{"title":"Musik + Klang","description":null,"products":[{"product_id":"moondog","title":"Moondog. The Viking of 6th Avenue - Temporarily not available","description":" The basis of a full-length documentary.\"Moondog is one of America's great originals.\"--Alan Rich, \"New York Magazine\"\r\rHere is a revised edition of a book that celebrates one of the most improbable lives of the twentieth century: a blind and homeless man who became the most famous eccentric in New York and who, with enormous diligence, rose to prominence both in major label pop music recordings in addition to symphonic concerts of his compositions.This edition of \"Moondog\" will soon be seen a as a feature documentary titled \"The Viking of 6th Avenue \"directed by Holly Elson and produced by Hard Working Movies.Born Louis Thomas Hardin in 1916, Moondog first made an impression in the late 1940s when he became a mascot of The New York Philharmonic at Carnegie Hall. His unique, melodic compositions were released on the Prestige jazz label. In the late 1960s the Viking-garbed Moondog was a pop music sensation on Columbia Records.Moondog's compositional style influenced his former roommate Philip Glass, whose preface appears in the book. Moondog's work transcends labels and redefines the distinction between popular and high culture.A wide-ranging compilation of Moondog recordings, which includes four Madrigals played by Philip Glass, Steven Reich, Jon Gibson, and Moondog himself, are offered as free downloads for every purchaser of this biography.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":46376139817307,"sku":null,"price":24.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_moondog-e1429637208337.jpg?v=1679341032"},{"product_id":"pink-noises-women-on-electronic-music-and-sound","title":"Pink Noises - Women on electronic music and sound","description":" \u003cdiv\u003e\r\r\u003ci\u003ePink Noises\u003c\/i\u003e brings together twenty-four interviews with women in electronic music and sound cultures, including club and radio DJs, remixers, composers, improvisers, instrument builders, and installation and performance artists. The collection is an extension of Pinknoises.com, the critically-acclaimed website founded by musician and scholar Tara Rodgers in 2000 to promote women in electronic music and make information about music production more accessible to women and girls. That site featured interviews that Rodgers conducted with women artists, exploring their personal histories, their creative methods, and the roles of gender in their work.\r\rThis book offers new and lengthier interviews, a critical introduction, and resources for further research and technological engagement. Contemporary electronic music practices are illuminated through the stories of women artists of different generations and cultural backgrounds. They include the creators of ambient soundscapes, “performance novels,” sound sculptures, and custom software, as well as the developer of the Deep Listening philosophy and the founders of the Liquid Sound Lounge radio show and the monthly Basement Bhangra parties in New York. These and many other artists open up about topics such as their conflicted relationships to formal music training and mainstream media representations of women in electronic music. They discuss using sound to work creatively with structures of time and space, and voice and language; challenge distinctions of nature and culture; question norms of technological practice; and balance their needs for productive solitude with collaboration and community.\r\rWhether designing and building modular synthesizers with analog circuits or performing with a wearable apparatus that translates muscle movements into electronic sound, these artists expand notions of who and what counts in matters of invention, production, and noisemaking. \u003ci\u003ePink Noises \u003c\/i\u003eis a powerful testimony to the presence and vitality of women in electronic music cultures, and to the relevance of sound to feminist concerns.\r\rInterviewees: Maria Chavez, Beth Coleman (M. Singe), Antye Greie (AGF), Jeannie Hopper, Bevin Kelley (Blevin Blectum), Christina Kubisch, Le Tigre, Annea Lockwood, Giulia Loli (DJ Mutamassik), Rekha Malhotra (DJ Rekha), Riz Maslen (Neotropic), Kaffe Matthews, Susan Morabito, Ikue Mori, Pauline Oliveros, Pamela Z, Chantal Passamonte (Mira Calix), Maggi Payne, Eliane Radigue, Jessica Rylan, Carla Scaletti, Laetitia Sonami, Bev Stanton (Arthur Loves Plastic), Keiko Uenishi (o.blaat)\r\u003cstrong\u003eTara Rodgers\u003c\/strong\u003e (Analog Tara) is an independent writer, composer, and musician, and the founder of Pinknoises.com, a website devoted to women DJs, electronic musicians, and sound artists. Her electronic compositions have been released on several recordings and exhibited at venues including the Eyebeam Museum in New York City and the Museum of Contemporary Canadian Art in Toronto. She has received the New Genre Composition Prize from the International Alliance of Women in Music and a 2006 Frog Peak Experimental Music Award. Rodgers has an MFA in electronic music from Mills College. She is a Ph.D. candidate in communication studies at McGill University.\r\r\u003c\/div\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":46376139882843,"sku":null,"price":32.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_pink_noises.png?v=1679341038"},{"product_id":"empty-mind-eine-auswahl-poetischer-schlusseltexte","title":"Empty Mind - Eine Auswahl poetischer Schlüsseltexte","description":" »In welchem Käfig man sich auch befindet, man muß ihn verlassen«, lautete das Credo von John Cage (1912 bis 1992), dem international bekanntesten experimentellen Komponisten des 20. Jahrhunderts. Weniger bekannt ist sein literarisches Werk, das gleichberechtigt neben dem musikalischen steht. Cage ließ sich von Erik Satie, Robert Rauschenberg, James Joyce, Merce Cunningham und Marcel Duchamp inspirieren - verwandten Geistern, mit denen er Zeit seines Lebens täglich umging. Indem er seine poetisch-philosphischen Versuche musikalischen Verfahren unterwarf, verwandelte er Vorträge über das Komponieren, über den Zufall oder die Kategorie der Unbestimmtheit in Ereignisse, schwebend, der Festlegung entzogen – nicht anders als die Musik der Absichtslosigkeit, von der er träumte.\r\u003cdiv\u003e\r\rJohn Cage als Wortkünstler harrt hierzulande noch der Entdeckung. \u003cem\u003eEmpty Mind\u003c\/em\u003e versammelt eine Auswahl poetischer Schlüsseltexte, an denen sich die unerschöpfliche Freude, neue Wege zu gehen, Grenzen zu überschreiten, ablesen läßt. Eine Freude, die ansteckend wirkt - auch auf all jene, die sich noch nie mit seinem Werk beschäftigt haben.\r\r\u003c\/div\u003e","brand":"KNV, Suhrkamp","offers":[{"title":"Default Title","offer_id":46376142405979,"sku":null,"price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_john_cage_empty_mind.jpg?v=1679341141"},{"product_id":"silence","title":"Silence","description":" John Cage (1912-1992), einer der bedeutendsten experimentellen Komponisten des 20. Jahrhunderts, »hat in diesen Texten ›analoge Kompositionsprinzipien wie auf dem Gebiet der Musik‹ angewendet. ›Meine Absicht war dabei oft‹, heißt es in seinem Nachwort, ›das, was ich zu sagen hatte, so zu sagen, daß es anschaulich wurde; dadurch würde es begreiflicherweise dem Zuhörer eher möglich sein, zu erfahren, was ich zu sagen hatte, als wenn er darüber nur etwas hörte.‹ Die Vorträge sind ›formgebunden‹, nicht an der Aussage über etwas interessiert, sondern an der Vergegenwärtigung des Auszusagenden selbst. Das hat die Zuhörer immer wieder aus der Fassung gebracht. \u003cem\u003eSilence\u003c\/em\u003e bleibt einer der zentralen Texte der experimentellen Literatur.« \u003cem\u003eHeinrich Vormweg\u003c\/em\u003e","brand":"KNV, Suhrkamp","offers":[{"title":"Default Title","offer_id":46376142471515,"sku":null,"price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_john_cage_silence2.jpg?v=1679341147"},{"product_id":"das-grosse-orchester-der-tiere","title":"Das grosse Orchester der Tiere","description":" \u003cstrong\u003eVom Ursprung der Musik in der Natur\u003c\/strong\u003e\r\rWenn Bernie Krause seine Mikrofone in ein gesundes Korallenriff senkt, ist der Reichtum der Klänge überwältigend. Das kristallklare Wasser pulsiert mit der akustischen Bandbreite von Geräuschen, die Krustentiere und Fische, ja selbst Seeanemonen erzeugen. Einen Kilometer weiter, wo die Zerstörung sichtbar ist, hört man nur den Klang der Wellen und ein paar Krabben schnappen – trostlose Geräusche einer sterbenden Umwelt.\r\rSeine Leidenschaft für die Natur hat den Musiker Bernie Krause, der einer der ersten Experten für elektronische Musik in den USA war und mit Popgrößen wie The Byrds, The Doors, Bob Dylan und George Harrison zusammenarbeitete, zum Forscher und Pionier der »Biophonie« gemacht. Vierzig Jahre lang hat er die Welt umreist, um den Reichtum der Arten und die einzigartigen Klanglandschaften ursprünglicher Habitate, aber auch deren fortschreitende Zerstörung zu dokumentieren. Er hat am Amazonas Jaguars bei ihrer nächtlichen Beutejagd belauscht, Diane Fosseys Gorillas besucht und den Gesang der Buckelwale aufgenommen. Sein Buch liest sich wie ein Abenteuerroman und ist zugleich ein leidenschaftliches Plädoyer für die Erhaltung einer übersehenen, aber nicht minder bedrohten Ressource: der Musik der Wildnis, die am Ursprung der des Menschen steht.","brand":"KNV","offers":[{"title":"Default Title","offer_id":46376143356251,"sku":null,"price":22.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_krause_das_grosse_orchester_der_tiere.jpg?v=1679341197"},{"product_id":"remixology-tracing-the-dub-diaspora","title":"Remixology. Tracing the Dub Diaspora","description":" Dub is the avant-garde verso of reggae, created by manipulating and reshaping recordings using studio strategies and techniques. While dub was one of the first forms of popular music to turn the idea of song inside out, it is far from being fully explored. Tracing the evolution of dub, \u003ci\u003eRemixology\u003c\/i\u003e travels from Kingston, Jamaica, across the globe, following dub’s influence on the development of the MC, the birth of sound system culture, and the postwar Jamaican diaspora.\r\u003cdiv\u003e\u003c\/div\u003e\r\u003cdiv\u003e\r\rStarting in 1970s Kingston, Paul Sullivan examines the origins of dub as a genre, approach, and attitude. He stops off in London, Berlin, Toronto, Bristol, and New York, exploring those places where dub had the most impact and investigates its effect on postpunk, dub-techno, jungle, and the dubstep. Along the way, Sullivan speaks with a host of international musicians, DJs, and luminaries of the dub world, from DJ Spooky, Adrian Sherwood, Channel, and Roy to Shut Up and Dance and Roots Manuva. Wide-ranging and lucid, \u003ci\u003eRemixology\u003c\/i\u003e sheds new light on the dub-born notions of remix and reinterpretation that set the stage for the music of the twenty-first century.\r\u003cdiv id=\"wrapper-3\"\u003e\r\u003cdiv id=\"promos\"\u003e\r\u003cdiv id=\"promo-1\"\u003e\r\u003cdiv class=\"book-text\"\u003e\r\u003cdiv class=\"promo-header\"\u003e\u003c\/div\u003e\r\u003cdiv id=\"slideDetails\"\u003e\r\u003cdiv class=\"desc\"\u003e\r\u003cdiv\u003etarting in 1970s Kingston, Paul Sullivan examines the origins of dub as a genre, approach, and attitude. He stops off in London, Berlin, Toronto, Bristol, and New York, exploring those places where dub had the most impact and investigates its effect on postpunk, dub-techno, jungle, and the dubstep. Along the way, Sullivan speaks with a host of international musicians, DJs, and luminaries of the dub world, from DJ Spooky, Adrian Sherwood, Channel, and Roy to Shut Up and Dance and Roots Manuva. Wide-ranging and lucid, \u003ci\u003eRemixology\u003c\/i\u003e sheds new light on the dub-born notions of remix and reinterpretation that set the stage for the music of the twenty-first century.\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003cdiv class=\"booktabs\"\u003e\r\u003cdiv id=\"tab-list\" class=\"ui-tabs ui-widget ui-widget-content ui-corner-all show\"\u003e\r\u003cdiv id=\"tab-content\" class=\"ui-tabs-panel ui-widget-content ui-corner-bottom\"\u003e\r\u003cdiv\u003e\r\rIntroduction\r\r1. The Kingston Context\r\r2. Kingston’s Dub Pioneers\r\r3. London: Sound System Culture, Digidub, and Post-punk\r\r4. NYC: Dub, Rap, Disco, and Illbient\r\r5. London II: UK Rap and the Dubcore Continuum\r\r6. The Bristol Sound\r\r7. Berlin: Glitch and Techno\r\r8. Canada’s Dub Poetry and Dancehall\r\rConclusion\r\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e","brand":"KNV","offers":[{"title":"Default Title","offer_id":46376147943771,"sku":null,"price":21.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_remixology_tracing_dub_diaspora.jpg?v=1679341596"},{"product_id":"fur-die-vogel","title":"Für die Vögel","description":" „Ich bin für die Vögel, nicht für die Käfige (cages). [...] Dieses Buch befriedigt mich auch, weil das, was ich auf diesen Seiten über mein Werk lesen konnte, mich davon überzeugt, daß es fragend bleibt - d.h. immer lebendig.“ - John Cage\r\r\"Für die Vögel\" (For the birds) versammelt Gespräche\/ Interviews zwischen John Cage und Daniel Charles. In diesen Gesprächen geht es um Musik, Literatur, Pilze, Schach, \u003cspan id=\"freeText9852581556784084366\"\u003eJames Joyce, Mao, Thoreau, Satie, elektronische Musik, das präparierte Klavier, Zen, Umwelt, und vieles mehr.\u003c\/span\u003e","brand":"Prolit","offers":[{"title":"Default Title","offer_id":46376149451099,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/fuer_die_voegel.jpg?v=1679341711"},{"product_id":"tote-stimmen-maori-musik","title":"Tote Stimmen: Maori-Musik","description":" Victor Segalen (1878-1919) war Ethnograph und Dichter. 