle Jazdów, a green enclave in the city center, it offers a place for participation, commoning and exchange through activities around it. We have organized exhibitions, workshops, discussions, concerts, fundraisers and protests, collaborating with other initiatives, artists and activists to create engagement with the climate movement. Finally, Krzak is a community fostered by shared efforts, idea flows and many, many sunny days spent digging, weeding, composting and tomato picking.\r\u003cdiv id=\"\" class=\" col push-0 span-2 align-top\" data-type=\"text\" data-yvel=\"1\"\u003e\r\u003cdiv\u003e\r\u003cdiv class=\"text lay-textformat-parent \"\u003e\r\rCONTRIBUTORS\rElissa Assaf\rMartyna Basta\rPaweł Błęcki\rDobrawa Borkała\rJan Brykczyński\rYi Fei Chen\rCyrus Clarke\rMaja Demska\rGarance Der Markarian\rMichał Drabik\rJoanna Dyba\rWojtek Gawroński\rWojciech Górny\rAntonina Gugała\rSara Herczyńska\rTosia Kiliś\rAgne Kucerenkaite\rDiana Lelonek\r\rMaria Oblicka\rKrzysztof Pacewicz\rCrystal Pei\rMaciej Pietrukaniec\rAdam Przywara\rKuba Rodziewicz\rOlga Roszkowska\rRóża Rutkowska\rMonika Seyfried\rRobert Świerczyński\rJanet Mark Wallace\rWeronika Wysocka\rSara Lundgren\rGustaw Maj\rMarcjanna\rZuzia Mielczarek\rMarta Mitek\rEwa Mrozikiewicz\rEmese Mucsi\r\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003cdiv id=\"\" class=\" col push-0 span-2 align-top\" data-type=\"text\" data-yvel=\"1\" data-offsetx=\"-3.5\"\u003e\r\u003cdiv\u003e\r\u003cdiv class=\"text lay-textformat-parent \"\u003e\r\r \r\rEDITORS\r\rTRANSLATORS\rŁukasz Mojsak\rAdam Chabiera\rGrzmisław Krassowski\rMia Marysia Luba\rAnia Łyszcz\r\rPROOFREADER\rMaisie Odone\r\r\u003cimg class=\"alignnone size-full wp-image-22646\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/05\/papier_dokumentacja-4-of-21-2560x1707.jpg\" alt=\"\" width=\"2560\" height=\"1707\"\u003e \u003cimg class=\"alignnone size-full wp-image-22649\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/05\/papier_dokumentacja-5-of-21-2560x1707.jpg\" alt=\"\" width=\"2560\" height=\"1707\"\u003e \u003cimg class=\"alignnone size-full wp-image-22651\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/05\/papier_dokumentacja-10-of-21-2560x1707.jpg\" alt=\"\" width=\"2560\" height=\"1707\"\u003e \u003cimg class=\"alignnone size-full wp-image-22653\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/05\/papier_dokumentacja-17-of-21-2560x1707.jpg\" alt=\"\" width=\"2560\" height=\"1707\"\u003e \u003cimg class=\"alignnone size-full wp-image-22655\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/05\/papier_dokumentacja-20-of-21-2560x1707.jpg\" alt=\"\" width=\"2560\" height=\"1707\"\u003e\r\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r \r\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003cdiv class=\"gmail_default\"\u003e\u003cspan style=\"color: #000000;font-family: arial, sans-serif\"\u003e \u003c\/span\u003e\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e","brand":"Krzak Papier","offers":[{"title":"Default Title","offer_id":46376254243163,"sku":null,"price":7.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_papier-1-1.jpg?v=1679347655"},{"product_id":"emergence-magazine-volume-1","title":"Emergence Magazine - Vol. 1","description":"\u003cp\u003e A favourite book of Lorena Carràs, selected for our \u003ca rel=\"noopener\" href=\"https:\/\/zabriskie.de\/blogs\/zabriskie-rewind\/zabriskie-rewind-2019\" target=\"_blank\"\u003e2019 Rewind\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003eEmergence Magazines print edition is a collection of essays, poems, adapted multimedia stories, and photo essays from the first four issues. Tactile and intimate, this edition spans 296 color-filled pages and six different textures of paper—inviting you to slow down and enjoy these stories over time. Emergence Magazine is a quarterly online publication with an annual print edition, featuring innovative stories that explore the threads connecting ecology, culture, and spirituality.\u003c\/p\u003e","brand":"Ra \u0026 Olly","offers":[{"title":"Default Title","offer_id":46376265220443,"sku":null,"price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_emergenze_magazine-1.jpg?v=1679348173"},{"product_id":"another-gaze-a-feminist-film-journal-3","title":"Another Gaze - A Feminist Film Journal # 3","description":" Including essays about Barbara Hammer, Agnès Varda, Camille Billops, Jane Arden, Penny Slinger, Ana Mendieta, Hito Steyerl, Mati Diop, Catherine Breillat, Carol Morley, Ulrike Ottinger, Charlotte Prodger, Charlotte Pryce, Rosalind Nashashibi \u0026amp; Lucy Skaer, Gloria Camiruaga, Margarethe von Trotta, Astra Taylor, Lina Wertmüller,\r\rInterviews with Akosua Adoma Owusu, Astra Taylor, Ericka Beckman, Carolee Schneemann, Barbara Hammer.\r\rReviews on films by Claire Denis, Angela Schanelec, Lila Avilés, Dominga Sotomayor, Lee Chang-Dong\r\rWriting on the lesbian hand; the problem with 'relatability' and 'unlikeability'; 'Skam''s fan subtitles; grieving through cinema; reclaiming silence; femme, butch and in-between; underwater cinema; political militancy on-screen; Ingeborg Bachmann’s 'Malina'; prostitution and capitalist modernity; yonic imagery; a forgotten multiracial feminist video collective; sexual violence on-screen\r\rContributors including Sandy Flitterman-Lewis, Alexandra Juhasz, Sheila Heti, Jenny Chamarette, Rebecca Liu, Lauren Elkin, Sandy Flitterman-Lewis, AS Hamrah, Kiva Reardon, Samia Labidi, Phoebe Chen, Hannah Paveck, Laura Staab, Emily Watlington, Gabriella Beckhurst, Grace Barber-Plentie, Brodie Crellin, Terri Francis, Minou Norouzi, Devan Wells, Claire Mead, David Lee Astley, Gazelle Mba, Matt Turner, Lauren Collee, Bessie Rubinstein, Eliza Levinson, Esmé Hogeveen, Hannah Proctor, Brigette Manion, Lila Bullen-Smith, Beatrice Loayza, Joe Passmore, Adina Glickstein, Sophia Satchell-Baeza, Tilde Fredholm, Frances Hatherley, Jesse Cumming, Frances Whorrall- Campbell, Eva Klein, J Makary, Mimi Howard, Lily Hill Evans, Suzanne Enzerink, Claire Gullander-Drolet,","brand":"Central","offers":[{"title":"Default Title","offer_id":46376265253211,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_another_gaze_feminist_film_journal_03-1.jpg?v=1679348180"},{"product_id":"reliquiae-volume-five","title":"Reliquiae - Volume Five","description":" \u003cdiv class=\"WncCi\" data-hook=\"info-section-description\"\u003e\r\r\u003cem\u003eReliquiæ is an annual journal of poetry, short fiction, non-fiction, translations and visual art.\u003c\/em\u003e\r\rEach volume collects together both old and new work from a diverse range of writers and artists with common interests spanning landscape, ecology, folklore, esoteric philosophy and animism.\r\r*\r\rVolume Five features:\r\r\u003cem\u003eNew work from\u003c\/em\u003e Heidi Bailey, Don Domanski, Rowan Evans, Mark Goodwin, Whit Griffin, J.D. Howse, Steffi Lang, Karen Lloyd, Autumn Richardson, Penelope Shuttle, Zoë Skoulding, John Steffler, Nathaniel Tarn.\r\r\u003cem\u003eArchive work from\u003c\/em\u003e Tim Bowling, the Buddhist Dhammapada, Gaelic folklore Haida folklore; Walter K. Kelly, Koryak mythology, Kwakiutl folklore; D.H. Lawrence, Amy Lowell, Mesopotamian mythology, Navaho folklore; Polynesian mythology, Lola Ridge, Sumerian folklore, Mark Valentine.\r\r\u003cem\u003eReproductions from\u003c\/em\u003e Die Radiolarien (Rhizopoda Radiaria), Eine Monographie, 1862, by Ernst Haeckel. A fourteen-line invocation sourced from texts within \u003cem\u003eReliquiae Volume Five\u003c\/em\u003e.\r\r\u003c\/div\u003e","brand":"Zabriskie Buchladen für Kultur und Natur","offers":[{"title":"Default Title","offer_id":46376265449819,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_reliquiae_volume_five-1.jpg?v=1679348208"},{"product_id":"reliquiae-volume-six","title":"Reliquiae - Volume Six","description":" \u003cdiv class=\"WncCi\" data-hook=\"info-section-description\"\u003e\r\r\u003cem\u003eReliquiæ is an annual journal of poetry, short fiction, non-fiction, translations and visual art.\u003c\/em\u003e\r\rEach volume collects together both old and new work from a diverse range of writers and artists with common interests spanning landscape, ecology, folklore, esoteric philosophy and animism.\r\r*\r\rVolume Six features:\r\r\u003cem\u003eNew work from\u003c\/em\u003e Peter Mark Adams, Don Domanski, Alyson Hallett, Steffi Lang, Jane Lovell, Peter O’Leary, Garry MacKenzie, EARoberts, Penelope Shuttle, Richard Skelton, Jennifer Spector, Christopher John Thornhill, Mark Valentine.