Pleasant Place - Issue 6: Topiary
Pleasant Place - Issue 6: Topiary
Guus Kaandorp, Floor Kortman und Lou-Lou van Staaveren
2024
9789083284354Softcover
24 x 18 cm
40 pages
Abholung bei Reichenberger Str. 150 verfügbar
Gewöhnlich fertig in 24 Stunden
Topiary is the practice of trimming and pruning trees and shrubs into clearly defined and fanciful shapes. As an art form, it is a type of living sculpture, and its practice in Europe dates from Roman times. Featured in this issue are a history of topiary and the changing views of nature by botanical philosopher Norbert Peeters; a conversation with Chris Crowder, head gardener of the celebrated topiary gardens at Levens Hall; the ancient Japanese tradition of ‘niwaki’, or sculpting trees; a glimpse of topiary’s future by artist Rustan Söderling; centrefold miniatures by Andrei Pacea, and more. ‘Pleasant Place’ is a growing collection of publications about the art of gardening.
Description
Issue 6: Topiary
The art of trimming and pruning trees and shrubs into fanciful shapes. What’s up with our unrelenting desire to clip and sculpt the natural world into submission?
Including:
Magnum Opus Topiarium – Botanical philosopher Norbert Peeters takes us through the history of topiary and the changing views of nature.
Le Bal Des Ifs – a comic by artist Fiona Lutjenhuis.
Topiary in Art History – From holy, to phallic, to terrifying, topiary has been depicted in many ways.
It may have been a formal garden, once – We talked to the wonderful Chris Crowder, head gardener at Levens Hall, the oldest topiary gardens in the world.
Niwaki – Alec Schellinx observes the Japanese tradition of niwaki
What’s Eating Hedges – Writer Eliot Haworth ponders the fight against suburban monoculture. With illustrations by Jordan Herregraven.
The Shape of Shrubs to Come – A glimpse of the future of topiary by artist Rustan Söderling.
Centrefold miniatures by Andrei Pacea
The cover is by Lou-Lou van Staaveren & Guus Kaandorp and the inside cover is by Jan Dirk van der Burg
Graphic design is by fanfare
Concept and editing by Guus Kaandorp, Floor Kortman and Lou-Lou van Staaveren