1901 reiste er nach Tahiti und entdeckte dort für sich die Kultur der Maori.\r\r„Auf tausenden von Inseln haben – vielleicht – tausend Jahre lang Stimmen gesungen, ohne dass man genau weiß, auf welchem Wege sie im Fluge einen so großen Raum einnahmen ... ein Brausen schöner, heiserer oder eher sanfter Töne, rauer oder weicher Kadenzen, und einen unaufhörlichen monotonen Singsang ... – mit der Ankunft der Weißen: alles wird entstellt, alles wird verfälscht ... Die Stimmen kommen zum Schweigen, ... jene, die überleben, sprechen nur noch in völliger Verleumdung ihrer Vergangenheit. Auf Tahiti, Hawaii, Samoa und Neuseeland nehmen sie lächerliche Formen an und schrauben sich in kategorischem Herunterleiern von Psalmen in die Höhe, die abgeleitet sind vom fürchterlichen lutherischen Choral ... Dann tauchen die abgeschmackten Kirchenlieder der römischen Missionen auf ... schließlich amerikanische Sauflieder: Die Gesänge des Krieges, des Fastens und der Freude fallen auf das Niveau der Yankee-Hymne: sie gesangsvereinen – das ist die ganze Geschichte der Maori.Es kann nicht darum gehen, sie wieder zu beleben ... aber wir sollten uns, mit Rücksicht auf das, was die Musik der Maori war, eine Vorstellung machen, was sie hätte werden können. Wir werden also – nicht ohne Schmerz und nicht ohne Bedauern – die Möglichkeiten klanglicher Schönheit untersuchen, die diese Musik gehabt hat.“\r\r„Der Ursprung muss ausgelöscht, muss vergessen werden ..., damit der solchermaßen außer Kraft gesetzte Ursprung als Grundlage durch die Literatur in Ermangelung von Ursprüngen wieder in Erinnerung gerufen werden kann.“ (Giorgio Agamben)","brand":"Prolit","offers":[{"title":"Default Title","offer_id":46376150008155,"sku":null,"price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_segalen_tote_stimmen_maori-musik_agamben_ursprung_und_vergessen.jpg?v=1679341717"},{"product_id":"kyoto-klange-des-kosmos","title":"Kyoto - Klänge des Kosmos","description":" Aus dem Japanischen von Sabine Mangold und Nanae Suzuki.\r\rNakagawa beschreibt eine Klangtopografie, in der die Geschichte und Einzigartigkeit der Stadt Kyoto, des ehemaligen Kaisersitzes, den Lesern vor Augen geführt wird. Dabei werden die bislang in Europa eher unbekannten Klänge Japans hörbar: die vom verfeinerten Gehör der Adligen vor 1000 Jahren gehörten Naturklänge, das nach den Himmelsrichtungen kunstvoll bestimmte Klangsystem der Tempelglocken bis hin zum berauschenden Rhythmus der aufkommenden unteren Gesellschaftsschicht. Die Klangreise Japans führt weiter durch die Welt der Teezeremonie im Mittelalter hin zum traditionsreichen Ensemble des Kyoto-Gion-Festivals von heute.\r\r\"Shin Nakagawa entwirft am Beispiel Kyotos eine Kulturgeschichte der Klänge: Der Musikwissenschaftler geht der Frage nach, welche Bedeutung die Menschen im alten Japan auditiven Phänomenen gaben. Von verschiedenen Seiten versucht er, sich \"ihrem Gehör ein wenig zu nähern\" und das akustische Milieu der ehemaligen Hauptstadt zu rekonstruieren. Er benutzt dazu literarische und geschichtliche Quellen, begibt sich auf eine Zeitreise zu traditionellen Festen und Totenfeiern und auf Spurensuche zu den erhaltenen Tempeln.\" - Steffen Gnam, FAZ","brand":"Prolit","offers":[{"title":"Default Title","offer_id":46376150040923,"sku":null,"price":12.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_shin_nakagawa_kyoto_klaenge_des_kosmos.jpg?v=1679341722"},{"product_id":"nada-brahma-die-welt-ist-klang","title":"Nada Brahma - Die Welt ist Klang","description":"\u003cp\u003eEin Lieblingsbuch von Hanna Mattes, ausgewählt für unseren \u003ca rel=\"noopener\" href=\"https:\/\/zabriskie.de\/blogs\/zabriskie-rewind\/zabriskie-rewind-2019\" target=\"_blank\"\u003e2019 Rewind\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e1983 erstmals erschienen, hat Berendts These seitdem Hunderttausende Leser fasziniert. Sauerstoffteilchen schwingen in C-Dur, die Halme einer Bergwiese »singen«, bei der Photosynthese entstehen Dreiklänge, selbst Sex ist – wörtlich verstanden – Musik. Joachim Ernst Berendt, legendärer Radiopionier und Autor diverser Standardwerke zum Jazz, befragt Naturwissenschaftler, Musiker, Ethnologen, Kybernetiker, Mystiker und Rationalisten, um dem Klang der Welt auf die Spur zu kommen.\u003c\/p\u003e","brand":"KNV, Suhrkamp","offers":[{"title":"Default Title","offer_id":46376150106459,"sku":null,"price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_joachim_berendt_nada_brahma_die_welt_ist_klang.jpg?v=1679341728"},{"product_id":"silence-lectures-and-writings","title":"Silence: Lectures and Writings","description":" \u003cspan style=\"color: black;font-family: Arial,Helvetica,sans-serif;font-size: small\"\u003e\u003cem\u003eSilence\u003c\/em\u003e is a collection of some of the essays and lectures that have made John Cage's name synonymous with all that is unpredictable and exciting in contemporary miusic. Outrageous they may be, but to anyone who is receptive to new ideas, to fresh and original ways of looking at and listening to things, they are a mine of fascinating discovery. And, as Cage fans will expect, the book also contains a wealth of handy information of collecting mushrooms, fishing through ice, as well as many anecdotes and Zen-type stories which illustrate Cage's exuberant artistic pre-occupations. For everywhere in this mighty explosion of ideas can be heard the still, small voice of the poet, telling with fervour his amazement at creation, when 'everything was given away'.\u003c\/span\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":46376150597979,"sku":null,"price":24.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_john_cage_silence.jpg?v=1679341785"},{"product_id":"animal-music-sound-amp-song-in-the-natural-world","title":"Animal Music  - Sound \u0026amp; Song in the Natural World","description":"\u003cp\u003eIncludes specially-compiled 60 minute CD of field recordings from the Gruenrekorder label.\u003c\/p\u003e\n\u003cp\u003eDO ANIMALS SPEAK TO EACH OTHER? WHAT DO THEIR SONGS MEAN? WILL WE EVER BE ABLE TO UNDERSTAND THEM AND TALK BACK?\u003c\/p\u003e\n\u003cp\u003eEver since the accidental discovery of whale song in 1967, the idea of complex animal sentience has been gaining strength within the scientific community. A growing number of researchers and academics are exploring the idea that animals enjoy music on a similar level to human beings. Animal Music is the first anthology to present an overview of the current state of this vital debate. Its authors have spoken to the leading scientists, researchers and musicians in the field to uncover hidden meanings and new perspectives. They visit the world’s largest library of animal sounds, hack into the mysterious sonic world of shrimps, travel back in time to the point where animal and human songs diverged, and decode the latest neuroscientific findings about animal music and communication. The book includes exclusive interviews with Chris Watson, Jana Winderen, Yannick Dauby, Slavek Kwi and Geoff Sample as well as features on Bernie Krause, David Rothenberg and Olivier Messiaen and many more. Includes specially-compiled 60 minute CD of field recordings from the Gruenrekorder label. 01 Tikal Dawn – Andreas Bick, Germany 02 hermetica – Daniel Blinkhorn, Australia 03 Amazons \u0026amp; Parrots – Rodolphe Alexis, France 04 Grand Canal Springs (Excerpt) – Tom Lawrence, Ireland 05 seals – Martin Clarke, United Kindom 06 BOTO (extract) -ARTIFICIAL MEMORY TRACE, Ireland 07 Adélie_penguins (Excerpt) – Craig Vear, United Kindom 08 Pilot Whales (Excerpt) – Heike Vester, Norway\/Germany 09 Brame, septembre 2011 – Marc Namblard, France 10 formica aquilonia, sweden – Jez riley French, United Kindom 11 Schwebfliegen – Lasse Marc Riek, Germany 12 central mongolian high mountain range habitat – Patrick Franke, Germany 13 Otus spilocephalus – Yannik Dauby, France 14 untitled#292 – Francisco López, Spain 15 Summer Sunset 01 – Eckhard Kuchenbecker, Germany 16 Waldkauz-Balz – Walter Tilgner, Germany 17 WHAT BIRDS SING – David Rothenberg, United States of America\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":46376156528987,"sku":null,"price":28.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_fischer_lara_cory_animal_in_music_sound_and_song-1.jpg?v=1679342153"},{"product_id":"a-mammal-s-notebook-new-writings-of-erik-satie","title":"A Mammal’s Notebook - New Writings of Erik Satie","description":" \u003cp class=\"font8\" align=\"justify\"\u003e\u003cem\u003eIt’s not a question of Satie’s relevance. He’s indispensable.\u003c\/em\u003e — John Cage\u003c\/p\u003e\rThis is the largest selection of the writings of Erik Satie yet to appear in English.\r\u003cp align=\"justify\"\u003eDismissed as an eccentric by many, Satie has come to be seen as a key influence on 20th- and 21st-century music. His compositions include, among other works, the ubiquitous \u003cem\u003eGymnopédies\u003c\/em\u003e, the \u003cem\u003eThree Pieces in the Form of a Pear\u003c\/em\u003e and the Dadaist opera \u003cem\u003eRelâche\u003c\/em\u003e. In later life he gathered about him Les Six, the cream of the new generation of French composers, and his influence has since continued to widen; John Cage and the New York School composers hailed him as “indispensable”, and more recently certain of his pieces have been seen as prefiguring both minimalist and ambient music.\u003c\/p\u003e\r\u003cp align=\"justify\"\u003eThe appeal of his writings, however, goes far beyond their musical value. He is revealed as one of the most beguiling of absurdists, in the mode of Lewis Carroll or Edward Lear, but with a strong streak of Dadaism (a movement with which he collaborated to some extent). These poignant, sly and witty texts, often as short as his briefer musical pieces, embody all his contradictions. Included here are his “autobiographical” \u003cem\u003eMemoirs of an Amnesic\u003c\/em\u003e; the gnomic annotations to his musical scores (\u003cem\u003eFor the Shrivelled and the Dimwits, I have written a suitably ponderous chorale… I dedicate this chorale to those who do not like me\u003c\/em\u003e); the publications of his private church; his absurdist play \u003cem\u003eMedusa’s Snare\u003c\/em\u003e; advertising copy for his local suburban newspaper; and the mysterious and elaborately calligraphed “private advertisements” found stuffed behind his piano after his death.\u003c\/p\u003e\r\u003cp align=\"justify\"\u003eSatie referred to himself as “a man in the manner of Adam (he of Paradise)”, and added: “My humour is reminiscent of Cromwell’s. I am also indebted to Christopher Columbus, as the American spirit has sometimes tapped me on the shoulder, and I have joyfully felt its ironically icy bite.” He died as he lived: “without quite ceasing to smile.”\u003c\/p\u003e\r\u003cp align=\"justify\"\u003e\u003cem\u003eThe smallest work by Satie is small the way a keyhole is small. Everything changes when you put your eye to it.\u003c\/em\u003e — Jean Cocteau\u003c\/p\u003e\r\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_volta_erik_satie_4.jpg\"\u003e\u003cimg class=\"alignnone wp-image-5194 size-full\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_volta_erik_satie_4.jpg\" alt=\"A Mammal's Notebook\" width=\"1936\" height=\"1936\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_volta_erik_satie_3.jpg\"\u003e\u003cimg class=\"alignnone wp-image-5193 size-full\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_volta_erik_satie_3.jpg\" alt=\"A Mammal's Notebook\" width=\"1936\" height=\"1936\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_volta_erik_satie_2.jpg\"\u003e\u003cimg class=\"alignnone wp-image-5192 size-full\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_volta_erik_satie_2.jpg\" alt=\"A Mammal's Notebook\" width=\"1936\" height=\"1936\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_volta_erik_satie_1.jpg\"\u003e\u003cimg class=\"alignnone wp-image-5191 size-full\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_volta_erik_satie_1.jpg\" alt=\"A Mammal's Notebook\" width=\"1936\" height=\"1936\"\u003e\u003c\/a\u003e","brand":"Turnaround","offers":[{"title":"Default Title","offer_id":46376159674715,"sku":null,"price":23.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_volta_erik_satie_0.jpg?v=1679342374"},{"product_id":"gathering-of-the-tribe-music-and-heavy-conscious-creation","title":"Gathering of the Tribe - Music and Heavy Conscious Creation","description":" A look at the role of the occult in music through key albums.\r\r\"There is in sounds a virtue to receive the heavenly gifts\" Henry Cornelius Agrippa\r\rMuch of the music discussed in Gathering Of The Tribe deals with the special power of sound and tone. Frank Zappa may have said that ‘writing about music is like dancing about architecture,’ but this book explains how music can — or for a moment believed it could — move mountains.\r\rIt is a matter of record that over the centuries composers and musicians have been consistently inspired by the occult. Few music lovers can fail to have been intrigued by the rumours of magick and mysticism that surround many of their favourite albums.\r\rIn chapters that cover the different musical styles, from jazz through folk, rock, pop, noise and experimental forms, Gathering Of The Tribe sketches a fascinating overview of this  provocative and enduring relationship with heavy conscious creation, offering en route a guide to the ultimate occult record collection, ranging from the Beatles to the Stones, Led Zeppelin to Nick Cave, Captain Beefheart to the Wu Tang Clan, Debussy to Throbbing Gristle, Charles Manson, Barbara the Gray Witch, Coven and more.\r\rIllustrated with album sleeves.