mono.kultur #34 – Brian Eno – out of print
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- 44 pages
- Softcover, 20 x 15 cm
- 20 × 15 × 0.4 cm
REVALUATION (A WARM FEELING)
“I think of surrendering as an active verb, not a passive verb.”
Brian Eno in conversation with his daughter Irial in a uniquely intimate father/daughter setting that makes it all the more charming and fun – which sums up Brian Eno pretty well, already.
Chances are that you will be far more familiar with Brian Eno and his work than you might realise. Whether you know him as a founding member of the gloriously influential 1970s art-rock outfit Roxy Music, or as the inventor of ambient music, in one breathless career Eno has actually released no less than 25 solo albums and contributed to countless projects and collaborations, but also left his fingerprints on dozens of seminal albums as a producer – think U2, Talking Heads or Coldplay, to name but a few – composed several film scores not to mention the start-up theme for Microsoft’s Windows 95. All of which is to say that it is hard to not be in earshot of his musical influence in one way or another.
What’s more, Eno’s activities and ideas have spread beyond music and into visual arts, writing, teaching, political activism and even app design – the diversity of which illustrate above all else his nature as a true polymath, driven by a seemingly unbounded energy and a deep curiosity for the world around us.
So we didn’t hesitate for one second when the opportunity presented itself to have one of his daughters, Irial Eno, talk to him about the effects of time, technology and music from a very personal viewpoint, weaving in along the way themes of parenting and teenage rebellion, in a conversation that couldn’t be more charming and intimately universal – and seemed to perfectly reflect this typically Eno-esque fashion of approaching familiar issues from an unusual perspective that feels so effortless and yet so substantial.
Interview by Irial Eno
Introductions by Jess Gough & Irial Eno
Portrait by Matt Anker
Design by Kai von Rabenau