\r\r\u003cem\u003eArchive work from\u003c\/em\u003e Armenian mythology, John Frederick Blake, H.A. \u0026amp; F.A. Curtiss, Emily Dickinson, Eskimo folklore, Haida songs, J. F. Hewitt, Uno Holmberg, Italian folklore, Tim Lilburn, Navaho cosmology, Paracelsus, Gustaf Sobin, John Steffler.\r\r\u003cem\u003eReproductions from\u003c\/em\u003e Illustrations of Typical Speciments of Lepidoptera Heterocera in the Collection of the British Museum, Parts I and III, 1877-1879, by Arthur Gardiner Butler.\r\r\u003c\/div\u003e","brand":"Zabriskie Buchladen für Kultur und Natur","offers":[{"title":"Default Title","offer_id":46376265482587,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_reliquiae_-1.jpg?v=1679348216"},{"product_id":"the-plant-14-cover-by-juergen-teller","title":"The Plant 14 – Cover by Juergen Teller","description":" \u003cdiv id=\"info-div\"\u003e\r\u003ch5\u003eOn this cover a portrait of octogenarian artist Herman de Vries photographed by Juergen Teller.\u003c\/h5\u003e\rThe Plant magazine is pleased to release a new issue with three upbeat covers: dreamy landscapes by Marcelo Gomes; the flowers of Disneyland by Alasdair Mclellan and portrait of octogenarian artist Herman de Vries by Juergen Teller.\r\rThe 14th issue ofThe Plant magazine opens up with Young Voices, a story by photographer Sam Rock and Omaima Salem, captured during London’s first global climate strike. In the following pages, a conversation with writer Olivia Laing photographed by Kuba Ryniewciz, a journey to Charleston House in England’s East Sussex, beautifully captured by photographer Matthieu Lavanchy before visiting the new Covent Garden Flower Market, seen through the eyes of Chris Rhodes.\r\rWe follow Isabella Killoran as she leads us through the inner world of childhood, Camille Vivier and Sandra Berrebi team up to put together A Giving Tree and last but not least, Rainer Judd writes a letter from the Far West about how fire can be both a creator and a destroyer accompanied by Max Farago’s impressive photographs shot in California.\r\rRegular contributor and photographer Marcelo Gomes guides us through a magical trip to New Zealand. We close the issue with the usual Loose Leaves section, featuring short and compelling stories by perfumer Lyn Harris, florist Doan Ly, chef Shuko Oda and wanderings around Lisboa’s Estufa Fría, Bialowieza forest and some fabulous Japanese playgrounds, amongst others. Enjoy issue 14!\r\r\u003c\/div\u003e","brand":"Central","offers":[{"title":"Default Title","offer_id":46376266695003,"sku":null,"price":17.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_the_plant_2.jpg?v=1679348322"},{"product_id":"the-plant-14-cover-by-alasdair-mclellan","title":"The Plant 14 – Cover by Alasdair Mclellan","description":" \u003cdiv id=\"info-div\"\u003e\r\u003ch5\u003eOn this cover photographer Alasdair Mclellan shows us a glimpse of the flowers of Disneyland.\u003c\/h5\u003e\rThe Plant magazine is pleased to release a new issue with three upbeat covers: dreamy landscapes by Marcelo Gomes; the flowers of Disneyland by Alasdair Mclellan and portrait of octogenarian artist Herman de Vries by Juergen Teller.\r\rThe 14th issue ofThe Plant magazine opens up with Young Voices, a story by photographer Sam Rock and Omaima Salem, captured during London’s first global climate strike. In the following pages, a conversation with writer Olivia Laing photographed by Kuba Ryniewciz, a journey to Charleston House in England’s East Sussex, beautifully captured by photographer Matthieu Lavanchy before visiting the new Covent Garden Flower Market, seen through the eyes of Chris Rhodes.\r\rWe follow Isabella Killoran as she leads us through the inner world of childhood, Camille Vivier and Sandra Berrebi team up to put together A Giving Tree and last but not least, Rainer Judd writes a letter from the Far West about how fire can be both a creator and a destroyer accompanied by Max Farago’s impressive photographs shot in California.\r\rRegular contributor and photographer Marcelo Gomes guides us through a magical trip to New Zealand. We close the issue with the usual Loose Leaves section, featuring short and compelling stories by perfumer Lyn Harris, florist Doan Ly, chef Shuko Oda and wanderings around Lisboa’s Estufa Fría, Bialowieza forest and some fabulous Japanese playgrounds, amongst others. Enjoy issue 14!\r\r\u003c\/div\u003e","brand":"Central","offers":[{"title":"Default Title","offer_id":46376266727771,"sku":null,"price":17.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_the_plant.jpg?v=1679348328"},{"product_id":"weird-walk-no-1-a-journal-of-wanderings-and-wonderings-from-th","title":"Weird Walk No 1 - A journal of wanderings and wonderings from the British Isles","description":" 40 page A5 zine\rPrinted on high quality recycled stock\rContains magick\r\rWhat is Weird Walk? It started as friends walking and will no doubt continue as such. For us, walking is an active engagement with the British landscape and its lore.\r\rAmongst other things, come with us to uncover some medieval graffiti, have a chat with writer\/ recording artist Justin Hopper, take a trip around Avebury’s Neolithic wonderland, absorb some blackened dungeon synth, and meet a Tudor weird walking inspiration.\r\rWeird Walk zine is your signpost... keep walking weird.\r\r\u003cimg class=\"alignnone size-full wp-image-782456\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/08\/zabriskie_weird_walk_-1.jpg\" alt=\"\" width=\"1200\" height=\"1200\"\u003e \u003cimg class=\"alignnone size-full wp-image-782458\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/08\/zabriskie_weird_walk_-2.jpg\" alt=\"\" width=\"1200\" height=\"1200\"\u003e\r\r\u003cimg class=\"alignnone wp-image-673295 size-full\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/08\/weirdwalk03.jpg\" alt=\"\" width=\"1500\" height=\"1500\"\u003e \u003cimg class=\"alignnone wp-image-673293 size-full\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/08\/weirdwalk02.jpg\" alt=\"\" width=\"1500\" height=\"1500\"\u003e","brand":"Ra \u0026 Olly","offers":[{"title":"Default Title","offer_id":46376266924379,"sku":null,"price":11.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_weird_walk-1.jpg?v=1679348369"},{"product_id":"f-r-david-summer-2019-recto-verso","title":"F.R. DAVID - Summer 2019: Recto Verso","description":" F.R.DAVID is a typographical journal, dealing with the organization of reading and writing in contemporary art practices. Since 2017 it is co-published by \u003ca href=\"https:\/\/www.uhbooks.directory\"\u003euh books\u003c\/a\u003e and KW Institute for Contemporary Art.\r\r \r\rThe 18th issue of F.R. DAVID entitled \u003cem\u003eRecto Verso\u003c\/em\u003e is edited by Will Holder, and had its beginnings in prosody, the measure of language, geometry, and a notion of imagist transcription, even. A two-dimensional exercise, it turns out, on paper. Words were tuned out, in favor of the volume of values our bodies exchanged: “the historical and bodily movement of language amongst subjects.” Attentions turned—taking (the measure of) classes in body language: the non-verbal: the insinuated: the reverse-side of image: the backside, and, oddly: Oh no: we don’t speak about that—to the next page…\r\r \r\rAfter the book launch a screening of \u003cem\u003eArchaic Torso\u003c\/em\u003e by Péter Dobai (1971) will take place. “This young man let us film his strange life […] His job is cleaning a factory and he lives with his parents in a suburban house. […] He uses all his leisure time to create a mind-body equilibrium through the cult of the body and the study of philosophy and ethics. His main aims are the realisation of the classic Goethian ideal and peace. For this he tries to gather strength from everyday life. In this fight he appears as an anxious, strange human island, striving for completeness and dignity.”\r\r \r\rThanks to the Hungarian National Film Archive","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":46376266957147,"sku":null,"price":12.