\r\rContents:\r- Cosmic Sounds: Experiments with music and the supernatural\r- Jazz and the Spirit World: Improvisation and revolutionary jazz forms\r- Freaky Folk: Weird manifestations of a documentary form of music\r- The Law of Octaves: esoteric music: Esoteric philosophies, religion and the law of octaves\r- Psych-Out and Countercultural Occult: The peace and love flipside\r- Sorcery and the Cinema: The spirit world on film\r- The Devil’s Interval: The rock horror show- rock music and the occult\r- Mindfuckers: Cult groups, outsider artists and their sounds\r- Electric Storm in Hell: Weird soundscapes - modernist mood music\r\rAuthor Bio:\rMark Goodall is a lecturer at the University of Bradford. He writes about film and music and is the author of the Headpress book Sweet and Savage. He is the singer and guitarist with beat combo Rudolf Rocker.\r\rWith contributions by Thomas Campbell, Kevin Donnelly, Jeremy Dyson, Mick Farren, Jill Good, David Kerekes, Peter Mills, Gary Ramsay, Mark Reeve, Marcel Swiboda, Simon Trafford, Jennifer Wallis\rand Richard Woodcock.\r\r\u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_goodall_gathering_of_the_tribe_5.jpg\"\u003e\u003cimg class=\"alignnone wp-image-5214 size-full\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_goodall_gathering_of_the_tribe_5.jpg\" alt=\"Gathering of the Tribe\" width=\"1936\" height=\"1936\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_goodall_gathering_of_the_tribe_4.jpg\"\u003e\u003cimg class=\"alignnone wp-image-5213 size-full\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_goodall_gathering_of_the_tribe_4.jpg\" alt=\"Gathering of the Tribe\" width=\"1936\" height=\"1936\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_goodall_gathering_of_the_tribe_3.jpg\"\u003e\u003cimg class=\"alignnone wp-image-5212 size-full\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_goodall_gathering_of_the_tribe_3.jpg\" alt=\"Gathering of the Tribe\" width=\"1936\" height=\"1936\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_goodall_gathering_of_the_tribe_2.jpg\"\u003e\u003cimg class=\"alignnone wp-image-5211 size-full\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_goodall_gathering_of_the_tribe_2.jpg\" alt=\"Gathering of the Tribe\" width=\"1936\" height=\"1936\"\u003e\u003c\/a\u003e \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_goodall_gathering_of_the_tribe_1.jpg\"\u003e\u003cimg class=\"alignnone wp-image-5210 size-full\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2016\/03\/zabriskie_goodall_gathering_of_the_tribe_1.jpg\" alt=\"Gathering of the Tribe\" width=\"1936\" height=\"1936\"\u003e\u003c\/a\u003e","brand":"Turnaround","offers":[{"title":"Default Title","offer_id":46376159740251,"sku":null,"price":23.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_goodall_gathering_of_the_tribe_0.jpg?v=1679342381"},{"product_id":"six-american-composers","title":"Six American Composers","description":" Bowles, Cage, Harrison, Nancarrow, Partch, Tenney\r\rÜbersetzt von Almuth Carstens.\r\rPeter Garland, amerikanischer Komponist und Schriftsteller, porträtiert in diesen Aufsätzen teils chronologisch, teils anekdotisch, zitierend oder assoziativ-poetisch, immer aber mit viel Einfühlungsvermögen und Liebe zum Sujet einige seiner Lehrer und\/oder musikalischen Vorbilder, die großen Außenseiter der US-amerikanischen Musik.","brand":"Prolit","offers":[{"title":"Default Title","offer_id":46376160493915,"sku":null,"price":12.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_garland_six_american_composers.jpg?v=1679342472"},{"product_id":"die-kunst-fixierter-klange-oder-die-musique-concretement","title":"Die Kunst fixierter Klänge – oder die Musique concrètement","description":" Übersetzt von Reinhold Friedel und Ronald Voullié.\r\rMichel Chion schlägt zunächst vor, sich in aller Ruhe \u003cem\u003eIt never entered my mind\u003c\/em\u003e von Miles Davies anzuhören und sich dann Gedanken über die Tonlängen auf heutigen Tonträgern zu machen. Dabei geht es weder um so genannte „Live-Aufnahmen“ noch um die täuschend echte Neueinspielung klassischer Musik. Was ist der eigentliche Grundstoff der Musik? Was hat es mit der Technologie der elektronischen Musik auf sich? Gibt es ein Kino für das Ohr? Chions konkrete Musik bringt einem vieles in den Kopf, auf das man zuvor noch nicht gekommen ist.\rMichel Chion (*1947) – Komponist, Regisseur, Essayist und Kritiker – arbeitete lange mit Pierre Schaeffer am Conservatoire national de musique und mit Robert Cahen zusammen. Er publizierte bis heute mehr als 30 Bücher zur Musik und zum Film (jüngst zu Tarkowski), seine Kompositionen erschienen bei INAGRM, Metamkine und zuletzt bei Sub Rosa. Er lehrt unter anderem an der École Supérieure Libre d’Études Cinématographique in Paris und der École Cantonale d’Art de Lausanne","brand":"Prolit","offers":[{"title":"Default Title","offer_id":46376160559451,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_chio_kunst_fixierter_klaenge.jpg?v=1679342478"},{"product_id":"outlaws-in-language-and-destiny","title":"Outlaws in Language and Destiny","description":" \u003ca href=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/zabriskie_escoval_outlaws-1.jpg\"\u003e\u003cimg class=\"alignnone size-full wp-image-5849\" src=\"http:\/\/zabriskie.de\/wp-content\/uploads\/2016\/06\/zabriskie_escoval_outlaws-1.jpg\" alt=\"zabriskie_escoval_outlaws - 1\" width=\"1523\" height=\"848\"\u003e\u003c\/a\u003e\r\rClear acetate 7'' Mono Flexi-Disc containing sound recordings of insects in a rain forest of Costa Rica mixed with the sound produced by a 180º orthodontic X-Ray in Lisbon. Encased in a double-sided poster with two found photos representing two kids and two birds, in Amazonia and Sweden.","brand":"Atlas Projectos","offers":[{"title":"Default Title","offer_id":46376163541339,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_escoval_outlaws.jpg?v=1679342571"},{"product_id":"in-the-field-the-art-of-field-recording","title":"In the Field: The Art of Field Recording - OUT OF PRINT","description":"\u003cp\u003eA favourite book of Christina Ertl-Shirley, selected for our \u003ca href=\"https:\/\/zabriskie.de\/blogs\/zabriskie-rewind\/zabriskie-rewind-2018\" target=\"_blank\" rel=\"noopener\"\u003e2018 Rewind\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003eThis is a collection of interviews with contemporary sound artists who use field recording in their work. From its early origins in 16.50wildlife sound and in ethnographic research, field recording has expanded over the last few decades into a diverse range of practices which explore and investigate aspects of the lived environment, from the microscopic to the panoramic, through the medium of recorded sound. These conversations explore the fundamental issues that underlie the development of field recording as the core of their activity. Recurring themes include early motivations, aesthetic preferences, the audible presence of the recordist and the nature of the field.\u003c\/p\u003e","brand":"Central","offers":[{"title":"Default Title","offer_id":46376164688219,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/Zabriskie_lane_carlyle_in_the_field-11.jpg?v=1679342652"},{"product_id":"on-listening","title":"On Listening","description":" \u003cem\u003eOn Listening\u003c\/em\u003e is a unique collection of forty multi-disciplinary perspectives drawn from anthropology, bioacoustics, geography, literature, community activism, sociology, religion, philosophy, art history, conflict mediation and the sonic arts including music, ethnomusicology and field recording. These specially commissioned contributions explore the many ways in which skilled listening can mediate new relationships with our physical environment and the people and other species that we share it with.","brand":"Central","offers":[{"title":"Default Title","offer_id":46376164884827,"sku":"","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/Zabriskie_carlyle_lane_on_listening_web-11.jpg?v=1679342664"},{"product_id":"into-the-maelstrom-music-improvisation-and-the-dream-of-freedom-before-1970","title":"Into the Maelstrom: Music, Improvisation and the Dream of Freedom: Before 1970","description":" \u003cdiv id=\"stcpDiv\"\u003eIn this first installment of acclaimed music writer David Toop's interdisciplinary and sweeping overview of free improvisation, Into the Maelstrom: Music, Improvisation and the Dream of Freedom: Before 1970 introduces the philosophy and practice of improvisation (both musical and otherwise) within the historical context of the post-World War II era. Neither strictly chronological, or exclusively a history, Into the Maelstrom investigates a wide range of improvisational tendencies: from surrealist automatism to stream-of-consciousness in literature and vocalization; from the free music of Percy Grainger to the free improvising groups emerging out of the early 1960s (Group Ongaku, Nuova Consonanza, MEV, AMM, the Spontaneous Music Ensemble); and from free jazz to the strands of free improvisation that sought to distance itself from jazz. In exploring the diverse ways in which spontaneity became a core value in the early twentieth century as well as free improvisation's connection to both 1960s rock (The Beatles, Cream, Pink Floyd) and the era of post-Cagean indeterminacy in composition, Toop provides a definitive and all-encompassing exploration of free improvisation up to 1970, ending with the late 1960s international developments of free music from Roscoe Mitchell in Chicago, Peter Brötzmann in Berlin and Han Bennink and Misha Mengelberg in Amsterdam.\u003c\/div\u003e\r\u003cdiv\u003e\u003c\/div\u003e\r\u003cdiv\u003e\r\u003cdiv id=\"stcpDiv\"\u003e\n\u003cheader\u003e\r\u003ch4\u003eTable of contents\u003c\/h4\u003e\r\u003c\/header\u003e\u003csection\u003e1: (only begin) A DESCENT\r2: FREE BODIES\r3: collective subjectivities 1\r4: OVERTURE TO DAWN\r5: collective subjectivities 2\r6: INTO THE HOT\r7: solitary subjectivities\r8: TROUBLED SEA OF NOISES AND HOARSE DISPUTES\r9: collective objectivities\r10: IMAGINARY BIRDS SAID TO LIVE IN PARADISE\r11: postscript: the ballad of john and yoko\r12: RAIN FALLING DOWN ON OLD GODS\rIndex\u003c\/section\u003e\r\u003cdiv id=\"stcpDiv\"\u003e\n\u003cheader\u003e\r\u003ch4\u003eReviews\u003c\/h4\u003e\r\u003c\/header\u003e\u003csection\u003e“\u003ci\u003eMaelstrom\u003c\/i\u003e indeed ... [This] is an encyclopedic vortex of musicology, memoir and speculative extemporisation on the nature of improvisation and freedom in music ... crammed with detail and fascinating observations ... A captivating reading experience that perfectly embodies its subject in form.” –  \u003cspan class=\"textSourceTitle\"\u003eThe Wire\u003c\/span\u003e“David [Toop] has browsed through history and offers readers an extremely rich overview of myriad germs of improvisation popping up all over the world, in so many musics, in fine arts and theater, in politics and philosophy, in social activism, and in small musical events. ... [T]his panoramic book is an absolute must-read for everyone interested in (the archeology of) free improvisation, actually for anyone interested in music in general. I am already looking forward to the second volume.” –  \u003cspan class=\"textSourceTitle\"\u003eJournal of Sonic Studies\u003c\/span\u003e\r\r“This is a long overdue book, and there is no-one else who could have written it. It is an astonishing achievement, and a highly readable and enjoyable one too.” –  \u003cspan class=\"textSourceTitle\"\u003eInternational Times\u003c\/span\u003e\r\r“Toop spends much of his latest effort exploring the philosophical and artistic movements from which pre-1970 performers drew inspiration ... In this, [\u003ci\u003eInto the Maelstrom\u003c\/i\u003e] provides a fascinating view of 20th century underground movements well beyond that of music alone.” –  \u003cspan class=\"textSourceTitle\"\u003ePop Matters\u003c\/span\u003e\r\r“Any discussion of free improvisation, as an essential (anti?)-discipline of creative music, is an amusing balance between considering an unruly child and a sacred cow. History has come into a wild favor towards a genre that perpetually defies definition and prediction. David Toop, with a critical facility informed by over forty years of activity on and off the bandstand, sets his ruminations in the service of the music. Essaying on free improvisation in the mode of composition can result in didactic chin scratch. Thankfully Toop engages the readers interest with a sentient breath of prose charged by academic insight where poetic space becomes the page. It's only the beginning.” –  \u003cspan class=\"textSourceTitle\"\u003eThurston Moore\u003c\/span\u003e\r\r“David Toop has dived into the Maelstrom that is the genesis of improvised music and come up with a string of pearls. There is so much here that will be new to even those of us who thought we knew the subject. A remarkable piece of real scholarship that relies on painstaking research with a refreshing absence of jargon.” –  \u003cspan class=\"textSourceTitle\"\u003eEvan Parker\u003c\/span\u003e\r\r“\u003ci\u003eInto the Maelstrom \u003c\/i\u003egives an astonishing, vivid history of improvised music across the 20th century­­ before 1970, tracing its transnational criss-crossings, trans-arts contagions, the folds between Cream and AMM, 'musicking' and John Stevens' Spontaneous Music Ensemble, Nuova Consonanza and \u003ci\u003eFor a Few Dollars More\u003c\/i\u003e. David Toop's panoramic account makes obvious how urgently we have needed this alternative history, attuned to musical sounds as they resonate with artistic, cultural and political currents. A landmark book, \u003ci\u003eInto the Maelstrom \u003c\/i\u003ere-centres those vast and auspicious margins deserted by previous music histories.” –  \u003cspan class=\"textSourceTitle\"\u003eGeorgina Born, Professor of Music and Anthropology, University of Oxford, UK\u003c\/span\u003e\r\r\u003c\/section\u003e\n\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":46376170029403,"sku":null,"price":27.