Wire Magazine 485 - July 2024

Tomeka Reid: The cellist, composer, improvisor and band leader goes from strength to strength across several creative projects. By Stewart Smith

KMRU: The Kenyan sound artist finds a new mode of listening on his collaboration with Kevin Martin. By Ilia Rogatchevski

Bodies In Motion: Dance and music collide in the creative worlds of Malik Nashad Sharpe, NWAKKE and Bianca Scout. By Emily Bick and Misha Farrant

Gordan: Folk songs of the Balkans plug into noise and industrial currents in this cross-continental trio. By Abi Bliss

Tongue In The Mind: DJ and conceptualist Juliana Huxtable joins forces with Jealous Orgasm and Via App to rock the club. By Claire Biddles

Invisible Jukebox: Karl Bartos: Will the ex-Kraftwerk man have have more fun computing The Wire’s mystery record collection? Tested by Leah Kardos

Global Ear: Serbia’s capital Belgrade is a key hub of East–West musical exchange. By Robert Rigney

Unlimited Editions: Notice Recordings

Unofficial Channels: A Moon Age Daydream

The Inner Sleeve: Alison Cotton on John Cale & Terry Riley’s Church Of Anthrax

Nick Dunston: Afro-surrealist anti-opera from the heart of Berlin’s new music community. By Peter Margasak

Nika Son: From concrete sounds to intermediate states with the Hamburg sound artist. By Louise Gray

Henry Birdsey: Myths and mysteries in New England nurture another style of country music. By Miloš Hroch

Sisso & Maiko: Making a singeli and dance in East Africa’s cutting edge club music scene. By Joshua Minsoo Kim

Epiphanies: Roulette artistic director Jim Staley’s Berlin army adventures prime him for the Downtown NYC scene