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_fr_david_summer2019-1.jpg?v=1679348375"},{"product_id":"rafals-saga","title":"Rafal's Saga","description":" What kind of story you want? Rough story or nice story?” A collaboration between author Will Ashon and Michal Novosad, Rafal’s Saga presents a tale of homeless life in London: the difficulties, the despair, the endless problems, but also the humanity and humour and, most of all, the heartbreaking beauty of being alive. As William Morris pointed out, the most grinding poverty is a trifling evil compared with the inequality of classes and this inequality of class is crystallised in the decisions we make when we see someone begging. Michal tells the story of the death of his friend, Rafal, and in doing so forces us to confront what it means if and when we calculate whether someone is worthy of receiving our small change.\r\r\u003cimg class=\"alignnone size-full wp-image-754515\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/08\/zabriskie_Rafals-Saga-2.jpg\" alt=\"\" width=\"1200\" height=\"1200\"\u003e \u003cimg class=\"alignnone size-full wp-image-754517\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/08\/zabriskie_Rafals-Saga-3.jpg\" alt=\"\" width=\"1269\" height=\"1200\"\u003e","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":46376267088219,"sku":null,"price":11.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_Rafals-Saga-1.jpg?v=1679348398"},{"product_id":"hellebore-1-the-sacrifice-issue","title":"Hellebore #1: The Sacrifice Issue","description":" \u003cstrong\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=hWAX2l1AiC0\"\u003eThe Sacrifice Issue\u003c\/a\u003e\u003c\/strong\u003e contains, among other things, stone circles, crop sacrifices, folk magic, bog bodies, Medieval dooms, lost hearts, re-enchantment, and Ronald Hutton on folk horror.\r\rHellebore is a collection of writings and essays devoted to British folk horror and the themes that inspire it: folklore, myth, history, archaeology, psychogeography, witches, and the occult.\r\rHellebore is a poisonous plant that has the power of altering perception, and it's thought to be one of the main ingredients for the witches' flying ointment. Associated with the water element, it is known for opening up portals to the Underworld and the subconscious.\r\r\u003cimg class=\"alignnone size-full wp-image-1069597\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/11\/zabriskie_hellebore_magazine-2.jpg\" alt=\"\" width=\"1200\" height=\"1200\"\u003e \u003cimg class=\"alignnone size-full wp-image-1069599\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/11\/zabriskie_hellebore_magazine-3.jpg\" alt=\"\" width=\"1200\" height=\"1200\"\u003e \u003cimg class=\"alignnone size-full wp-image-1069601\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/11\/zabriskie_hellebore_magazine-4.jpg\" alt=\"\" width=\"1200\" height=\"1200\"\u003e \u003cimg class=\"alignnone size-full wp-image-1069603\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/11\/zabriskie_hellebore_magazine-5.jpg\" alt=\"\" width=\"1200\" height=\"1200\"\u003e \u003cimg class=\"alignnone size-full wp-image-1069605\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/11\/zabriskie_hellebore_magazine-6.jpg\" alt=\"\" width=\"1200\" height=\"1200\"\u003e \u003cimg class=\"alignnone size-full wp-image-1069607\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/11\/zabriskie_hellebore_magazine-7.jpg\" alt=\"\" width=\"1200\" height=\"1200\"\u003e \u003cimg class=\"alignnone size-full wp-image-1069609\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/11\/zabriskie_hellebore_magazine-9.jpg\" alt=\"\" width=\"1200\" height=\"1200\"\u003e","brand":"Hellebore","offers":[{"title":"Default Title","offer_id":46376274952539,"sku":null,"price":12.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_hellebore_magazine-1.jpg?v=1679348994"},{"product_id":"weird-walk-no-2-a-journal-of-wanderings-and-wonderings-from","title":"Weird Walk No 2 – A journal of wanderings and wonderings from the British Isles","description":" Bigger, weirder...\r\r48 page A5 zine\rPrinted on high quality recycled stock\rMay summon spirits\r\rAs the harvest season ends and we stagger towards winter, the ghostly glimmer of other worlds hovers in our imagination. In this issue we will be channelling Samhain, the gateway to the darker half of the year, poised between the autumn equinox and the winter solstice. It is in this spirit that we explore nature’s bounty alongside forager Adele Nozedar and celebrate an uplifting, eclectic take on folk dance with Boss Morris.\r\rWe remember a time when Doctor Who went folk horror in a Wiltshire village, while our new Readers’ Vibes section brings some location-specific spookiness to the party. Elsewhere, Justin Hopper discovers uncanny vibes within rural perfection, and Benjamin Myers tells of strange goings-on in Calderdale.\r\rThe veil is thin... keep walking weird.\r\r\u003cimg class=\"alignnone size-full wp-image-1070171\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/11\/zabriskie_weird_walk_2-2.jpg\" alt=\"\" width=\"1205\" height=\"1200\"\u003e \u003cimg class=\"alignnone size-full wp-image-1070173\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/11\/zabriskie_weird_walk_2-3.jpg\" alt=\"\" width=\"1200\" height=\"1200\"\u003e","brand":"Ra \u0026 Olly","offers":[{"title":"Default Title","offer_id":46376275444059,"sku":null,"price":11.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_weird_walk_2-1.jpg?v=1679349077"},{"product_id":"becoming-the-forest-3-treading-the-arboreal-pathway-through-the-backwoods-of-black-metal","title":"Becoming the Forest - #3 Treading the arboreal pathway through the backwoods of Black Metal","description":" Becoming the Forest is an arts and music publication which looks at our relationship to our surroundings. It is part of a long running arts project by Una Hamilton Helle which is inspired by how the Northern hemisphere’s dense spruce forests defined the aesthetic and philosophy of the musical subculture of black metal. Since its inception, the genre has become entangled with this topography and forms the starting point for the many point of views in this publication that wish to counter the anthropocentric interpretation of the world.\r\rThe issue includes specially commissioned essays, interviews and illustrations by historians, plant scientists, artists and black metal musicians. It includes contributions about the birch tree as seen through Russian folklore and art history, a meeting of indigenous knowledge and the biological sciences around plant behaviour and sentience, the oak forest as a cultural projection screen in German nation building and the collaged results of a trip to a remote Norwegian cabin surrounded by the voices of our non human neighbours.\r\rThe Celtic tree alphabet of ogham runs through the issue, as do eerie forest landscapes, magic sigils, spirit songs, tree mythology, lycanthropic end times and interviews with an international host of black metal bands whose music is intricately linked to the topographies they exist within.\r\rContributors are: Hildegard von Bingen, Fia Cielen, Crom Dubh, Monica Gagliano, Grift, Hulder, Tom Jeffreys, Danny Larsen, Sverre Malling, Malokarpatan, Turia, Vemod, Johannes Zechner.\r\rEdited by Una Hamilton Helle and Lotte Brown\rPublished by Het Bos Antwerpen\rSupported by the Norwegian Arts Council\rDesigned by Blue Firth","brand":"Central","offers":[{"title":"Default Title","offer_id":46376279966043,"sku":"","price":19.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/Zabriskie_becoming_the_forest-1.jpg?v=1679349643"},{"product_id":"its-freezing-in-la-issue-3","title":"It's Freezing in LA! Issue 3 - Protest - an independent magazine about climate change","description":" \u003cstrong\u003eAn independent magazine about climate change\r\u003c\/strong\u003e\r\r\"You don’t need to worry about the end of the world he reassured me. This sits uneasy with me \u0026amp; I don’t know if it’s true.\r-Phoebe Thomson, IFLA! issue 3\r\rIn the last issue of IFLA! our writers and illustrators called for profound change. Now we begin to ask what that change, in all its complexity, might look like.