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_david_toop_into_maelstrom.png?v=1679343037"},{"product_id":"an-individual-note-of-music-sound-and-electronics","title":"Daphne Oram - an Individual Note of Music, Sound and Electronics","description":" First published in 1972.\r\rDaphne Oram (1925–2003) was one of the central figures in the development of British experimental electronic music. Having declined a place at the Royal College of Music to become a music balancer at the BBC, she went on to become the co-founder and first director of the BBC Radiophonic Workshop. Oram left the BBC in 1959 to pursue commercial work in television, advertising, film and theatre, to make her own music for recording and performance, and to continue her personal research into sound technology – a passion she had had since her childhood in rural Wiltshire. Her home, a former oasthouse in Kent, became an unorthodox studio and workshop in which, mostly on a shoestring budget, she developed her pioneering equipment, sounds and ideas. A significant part of her personal research was the invention of a machine that offered a new form of sound synthesis – the Oramics machine.\r\rOram’s contribution to electronic music is receiving considerable attention from new generations of composers, sound engineers, musicians, musicologists and music lovers around the world. Following her death, the Daphne Oram Trust was established to preserve and promote her work, life and legacy, and an archive created in the Special Collections Library at Goldsmiths, University of London. One of the Trust’s ambitions has been to publish a new edition of Oram’s one and only book, ‘An Individual Note of Music, Sound and Electronics’, which was originally published in 1972. With support from the Daphne Oram Archive, the Trust has now been able to realize this ambition.\r\r‘An Individual Note’ is both curious and remarkable. When commissioned to write a book, she was keen to avoid it becoming a manual or how-to guide, preferring instead to use the opportunity to muse on the subjects of music, sound and electronics, and the relationships between them. At a time when the world was just starting to engage with electronic music and the technology was still primarily in the hands of music studios, universities, and corporations, her approach was both innovative and inspiring, encouraging anyone with an interest in music to think about the nature, capabilities and possibilities that the new sounds could bring. And her thinking was not limited to just the future of the orchestra, synthesizer, computer and home studio, but ventured, with great spirit and wit, into other realms of science, technology, culture and thought. ‘An Individual Note’ is a playful yet compelling manifesto for the dawn of electronic music and for our individual capacity to use, experience and enjoy it.\r\rThis new edition of ‘An Individual Note’ features a specially commissioned introduction from the British composer, performer, roboticist and sound historian Sarah Angliss.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":46376179761499,"sku":"","price":33.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_daphne_oram_an_individual_note_of_music.jpg?v=1679343720"},{"product_id":"undersound","title":"Undersound","description":"\u003cp\u003eThe artist book Undersound is published on the occasion of Moritz Fehr’s (*1981, lives and works in Berlin) \u003ca href=\"https:\/\/www.kunstverein-hildesheim.de\/ausstellungen\/undersound\/\" target=\"_blank\" rel=\"noopener\"\u003esolo exhibition\u003c\/a\u003e at the Hildesheimer Kunstverein. The bronze shimmering cover shows the imprint of the Californian Colosseum-mine, where ore and cyanide had been excavated to win gold and silver. Today the postindustrial landscape is a fallow region, however it provided fertile ground for Fehr’s multimedia working process. Working with field recordings, Sound Art or the latest 3D technologies, the artist researched and depicted the deserted terraces of the mine: the origin of resources for today’s infrastructure. In other works, he followed and reflected on the path of energy, from the plug socket to the transformer station, across power plants and solar cells, visualized in stereoscopic video works and audio compositions. The Villa Romana Prize is Germany’s oldest art fellowship. Ever since 1905, it is awarded annually, usually to four artists. It includes a ten-month fellowship in the artists‘ house Villa Romana, a free studio, and a monthly stipend. Every year, at the end of their stay in Florence, the publications of the Villa Romana Fellows are jointly conceived by the artists.\u003c\/p\u003e\n\u003cdiv class=\"product-contributors\"\u003e\n\u003cspan class=\"label-above\"\u003eContributors: \u003c\/span\u003e\u003cspan class=\"product-contributor\"\u003eKathrin Meyer, Clemens Krümmel, Florian Sprenger\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e--\u003c\/div\u003e\n\u003cdiv\u003eDas Künstlerbuch Undersound erscheint anlässlich der gleichnamigen Ausstellung von Moritz Fehr (*1981) im Hildesheimer Kunstverein. Die Publikation dokumentiert und kommentiert die Arbeiten Colosseum und Mojave (A Person Was Here) von Moritz Fehr und bildet einen Einblick in die technologisch und kunsthistorisch geprägte Arbeitsweise des jungen Berliner Künstlers. „Die hyperreale Darstellung von Landschaft mittels Raumbild und Raumton betont die Annahme, dass die Existenz einer unberührten Natur eine Fantasie ist: Mensch, Technik und Natur sind grundlegend und auf vielschichtige Arten und Weisen miteinander verwoben. Durch den gezielten Einsatz technischer Verstärkung und verschiedener Aufnahmeverfahren thematisieren Moritz Fehrs Arbeiten auch die radikale Erweiterung menschlicher Sinne durch Technologie – und damit die Perspektive, durch technische Vermittlung andere Zugänge zu einer nur scheinbar stillen Umwelt zu finden.“ (Kathrin Meyer, Kuratorin der Ausstellung Undersound) \u003cstrong\u003e\u003ca href=\"http:\/\/www.moritzfehr.de\/\"\u003ewww.moritzfehr.de\u003c\/a\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cimg height=\"480\" width=\"481\" alt=\"\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/06\/zabriskie_undersound-2-481x480.jpg\" class=\"alignnone size-medium wp-image-9645\"\u003e \u003cimg height=\"480\" width=\"474\" alt=\"\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/06\/zabriskie_undersound-3-474x480.jpg\" class=\"alignnone size-medium wp-image-9646\"\u003e \u003cimg height=\"480\" width=\"480\" alt=\"\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/06\/zabriskie_undersound-4-480x480.jpg\" class=\"alignnone size-medium wp-image-9647\"\u003e \u003cimg height=\"480\" width=\"480\" alt=\"\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2017\/06\/zabriskie_undersound-5-480x480.jpg\" class=\"alignnone size-medium wp-image-9648\"\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"border-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px 'Helvetica Neue',Helvetica,sans-serif; color: #ffffff; background: #bd081c no-repeat scroll 3px 50% \/ 14px 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer; top: 748px; left: 20px;\"\u003eSave\u003c\/span\u003e\u003c\/p\u003e","brand":"Anagram","offers":[{"title":"Default Title","offer_id":46376185921883,"sku":null,"price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_undersound-1.jpg?v=1679344023"},{"product_id":"musik","title":"Musik","description":" \u003cdiv id=\"body\"\u003e\r\rWoher kommen die Geräusche der Welt, der Natur, der Tiere, des Menschen und woher kommt die Musik? Michel Serres unternimmt drei musikalische Reisen. Auf der ersten – legendenhaften – begleitet er Orpheus, der von den Orakeln lernt, zu hören und zu verstehen, wie die neun Musen aus den Grundgeräuschen der Welt eine Sprache machen. In der zweiten – persönlichen – zieht Serres seine eigenen Spuren nach, und knüpft einen biographischen Faden anhand von musikalischen Ereignissen, die ihm selbst widerfahren sind. Und schließlich kommt er in der dritten – heiligen – Reise zur Entstehung des biblischen Wortes.\r\r\u003cstrong\u003eMichel Serres\u003c\/strong\u003e (*1930), Mitglied der Académie française und langjähriger Autor bei Merve, hat im Jahr 2010 im Haus der Kulturen der Welt in Berlin seinen Vortrag »Musik und Bacchanalien« in einer Performance gehalten. In den folgenden Monaten hat er daraus das Buch »Musik« entwickelt. Bei Merve erschienen zuletzt die Bände »Kleine Chroniken« (2012) und »Das eigentliche Übel« (2009).\r\rÜbersetzt von Elisa Barth und Alexandre Plank.\r\r\u003c\/div\u003e","brand":"Prolit","offers":[{"title":"Default Title","offer_id":46376193982811,"sku":null,"price":16.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_michel_serres_musik-1.jpg?v=1679344255"},{"product_id":"girl-in-a-band","title":"Girl in a band","description":" \u003cdiv class=\"std expanded\"\u003e\r\rThere are few artists who inspire such reverence as Kim Gordon. In \u003cem\u003eGirl in a Band\u003c\/em\u003e she tells with complete openness the story of her family, her work in the visual arts, her move to New York City, the men in her life, her marriage, her relationship with her daughter, her music and her band. It is a rich and beautifully written memoir, taking us back to the lost New York of the 1980s and '90s that gave birth to and nurtured Sonic Youth and the alternative revolution in popular music they spearheaded. But at its core, \u003cem\u003eGirl in a Band\u003c\/em\u003e is an examination of what partnership means - and what happens when it dissolves.\r\rEvocative and edgy, filled with the sights and sounds of a changing world and a remarkable life, \u003cem\u003eGirl in a Band\u003c\/em\u003e is the moving chronicle of an extraordinary artist.\r\r\u003c\/div\u003e","brand":"KNV","offers":[{"title":"Default Title","offer_id":46376213283163,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_kim_gordon_girl_in_a_band-1.jpg?v=1679345182"},{"product_id":"the-second-sound","title":"The Second Sound","description":" The Second Sound is an imaginary conversation based on the testimonies of musicians and sound artists on the role of gender and sex within their field.\r\rGathering anonymous testimonies from artists of different backgrounds into a single stream of (often contrary) opinions, the book addresses discrimination as a paradigm of otherness, the possibility of gendered music and sound art, and how sound artists and musicians navigate the field.\r\rThe Second Sound raises questions such as: How do life circumstances find their way into music and sound art? How does music reflect historical and social structures? What does discrimination do, and how can we navigate around it? Is the under-representation of women and LGBTQ people in the field a symptom or a cause? Is art itself gendered? And can it reflect the gender of its maker? Is a different way of listening needed to more accurately understand those voices from outside the historical canon?\r\rAlthough this book raises more questions than it answers, it came to be a pledge for embracing artistic differences, for the richness of contextual listening, and for honesty in the expression of concerns and doubts. The responses seem to suggest that understanding differences by theme and not as predetermination is a way to provide freedom in a field of seemingly abstract art.\rBased on the contributions of Adam Smith, Amandine Pras, Amelia Diamond, Amnon Wolman, Amy Reed, Andrea-Jane Cornell, Angela K. Roberts, Barnabas Yianni, Benjamin Mawson, Benjamin Silva-Pereira, Cedrik Fermont, Camila Durães, Carl Golembeski, Cath Meeson, Christina Clar, Claire Williams, Dave Phillips, Dell, Diamanda La Berge Dramm, Diego Garcia, Elizabeth Veldon, Frederik Croene, Furchick, Gívan Belá, Godfried-Willem Raes, Gretchen Jude, Guy De Bièvre, Hannah Reardon-Smith, Jason Kahn, Jorge Bachman, Julie Cambier, Hery Randriambololona, Hilary Jeffery, Ian Shanahan, I.v. Martinez, Jerry Gordon, Jez Riley French, Jim Denley, Joanna Bailie, Jodie Rowe, Joe Bates, Jorge Bachmann, Joseph Foster, Joseph Kudirka, José Villalobos, Julia Teles, Julie Cambier, Julito aka Magnata, Katarina Glowicka, Keenan DuBois, Korhan Erel, L.S.Rosenberg, Larissa Loyva, Liselotte Sels, Matthew Shlomowitz, Max Aggropop, Michael Tuttle, Mila Dietrich, Monica Benet, Nevin Eronde, Nurse, Okkyung Lee, Olivia Block, Omer Eilam, Pak Yan Lau, Pali Meursault, Patricia Janssen, Paula Daunt, Paulo Alves, Pei-Wen Liu, Pete Shepherd, Pia Palme, Pierre Favrez, poemproducer agf Antye Greie, Primož Sukic, Raiza Coelho, Rebecca Hunt, Roel Heremans, Romy Rüegger, Ruta Vitkauskaite, Sally Greenaway, Sarah Snider, Scott Mc Laughlin, Silvia Tarozzi, Steffi Weismann, Stijn Dickel, SusannaFerrar, Szilvia Lednitzky, Travis Johnson, Valeria Merlini, Vera Bremerton, Vesna Tomse, Wendy Van Wynsberghe...\r\rJulia Eckhardt is a musician and curator in the field of the sounding arts. She is founding member and artistic director of Q-O2 workspace in Brussels. As a viola player, she has been involved in various collaborations with composers and improvisers, such as Phill Niblock, Pauline Oliveros, Stevie Wishart, Jennifer Walshe, Wandelweiser-composers, Christian Wolff, Antony Coleman and many of the young generation. She has taught and lectured at art institutes in Leuven and Brussels. Eckhardt is the editor of Grounds for Possible Music – On Gender, Voice, Language, and Identity.","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":46376214856027,"sku":null,"price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_julia_eckhardt_the_second_sound_-1.jpg?v=1679345322"},{"product_id":"grounds-for-possible-music","title":"Grounds for Possible Music","description":" How do we get to imagine the music we make? Where and how is it grounded? What is the relationship between the art and its maker, and what and who does music represent?