33 1/3: Aphex Twin’s Selected Ambient Works Volume II
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- Bloomsbury Publishing
- 2014 ISBN 9781623568900
- 144 pages
- 16.5 × 12 × 1 cm
Extravagantly opaque, willfully vaporous – Aphex Twin’s Selected Ambient Works Volume II, released by the estimable British label Warp Records in 1994, rejuvenated ambient music for the Internet Age that was just dawning. In the United States, it was Richard D. James’s first full length on Sire Records (home to Madonna and Depeche Mode) under the moniker Aphex Twin; Sire helped usher him in as a major force in music, electronic or otherwise.
Faithful to Brian Eno’s definition of ambient music, Selected Ambient Works Volume II was intentionally functional: it furnished chill out rooms, the sanctuaries amid intense raves. Choreographers and film directors began to employ it to their own ends, and in the intervening decades this background music came to the fore, adapted by classical composers who reverse-engineered its fragile textures for performance on acoustic instruments. Simultaneously, “ambient” has moved from esoteric sound art to central tenet of online culture. This book contends that despite a reputation for being beatless, the album exudes percussive curiosity, providing a sonic metaphor for our technologically mediated era of countless synchronized nanosecond metronomes.
“Marc Weidenbaum packs a lot into these 130 pages: a mini-biography of a ground-breaking artist, a capsule history of ambient music, and an example of how digital technology determines how we hear and interpret music.” – Stephen M. Deusner, Pitchfork
“the ‚extravagantly opaque, willfully vaporous‘ chillout room masterpieces of electronic composer Richard D. James, aka Aphex Twin — basically what everyone in the 1990s listened to as they swept up/came down after the rave — get the business from incisive SF writer and archivist Marc Weidenbaum. And really, the pairing couldn’t be any more delicious.” – Marke B., San Francisco Bay Guardian
“Like all good critical studies, Aphex Twin’s Selected Ambient Works Volume II doesn’t provide the illusion of closure; rather, it expands minds, fostering the creation of textual meaning. I can offer no higher praise.” – Caught in the Carousel, Paul Gleason