\r\r​To protect our environment, we must learn from all corners, disciplines and backgrounds. Luckily, from theatre to pollution, and architecture to waste, at IFLA! we’ve found no shortage of ideas.","brand":"Ra \u0026 Olly","offers":[{"title":"Default Title","offer_id":46376280162651,"sku":null,"price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_its_freezing_in_LA_issue_3-1.jpg?v=1679349681"},{"product_id":"its-freezing-in-la-issue-4","title":"It's freezing in LA! Issue 4 - Humans \u0026 Ecology - an independent magazine about climate change","description":" \u003cstrong\u003eAn independent magazine about climate change - \u003c\/strong\u003e\r\rAnd then there are the crackling sounds that the ice emits while melting; air – sealed in pockets inside the ice for thousands of years – is released... it speaks its own language\r\rOlafur Eliasson, IFLA! issue 4\r\rWith ideas about how to avoid the crisis proliferating, in this issue we look at what change means in environmentalism. We talk to people around the world about how the landscapes they know have evolved in the last decades, learn about different ways of talking about green processes, and consider practical suggestions about changing our systems.","brand":"Ra \u0026 Olly","offers":[{"title":"Default Title","offer_id":46376280195419,"sku":null,"price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_its_freezing_in_LA_issue4.jpg?v=1679349686"},{"product_id":"dritte-natur-2-technik-kapital-umwelt","title":"Dritte Natur 2 - Technik Kapital Umwelt","description":" \u003cstrong\u003eÜber die Dritte Natur\u003c\/strong\u003e\r\rUnser Blick auf das Verhältnis von Natur und Kultur ist grundlegend für die Selbstbeschreibungen des Menschen und für Entwürfe seiner Zukunft.\r\rHeute, im Moment einer dank Wissenschaft und Technik scheinbar grenzenlosen Verfügungsgewalt über Natur, ist auch das Bewusstsein der vollständigen Abhängigkeit von ihr und den Folgen ihrer Domestizierung gewachsen.\r\rDritte Natur beleuchtet Zonen des Übergangs, der Überlappung und der Verwandlung der Sphären des Kulturellen und des Natürlichen. Damit eröffnet die Zeitschrift einen Raum für aktuelle Debatten über Natur und Technik, Ökologie und Ökonomie, Politik und Ästhetik.\r\r\u003cstrong\u003eInhalt:\u003c\/strong\u003e\r\r\u003cem\u003eVom Umgang mit Tieren\u003c\/em\u003e\r* Welt der 1000 Stäbe. Was spricht gegen Zoos?, \u003cem\u003eVolker Sommer\u003c\/em\u003e\r* Buchfink et. al. Ornithologie des Spaziergängers, \u003cem\u003eDominique Meens\u003c\/em\u003e\r\rVon der Apokalypse\r* Der Verlust der kette. Anmerkungen zur Apokalypse, von Peter Trawny\r* Erkaltete Liebe und globale Erwärmung. Überlegungen zu Ökologie und Apokalyptik im Anthropozän im Anschluss an René Girard, von Petra Steinmair-Pösel\r* Den Tatsachen ins Auge blicken, von Timothy Morton\r\rAus der Produktion\r* Katastrophenkapitalismus, von Andreas Langenohl\r* Der Mensch zwischen Tier und Maschine? Zur Geschichte der Anthropotechnik, von Kevin Liggieri\r\rVon Kunst und Wissenschaft\r* Naturkultur. Wie Kunst und Wissenschaft voneinander sehen lernen, von Matthias Pabsch\r* Fotografische Arbeiten, von Andreas Walther\r\rWege der Literatur\r* Migranten gegen Giganten. Oder: Wie spricht eigentlich die dritte Natur, von Beatrix Langner\r* Sprache der Natur, von Christian Lehnert\r* Did you see something? (Hast du etwas gesehen?), von Sabine Scho\r* Gedichte, von Daniela Seel","brand":"Prolit","offers":[{"title":"Default Title","offer_id":46376280523099,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_dritte_natur_2.jpg?v=1679349745"},{"product_id":"hellebore-2-the-wild-gods-issue","title":"Hellebore #2: The Wild Gods Issue","description":" \u003csection id=\"page_body\"\u003e\r\u003cdiv class=\"product_description\"\u003e\r\rA5 magazine, 86 pages.\rPrinted on silk coated paper. Perfect binding.\r\rThe notion of paganism as a wild and primitive force has exerted a huge influence on folk horror. In fiction, pagan rituals are often seen as primitive and barbarous, but also as an antidote to repression and conventionalism. What have these Wild Gods represented, and what do they represent now? How did these ideas find their way into modern Britain? From the cult of Pan in Edwardian England to 1970s Satanists, from Bacchanals in Buckinghamshire to the echo of voodoo drums in Cornwall, from ritual madness to sex magick. Amidst the idyllic English countryside, the Wild Gods awaken to threaten everything that is respectable.\r\rFeaturing words by Alan Moore, Katy Soar, Melissa Edmundson, Ruth Heholt, John Reppion, Anna Milon, and K. A. Laity. Artwork by Occult Party, Joe Gough, and Richard Wells.\r\r\u003cimg class=\"alignnone size-full wp-image-1076492\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2020\/05\/zabriskie_hellebore_2_-1-scaled.jpg\" alt=\"\" width=\"2560\" height=\"2560\"\u003e \u003cimg class=\"alignnone size-full wp-image-1076494\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2020\/05\/zabriskie_hellebore_2_in-1-scaled.jpg\" alt=\"\" width=\"2560\" height=\"2560\"\u003e \u003cimg class=\"alignnone size-full wp-image-1076496\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2020\/05\/zabriskie_hellebore_2_in-2-scaled.jpg\" alt=\"\" width=\"2048\" height=\"2560\"\u003e \u003cimg class=\"alignnone size-full wp-image-1076499\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2020\/05\/zabriskie_hellebore_2_in-3-scaled.jpg\" alt=\"\" width=\"2560\" height=\"2560\"\u003e \u003cimg class=\"alignnone size-full wp-image-1076501\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2020\/05\/zabriskie_hellebore_2_in-4-scaled.jpg\" alt=\"\" width=\"2560\" height=\"2560\"\u003e \u003cimg class=\"alignnone size-full wp-image-1076503\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2020\/05\/zabriskie_hellebore_2_in-5-scaled.jpg\" alt=\"\" width=\"2048\" height=\"2560\"\u003e \u003cimg class=\"alignnone size-full wp-image-1076505\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2020\/05\/zabriskie_hellebore_2_in-6-scaled.jpg\" alt=\"\" width=\"2560\" height=\"2560\"\u003e\r\r\u003c\/div\u003e\r\u003c\/section\u003e","brand":"Hellebore","offers":[{"title":"Default Title","offer_id":46376284586331,"sku":null,"price":12.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_hellebore_2_-1-scaled.jpg?v=1679350422"},{"product_id":"becoming-the-forest-2-treading-the-arboreal-pathway-through-the-backwoods-of-black-metal","title":"Becoming the Forest - #2 Treading the arboreal pathway through the backwoods of Black Metal","description":" Becoming the Forest is an arts and music publication which looks at our relationship to our surroundings. It is part of a long running arts project by Una Hamilton Helle which is inspired by how the Northern hemisphere’s dense spruce forests defined the aesthetic and philosophy of the musical subculture of black metal. Since its inception, the genre has become entangled with this topography and forms the starting point for the many point of\r\rBecoming the Forest is a publication which looks at our relationship to our surroundings, with a specific focus on the Northern hemisphere’s abundance of dense spruce forests, and how the aesthetic and philosophy of the musical subculture of black metal has become entangled with this topography, countering the anthropocentric interpretation of the world.\r\rBecoming the Forest is a wider and ongoing arts project by artist Una Hamilton Helle, of which this publication is the latest instalment. The publication includes specially commissioned essays, interviews, illustration and photography and brings together multiple international voices from literature, the visual arts, science, art history and the musical realms. These include contributions about the molecular memory of spruce trees, musings on the animistic worldview, an introduction to folkloric painter Theodor Kittelsen and interviews with black metal-inspired bands that touch upon everything from eco-dystopian outlooks to the celebration of the mundanity of nature.","brand":"Central","offers":[{"title":"Default Title","offer_id":46376285962587,"sku":null,"price":18.