\r\rGender, voice, language, and identity are four important notions for musical creation, for the shaping of a canon, and for the interactions in the field. All four notions are strongly contextual and carry an inherent sense of paradigm and otherness. Other and self are defined via orientation and history, expressed via voice, and confirmed in language.\r\rIn this publication, these four core notions serve as a set of lenses permitting different perspectives on one another. However much the field of the sounding arts might pretend to be tangential to such affections, they provide important grounds for musical creation.\r\rSome twenty artists have created a variety of outputs - as different in form, strategies, approach, and language, as they are rooted in a variety of sub-fields within the sounding arts. With contributions by AGF aka Antye Greie, Andrea Parkins, Aurélie Lierman, Bonnie Jones, Cathy Lane, Electric Indigo aka Susanne Kirchmayr, Felicity Ford, Heimo Lattner, Jaume Ferrete Vázquez, Judith Laub, Julia Eckhardt, Marc Matter, Marijs Boulogne, Marion Wasserbauer, Myriam Van Imschoot, pali meursault, Peter Westenberg, Richard Scott, Romy Rüegger, Susan McClary, Suzanne Thorpe.\r-\rJulia Eckhardt is a musician and curator in the field of the sounding arts. She is founding member and artistic director of Q-O2 workspace in Brussels. As a viola player, she has been involved in various collaborations with composers and improvisers. She has taught and lectured at art institutes in Leuven and Brussels. Eckhardt is co-author of The Second Sound, conversations on gender and music, together with Leen De Graeve.","brand":"Errant Bodies","offers":[{"title":"Default Title","offer_id":46376214888795,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_julia_eckhardt_grounds_for_possible_music-1.jpg?v=1679345328"},{"product_id":"ghosts-of-my-life-writings-on-depression-hauntology-and-lost","title":"Ghosts of my Life - Writings on Depression, Hauntology and Lost","description":" This collection of writings by Mark Fisher, author of the acclaimed \u003cem\u003eCapitalist Realism\u003c\/em\u003e, argues that we are haunted by futures that failed to happen. Fisher searches for the traces of these lost futures in the work of David Peace, John Le Carré, Christopher Nolan, Joy Division, Burial and many others.\r\rGhosts of My Life confirms that Mark Fisher is our most penetrating explorer of the connections between pop culture, politics, and personal life under the affective regime of digital capitalism. The most admirable qualities of Fisher’s work are its lucidity, reflecting the urgency of his commitment to communicating ideas; his high expectations of popular art’s power to challenge, enlighten, and heal; and his adamant refusal to settle for less. \u003ci\u003e ~ Simon Reynolds, author of Retromania\u003c\/i\u003e\r\rMark Fisher reads the contemporary world like no other analyst of its miseries and madness and mores. He is driven by anger but, miraculously, he never forgets to celebrate, when that reaction is apposite. I find his work exhilarating, fascinating, deeply engaging and, not least, utterly vital; this world we have made for ourselves would be a lesser place without it.\u003ci\u003e ~ Niall Griffiths , award winning novelist and Guardian book reviewer\u003c\/i\u003e","brand":"KNV","offers":[{"title":"Default Title","offer_id":46376215380315,"sku":"","price":18.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_ghosts_of_my_life-1.jpg?v=1679345394"},{"product_id":"didomhnaich-tape-1-kull-amp-silde","title":"Didòmhnaich Tape #1 Kull \u0026 Silde","description":"\u003cp\u003eFor the Didòmhnaich (scottish gaelic for Sunday) events, Berlin's flourishing underground experimental dj scenes comes together. The selectors\/ djs have full freedom to explore the rich history and landscapes of leftfield music during one night. Two 30 minute sections are then dubbed on cassette tape for your home listening.\u003c\/p\u003e\n\u003cp\u003eTROPFEN is a cassette label, linked to a bar in Berlin-Neukölln with coordinates W-58 and run by Kull.\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-type-small\"\u003e\n\u003cdiv\u003eRecorded on Sunday 3rd of December 2017 at W58, with Kull \u0026amp; Silde on the decks.\u003cbr\u003e\u003cbr\u003eTracklist: \u003cbr\u003eNo Artist – Get By In French\u003c\/div\u003e\n\u003cdiv\u003eYasuaki Shimizu - Honda \/ Suntory \/ Knorr \u003cbr\u003eThe Art Of Noise - Paranoimia Baron Rétif \u0026amp; Concepción \u003cbr\u003ePerez - L'indien \u003cbr\u003eHardijs Lediņš - Black Hole \u003cbr\u003ePatrick Cowley - The Runner \u003cbr\u003eRobert Aiki Aubrey Lowe - Magnamite \u003cbr\u003eBeak\u0026gt; - Blagdon Lake \u003cbr\u003eWitthüser \u0026amp; Westrupp - Schöpfung (1. Mose 1) \u003cbr\u003eSusumu Yokota - Kawano Hotorino Kinoshitade\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Marc Kull","offers":[{"title":"Default Title","offer_id":46376217411931,"sku":null,"price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_tropfen-1.jpg?v=1679345529"},{"product_id":"rave-on","title":"Rave On: Global Adventures in Electronic Dance","description":" Peace, Love, Unity, and Respect. Cultural liberation and musical innovation. Pyrotechnics, bottle service, bass drops, and molly.Electronic dance music has been a vital force for more than three decades now, and has undergone transformation upon transformation as it has taken over the world. In this searching, lyrical account of dance music culture worldwide, Matthew Collin takes stock of its highest highs and lowest lows across its global trajectory. Through firsthand reportage and interviews with clubbers and DJs, Collin documents the itinerant musical form from its underground beginnings in New York, Chicago, and Detroit in the 1980s, to its explosions in Ibiza and Berlin, to today’s mainstream music scenes in new frontiers like Las Vegas, Shanghai, and Dubai. Collin shows how its dizzying array of genres—from house, techno, and garage to drum and bass, dubstep, and psytrance—have given voice to locally specific struggles. For so many people in so many different places, electronic dance music has been caught up in the search for free cultural space: forming the soundtrack to liberation for South African youth after Apartheid; inspiring a psychedelic party culture in Israel; offering fleeting escape from—and at times into—corporatization in China; and even undergirding a veritable “independent republic” in a politically contested slice of the former Soviet Union.Full of admiration for the possibilities the music has opened up all over the world, Collin also unflinchingly probes where this utopianism has fallen short, whether the culture maintains its liberating possibilities today, and where it might go in the future.\r\u003cdiv\u003e\u003c\/div\u003e\r\u003cstrong\u003eMatthew Collin\u003c\/strong\u003e is the author of \u003ci\u003eAltered State\u003c\/i\u003e, the definitive story of acid house and rave culture in Britain. He has worked as a foreign correspondent for the BBC, Al Jazeera and Agence France-Presse, and as editor for \u003ci\u003ei-D \u003c\/i\u003emagazine, the \u003ci\u003eTime Out\u003c\/i\u003e website, the \u003ci\u003eBig Issue\u003c\/i\u003e and the Balkan Investigative Reporting Network. He has also written for many newspapers and magazines, including the \u003ci\u003eWire\u003c\/i\u003e, \u003ci\u003eGuardian\u003c\/i\u003e, \u003ci\u003eObserver\u003c\/i\u003e, \u003ci\u003eMixmag\u003c\/i\u003e and \u003ci\u003eMojo\u003c\/i\u003e.\r\u003cp class=\"block-new-releases\"\u003eIntroduction Let the Music Use You\r1 Techno Cities #1 Detroit\r2 Techno Cities #2 Berlin\r3 Fantasy Island Ibiza\r4 Electric Dream Machine Las Vegas\r5 House Nation South Africa\rInterlude Pirates of the Black Sea\r6 Temporary Autonomous Zone France\r7 The Party at the End of the Road Israel\r8 The Outer Limits Shanghai\r9 Aliens in the Desert Dubai\r10 The Promised Land New York\rAcknowledgements\rPhotography credits\rSelected bibliography\rNotes\rIndex\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":46376218165595,"sku":null,"price":16.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_rave_on-1.jpg?v=1679345599"},{"product_id":"gerausche-ritornelle-fur-eine-kunstgeschichte-des-klangs","title":"Geräusche, Ritornelle für eine Kunstgeschichte des Klangs","description":" \u003cstrong\u003e Von Fra Angelico und Claudio Monteverdi zu Marcel Duchamp und Terry Fox\u003c\/strong\u003e\r\u003cp class=\"bodytext\"\u003eDer Sound der Wiederholung ist das Ritornell. Es entzieht sich der standardisierten und serialisierten Subjektivitätsproduktion und schafft in der Differenz einen Möglichkeitsraum. Ausgehend von dieser an Gilles Deleuze und auch Félix Guattari angelehnten Beschreibung des vom Barock geprägten Ritornells ist mit ihm ein Verfahren gekennzeichnet, welches sich aus den von Michael Glasmeier betrachteten Kunstwerken selbst ergibt. Es webt sich wie ein ästhetisches Paradigma durch die hier versammelten Texte, die sich zwischen einer künstlerischen und wissenschaftlichen Praxis verorten lassen.\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eDie in diesem Buch versammelten Essays und Vorträge  von Michael Glasmeier zu Samuel Beckett, John Cage, Henning Christiansen, Marcel Duchamp, Albrecht Dürer, Terry Fox, Rodney Graham, Christan Marclay, Claudio Monteverdi, Jacques Tati, in denen es um Atem, Stille, Pause, Pfeiffen, Singen, Töne, Klang, Geräusche, Lieder, aber auch um Raum und Handlungen, Filme und Bilder geht, zeigen immer neue Facetten eines Möglichkeitsraums zwischen Kunst und Musik auf. Sie können so als Ritornelle einer Kunstgeschichte gelesen werden, mit der Absicht, deren Horizont hin zur Musik und Musikgeschichte zu erweitern.\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eDie in den Texten entfaltete Intellektualität, Magie, Anarchie und Komik im Denken und die subversive Dimension im Produzieren lassen eine Komplexität zwischen Kunst und Musik hervortreten, die bereichert und sich nie zufrieden geben wird.\u003c\/p\u003e\r\u003cb\u003eMichael Glasmeier \u003c\/b\u003e (* 1951 in Bochum) ist Professor für Kunstwissenschaft, Essayist, Publizist, Lyriker und Ausstellungsmacher. Schwerpunkte seiner Arbeit sind die vielfältigen Beziehungen von bildender Kunst, Musik, Sprache, Film, Fotografie, Theater untereinander und zur Komik, Diskretion, Handlungsform oder Bildstrategie.\r\u003cp class=\"bodytext\"\u003e\u003cimg class=\"alignnone size-full wp-image-15387\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2018\/06\/zabriskie_michael_glasmeier_gerausche_ritornelle_fuer_eine_kunstgeschichte_des_klangs-2.jpg\" alt=\"\" width=\"1200\" height=\"1200\"\u003e \u003cimg class=\"alignnone size-full wp-image-15388\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2018\/06\/zabriskie_michael_glasmeier_gerausche_ritornelle_fuer_eine_kunstgeschichte_des_klangs-3.jpg\" alt=\"\" width=\"1200\" height=\"1200\"\u003e \u003cimg class=\"alignnone size-full wp-image-15389\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2018\/06\/zabriskie_michael_glasmeier_gerausche_ritornelle_fuer_eine_kunstgeschichte_des_klangs-4.jpg\" alt=\"\" width=\"1200\" height=\"1200\"\u003e \u003cimg class=\"alignnone size-full wp-image-15390\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2018\/06\/zabriskie_michael_glasmeier_gerausche_ritornelle_fuer_eine_kunstgeschichte_des_klangs-5.jpg\" alt=\"\" width=\"1200\" height=\"1200\"\u003e\u003c\/p\u003e","brand":"Textem","offers":[{"title":"Default Title","offer_id":46376218591579,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_michael_glasmeier_gerausche_ritornelle_fuer_eine_kunstgeschichte_des_klangs-1.jpg?v=1679345661"},{"product_id":"sounds-like-silence-john-cage-4-33-silence-today","title":"Sounds Like Silence - John Cage - 4’33” – Silence Today","description":" \u003cdiv class=\"panel-pane pane-entity-field pane-node-body\"\u003e\r\u003cdiv class=\"pane-content\"\u003e\r\u003cdiv class=\"field field-name-body field-type-text-with-summary field-label-hidden\"\u003e\r\u003cdiv class=\"field-items\"\u003e\r\u003cdiv class=\"field-item even\"\u003e\r\rThe title of this book and the exhibition it documents—Sounds Like Silence—is ambiguous. On the one hand, silence effectively »sounds«—or as Cage put it, »There is no such thing as silence.« On the other hand, sound needs silence in order to be heard. Even if complete silence does not exist, every sound implicitly conveys the notion of silence: there is no presence without absence. The double meaning of Sounds Like Silence therefore touches upon the central issues at stake in this project: what do we hear when there is nothing to hear; to what extent do we long for silence; and how much silence can we cope with—provided it even exists?\rJohn Cage’s 4’33” (four minutes, thirty-three seconds) premiered on August 29, 1952. This book presents new theoretical writings and artistic works referring to this groundbreaking work, together with original scores and the composer’s own variations, derivatives, and sequels of the »silent piece« in the years from 1962 to 1992.\r\rText: Inke Arns, Brandon LaBelle, Dieter Daniels, David Toop, Dörte Schmidt, Julia H. Schröder, Jan Thoben\r\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e","brand":"GVA, Jessica Reitz","offers":[{"title":"Default Title","offer_id":46376219214171,"sku":"","price":32.