Wire Magazine 465 - November 2022

* On the cover: Tyshawn Sorey: The genre straddling polymath unifies improvisation and composition into his own rigorous and powerful sense of expression. By Stewart Smith. Plus: Black Composers: After a century of racist and Eurocentric marginalisation, the AACM and others forged new strategies for creative experimentation. By Paul Steinbeck * Devin Townsend: The Canadian studio wizard gets emotional with synaesthetic prog pyrotechnics. By Joseph Stannard * Joyce: After facing industry sexism and blacklists, the Brazilian singer-songwriter is back on her own terms. By Joshua Minsoo Kim * Horse Lords: The Baltimore noise rock quartet gallop through a panoply of tunings and philosophical ideas. By Dan Wilson * Invisible Jukebox: Big Joanie: Will the UK feminist punk trio want to take The Wire’s mystery selection Back Home? Tested by Leah Kardos. * Andrew Poppy: Wobbly words and mischief from the erstwhile ZTT composer. By Leah Kardos * Backxwash: The Zambian-Canadian producer returns with a cathartic album of horror rap. By Emily Pothast * Xhosa Cole: Birmingham saxophonist illumines the words behind the rhythm makers. By Francis Gooding * Camille Émaille: French percussionist and improvisor gets into the flow of the natural environment. By Clive Bell Unlimited Editions: BLTNM Unofficial Channels: No Choice Records Global Ear: Arahama The Inner Sleeve: Adrian Corker Epiphanies: Raymond MacDonald The Wire Tapper 60 Plus pages of reviews and much more!