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_becoming_the_forest_2.jpg?v=1679350544"},{"product_id":"another-gaze-a-feminist-film-journal-4","title":"Another Gaze - A Feminist Film Journal # 4","description":" Including essays about Madeline Anderson, Lorenza Mazzetti, Laure Prouvost, Ben Rivers \u0026amp; Anocha Suwichakornpong, Agnieszka Holland’s Spoor, Susan Sontag's filmmaking career, Storm De Hirsch, Zia Anger, Ashley Connor, Bruce LaBruce, Pina Bausch\/Chantal Akerman, Magdalena Montezuma, Rebecca Horn, Anne Charlotte Robertson, Zhu Shengze, Beatriz Santiago Muñoz, Maya Da-Rin, Camila Freitas, Gong Li\r\rAn in-depth Afro-Brazilian roundtable with Tatiana Carvalho Costa, Janaina Oliveira, Everlane Moraes and Kênia Freitas; sections on Kira Muratova and Anne Charlotte Robertson; essays on subtitles, diffractive cinemas, ecocriticism\/the anthropocene, literary adaptations, intimacy coordinators, strike on film, representing the internet,\r\rInterviews with Betzy Bromberg, Zia Anger \u0026amp; Ashley Connor, Brett Story, Amandine Gay, Andrea Luka Zimmerman \u0026amp; Therese Henningsen\r\rExperimental criticism from Kathryn Scanlan, Jen Calleja and Elissa Suh\r\r---------------------------------------------\rCONTENTS\r\rp9 The Last Good Male Film Critic – Missouri Williams\rp12 On Lorenza Mazzetti – Francesca Massarenti\r\rOTHERWISE\rp20 “No Legibility for Some, Illegibility for All”: Subtitles, Captions, and the Pursuit of a Comprehensive World – Sasha Kohan\rp25 Towards a di ractive cinema: The video works of Amanda Baggs – Julián Gatto p30 Otherwise Notes on Being Perennially In-Between – Therese Henningsen and Andrea Luka Zimmerman\r\rANTHROPOCENE\rp36 Towards an Embodied Ecocriticism: On Laure Prouvost’s ‘Shed a Light’ (2018) – Adina Glickstein\rp39 A Sense of the Sublime: In Conversation with Brett Story – Amanda Barbour\rp42 Dreamscapes and Ethnospheres: Ben Rivers and Anocha Suwichakornpong’s KRABI, 2562 (2019) – Phoebe Campion\r\rAGNIESZKA HOLLAND’S SPOOR \/ OLGA TOKARCZUK\rp46 On Agnieszka Holland’s Spoor and the di culties of translating between worlds – Lauren Collee\rp51 How Do You Solve a Problem like Duszejko?: On Olga Tokarczuk’s Drive Your Plow Over the Bones of the Dead and Agnieszka Holland’s Spoor – Missouri Williams\r\rp58 Imagined Adaptations – Elissa Suh\rp63 Six Men, a Yacht, and an Erection: Troubled Masculinities in Athina Rachel Tsangari’s Chevalier – Ruby Mastrodimos\rp68 A Critic Between Sontag’s Cannibals – Bessie Rubinstein\rp74 Oubliette – Jen Calleja\r\rp78 My Own Lens and Skin: Betzy Bromberg on Personal Filmmaking – Kathryn Siegel\rp90 Peyote Queen: Trance, Ritual and the Female Body in the short lms of Storm De Hirsch – Sophia Satchell-Baeza\r\rZIA ANGER AND ASHLEY CONNOR\rp96 The Creative Afterlife: Zia Anger’s My First Film – Rachel Stone\rp99 Zia Anger and Ashley Connor in conversation\rp106 Ashley Connor and the Cinematography of Teenage Female Identity – Nicole Davis\r\rp112 Maggie Gyllenhaal, The Deuce, \u0026amp; the Rise of Intimacy Coordinators – EC Flamming\r\rREBELLIONS\rp116 Cumming Back to Life – The Horrors of Heteronormativity in Bruce LaBruce’s Otto; or, Up with Dead People – Vivien Cahn\rp120 Sleepwalking Lessons: Repetition and Insistence in Chantal Akerman and Pina Bausch – Zara Joan Miller\rp126 For Magdalena Montezuma – Julia Sirmons\rp133 Desirous dreams: the feminist erotics of Rebecca Horn’s Berlin Exercises in Nine Parts (1974-5) – Evelyn Whorrall-Campbell\r\rANNE CHARLOTTE ROBERTSON\rp141 Describing the world otherwise: Anne Charlotte Robertson’s Five Year Diary – Anjo-marí Gouws\rp144 A Durational Reading of Anne Charlotte Robertson’s Five Year Diary – Kathryn Scanlan\r\rFORMS OF DISCONTENT\rp156 Strike on Film: Madeline Anderson’s ‘I Am Somebody’ – Mimi Howard\rp166 Mr Zuckerberg, Tear Down My Wall: Karim Amer \u0026amp; Jehane Noujaim’s The Great Hack and Zhu Shengze’s Present.Perfect – Rebecca Liu\rp173 Sense-Making From The Ground Up: On The Films of Beatriz Santiago Muñoz – Gazelle Mba\rp180 Interview with Director Amandine Gay on her Film Speak Up (Ouvrir la voix) – Cassie da Costa\r\rBRAZILIAN CINEMAS\rp187 The Field of Vision: Maya Da-Rin and Camila Freitas – Laura Davis\rp191 In Conversation With Maya Da-Rin – Beatrice Loayza\rp196 Towards a Quilombo Cinema: A conversation between Everlane Moraes, Janaína Oliveira, Kênia Freitas, and Tatiana Carvalho Costa – Tr. Lillian Maguire and Natalia Davies.\r\rKIRA MURATOVA\rp218 Unrequited Passions: Notes on Kira Muratova Muratova – Lizzie Homersham p222 Queer Bloc: Situations, Generations, Nations – Lina Žigelytė\rp228 No Such Thing As Society?: Kira Muratova’s Redemptive Materialism – Georgie Carr\r\rp234 Gong Li’s Rebellious Transformations – Beatrice Loayza\r\rp240 Against Lists – Elena Gorfinkel\r\r\u003cimg class=\"alignnone size-full wp-image-1076713\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2020\/05\/zabriskie_another_gaze_4_-1.jpg\" alt=\"\" width=\"1280\" height=\"1280\"\u003e \u003cimg class=\"alignnone size-full wp-image-1076715\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2020\/05\/zabriskie_another_gaze_4_-2.jpg\" alt=\"\" width=\"1280\" height=\"1280\"\u003e \u003cimg class=\"alignnone size-full wp-image-1076717\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2020\/05\/zabriskie_another_gaze_4_-3.jpg\" alt=\"\" width=\"1280\" height=\"1280\"\u003e \u003cimg class=\"alignnone size-full wp-image-1076719\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2020\/05\/zabriskie_another_gaze_4_-4.jpg\" alt=\"\" width=\"1280\" height=\"1280\"\u003e","brand":"Central","offers":[{"title":"Default Title","offer_id":46376286060891,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_another_gaze_4-1.jpg?v=1679350564"},{"product_id":"berliner-hefte-zu-geschichte-und-gegenwart-der-stadt-8-dune-wedding","title":"Berliner Hefte zu Geschichte und Gegenwart der Stadt 8  - Düne Wedding","description":" Vor etwa 12.000 Jahren ließen die letzten eiszeitlichen Gletscher eine vegetationsarme Moränenlandschaft im Norden Berlins zurück. Von den dünenartigen Erhebungen der Rehberge im heutigen Bezirk Berlin-Mitte existiert nur noch die Düne Wedding als Relikt dieser Landschaft. Seit 1976 ist sie ein eingetragenes Naturdenkmal. Sie wurde „rekonstruiert“ und unterliegt Öffnungszeiten. Das einstige Erscheinungsbild der Rehberge beförderte vielfältige Nutzungsfantasien. Am bekanntesten sind die Planungen Carl Hagenbecks für einen sogenannten Zukunfts-Tierpark, der Tiere und Menschen zu Unterhaltungs- und Bildungszwecken ausstellen sollte. Motiviert durch den deutschen Kolonialismus trugen diese und andere teils exotische Zuschreibungen zur Definition des benachbarten Afrikanischen Viertels bei.\r\rConstanze Fischbeck und Sven Kalden collagieren mit Anmerkungen versehene Fotografien, Bilder und Dokumente. Zusammen mit einem Essay des Künstlers Akinbode Akinbiyi erzählen und erweitern sie die Geschichte dieses Ortes vom Ende des 19. Jahrhunderts bis heute. Die fragile Beschaffenheit einer Sanddüne reflektiert dabei den komplexen Prozess der Stadtwerdung einer ungewöhnlichen Landschaft.\r\r ","brand":"Florian Wüst","offers":[{"title":"Default Title","offer_id":46376288289115,"sku":null,"price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_duene_wedding-1.jpg?v=1679350894"},{"product_id":"doubleblind-mag-issue-3","title":"DoubleBlind Magazine - Issue 3","description":" \u003cdiv id=\"block-yui_3_17_2_1_1567796110211_5294\" class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\"\u003e\r\u003cdiv class=\"sqs-block-content\"\u003e\r\rIn our third issue, we explore psychedelics as tools for healing and interconnectivity in times of crisis. Inside the issue, you'll find timely stories that examine racial and social justice in relation to psychedelics, asking us to reflect on controversies and inequities within the field. We cover the paradox of conscious capitalism, the reality of racism in the psychedelic space, and the question of psychedelic exceptionalism—are psychedelics inherently \u003ci data-stringify-type=\"italic\"\u003ebetter \u003c\/i\u003ethan other drugs, like opiates, and how can diverse communities of \u003ci data-stringify-type=\"italic\"\u003eall\u003c\/i\u003e types of drug users work symbiotically to dismantle the Drug War? We also take readers around the world, from an all-women's ayahuasca ceremony in the Amazon to the underbelly of the global festival culture to queer communities from around the African continent. The issue also features practical advice, like how to choose the right psychedelic for you, as well as a transcript of a previously unpublished interview with Timothy Leary and Roger Steffens (the artist behind the renowned Family Acid photo collection). And there's even more.