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_cage_sounds_like_silence-1.jpg?v=1679345743"},{"product_id":"all-in-the-downs-reflections-on-life-landscape-and-song","title":"All in the Downs - Reflections on Life, Landscape and Song","description":" A legendary singer, folklorist, and music historian, Shirley Collins has been an integral figure in the English folk music scene for more than sixty years. In her new memoir, \u003ci\u003eAll in the Downs\u003c\/i\u003e, Collins tells the story of that lifelong relationship with English folksong—a dedication to artistic integrity that has guided her through the triumphs and tragedies of her life.\r\r\u003ci\u003eAll in the Downs\u003c\/i\u003e combines elements of memoir—from her working-class origins in wartime Hastings to the bright lights of the 1950s folk revival in London—alongside reflections on the role traditional music and the English landscape have played in shaping her vision. From formative field recordings made with Alan Lomax in the United States to the “crowning glories” recorded with her sister Dolly on the Sussex Downs, she writes of the obstacles that led to her withdrawal from the spotlight and the redemption of a new artistic flourishing that continues today with her unexpected return to recording in 2016.\r\rThrough it all, Shirley Collins has been guided and supported by three vital and inseparable loves: traditional English song, the people and landscape of her native Sussex, and an unwavering sense of artistic integrity. \u003ci\u003eAll in the Downs\u003c\/i\u003e pays tribute to these passions, and in doing so, illustrates a way of life as old as England, that has all but vanished from this land.\r\r\u003cstrong\u003eAbout the Author\u003c\/strong\u003e\r\u003cstrong\u003eShirley Collins\u003c\/strong\u003e MBE  is a renowned folk singer who has recorded over 20 albums, and the author of \u003cem\u003eAmerica Over the Water\u003c\/em\u003e (2004). She is the president of the English Folk Dance and Song Society in London. Her critically lauded album \u003ci\u003eLodestar\u003c\/i\u003e, released in 2016, marked a triumphant return to performance after thirty eight years. Shirley was recently the subject of a feature documentary film, \u003cem\u003eThe Ballad of Shirley Collins\u003c\/em\u003e.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":46376227012955,"sku":null,"price":22.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_shirley_collins_all_in_the_downs.jpg?v=1679346108"},{"product_id":"didomhnaich-tape-2-spatzhabibi","title":"Didòmhnaich Tape #2 Spatzhabibi","description":"\u003cdiv class=\"sc-type-small\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eFor the Didòmhnaich (scottish gaelic for Sunday) events, Berlin's flourishing underground experimental dj scenes comes together. The selectors\/ djs have full freedom to explore the rich history and landscapes of leftfield music during one night. Two 30 minute sections are then dubbed on cassette tape for your home listening.\u003cbr\u003e\u003cbr\u003eTROPFEN is a cassette label, linked to a bar in Berlin-Neukölln with coordinates W-58 and run by Kull.\u003cbr\u003e\u003cbr\u003eRecorded on Sunday 8th of April 2018 at W-58, Berlin Neukölln, with dj team Spatzhabibi on the decks.\u003cbr\u003e\u003cbr\u003eTracklist:\u003cbr\u003eIhor Tsymbrovsky - Come, Angel\u003cbr\u003eChi - Dance\u003cbr\u003eHaruomi Hosono - The Paradise View\u003cbr\u003eMichel Banabila - Marilli VII\u003cbr\u003eIrene Papas \u0026amp;amp; Vangelis - Lamento\u003cbr\u003eLucrecia Dalt - Mirage\u003cbr\u003eChi - Hopi\u003cbr\u003eSavant - Sensible Music\u003cbr\u003eRotterdans - Interference\u003cbr\u003eDeux Filles - Who Art In Heaven\u003cbr\u003eGiuseppe Leonardi - Orpheu\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Marc Kull","offers":[{"title":"Default Title","offer_id":46376227307867,"sku":null,"price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_tapes_tropfen_spatzhabibi.jpg?v=1679346150"},{"product_id":"deep-listening-a-composers-sound-practice","title":"Deep Listening: A Composer's Sound Practice","description":" Deep Listening: A Composer's Sound Practice offers an exciting guide to ways of listening and sounding. This book provides unique insights and perspectives for artists, students, teachers, mediators and anyone interested in how consciousness may be effected by profound attention to the sonic environment.Deep Listening® is a practice created by composer Pauline Oliveros in order to enhance her own as well as other's listening skills. She teaches this practice worldwide in workshops, retreats and in her ground breaking Deep Listening classes at Rensselaer Polytechnic Institute and Mills College. Deep Listening practice is accessible to anyone with an interest in listening. Undergraduates with no musical training benefit from the practices and successfully engage in creative sound projects. Many report life changing effects from participating in the Deep Listening classes and retreats. Oliveros is recognized as a pioneer in electronic music and a leader in contemporary music as composer, performer, educator and author. Her works are performed internationally and her improvisational performances are documented extensively on recordings, in the literature and on the worldwide web.","brand":"Gardners","offers":[{"title":"Default Title","offer_id":46376227373403,"sku":null,"price":17.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_pauline_oliveros_deep_listening-1.jpg?v=1679346156"},{"product_id":"ocean-of-sound","title":"Ocean of Sound - Ambient sound and radical listening in the age of communication","description":"\u003cp\u003eDavid Toop's extraordinary work of sonic history travels from the rainforests of Amazonas to the megalopolis of Tokyo via the work of artists as diverse as Brian Eno, Sun Ra, Erik Satie, Kate Bush, Kraftwerk and Brian Wilson.\u003c\/p\u003e\n\u003cdiv class=\"std\"\u003eBeginning in 1889 at the Paris exposition when Debussy first heard Javanese music performed, \u003ci\u003eOcean of Sound \u003c\/i\u003echannels the competing instincts of 20th century music into an exhilarating, path-breaking account of ambient sound. \u003cbr\u003e\u003cbr\u003e\u003cb\u003e'A meditation on the development of modern music, there's no single term that is adequate to describe what Toop has accomplished here ... mixing interviews, criticism, history, and memory, Toop moves seamlessly between sounds, styles, genres, and eras' - \u003c\/b\u003e\u003ci\u003ePitchfork'\u003c\/i\u003es '60 Favourite Music Books'\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eDavid Toop is an English musician, author and professor of audio culture and improvisation at the London College of Communication. He was a member of the Flying Lizards and a contributor to the British magazine \u003ci\u003eThe Face\u003c\/i\u003e. He is a regular contributor to \u003ci\u003eThe Wire\u003c\/i\u003e, has recorded Yanomami shamanism in Amazonas, appeared on Top of the Pops, exhibited sound installations in Tokyo, Beijing and London's National Gallery, and performed with artists ranging from John Zorn, Evan Parker, Bob Cobbing and Ivor Cutler to Akio Suzuki, Elaine Mitchener, Lore Lixenberg and Max Eastley. He has published five books, including \u003ci\u003eOcean of Sound\u003c\/i\u003e, and released eight solo albums.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":46376227471707,"sku":null,"price":19.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_david_toop_ocean_of_sound-1-1.jpg?v=1679346171"},{"product_id":"techno-studies-asthetik-und-geschichte-elektronischer-tanzmusik","title":"Techno Studies. Ästhetik und Geschichte elektronischer Tanzmusik","description":" \u003cstrong\u003e\u003cspan class=\"auto-style1\"\u003eINHALT:\u003c\/span\u003e\u003c\/strong\u003e\u003cbr class=\"auto-style1\"\u003e\u003cbr class=\"auto-style1\"\u003e\u003cspan class=\"auto-style1\"\u003eKim Feser, Matthias Pasdzierny: „… and a musicologist present at all times“ –\relektronische Tanzmusik im Fokus populärer Diskurse und akademischer\rForschung. Einleitung  \u003c\/span\u003e\r\r\u003cbr class=\"auto-style1\"\u003e\u003cspan class=\"auto-style1\"\u003e\u003cstrong\u003eSascha Kösch (Bleed): Techno Review Lounge I \u003c\/strong\u003e \u003c\/span\u003e\r\r\u003cspan class=\"auto-style1\"\u003eRosa Reitsamer: Die Praxis des Techno. Zur theoretischen und methodischen\rErfassung elektronischer Musikkulturen\r\u003c\/span\u003e \u003cbr class=\"auto-style1\"\u003e\u003cspan class=\"auto-style1\"\u003eJochen Bonz: Am Nullpunkt der Identifikation. Beobachtungen an Techno als\rexpressive culture \u003c\/span\u003e \u003cbr class=\"auto-style1\"\u003e\u003cbr class=\"auto-style1\"\u003e\u003cspan class=\"auto-style1\"\u003eDiedrich Diederichsen: „Vom Ereignis erzählen … das Ereignis auslösen“\r(Kommentar)  \u003c\/span\u003e\r\r\u003cbr class=\"auto-style1\"\u003e\u003cbr class=\"auto-style1\"\u003e\u003cspan class=\"auto-style1\"\u003e\u003cstrong\u003eSascha Kösch (Bleed): Techno Review Lounge II\u003c\/strong\u003e \u003c\/span\u003e\r\r\u003cspan class=\"auto-style1\"\u003eLuis-Manuel Garcia: Anonym, verkörpert, anders. Queere Angelegenheiten bei der\rFeldforschung in Nightlife-Szenen  \u003c\/span\u003e \u003cbr class=\"auto-style1\"\u003e\u003cbr class=\"auto-style1\"\u003e\u003cspan class=\"auto-style1\"\u003eDaniel Schneider: Party im Schuber – über die Archivierbarkeit von Techno und\rClubkultur \u003c\/span\u003e\u003cbr class=\"auto-style1\"\u003e\u003cbr class=\"auto-style1\"\u003e\u003cspan class=\"auto-style1\"\u003eJudith Keilbach: We Call it Techno! Zeitzeugen und die filmische ­Konstruktion von\rTechnogeschichte\r\u003c\/span\u003e\u003cbr class=\"auto-style1\"\u003e\u003cspan class=\"auto-style1\"\u003eMatthias Pasdzierny: „Das Nachkriegstrauma abgetanzt“? Techno und die\rdeutsche Zeitgeschichte  \u003c\/span\u003e\u003cbr class=\"auto-style1\"\u003e\u003cbr class=\"auto-style1\"\u003e\u003cspan class=\"auto-style1\"\u003eSean Nye: Von ‚Berlin Minimal‘ zu ‚Maximal EDM‘. Genrediskurse ­zwischen\rDeutschland und den USA\u003c\/span\u003e\r\r\u003cbr class=\"auto-style1\"\u003e\u003cspan class=\"auto-style1\"\u003eFraktus – ein Techno-Mythos? Carsten Meyer und Jacques Palminger im\rGespräch mit Klaus Walter \u003c\/span\u003e\r\r\u003cbr class=\"auto-style1\"\u003e\u003cspan class=\"auto-style1\"\u003eStefan Goldmann: Kreuzmodulation. Entwurf einer ­Techno-Ästhetik\r\u003c\/span\u003e\u003cbr class=\"auto-style1\"\u003e\u003cspan class=\"auto-style1\"\u003eBarbara Volkwein: Klangzeitgeschehen. Werkanalyse elektronischer Clubmusik\r\u003c\/span\u003e\u003cbr class=\"auto-style1\"\u003e\u003cspan class=\"auto-style1\"\u003eMartha Brech: Zwischen den Ohren – konzertanter und hörorientierter Techno\u003c\/span\u003e\u003cbr class=\"auto-style1\"\u003e\u003cbr class=\"auto-style1\"\u003e\u003cspan class=\"auto-style1\"\u003eJens Gerrit Papenburg: Boomende Bässe der Disco- und Clubkultur. Musikanalytische Herausforderungen durch taktile Klänge\u003c\/span\u003e\u003cbr class=\"auto-style1\"\u003e\u003cbr class=\"auto-style1\"\u003e\u003cspan class=\"auto-style1\"\u003eMark J. Butler: Kommunikative Strategien und Ideologien von Liveness bei Laptop Performances\u003c\/span\u003e\u003cbr class=\"auto-style1\"\u003e\u003cbr class=\"auto-style1\"\u003e\u003cspan class=\"auto-style1\"\u003eKim Feser: Ein Sequenzer kommt selten allein. Zur Handhabung musikalischer Automatisierung – ästhetische Diskurse und technische Entwicklungen\u003c\/span\u003e\r\r\u003cbr class=\"auto-style1\"\u003e\u003cstrong\u003e\u003cspan class=\"auto-style1\"\u003eSascha Kösch (Bleed): Techno Review Lounge III\u003c\/span\u003e\u003c\/strong\u003e","brand":"KNV","offers":[{"title":"Default Title","offer_id":46376228225371,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_techno_asthetik_und_geschichte_elektronischer_tanzmusik.jpg?v=1679346244"},{"product_id":"in-a-qu-a-re-time-and-place","title":"In a Qu*A*re Time and Place","description":" Post-Slavery Temporalities, Blaxploitation, and Sun Ra’s Afrofuturism between Intersectionality and Heterogeneity.\rEditors for the Tim Stüttgen Archiv: Max Jorge Hinderer, Liad Kantorowicz, Nicolas Siepen, Margarita Tsomou.\r\r\u003cspan style=\"color: #000000; font-family: Helvetica, Arial,                            sans-serif;\"\u003eIn this book Tim Stüttgen considers the paradigm of (post-)slavery as an important epistemological break within predominantely white Gender and Queer Studies, as well as within critical Film and Cultural Studies. Departing from what E. Patrick Johnson has proposed as a specifically intersectional »quAre«, instead of an »unmarked white queer perspective«, this book contrasts Deleuze’s cinema theory with Frantz Fanon, queer theories of color, the history of the African diaspora and utopian quAre futurisms to establish notions of a black locality, mobility and temporality in what Stüttgen calls the first emancipatory black cinema: Blaxploitation. Digging deeper in the imagery and temporalities of Blaxploitation film, his analysis deals with the sexualization of racism and mass media imagery of armed black liberation struggles, and shows the development of more and more complex spaces, main characters and representational constellations, including black revolutionary women (with guns) and also queer subtexts.\r\rFollowing the analysis of a specifically black movement-image, the book engages in a comprehensive intersectional reading of John Coney’s legendary 1974 Sun Ra film Space is the Place, crystallizing the concept of a »black time-image« that interconnects formal aesthetic concepts to afro-futurist queer utopias. By producing these sorts of »quAre assem- blages« Stüttgen ultimately aims at an epistemological renewal of the dominant discourses on race, class and gender, that helps to at least temporarily suspend reifying identity pat- terns at stake, and rethink them critically based on the principles of intersectionality and heterogeneity.