\r\r\u003cimg class=\"alignnone size-full wp-image-1078135\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2020\/07\/zabriskie_double_blind_issue-3_-1.jpg\" alt=\"\" width=\"1936\" height=\"1936\"\u003e \u003cimg class=\"alignnone size-full wp-image-1078137\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2020\/07\/zabriskie_double_blind_issue-3_table-of-contents-1.jpg\" alt=\"\" width=\"1936\" height=\"1936\"\u003e \u003cimg class=\"alignnone size-full wp-image-1078139\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2020\/07\/zabriskie_double_blind_issue-3_3-1.jpg\" alt=\"\" width=\"1914\" height=\"1914\"\u003e \u003cimg class=\"alignnone size-full wp-image-1078141\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2020\/07\/zabriskie_double_blind_issue-3_4-1.jpg\" alt=\"\" width=\"1936\" height=\"1936\"\u003e\r\r\u003c\/div\u003e\r\u003c\/div\u003e","brand":"shelby@doubleblindmag.com","offers":[{"title":"Default Title","offer_id":46376289141083,"sku":null,"price":14.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_double_blind_issue-3.jpg?v=1679351034"},{"product_id":"weird-walk-no-3-a-journal-of-wanderings-and-wonderings-from","title":"Weird Walk No 3 – A journal of wanderings and wonderings from the British Isles","description":" Rise up like the sun...\rA midsummer night's zine\r\u003cdiv class=\"product-description\"\u003e\r\rIn this issue we dive, like a drunken Norse king, headfirst into boozelore to pick out the legends and customs concealed in your glass. Elsewhere, strong vibes abound as we get out to some of this land’s most resonant spots: the return of Dolmania takes us down the road to the Devil’s Den, while new feature High Horses hikes out to Uffington.\r\rWe also explore the ritual renaissance with artist Ben Edge, and the undisputed king of 'Northern Gothic' Andrew Michael Hurley joins us to discuss his work and the landscape and folklore therein.\r\rThe solstice is upon us, the perfect time to be dreaming of rambles...\r\r\u003c\/div\u003e\r48 page A5 zine\rPrinted on high quality recycled stock\r\r \r\r\u003cimg class=\"alignnone size-full wp-image-1078296\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2020\/07\/zabriskie_weird_walk_3_-2-1.jpg\" alt=\"\" width=\"1924\" height=\"1924\"\u003e \u003cimg class=\"alignnone size-full wp-image-1078299\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2020\/07\/zabriskie_weird_walk_3_-3.jpg\" alt=\"\" width=\"1936\" height=\"1936\"\u003e \u003cimg class=\"alignnone size-full wp-image-1078301\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2020\/07\/zabriskie_weird_walk_3_-4.jpg\" alt=\"\" width=\"1832\" height=\"1832\"\u003e \u003cimg class=\"alignnone size-full wp-image-1078303\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2020\/07\/zabriskie_weird_walk_3_-5.jpg\" alt=\"\" width=\"1885\" height=\"1885\"\u003e\r\r \r\r ","brand":"Ra \u0026 Olly","offers":[{"title":"Default Title","offer_id":46376289272155,"sku":null,"price":11.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_weird_walk_3_-1.jpg?v=1679351059"},{"product_id":"mono-kultur-48-eyal-weizman","title":"Mono.kultur #48 -  Eyal Weizman","description":" \u003cdiv class=\"issuebox\"\u003e\r\rFrom the ground, the object is seemingly innocuous. A kite, floating just above the horizon, its line stretched tight in the wind. It is only when it is reeled back that one can see the camera attached to it, held together using rubber bands and the neck of a plastic bottle.\r\rReferred to as a ‘community satellite’, its images will be used in lieu of actual satellite imagery; filmed in areas above the Negev desert where Bedouin ownership of land is contested, and yet higher-resolution satellite images are withheld. The pictures show evidence of houses and other landmarks that point to Bedouin inhabitation prior to the founding of Israel in 1948. In an area where many Bedouin villages are illegalised, and routinely destroyed to make way for Jewish settlements, it is no small conclusion.\r\rThis makeshift satellite is just \u003ca href=\"https:\/\/forensic-architecture.org\/investigation\/destruction-and-return-in-al-araqib\"\u003eone of the many inventions\u003c\/a\u003e from the group \u003ca href=\"https:\/\/forensic-architecture.org\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eForensic Architecture\u003c\/a\u003e, a research agency based at \u003ca href=\"https:\/\/www.gold.ac.uk\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eGoldsmiths\u003c\/a\u003e, University of London. Made up of architects, lawyers, journalists, scientists, and more, it is far from a conventional architectural practice; instead investigating human rights and environmental violations where the truth appears to have been distorted or covered up. In 10 years of work, they have investigated \u003ca href=\"https:\/\/forensic-architecture.org\/investigation\/torture-and-detention-in-cameroon\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eillegal detention sites in Cameroon\u003c\/a\u003e, used oceanography to \u003ca href=\"https:\/\/forensic-architecture.org\/investigation\/the-left-to-die-boat\"\u003etrack a migrant boat adrift in NATO-surveilled waters\u003c\/a\u003e, modelled a \u003ca href=\"https:\/\/forensic-architecture.org\/investigation\/saydnaya\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eprison in Syria \u003c\/a\u003eusing victims’ memories of sound, and examined the causes and consequences of \u003ca href=\"https:\/\/forensic-architecture.org\/investigation\/ecocide-in-indonesia\"\u003eforest fires in Borneo and Sumatra\u003c\/a\u003e. At its forefront is \u003ca href=\"https:\/\/forensic-architecture.org\/about\/team\/member\/eyal-weizman\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eEyal Weizman\u003c\/a\u003e, a British Israeli architect.\r\rBorn in 1970 in \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Haifa\"\u003eHaifa\u003c\/a\u003e, a city on Israel’s Mediterranean coast, Weizman studied at the \u003ca href=\"https:\/\/www.aaschool.ac.uk\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eArchitectural Association\u003c\/a\u003e in London before shifting his focus back to Israel. He had long been preoccupied with the country’s architecture and its complicity in the Israeli occupation, and in 2002 was invited with his colleague \u003ca href=\"http:\/\/rafisegal.com\/\"\u003eRafi Segal\u003c\/a\u003e to present the Israeli stand at the \u003ca href=\"http:\/\/uia-berlin2002.com\/\"\u003eWorld Congress of Architecture\u003c\/a\u003e in Berlin. They decided to exhibit models of Jewish settlements built in the occupied Palestinian territories. It was subsequently banned by the Israel Association of United Architects a month before the show, and as a response the pair \u003ca href=\"https:\/\/www.versobooks.com\/books\/2500-hollow-land\" target=\"_blank\" rel=\"noopener noreferrer\"\u003epublished their material\u003c\/a\u003e in a separate journal, with an exhibition in New York. It won Weizman international recognition and spoke of his projects to come: of his use of architecture as a means of investigation, and refusal to be silenced by those in a position of power.\r\rSince then, Forensic Architecture has used a range of pioneering techniques, from reading the \u003ca href=\"https:\/\/forensic-architecture.org\/investigation\/the-bombing-of-rafah\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e‘fingerprints’ of smoke clouds left behind by missile strikes\u003c\/a\u003e, to autopsying the \u003ca href=\"https:\/\/forensic-architecture.org\/investigation\/herbicidal-warfare-in-gaza\"\u003epath of toxic, crop-killing herbicides\u003c\/a\u003e using fluid dynamics. Their research is used mainly as evidence in court cases and tribunals, and is often commissioned by victims and human rights associations. It has also leaked into the public spheres of museums and art exhibitions, such as the \u003ca href=\"https:\/\/www.documenta14.de\"\u003edocumenta 14\u003c\/a\u003e in Kassel, the \u003ca href=\"https:\/\/www.ica.art\/\"\u003eInstitute of Contemporary Arts\u003c\/a\u003e in London, and the \u003ca href=\"https:\/\/m12.manifesta.org\/\"\u003eManifesta in Palermo\u003c\/a\u003e. In 2018, there was a controversial nomination for the \u003ca href=\"https:\/\/www.tate.org.uk\/whats-on\/tate-britain\/exhibition\/turner-prize-2018\"\u003eTurner Prize\u003c\/a\u003e. While art critics debated about the boundaries between political activism and fine arts, Weizman’s statement about the nomination was ambivalent: ‘I’d rather lose prizes and win cases.’\r\rSuch forays into the art world undoubtedly bring another dimension to the group’s work: namely, what happens when art has real-world consequences. In 2019, their contribution to the \u003ca href=\"https:\/\/whitney.org\/exhibitions\/2019-Biennial\"\u003eWhitney Biennial\u003c\/a\u003e in New York caught the attention of the press. Forensic Architecture had presented an \u003ca href=\"https:\/\/forensic-architecture.org\/investigation\/triple-chaser\"\u003e11-minute film on a tear gas canister known as a Triple-Chaser\u003c\/a\u003e, manufactured by a company called the \u003ca href=\"https:\/\/safariland.