\u003c\/span\u003e","brand":"Bbooks","offers":[{"title":"Default Title","offer_id":46376228913499,"sku":null,"price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_tim_stuettgen_IN-A-QUARE-TIME-AND-PLACE-1.jpg?v=1679346287"},{"product_id":"b-berghain-die-clubmaschine-kleiner-stimmungs-atlas-in-einze","title":"B - Berghain, Die Clubmaschine (Kleiner Stimmungs-Atlas in Einzelbänden)","description":" \u003cp class=\"bodytext\"\u003eDas Berghain als Kondensat von Subkultur, als masturbatorisches Ereignis, als Geldmaschine. Über Subjektivierungsweisen des Clubs, über Befreiung und Gleichschaltung.\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003e»Die Clubmaschine« versteht sich als ein Mix aus Erfahrungsbericht, philosophischer Analyse und historischer Erzählung, der »das Berghain« als Inbegriff der Berliner Clubkultur unter die Lupe nimmt. Das Buch ist kein verklärender Szenebericht, sondern der Versuch, aus der Dunkelheit eines Clubs makropolitische Spannungen, Tendenzen und Widersprüche unserer Gesellschaft ans Licht zu bringen, den Untergrund dieser Maschinenliebe zu ergründen und das postindustrielle Lebensgefühl zu verstehen.\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eEin Zeitporträt anhand eines der angesagtesten Clubs der Gegenwart.\u003c\/p\u003e\r\u003cp class=\"bodytext\"\u003eJorinde Schulz ist Autorin, Agentin und Aktivistin. Kilian Jörg ist Philosoph und Künstler.Beide sind Mitglieder des Kollektivs \u003ci\u003e\u003cb\u003ephilosophy unbound\u003c\/b\u003e\u003c\/i\u003e und experimentieren als Autorenduo seit Jahren mit alternativen Schreibformen für Philosophie.\u003c\/p\u003e","brand":"Textem","offers":[{"title":"Default Title","offer_id":46376231698779,"sku":null,"price":16.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_neu_webseite_-3.jpg?v=1679346594"},{"product_id":"high-static-dead-lines","title":"High Static, Dead Lines - Sonic Spectres \u0026 the Object Hereafter","description":"\u003cp\u003eA favourite book of Nuno Da Luz, selected for our \u003ca rel=\"noopener\" href=\"https:\/\/zabriskie.de\/blogs\/zabriskie-rewind\/zabriskie-rewind-2020\" target=\"_blank\"\u003e2020 Rewind\u003c\/a\u003e.\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eA literary mix tape that explores the entwined boundaries between sound, material culture, landscape and esoteric belief.\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003eTrees rigged up to the wireless radio heavens. A fax machine used to decode the language of hurricanes. A broadcast ghost that hijacked a television station to terrorize a city. A failed computer factory in the desert with a slap-back echo resounding into ruin.In High Static, Dead Lines, media historian and artist Kristen Gallerneaux weaves a literary mix tape that explores the entwined boundaries between sound, material culture, landscape, and esoteric belief. Essays and fictocritical interludes are arranged to evoke a network of ley lines for the “sonic spectre” to travel through—a hypothetical presence that manifests itself as an invisible layer of noise alongside the conventional histories of technological artifacts.The objects and stories within span from the mid-nineteenth century to the present day, touching upon military, communications, and cultural history. A connective thread is the recurring presence of sound—audible, self-generative, and remembered—charting the contentious sonic histories of paranormal culture. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eKristen Gallerneaux\u003c\/strong\u003e is a writer, folklorist, and artist. She has published on topics as diverse as mathematics in midcentury design, the visual history of telepathy research, the world's first mouse pad, and car audio bass battles in Miami. She is also Curator of Communications and Information Technology at the Henry Ford Museum in Dearborn, Michigan, where she continues to build upon one of the largest historic technology collections in North America. \u003cimg class=\"alignnone size-full wp-image-19559\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2018\/12\/zabriskie_kristen_gallerneaux_high_static_dead_lines_02.jpg\" alt=\"\" width=\"1936\" height=\"1936\"\u003e\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":46376237138267,"sku":null,"price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_kristen_gallerneaux_high_static_dead_lines_01.jpg?v=1679346814"},{"product_id":"didomhnaich-tape-3-fog-puma-amp-et-kin","title":"Didòmhnaich Tape #3 Fog Puma \u0026 Et Kin","description":"\u003cp\u003eFor the Didòmhnaich (scottish gaelic for Sunday) events, Berlin's flourishing underground experimental dj scenes comes together. The selectors\/ djs have full freedom to explore the rich history and landscapes of leftfield music during one night. Two 30 minute sections are then dubbed on cassette tape for your home listening.\u003c\/p\u003e\n\u003cp\u003eTROPFEN is a cassette label, linked to a bar in Berlin-Neukölln with coordinates W-58 and run by Kull.\u003cbr\u003e\u003cbr\u003eRecorded on Sunday 10th of June 2018 at W58, with Fog Puma and Et Kin on the decks.\u003cbr\u003e\u003cbr\u003eTracklist: \u003cbr\u003ePeter Westheimer - Cadaghi Dreaming \u003cbr\u003eBitchin Bajas - Planete T \u003cbr\u003eEleventeen Eston - I Remember \u003cbr\u003eEmeralds - Access Granted \u003cbr\u003eSerge Bulot - Euryale \u003cbr\u003ePopol Vuh - Das Schloss des Irrtums \u003cbr\u003eVangelis O. Papathanassiou - We Are All Uprooted\u003cbr\u003eIngleton Falls - High \u003cbr\u003eNovalis - Sommerabend \u003cbr\u003eRoland Bocquet - Paradia   \u003c\/p\u003e","brand":"Marc Kull","offers":[{"title":"Default Title","offer_id":46376238842203,"sku":null,"price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_tapes_tropfen_fog_puma-1.jpg?v=1679346883"},{"product_id":"record-culture-magazine-issue-5","title":"Record Culture Magazine - Issue 5","description":" Featuring Raphaël Top-Secret, Julianna Barwick, Misha Hollenbach, Jacques Renault, Carla Dal Forno, Arthur Russell Invites, Michael Kucyk, Avalon Emerson, Thomas Bullock, Dubby, Marie Davidson and Bell Towers.\r\u003cdiv class=\"col sqs-col-9 span-9\"\u003e\r\u003cdiv class=\"row sqs-row\"\u003e\r\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\r\u003cdiv id=\"block-cb3dff41bde0822735e5\" class=\"sqs-block html-block sqs-block-html\"\u003e\r\u003cdiv class=\"sqs-block-content\"\u003e\r\rRecord Culture Magazine is a bi-annual publication that focuses on niche music communities around the world and their intersection with the worlds of art, fashion and culture.\r\rLed by in-depth interviews, image portfolios and photography that gives a unique view into homes and studio spaces.\r\r\u003c\/div\u003e\r \r\r+ Issue 5 supplement:\rRVNG Intl. Experiments in Design and Collaboration: 2003–2018\r72 pages, Saddle stitch, Softcover\r\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003cdiv class=\"col sqs-col-3 span-3\"\u003e\r\u003cdiv id=\"block-yui_3_17_2_37_1458506375666_17074\" class=\"sqs-block spacer-block sqs-block-spacer sized vsize-1\"\u003e\r\u003cdiv class=\"sqs-block-content\"\u003e\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e","brand":"Ra \u0026 Olly","offers":[{"title":"Default Title","offer_id":46376239202651,"sku":null,"price":24.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_record-1.jpg?v=1679346916"},{"product_id":"metaphonics-the-field-works-listeners-guide","title":"Metaphonics - The Field Works Listener's Guide","description":"\u003cp\u003eFor Stuart Hyatt, the world itself is a recording studio where people, places, and things become the instruments. Hyatt has spent the last four years collecting these sounds and arranging them into uniquely site-responsive music. Working collaboratively under the name Field Works, musicians from around the world have contributed over 50 new compositions to this massive collection.\u003c\/p\u003e\n\u003cp\u003eIn \u003cem\u003e\u003cb\u003eMetaphonics The Field Works Listener’s Guide\u003c\/b\u003e\u003c\/em\u003e, Hyatt contributes a complete track-by-track guide to the 7-album Field Works box set, addressing from many angles the interpretation of place through sound. Renowned naturalist \u003cstrong\u003eBernie Krause\u003c\/strong\u003e writes the book’s foreword, establishing a taxonomy of the soundscapes explored in the book’s essays: geophony (earth sounds), biophony (animal sounds), anthropophony (human sounds) and cosmophony (sounds from outer space). Designed by Janneane and Benjamin Blevins of PRINTtEXT, the book features original contributions from Cheryl Tipp, Leah Barclay, Gustavo Valdivia, Enrique Ramirez, Yiorgis Sakellariou, Sarah Laskow, Stuart Fowkes, Budhaditya Chattopadhyay, Manuja Waldia, and Peter Liversidge.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cb\u003eMetaphonics \u003c\/b\u003e\u003c\/em\u003eis released in partnership with Brooklyn-based record label Temporary Residence and includes an audio download card of the entire Field Works collection, featuring never- before-heard music from Juana Molina, The Field, Lali Puna, Pantha du Prince, Kaitlyn Aurelia Smith, Eluvium, Dan Deacon, Matmos, Dntel, Gazelle Twin, Visible Cloaks, The Album Leaf, Loscil, Paul De Jong, Mary Lattimore, Lusine, B Fleischmann, William Tyler, Nick Zammuto, Rafiq Bhatia, Lullatone, Benoit Pioulard, Luke Abbott, Marcus Fischer, Rafael Anton Irisarri, Julien Marchal and many others.\u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cem\u003eIncludes audio download card of the entire Field Works collection\u003c\/em\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eFor more information: \u003ca title=\"stuarthyatt\" href=\"http:\/\/stuarthyatt.org\"\u003estuarthyatt.org\u003c\/a\u003e \u003ca title=\"printtext\" href=\"https:\/\/printtext.co\"\u003ehttps:\/\/printtext.co\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cimg class=\"alignnone size-full wp-image-20179\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/02\/zabriskie_metaphonics-2.jpg\" alt=\"\" width=\"1000\" height=\"1000\"\u003e \u003cimg class=\"alignnone size-full wp-image-20180\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/02\/zabriskie_metaphonics-6.jpg\" alt=\"\" width=\"1000\" height=\"1000\"\u003e\u003c\/p\u003e","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":46376248082779,"sku":null,"price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_metaphonics-1.jpg?v=1679347084"},{"product_id":"vamilienfater-elevating-escalating-tape","title":"Vamilienfater - Elevating \/ Escalating  - Tape (Kinship Tapes)","description":"\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cp\u003eV A M I L I E N F A † E R's vision emerges from the electronic amplification of everyday life, blending an insight into a family life- \/ urban- \/ nature- based on lo-fi field recordings, crippling artefacts from VHS Tapes, encrusted cassettes and digital feedback glitches.\u003c\/p\u003e\n\u003cp\u003eReleased: 22. October 2018\u003c\/p\u003e\n\u003cp\u003eMixed and co-produced by Ian Medina\u003cbr\u003eCover Design: Etkin Çekin\u003cbr\u003eRisoprint: Inkwell Berlin\u003cbr\u003eTape manufactured at Tapedub \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Etkin Cekin","offers":[{"title":"Default Title","offer_id":46376248181083,"sku":null,"price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/IMG_1082.jpg?v=1742313313"},{"product_id":"god-is-god-gig-tape","title":"God is God - GiG  - Tape","description":"\u003cp\u003eGod is God is a collaboration between Galina Ozeran \u0026amp; Etkin Çekin.\u003cbr\u003eMetamorphic imagery occasionally placed on a grayscale where it's easy to play. A bug on a silicon valley, turning into a snake and flying away gently with its little wings, joining a cloud disco where people cook fish at the bar and the beetles sing in dark corners.\u003cbr\u003e\u003cbr\u003eReleased: 22. November 2018\u003c\/p\u003e\n\u003cp\u003eSynthesizer \/ Vocals \/ Fx : Galina Ozeran\u003cbr\u003eDrumsynth \/ Percussion \/ Guitar \/ Fx: Etkin Çekin\u003c\/p\u003e\n\u003cp\u003eArtwork: Dima Rabik\u003cbr\u003eTypography: Galina Ozeran\u003cbr\u003eDesign: Etkin Çekin\u003c\/p\u003e\n\u003cp\u003eThis album is God is God's first session recorded\u003cbr\u003eon a stereo fieldrecorder in March 2018 in Berlin \u003c\/p\u003e","brand":"Etkin Cekin","offers":[{"title":"Default Title","offer_id":46376248377691,"sku":null,"price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_gig_tape_01.jpg?v=1725723134"},{"product_id":"didomhnaich-tape-5-taka-amp-maidengawd","title":"Didòmhnaich Tape #5 Taka \u0026 Maidengawd","description":"\u003cp\u003eFor the Didòmhnaich (scottish gaelic for Sunday) events, Berlin's flourishing underground experimental dj scenes comes together. The selectors\/ djs have full freedom to explore the rich history and landscapes of leftfield music during one night. Two 30 minute sections are then dubbed on cassette tape for your home listening.\u003c\/p\u003e\n\u003cp\u003eTROPFEN is a cassette label, linked to a bar in Berlin-Neukölln with coordinates W-58 and run by Kull.\u003cbr\u003e\u003cbr\u003eRecorded on Sunday 25th of November 2018 at W58, with Taka \u0026amp; Maidengawd on the decks.\u003cbr\u003e\u003cbr\u003eTracklist:\u003cbr\u003eLonnie Holley - Fifth Child Burning - Dust-to-Digital - 2013\u003cbr\u003eThe Dedekind Cut - Tahoe - Kranky - 2018\u003cbr\u003eCurb Dance by Harmonie Korine\u003cbr\u003eThe Lounge Lizards - Uncle Jerry - veraBra Records - 1988\u003cbr\u003eJoel Graham – Geomancy - Music From Memory - 2015\u003cbr\u003eMix-O-Rap - Eyes of A Key - Peoples Potential Unlimited - 2018\u003cbr\u003eRobert Turman - Freedom From Fear - Actual Tapes - 1987\u003cbr\u003eSoliman Gamil - Suite Folklorique: La Nubie - Arion - 1982\u003cbr\u003eA. Kostis - Ap’ Tin Porta Sou Perno - Mississippi Records - 2015\u003cbr\u003eJane Arden - Sleepwalking - Blackest Ever Black - 2016\u003cbr\u003eSoft Machine - Penny Hitch - CBS - 1973\u003cbr\u003eMythen In Tüten - Sansibar - No Fun Records - 1981\u003cbr\u003e\u003c\/p\u003e","brand":"Marc Kull","offers":[{"title":"Default Title","offer_id":46376248672603,"sku":null,"price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_tapes_tropfen_taka_maidengawd-1-copy.jpg?v=1679347154"},{"product_id":"how-to-disappear","title":"How To Disappear","description":"\u003cp\u003e\u003cspan class=\"b_text\"\u003eIf this book had been titled something like “How to listen” or “How to be all ears,” the title would have been appropriate to the content and directly explained the book’s focus. Why, then, does the title prefer to obscure its subject rather than reveal it, running counter to a title’s traditional function? The reason is that this book is grounded in the experience of the unseen listener. Speakers are seen when they speak, whereas listeners recede into the background of the scene dominated by speakers. Listeners spend a long time listening to that around them, and hope to maintain their wall-flower position when they speak—their speech having no need to take front row or appear in the spotlight. The title of this book conceals its subject in a desire to protect the listener from returning to the spotlight once he or she has left it.\u003c\/span\u003e \u003cstrong\u003eHaytham El-Wardany\u003c\/strong\u003e is an Egyptian writer currently residing in Berlin. He recently published \u003ci\u003eKitab Al-Nawm\u003c\/i\u003e (The Book of Sleep). This is the first book in the \u003ca href=\"http:\/\/kayfa-ta.com\/\"\u003eKayfa ta\u003c\/a\u003e series, a publishing initiative of Maha Maamoun and Ala Younis. Each book in the series is a monographic essay commissioned in the style of how-to manuals that situation themselves in the space between the technical and the reflective, the everyday and the speculative, the instructional and the intuitive, and the factual and the fictional.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCopublished with Kayfa ta Translated by Jennifer Leigh Peterson and Robin Moger Design by Julie Peeters  \u003c\/p\u003e\n\u003cp\u003e\u003cimg height=\"1200\" width=\"1200\" alt=\"\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/04\/zabriskie_haytham_el_wardany_how_to_disappear-1-Kopie.jpg\" class=\"alignnone size-full wp-image-21621\"\u003e  \u003c\/p\u003e","brand":"Kayfa Ta + Les Presses du Réel","offers":[{"title":"Default Title","offer_id":46376250573147,"sku":null,"price":9.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_kayfata_How-To-Disappear-1-scaled.jpg?v=1679347376"},{"product_id":"daily-sounds-all-around","title":"Daily Sounds All Around","description":" \u003cstrong\u003e\u003cem\u003eSpuren akustischer Lebenswelten \/ Traces of Acoustic Worlds\r\u003c\/em\u003e\u003c\/strong\u003e\r\rDie auditive, sinnliche Erfahrung von Geräuschen, Klängen und Lärm geschieht im Alltag oft unbewusst und doch prägen sie die Wahrnehmung der umgebenden Welt in nahezu jeder Situation. Die Ausstellung DAILY SOUNDS ALL AROUND untersucht diese alltäglichen Klänge und Geräusche jenseits ihrer gewohnten Umgebungen. Unmittelbar dringen sie in das Ohr ein und machen auf lebensweltliche Phänomene aufmerksam, die im ständigen Rauschen des Alltags untergehen. Peter Cusack, William Engelen, Hanna Hartman, Freya Hattenberger, Rene Hüls, Ketonge, Vera Lossau, Peter C. Simon, Juergen Staack, Jens Schmidt und Junya Oikawa begeben sich in einer künstlerischen Forschung auf die Suche nach Ausdrucksformen akustischer Lebenswelten. Ihre Spurensuche erstreckt sich von Sibirien über Vietnam bis in die Zentren urbaner Großstädte. Nahezu alle Arbeiten basieren auf vor Ort aufgezeichneten Field Recordings und beziehen sich auf Handlungen, Begegnungen oder Gegebenheiten der jeweiligen Umwelt. Die Künstler*innen spüren alltägliche Sounds auf, dekontextualisieren sie und gestalten sinnliche Erfahrungsräume. Die Geräusche und Klänge dehnen sich in Installationen aus, werden in skulpturalen Objekten kanalisiert oder durchdringen den Körper beim Betrachten immateriell in\rRaum und Bewegung.\rEin Soundarchiv und ein Videorundgang zur Ausstellung finden sich unter:\r\u003ca href=\"http:\/\/www.weltkunstzimmer.de\/dailysounds\" target=\"_blank\" rel=\"noopener noreferrer\"\u003ewww.weltkunstzimmer.de\/dailysounds\u003c\/a\u003e\r\rIn our daily routine the auditory and sensorily experience of din, noises and sounds often happens unconsciously but it can influence the perception of our surroundings in almost every situation. DAILY SOUNDS ALL AROUND is an exhibition which examines those sounds and noises apart from their usual acoustic territories. Those sounds can enter immediately in our ears and point us into the auditory phenomenoms which normally get distorted by other noises. Peter Cusack, William Engelen, Hanna Hartmann, Freya Hattenberger, Rene Hüls, Ketonge, Vera Lossau, Peter C. Simon, Juergen Staack, Jens Schmidt and Junya Oikawa went on artistic journeys while searching for acoustic environments with different forms of acoustical expression. Their search reached from Siberia and Vietnam to central places of urban cities. Almost every piece is based on field recordings of particular places and deals with all kinds of meetings, actions and situations.\rThe artists decontextualize ordinary sounds and created a variety of sensoric events. The noises and sounds get extended into sound installations and become sculptural objects which influence and lead the senses of the observer.\rThe archive with videos and playlists can be found at:\r\u003ca href=\"http:\/\/www.weltkunstzimmer.de\/dailysounds\" target=\"_blank\" rel=\"noopener noreferrer\"\u003ewww.weltkunstzimmer.de\/dailysounds\u003c\/a\u003e\r\rIn English and German\rAusstellungskatalog – exhibition catalogue\rMit Beiträgen von\/With content written by Janine Blöß und Holger Schulze\r\r\u003cstrong\u003e\u003ca href=\"https:\/\/www.wolke-verlag.de\/wp-content\/uploads\/2018\/06\/Weltkunstzimmer-Daily-Sounds.pdf\"\u003eInhalt\u003c\/a\u003e\u003c\/strong\u003e\r\r\u003cimg class=\"alignnone size-full wp-image-21777\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/04\/zabriskie_daily_sounds_all_around_innen-1.jpg\" alt=\"\" width=\"1227\" height=\"1200\"\u003e \u003cimg class=\"alignnone size-full wp-image-21779\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/04\/zabriskie_daily_sounds_all_around_innen-2.jpg\" alt=\"\" width=\"1193\" height=\"1200\"\u003e \u003cimg class=\"alignnone size-full wp-image-21781\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/04\/zabriskie_daily_sounds_all_around_innen-3.jpg\" alt=\"\" width=\"1219\" height=\"1200\"\u003e \u003cimg class=\"alignnone size-full wp-image-21783\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/04\/zabriskie_daily_sounds_all_around_innen-4.jpg\" alt=\"\" width=\"1209\" height=\"1200\"\u003e","brand":"pia.nowak@rungeva.de","offers":[{"title":"Default Title","offer_id":46376250868059,"sku":null,"price":14.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_daily_sounds_all_around-1.jpg?v=1679347422"},{"product_id":"spectres-i-composing-listening","title":"Spectres I - Composing Listening","description":"\u003cp\u003eA favourite book of Felicity Mangan, selected for our \u003ca href=\"https:\/\/zabriskie.de\/blogs\/zabriskie-rewind\/zabriskie-rewind-2019\" target=\"_blank\" rel=\"noopener\"\u003e2019 Rewind\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003eThis book has been conceived as both a prism and a manual. Following the “traditional” arc of electroacoustic composition (listen—record—compose—deploy—feel), each of the contributions collected together here focuses in on a personal aspect, a fragment of that thrilling territory that is sonic and musical experimentation. Although the term “experimental music” may now have be understood as referring to a genre, or even a particular style, we ought to hold on to the original use of this term, which was based more on an approach than on any particular aesthetic line to be followed. The experimental is first and foremost a spirit, the spirit of the exploration of unknown territories, a spirit of invention which sees musical composition more as a voyage into uncertain territories than as a self-assured approach working safe within the bosom of fully mapped out and recognized lands. \u003cstrong\u003eWith contributions by \u003c\/strong\u003eFélicia Atkinson, François Bayle, François J. Bonnet, Drew Daniel, Brunhild Ferrari, Beatriz Ferreyra, Stephen O’Malley, Jim O’Rourke, Eliane Radigue, Régis Renouard Larivière, Espen Sommer Eide, Daniel Teruggi, Chris Watson\u003c\/p\u003e","brand":"Les Presses du Réel","offers":[{"title":"Default Title","offer_id":46376252408155,"sku":null,"price":19.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/files\/zabriskie_spectresI.jpg?v=1708442294"},{"product_id":"nightingales-in-berlin-searching-for-the-perfect-sound","title":"Nightingales in Berlin: Searching for the Perfect Sound","description":" \u003cdiv class=\"field-items\"\u003e\r\u003cdiv class=\"field-item odd\"\u003e\r\rA celebrated figure in myth, song, and story, the nightingale has captivated the imagination for millennia, its complex song evoking a prism of human emotions,—from melancholy to joy, from the fear of death to the immortality of art.\r\rBut have you ever listened closely to a nightingale’s song? It’s a strange and unsettling sort of composition—an eclectic assortment of chirps, whirs, trills, clicks, whistles, twitters, and gurgles. At times it is mellifluous, at others downright guttural. It is a rhythmic assault, always eluding capture. What happens if you decide to join in?\r\rAs philosopher and musician David Rothenberg shows in this searching and personal new book, the nightingale’s song is so peculiar in part because it reflects our own cacophony back at us. As vocal learners, nightingales acquire their music through the world around them, singing amidst the sounds of humanity in all its contradictions of noise and beauty, hard machinery and soft melody. Rather than try to capture a sound not made for us to understand, Rothenberg seeks these musical creatures out, clarinet in tow, and makes a new sound with them. He takes us to the urban landscape of Berlin—longtime home to nightingale colonies where the birds sing ever louder in order to be heard—and invites us to listen in on their remarkable collaboration as birds and instruments riff off of each other’s sounds. Through dialogue, travel records, sonograms, tours of Berlin’s city parks, and musings on the place animal music occupies in our collective imagination, Rothenberg takes us on a quest for a new sonic alchemy, a music impossible for any one species to make alone. In the tradition of The Hidden Life of Trees and The Invention of Nature, Rothenberg has written a provocative and accessible book to attune us ever closer to the natural environment around us.\r\r\u003cimg class=\"alignnone size-full wp-image-22126\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/05\/zabriskie_david_rothenberg_nightingales_in_berlin_in_for_the_perfect_sound-1-1.jpg\" alt=\"\" width=\"1200\" height=\"1200\"\u003e\r\r\u003cimg class=\"alignnone size-full wp-image-22129\" src=\"https:\/\/zabriskie.de\/wp-content\/uploads\/2019\/05\/zabriskie_david_rothenberg_nightingales_in_berlin_in_for_the_perfect_sound-3.jpg\" alt=\"\" width=\"1200\" height=\"1200\"\u003e\r\r \r\r\u003c\/div\u003e\r\u003c\/div\u003e","brand":"Gardners, Wiley","offers":[{"title":"Default Title","offer_id":46376252735835,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_david_rothenberg_nightingales_in_berlin_in_for_the_perfect_sound-1.jpg?v=1679347543"},{"product_id":"sss-how-to-imitate-the-sound-of-the-shore-using-two-hands-and","title":"SSS - How to imitate the sound of the shore using two hands and","description":" \u003cspan class=\"b_text\"\u003e\u003ci\u003eSSS: How to imitate the sound of the shore using two hands and a carpet\u003c\/i\u003e is, at first glance, exactly what it claims to be: an in-depth manual for staging a private (or public) performance, in which one uses both hands and a carpet to imitate the sounds of water making contact with land. Istanbul-based artist Cevdet Erek’s book includes diagrams and photographs, which illustrate possible methods for producing this effect, while also addressing theoretical and methodological issues related to the representation of nature.\u003c\/span\u003e\r\r\u003ci\u003eSSS\u003c\/i\u003e is the second book in the Kayfa ta series, a publishing initiative of Maha Maamoun and Ala Younis. Each book in the series is a monographic essay commissioned in the style of how-to manuals that situation themselves in the space between the technical and the reflective, the everyday and the speculative, the instructional and the intuitive, and the factual and the fictional.\r\rCopublished by Kayfa ta and Sternberg Press.","brand":"Hopscotch Reading Room, Idea Books","offers":[{"title":"Default Title","offer_id":46376254112091,"sku":null,"price":8.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0569\/8951\/5850\/products\/zabriskie_kayfata_SSS-How-to-imitate-the-sound-of-the-shore-using-two-hands-and-a-carpet-1-scaled.jpg?v=1679347632"}],"url":"https:\/\/zabriskie.de\/en\/collections\/music-sound.oembed?page=17","provider":"Zabriskie Buchladen für Kultur und Natur","version":"1.0","type":"link"}