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eSafariland Group\u003c\/a\u003e and used throughout the world. This same company was owned by \u003ca href=\"https:\/\/www.forbes.com\/sites\/denizcam\/2018\/12\/06\/meet-the-safariland-multimillionaire-getting-rich-off-tear-gas-and-more-in-the-defense-industry\/\"\u003eWarren B. Kanders\u003c\/a\u003e – who was also the vice chair of the Whitney board. After months of protests, which saw Forensic Architecture and seven other artists withdraw from the biennial, \u003ca href=\"https:\/\/www.nytimes.com\/2019\/07\/25\/arts\/whitney-warren-kanders-resigns.html\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eKanders reluctantly resigned\u003c\/a\u003e from the Whitney.\r\rLike the community satellites, \u003cem\u003eTriple-Chaser\u003c\/em\u003e and the countless other projects of Forensic Architecture have helped shed light on moments of violence and corruption. Architecture is used as a confluence of time, space, and context to gather evidence, painstakingly pieced together to provide fragments of truth. Whilst their work aims to correct injustices, it also helps victims process their loss and have it acknowledged on a public scale, forcing us to confront and address our systems’ failures and shortcomings.\r\r\u003c\/div\u003e","brand":"mono.kultur","offers":[{"title":"Default Title","offer_id":46376293007707,"sku":null,"price":5.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_monokultur_eyal_weizman_1-scaled.jpg?v=1679351402"},{"product_id":"fiddlers-green-gods-of-the-afternoon-7","title":"Fiddler's Green - Gods of the Afternoon #7","description":" \u003cdiv class=\"field field-name-field-book-infotextengl field-type-text-long field-label-hidden\"\u003e\r\u003cdiv class=\"field-items\"\u003e\r\u003cdiv class=\"field-item even is-truncated\"\u003e\r\u003cp class=\"\"\u003eThe seventh issue, also known as “Gods of the Afternoon,” published February 2020.\u003c\/p\u003e\r\u003cp class=\"\"\u003eFiddler’s Green 7 features copper titling, a cover drawn by Benjamin A. Vierling, and 52 pages of art and magic, including reviews, a letters column, and the following:\u003c\/p\u003e\r\r\u003cul data-rte-list=\"default\"\u003e\r \t\u003cli\u003e\r\u003cp class=\"\"\u003e\u003cstrong\u003eEt in Arcadia Ego\u003c\/strong\u003e, by Benjamin A. Vierling\u003c\/p\u003e\r\u003c\/li\u003e\r \t\u003cli\u003e\r\u003cp class=\"\"\u003e\u003cstrong\u003eMagic at the Doorstep: Better Dwelling on the Threshold\u003c\/strong\u003e, Editorial by Clint Marsh\u003c\/p\u003e\r\u003c\/li\u003e\r \t\u003cli\u003e\r\u003cp class=\"\"\u003e\u003cstrong\u003eThe Written Word Where the Veil is Thin: Meaning and Misdirection on the Grimoire Path\u003c\/strong\u003e, by Daniel Yates, illustrated by Drowned Orange\u003c\/p\u003e\r\u003c\/li\u003e\r \t\u003cli\u003e\r\u003cp class=\"\"\u003e\u003cstrong\u003eWho Shall Inherit the Earth? Wilderness and Anti-Humanism in Witchcraft\u003c\/strong\u003e, by Melissa Madara, illustrated by Moritz Krebs\u003c\/p\u003e\r\u003c\/li\u003e\r \t\u003cli\u003e\r\u003cp class=\"\"\u003e\u003cstrong\u003eTheogony Made Simple: Tracing the Divine Branches of Your Family Tree\u003c\/strong\u003e, written and illustrated by Craig Conley\u003c\/p\u003e\r\u003c\/li\u003e\r \t\u003cli\u003e\r\u003cp class=\"\"\u003e\u003cstrong\u003eDescended Masters: William Blake and the Fallen Angels\u003c\/strong\u003e, by Samuel McCabe, with illustrations from William Blake\u003c\/p\u003e\r\u003c\/li\u003e\r \t\u003cli\u003e\r\u003cp class=\"\"\u003e\u003cstrong\u003eReleasing Wood Spirits: A Simple Question and a Life’s Work\u003c\/strong\u003e, written and illustrated by Susan Alexander\u003c\/p\u003e\r\u003c\/li\u003e\r \t\u003cli\u003e\r\u003cp class=\"\"\u003e\u003cstrong\u003eThe Heroine’s Journey, by Kelsey Yandura\u003c\/strong\u003e, illustrated by Jeff Hoke\u003c\/p\u003e\r\u003c\/li\u003e\r \t\u003cli\u003e\r\u003cp class=\"\"\u003e“\u003cstrong\u003eA is for Apple\u003c\/strong\u003e,” fiction by Elin Heron, illustrated by Alexis Berger\u003c\/p\u003e\r\u003c\/li\u003e\r \t\u003cli\u003e\r\u003cp class=\"\"\u003e\u003cstrong\u003eRemembering Will Cloughley\u003c\/strong\u003e, by Clint Marsh\u003c\/p\u003e\r\u003c\/li\u003e\r \t\u003cli\u003e\r\u003cp class=\"\"\u003e\u003cstrong\u003eUtopia and Its Discontents\u003c\/strong\u003e, by Apio Ludd\u003c\/p\u003e\r\u003c\/li\u003e\r\u003c\/ul\u003e\r\u003cp class=\"\"\u003e\u003cstrong\u003eBONUS FLEXI-DISC\u003c\/strong\u003e\u003c\/p\u003e\r\r\u003cul data-rte-list=\"default\"\u003e\r \t\u003cli\u003e\r\u003cp class=\"\"\u003e\u003cstrong\u003eMushroom Madness\u003c\/strong\u003e: by Anton Barbeau\u003c\/p\u003e\r\u003c\/li\u003e\r\u003c\/ul\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e","brand":"Clint Marsh","offers":[{"title":"Default Title","offer_id":46376293204315,"sku":"","price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_Fiddlers-Green-Gods-of-the-Afternoon.jpg?v=1679351435"},{"product_id":"fiddlers-green-woodcutters-moon-6","title":"Fiddler's Green - Woodcutter's Moon #6","description":" \u003cdiv class=\"field field-name-field-book-infotextengl field-type-text-long field-label-hidden\"\u003e\r\u003cdiv class=\"field-items\"\u003e\r\u003cdiv class=\"field-item even is-truncated\"\u003e\r\rOur sixth issue, also known as “Woodcutter’s Moon,” published February 2019.\r\rFiddler’s Green 6 features copper titling, a cover drawn by Matthew Glover of Sin Eater Illustration, and 52 pages of art and magic, including reviews, a letters column, and the following:\r\u003cul data-rte-list=\"default\"\u003e\r \t\u003cli\u003e\n\u003cstrong\u003ePractical Nostalgia\u003c\/strong\u003e, Editorial by Clint Marsh\u003c\/li\u003e\r \t\u003cli\u003e\n\u003cstrong\u003eThe Art of Magic: New Enchanted Artifacts at the Museum of Witchcraft and Magic\u003c\/strong\u003e, by Lara C. Cory, illustration by Adrienne Rozzi\u003c\/li\u003e\r \t\u003cli\u003e\n\u003cstrong\u003eMusings of an Urban Herb Hunter: Encountering Plant Allies Within the City Bounds\u003c\/strong\u003e, written and illustrated by Johnny Decker Miller\u003c\/li\u003e\r \t\u003cli\u003e\n\u003cstrong\u003eDoing God a Favour: Sex, Celibacy, and Spirituality\u003c\/strong\u003e, by Muz Murray, illustrations by David D’Andrea\u003c\/li\u003e\r \t\u003cli\u003e\n\u003cstrong\u003eA Compendium of Witches\u003c\/strong\u003e, A Gallery by Nataša Ilinčić\u003c\/li\u003e\r \t\u003cli\u003e\n\u003cstrong\u003eI Woke Up This Morning: How I Learned Three Mystic Truths, and How They Helped\u003c\/strong\u003e, by Clint Marsh\u003c\/li\u003e\r \t\u003cli\u003e\n\u003cstrong\u003eThe Confederacy of the Green Door\u003c\/strong\u003e, by Eldred Wormwood, illustrations by Gerhard\u003c\/li\u003e\r \t\u003cli\u003e\n\u003cstrong\u003eMegalithic Donegal\u003c\/strong\u003e, written and illustrated by Sean Fitzgerald\u003c\/li\u003e\r \t\u003cli\u003e\n\u003cstrong\u003eLittle Black Cat\u003c\/strong\u003e, written and illustrated by Kelly Patton\u003c\/li\u003e\r \t\u003cli\u003e\n\u003cstrong\u003eThe Wizard Laird\u003c\/strong\u003e, by Alan Cynic\u003c\/li\u003e\r \t\u003cli\u003e\n\u003cstrong\u003eOld Growth\u003c\/strong\u003e, by F. J. Bergmann\u003c\/li\u003e\r\u003c\/ul\u003e\r\u003cstrong\u003eBONUS FLEXI-DISC\u003c\/strong\u003e\r\u003cul data-rte-list=\"default\"\u003e\r \t\u003cli\u003e\n\u003cstrong\u003eKilgour’s Tale\u003c\/strong\u003e: by Kitchen Cynics and Grey Malkin\u003c\/li\u003e\r\u003c\/ul\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e","brand":"Fiddler's Green","offers":[{"title":"Default Title","offer_id":46376293237083,"sku":null,"price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_fidlers_Fiddlers-Green-Woodcutters-Moon_6_neu.jpg?v=1679351442"},{"product_id":"hellebore-3-the-malefice-issue","title":"Hellebore #3: The Malefice Issue","description":" \u003csection id=\"page_body\"\u003e\r\u003cdiv class=\"product_description\"\u003e\n\u003csection id=\"page_body\"\u003e\r\u003cdiv class=\"product_description\"\u003e\r\rA5 magazine, 88 pages (approx)\rPrinted on silk coated paper. Perfect binding.\r\rMalefice (n): mal·e·fice \\ˈmaləfə̇s\\\rA piece of evil sorcery. An evil spell or enchantment.\r\rCurses and hexes are a recurring trope in folk horror and occult fiction. They’re active forces, invisible and unstoppable, disrupting the social order and threatening the Establishment.\r\rIn The Malefice Issue we explore the complex relationships of witchcraft and magic with structures of power, and analyse the fear of malefice throughout history. Where do we place the Other, and why do we dread it? Does it wander the untamed landscapes of the north? Is it hidden in the green meadows of the English Arcadia? Does it live within the walls of a respectable institution? Or has it travelled from a faraway land?\r\rPower and fear, subversion and repression, exclusion and belonging. The third issue of HELLEBORE is a history of our anxieties, because, as Shirley Jackson said, “to learn what we fear is to learn who we are”.\r\rFeaturing words by Catherine Spooner, Rebecca Baumann, Verity Holloway, Thomas Waters, Catherine Winter-Hébert and Finn Robinson, Thérèse Taylor, Maria J. Pérez Cuervo, and Colin J. McCracken. Artwork by Paul Watson, Nell Latimer, and Nathaniel Winter-Hébert.\r\r\u003cimg class=\"alignnone size-full wp-image-1080389\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2020\/11\/zabriskie_hellebore_inn-1.jpg\" alt=\"\" width=\"1873\" height=\"1873\"\u003e \u003cimg class=\"alignnone size-full wp-image-1080391\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2020\/11\/zabriskie_hellebore_inn-2.jpg\" alt=\"\" width=\"1786\" height=\"1786\"\u003e \u003cimg class=\"alignnone size-full wp-image-1080393\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2020\/11\/zabriskie_hellebore_inn-3.jpg\" alt=\"\" width=\"1857\" height=\"1857\"\u003e \u003cimg class=\"alignnone size-full wp-image-1080395\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2020\/11\/zabriskie_hellebore_inn-4.jpg\" alt=\"\" width=\"1936\" height=\"1936\"\u003e\r\r\u003c\/div\u003e\r\u003c\/section\u003e \r\r\u003c\/div\u003e\r\u003c\/section\u003e","brand":"Hellebore","offers":[{"title":"Default Title","offer_id":46376296055131,"sku":null,"price":12.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_hellebore-1.jpg?v=1679351660"},{"product_id":"hellebore-4-the-yuletide-special","title":"Hellebore #4: The Yuletide Special","description":" \u003csection id=\"page_body\"\u003e\r\u003cdiv class=\"product_description\"\u003e\u003csection id=\"page_body\"\u003e\r\u003cdiv class=\"product_description\"\u003e\r\rMidwinter. The shortest day, the symbolic death and rebirth of the Sun. It is a time of darkness, but also of hope and celebration. For this Midwinter special we’ve gathered stories to help us through the darkest months: ancient legends that may still be re-enacted, accounts from a frozen past, tales of ghosts and revenants and witches and warlocks, stories that bring chills into our living rooms. In this issue, sinister rituals unfold during the longest nights of the year, spirits drift through the icy landscapes of the Arctic, and churches are never safe havens.\r\rGather around the fire. Let’s gaze at the shadows lurking beyond the Christmas lights.\r\rFeaturing words by Katy Soar, Jackie Bates, John Callow, Verity Holloway, John Reppion, Shane McCorristine, Roger Clarke, and Elizabeth Dearnley. Artwork by Blood and Dust, Eli John, and Nathaniel Winter-Hébert.\r\r\u003c\/div\u003e\r\u003c\/section\u003e\u003c\/div\u003e\r\u003c\/section\u003e","brand":"Hellebore","offers":[{"title":"Default Title","offer_id":46376308277595,"sku":null,"price":12.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/IMG_3504-2.jpg?v=1679352739"},{"product_id":"krzak-papier-2","title":"KRZAK PAPIER #2","description":" This time it’s KRZAK PAPIER 02 AND WE'RE GROUNDED, trying to understand what it means emotionally, ecologically and politically. What relationships with the ground below our feet do we have and on what grounds do we choose where to be grounded? Are we entitled to what the earth separates from us or do we need to keep in the ground? Why some are said to have more rights to specific grounds than others?\r\rFrom stories of soil, land and gravity, through learning how to be solid as a rock and rooted as a tree to experiences of being grounded forcefully as a response to one’s exercises of territorial belonging, we’re examining both the stability and the tremble of the grounds we stand on.\r\rCONTRIBUTORS*\rAda Augustyniak, Pamela Bożek, Alexander Cabeza Trigg, Eliza Chojnacka, Filippo Maria Ciriani, Armando de Cosmos, Zuzia Derlacz, Ekstasis, Alex Fisher, Marek Głogowski, Krysia Jędrzejewska-Szmek, Nata Kasprzycka, Zuzanna Kofta, Ola Korbańska, Wiktor Kotowski, Gustaw Maj, Piotr Marzec, Billy Morgan, Anna Moschioni, Adam Przywara, Taya Reshetnik, Olga Roszkowska, Anna Rutkowska, Kuba Szafrański, Gabriela Szałańska, Stach Szumski, Mauro Tosarelli, Elizar Veerman, Dominik Wojciechowski, Wspólnota Międzygatunkowa \/ Interspecies Community, Zuzia Łuczak, Sara Wojciechowska, Anna Szlezinger, Jack Sapoch, Laura Motta Bellan, Canelle Kraft, Angélica Sánchez, Maria Strzelecka\r\rEDITORS*\rZuzia Derlacz, Marta Królak, Olga Roszkowska, Pola Salicka\r\rSUPPORTING EDITOR*\rJosh Plough\r\rDESIGN*\rMarcin Liminowicz, Pola Salicka, Zuzia Derlacz\r\rPROOFREADING*\rJosh Plough, Hattie Wade\r\rTRANSLATIONS*\rAdam Chabiera, Łukasz Mojsak\r\rKRZAK SUPPORT*\rMatylda Dobrowolska\r\r\u003cimg class=\"alignnone size-full wp-image-1082784\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2021\/01\/krzak_02_01-2560x1748-1.jpg\" alt=\"\" width=\"2560\" height=\"1748\"\u003e \u003cimg class=\"alignnone size-full wp-image-1082786\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2021\/01\/krzak_02-3-2560x1707-1.jpg\" alt=\"\" width=\"2560\" height=\"1707\"\u003e \u003cimg class=\"alignnone size-full wp-image-1082788\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2021\/01\/krzak_02-6-2560x1707-1.jpg\" alt=\"\" width=\"2560\" height=\"1707\"\u003e \u003cimg class=\"alignnone size-full wp-image-1082790\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2021\/01\/krzak_02-7-2560x1707-1.jpg\" alt=\"\" width=\"2560\" height=\"1707\"\u003e \u003cimg class=\"alignnone size-full wp-image-1082792\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2021\/01\/krzak_02-9-2560x1707-1.jpg\" alt=\"\" width=\"2560\" height=\"1707\"\u003e \u003cimg class=\"alignnone size-full wp-image-1082794\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2021\/01\/krzak_02-12-2560x1707-1.jpg\" alt=\"\" width=\"2560\" height=\"1707\"\u003e \u003cimg class=\"alignnone size-full wp-image-1082796\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2021\/01\/krzak_02-13-2560x1707-1.jpg\" alt=\"\" width=\"2560\" height=\"1707\"\u003e \u003cimg class=\"alignnone size-full wp-image-1082798\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2021\/01\/krzak_02-20-2560x1707-1.jpg\" alt=\"\" width=\"2560\" height=\"1707\"\u003e \u003cimg class=\"alignnone size-full wp-image-1082800\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2021\/01\/krzak_02-25-2560x1707-1.jpg\" alt=\"\" width=\"2560\" height=\"1707\"\u003e\r\r ","brand":"Krzak Papier","offers":[{"title":"Default Title","offer_id":46376309391707,"sku":null,"price":8.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/IMG_3603.jpg?v=1679352935"},{"product_id":"doubleblind-magazine-issue-no-4","title":"DoubleBlind Magazine - Issue 4","description":" It’s now widely accepted among folks in the field that psychedelics will be legal in the next decade. So now, the question becomes: what will that look like? In our fourth issue, we speak to the leading psychedelic drug development companies in an attempt to answer this question. We also highlight indigenous voices with an homage to Amazonian artist Pablo Amaringo and a feature on the Huichols, a native group to Mexico, that’s fighting to preserve the land where they’ve been collecting peyote for generations. Find all this, plus practical advice like how to come out to friends and family as a psychedelic user, and much more.","brand":"shelby@doubleblindmag.com","offers":[{"title":"Default Title","offer_id":46376310079835,"sku":null,"price":14.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/Zabriskie_doubleblind-magazine_issue-4.jpg?v=1679353070"}],"url":"https:\/\/zabriskie.de\/en\/collections\/magazine.oembed?page=9","provider":"Zabriskie Buchladen für Kultur und Natur","version":"1.0","type":"link"}